Author: Gerry Smyth
Publisher: Springer
ISBN: 1403913676
Category : Literary Criticism
Languages : en
Pages : 247
Book Description
This book reconstitutes the category of 'space' as a crucial element within contemporary cultural, literary and historical studies in Ireland. The study is based on the dual premise of an explosion of interest in the category of space in modern cultural criticism and social inquiry, and the consolidation of Irish studies as a significant scholarly field across a number of institutional and intellectual contexts. Besides a methodological/theoretical introduction and extended case studies, the book includes an auto-critical dimension which extends its interest into the fields of local history and life-writing.
Space and the Irish Cultural Imagination
Author: Gerry Smyth
Publisher: Springer
ISBN: 1403913676
Category : Literary Criticism
Languages : en
Pages : 247
Book Description
This book reconstitutes the category of 'space' as a crucial element within contemporary cultural, literary and historical studies in Ireland. The study is based on the dual premise of an explosion of interest in the category of space in modern cultural criticism and social inquiry, and the consolidation of Irish studies as a significant scholarly field across a number of institutional and intellectual contexts. Besides a methodological/theoretical introduction and extended case studies, the book includes an auto-critical dimension which extends its interest into the fields of local history and life-writing.
Publisher: Springer
ISBN: 1403913676
Category : Literary Criticism
Languages : en
Pages : 247
Book Description
This book reconstitutes the category of 'space' as a crucial element within contemporary cultural, literary and historical studies in Ireland. The study is based on the dual premise of an explosion of interest in the category of space in modern cultural criticism and social inquiry, and the consolidation of Irish studies as a significant scholarly field across a number of institutional and intellectual contexts. Besides a methodological/theoretical introduction and extended case studies, the book includes an auto-critical dimension which extends its interest into the fields of local history and life-writing.
Ciaran Carson
Author: Neal Alexander
Publisher: Liverpool University Press
ISBN: 1789624185
Category : Literary Criticism
Languages : en
Pages : 248
Book Description
An Open Access edition of this book is available on the Liverpool University Press website and the OAPEN library. Ciaran Carson is one of the most challenging and inventive of contemporary Irish writers, exhibiting verbal brilliance, formal complexity, and intellectual daring across a remarkably varied body of work. This study considers the full range of his oeuvre, in poetry, prose, and translations, and discusses the major themes to which he returns, including: memory and history, narrative, language and translation, mapping, violence, and power. It argues that the singularity of Carson’s writing is to be found in his radical imaginative engagements with ideas of space and place. The city of Belfast, in particular, occupies a crucially important place in his texts, serving as an imaginative focal point around which his many other concerns are constellated. The city, in all its volatile mutability, is an abiding frame of reference and a reservoir of creative impetus for Carson’s imagination. Accordingly, the book adopts an interdisciplinary approach that draws upon geography, urbanism, and cultural theory as well as literary criticism. It provides both a stimulating and thorough introduction to Carson’s work, and a flexible critical framework for exploring literary representations of space.
Publisher: Liverpool University Press
ISBN: 1789624185
Category : Literary Criticism
Languages : en
Pages : 248
Book Description
An Open Access edition of this book is available on the Liverpool University Press website and the OAPEN library. Ciaran Carson is one of the most challenging and inventive of contemporary Irish writers, exhibiting verbal brilliance, formal complexity, and intellectual daring across a remarkably varied body of work. This study considers the full range of his oeuvre, in poetry, prose, and translations, and discusses the major themes to which he returns, including: memory and history, narrative, language and translation, mapping, violence, and power. It argues that the singularity of Carson’s writing is to be found in his radical imaginative engagements with ideas of space and place. The city of Belfast, in particular, occupies a crucially important place in his texts, serving as an imaginative focal point around which his many other concerns are constellated. The city, in all its volatile mutability, is an abiding frame of reference and a reservoir of creative impetus for Carson’s imagination. Accordingly, the book adopts an interdisciplinary approach that draws upon geography, urbanism, and cultural theory as well as literary criticism. It provides both a stimulating and thorough introduction to Carson’s work, and a flexible critical framework for exploring literary representations of space.
Cities on the Margin, on the Margin of Cities
Author: Philippe Laplace
Publisher: Presses Univ. Franche-Comté
ISBN: 9782848670188
Category : British literature
Languages : en
Pages : 248
Book Description
Publisher: Presses Univ. Franche-Comté
ISBN: 9782848670188
Category : British literature
Languages : en
Pages : 248
Book Description
Music and Identity in Ireland and Beyond
Author: Mark Fitzgerald
Publisher: Routledge
ISBN: 131709249X
Category : Music
Languages : en
Pages : 368
Book Description
Music and Identity in Ireland and Beyond represents the first interdisciplinary volume of chapters on an intricate cultural field that can be experienced and interpreted in manifold ways, whether in Ireland (The Republic of Ireland and/or Northern Ireland), among its diaspora(s), or further afield. While each contributor addresses particular themes viewed from discrete perspectives, collectively the book contemplates whether ’music in Ireland’ can be regarded as one interrelated plane of cultural and/or national identity, given the various conceptions and contexts of both Ireland (geographical, political, diasporic, mythical) and Music (including a proliferation of practices and genres) that give rise to multiple sites of identification. Arranged in the relatively distinct yet interweaving parts of ’Historical Perspectives’, ’Recent and Contemporary Production’ and ’Cultural Explorations’, its various chapters act to juxtapose the socio-historical distinctions between the major style categories most typically associated with music in Ireland - traditional, classical and popular - and to explore a range of dialectical relationships between these musical styles in matters pertaining to national and cultural identity. The book includes a number of chapters that examine various movements (and ’moments’) of traditional music revival from the late eighteenth century to the present day, as well as chapters that tease out various issues of national identity pertaining to individual composers/performers (art music, popular music) and their audiences. Many chapters in the volume consider mediating influences (infrastructural, technological, political) and/or social categories (class, gender, religion, ethnicity, race, age) in the interpretation of music production and consumption. Performers and composers discussed include U2, Raymond Deane, Afro-Celt Sound System, E.J. Moeran, Séamus Ennis, Kevin O’Connell, Stiff Little Fingers, Frederick May, Arnold
Publisher: Routledge
ISBN: 131709249X
Category : Music
Languages : en
Pages : 368
Book Description
Music and Identity in Ireland and Beyond represents the first interdisciplinary volume of chapters on an intricate cultural field that can be experienced and interpreted in manifold ways, whether in Ireland (The Republic of Ireland and/or Northern Ireland), among its diaspora(s), or further afield. While each contributor addresses particular themes viewed from discrete perspectives, collectively the book contemplates whether ’music in Ireland’ can be regarded as one interrelated plane of cultural and/or national identity, given the various conceptions and contexts of both Ireland (geographical, political, diasporic, mythical) and Music (including a proliferation of practices and genres) that give rise to multiple sites of identification. Arranged in the relatively distinct yet interweaving parts of ’Historical Perspectives’, ’Recent and Contemporary Production’ and ’Cultural Explorations’, its various chapters act to juxtapose the socio-historical distinctions between the major style categories most typically associated with music in Ireland - traditional, classical and popular - and to explore a range of dialectical relationships between these musical styles in matters pertaining to national and cultural identity. The book includes a number of chapters that examine various movements (and ’moments’) of traditional music revival from the late eighteenth century to the present day, as well as chapters that tease out various issues of national identity pertaining to individual composers/performers (art music, popular music) and their audiences. Many chapters in the volume consider mediating influences (infrastructural, technological, political) and/or social categories (class, gender, religion, ethnicity, race, age) in the interpretation of music production and consumption. Performers and composers discussed include U2, Raymond Deane, Afro-Celt Sound System, E.J. Moeran, Séamus Ennis, Kevin O’Connell, Stiff Little Fingers, Frederick May, Arnold
Memory Ireland
Author: Oona Frawley
Publisher: Syracuse University Press
ISBN: 0815651716
Category : History
Languages : en
Pages : 308
Book Description
In the second volume of a series that will ultimately include four, the authors consider Irish diasporic memory and memory practices. While the Irish diaspora has become the subject of a wide range of scholarship, there has been little work focused on its relationship to memory. The first half of the volume asks how diasporic memory functions in different places and times, and what forms it takes on. As an island nation with a history of emigration, Ireland has developed a rich diasporic cultural memory, one that draws on multiple traditions and historiographies of both "home" and "away." Native traditions are not imported wholesale, but instead develop their own curious hybridity, reflecting the nature of emigrant memory that absorbs new ways of thinking about home. How do immigrants remember their homeland? How do descendants of immigrants "remember" a land they rarely visit? How does diasporic memory pass through families, and how is it represented in cultural forms such as literature, festivals, and souvenirs? In its second half, this volume shifts its attention to the concept of "memory practices," ways of cultural remembering that result from and are shaped by particular cultural forms. Many of these cultural forms embody memory materially through language, music, and photography and, because of their distinctive expressions of culture, give rise to distinctive memory practices. Gathering the leading voices in Irish studies, this volume opens new pathways into the body of Irish cultural memory, demonstrating time and again the ways in which memory is supported by the negotiations of individuals within wider cultural contexts. Contributors include: Aidan Arrowsmith, Hasia Diner, Joep Leerssen, Paul Muldoon, Nuala Ní Dhomhnaill
Publisher: Syracuse University Press
ISBN: 0815651716
Category : History
Languages : en
Pages : 308
Book Description
In the second volume of a series that will ultimately include four, the authors consider Irish diasporic memory and memory practices. While the Irish diaspora has become the subject of a wide range of scholarship, there has been little work focused on its relationship to memory. The first half of the volume asks how diasporic memory functions in different places and times, and what forms it takes on. As an island nation with a history of emigration, Ireland has developed a rich diasporic cultural memory, one that draws on multiple traditions and historiographies of both "home" and "away." Native traditions are not imported wholesale, but instead develop their own curious hybridity, reflecting the nature of emigrant memory that absorbs new ways of thinking about home. How do immigrants remember their homeland? How do descendants of immigrants "remember" a land they rarely visit? How does diasporic memory pass through families, and how is it represented in cultural forms such as literature, festivals, and souvenirs? In its second half, this volume shifts its attention to the concept of "memory practices," ways of cultural remembering that result from and are shaped by particular cultural forms. Many of these cultural forms embody memory materially through language, music, and photography and, because of their distinctive expressions of culture, give rise to distinctive memory practices. Gathering the leading voices in Irish studies, this volume opens new pathways into the body of Irish cultural memory, demonstrating time and again the ways in which memory is supported by the negotiations of individuals within wider cultural contexts. Contributors include: Aidan Arrowsmith, Hasia Diner, Joep Leerssen, Paul Muldoon, Nuala Ní Dhomhnaill
Ecological Exile
Author: Derek Gladwin
Publisher: Routledge
ISBN: 1317280113
Category : Business & Economics
Languages : en
Pages : 398
Book Description
Ecological Exile explores how contemporary literature, film, and media culture confront ecological crises through perspectives of spatial justice – a facet of social justice that looks at unjust circumstances as a phenomenon of space. Growing instances of flooding, population displacement, and pollution suggest an urgent need to re-examine the ways social and geographical spaces are perceived and valued in the twentieth and twenty-first centuries. Maintaining that ecological crises are largely socially produced, Derek Gladwin considers how British and Irish literary and visual texts by Ian McEwan, Sarah Gavron, Eavan Boland, John McGrath, and China Miéville, among others, respond to and confront various spatial injustices resulting from fossil fuel production and the effects of climate change. This ambitious book offers a new spatial perspective in the environmental humanities by focusing on what the philosopher Glenn Albrecht has termed 'solastalgia' – a feeling of homesickness caused by environmental damage. The result of solastalgia is that people feel paradoxically ecologically exiled in the places they continue to live because of destructive environmental changes. Gladwin skilfully traces spatially produced instances of ecological injustice that literally and imaginatively abolish people’s sense of place (or place-home). By looking at two of the most pressing social and environmental concerns – oil and climate – Ecological Exile shows how literary and visual texts have documented spatially unjust effects of solastalgia. This interdisciplinary book will appeal to students, scholars, and professionals studying literary, film, and media texts that draw on environment and sustainability, cultural geography, energy cultures, climate change, and social justice.
Publisher: Routledge
ISBN: 1317280113
Category : Business & Economics
Languages : en
Pages : 398
Book Description
Ecological Exile explores how contemporary literature, film, and media culture confront ecological crises through perspectives of spatial justice – a facet of social justice that looks at unjust circumstances as a phenomenon of space. Growing instances of flooding, population displacement, and pollution suggest an urgent need to re-examine the ways social and geographical spaces are perceived and valued in the twentieth and twenty-first centuries. Maintaining that ecological crises are largely socially produced, Derek Gladwin considers how British and Irish literary and visual texts by Ian McEwan, Sarah Gavron, Eavan Boland, John McGrath, and China Miéville, among others, respond to and confront various spatial injustices resulting from fossil fuel production and the effects of climate change. This ambitious book offers a new spatial perspective in the environmental humanities by focusing on what the philosopher Glenn Albrecht has termed 'solastalgia' – a feeling of homesickness caused by environmental damage. The result of solastalgia is that people feel paradoxically ecologically exiled in the places they continue to live because of destructive environmental changes. Gladwin skilfully traces spatially produced instances of ecological injustice that literally and imaginatively abolish people’s sense of place (or place-home). By looking at two of the most pressing social and environmental concerns – oil and climate – Ecological Exile shows how literary and visual texts have documented spatially unjust effects of solastalgia. This interdisciplinary book will appeal to students, scholars, and professionals studying literary, film, and media texts that draw on environment and sustainability, cultural geography, energy cultures, climate change, and social justice.
Ethnography for Designers
Author: Galen Cranz
Publisher: Routledge
ISBN: 1317309529
Category : Architecture
Languages : en
Pages : 286
Book Description
Ethnography for Designers teaches architects and designers how to listen actively to the knowledge people have about their own culture. This approach gives structure to values and qualities. It does this by noting the terms and underlying structure of thought people use to describe aspects of their culture. By responding to underlying cognitive patterns, the architect can both respond to the user and interpret creatively. Thus, ethno-semantic methods can help designers to enhance their professional responsibility to users and, at the same time, to feel fulfilled creatively. This book is a practical guide for those teaching social factors and social research methods to designers and for those using these methods in practice.
Publisher: Routledge
ISBN: 1317309529
Category : Architecture
Languages : en
Pages : 286
Book Description
Ethnography for Designers teaches architects and designers how to listen actively to the knowledge people have about their own culture. This approach gives structure to values and qualities. It does this by noting the terms and underlying structure of thought people use to describe aspects of their culture. By responding to underlying cognitive patterns, the architect can both respond to the user and interpret creatively. Thus, ethno-semantic methods can help designers to enhance their professional responsibility to users and, at the same time, to feel fulfilled creatively. This book is a practical guide for those teaching social factors and social research methods to designers and for those using these methods in practice.
Why pamper life's complexities?
Author: Sean Campbell
Publisher: Manchester University Press
ISBN: 1847794734
Category : Music
Languages : en
Pages : 439
Book Description
For five short years in the 1980s, a four-piece Manchester band released a collection of records that had undeniably profound effects on the landscape of popular music and beyond. Today, public and critical appreciation of The Smiths is at its height, yet the most important British band after The Beatles have rarely been subject to sustained academic scrutiny. Why pamper life’s complexities?: Essays on The Smiths seeks to remedy this by bringing together diverse research disciplines to place the band in a series of enlightening social, cultural and political contexts as never before. Topics covered by the essays range from class, sexuality, Catholicism, Thatcherism, regional and national identities, to cinema, musical poetics, suicide and fandom. Lyrics, interviews, the city of Manchester, cultural iconography and the cult of Morrissey are all considered anew. The essays breach the standard confines of music history, rock biography and pop culture studies to give a sustained critical analysis of the band that is timely and illuminating. This book will be of interest to scholars and students in the fields of sociology, literature, geography, cultural and media studies. It is also intended for a wider audience of those interested in the enduring appeal of one of the most complex and controversial bands. Accessible and original, these essays will help to contextualise the lasting cultural legacy of The Smiths.
Publisher: Manchester University Press
ISBN: 1847794734
Category : Music
Languages : en
Pages : 439
Book Description
For five short years in the 1980s, a four-piece Manchester band released a collection of records that had undeniably profound effects on the landscape of popular music and beyond. Today, public and critical appreciation of The Smiths is at its height, yet the most important British band after The Beatles have rarely been subject to sustained academic scrutiny. Why pamper life’s complexities?: Essays on The Smiths seeks to remedy this by bringing together diverse research disciplines to place the band in a series of enlightening social, cultural and political contexts as never before. Topics covered by the essays range from class, sexuality, Catholicism, Thatcherism, regional and national identities, to cinema, musical poetics, suicide and fandom. Lyrics, interviews, the city of Manchester, cultural iconography and the cult of Morrissey are all considered anew. The essays breach the standard confines of music history, rock biography and pop culture studies to give a sustained critical analysis of the band that is timely and illuminating. This book will be of interest to scholars and students in the fields of sociology, literature, geography, cultural and media studies. It is also intended for a wider audience of those interested in the enduring appeal of one of the most complex and controversial bands. Accessible and original, these essays will help to contextualise the lasting cultural legacy of The Smiths.
Bernard MacLaverty: New Critical Readings
Author: Richard Rankin Russell
Publisher: A&C Black
ISBN: 1441142681
Category : Literary Criticism
Languages : en
Pages : 209
Book Description
The author of such works as Lamb, Cal, and Grace Notes, Bernard MacLaverty is one of Northern Ireland's leading-and most prolific-contemporary writers. Bringing together leading scholars from a full range of critical perspectives, this is a comprehensive survey of contemporary scholarship on MacLaverty. Covering all of his novels and many of his short stories, the book explores the ways in which the author has grappled with such themes as The Troubles, the Holocaust, Catholicism, and music. Bernard MacLaverty: Critical Readings also includes coverage of the film adaptations of his work.
Publisher: A&C Black
ISBN: 1441142681
Category : Literary Criticism
Languages : en
Pages : 209
Book Description
The author of such works as Lamb, Cal, and Grace Notes, Bernard MacLaverty is one of Northern Ireland's leading-and most prolific-contemporary writers. Bringing together leading scholars from a full range of critical perspectives, this is a comprehensive survey of contemporary scholarship on MacLaverty. Covering all of his novels and many of his short stories, the book explores the ways in which the author has grappled with such themes as The Troubles, the Holocaust, Catholicism, and music. Bernard MacLaverty: Critical Readings also includes coverage of the film adaptations of his work.
The ends of Ireland
Author: Conor Carville
Publisher: Manchester University Press
ISBN: 1526183854
Category : Literary Criticism
Languages : en
Pages : 265
Book Description
‘The Ends of Ireland’ considers the work of a key group of critics emerging from Ireland through the 1980s and 1990s: Seamus Deane, Luke Gibbons, David Lloyd, W. J. McCormack, Gerardine Meaney and Emer Nolan. As the main representatives of the turn to theory in Irish Studies these critics have examined Irish culture in the light of ideas taken from psychoanalysis, feminism, Marxism and postcolonialism. In a series of incisive yet accessible chapters Carville analyses the way in which these often provocative ideas have been put to work in the Irish context, transforming our understanding of writers like Joyce and Beckett, as well as informing broader debates around nationalism, modernization, memory and historical revisionism. Essential reading for anyone concerned with Irish Studies and its relationship with theory, the issues raised by ‘The Ends of Ireland’ set a new agenda for Irish Studies in the coming times.
Publisher: Manchester University Press
ISBN: 1526183854
Category : Literary Criticism
Languages : en
Pages : 265
Book Description
‘The Ends of Ireland’ considers the work of a key group of critics emerging from Ireland through the 1980s and 1990s: Seamus Deane, Luke Gibbons, David Lloyd, W. J. McCormack, Gerardine Meaney and Emer Nolan. As the main representatives of the turn to theory in Irish Studies these critics have examined Irish culture in the light of ideas taken from psychoanalysis, feminism, Marxism and postcolonialism. In a series of incisive yet accessible chapters Carville analyses the way in which these often provocative ideas have been put to work in the Irish context, transforming our understanding of writers like Joyce and Beckett, as well as informing broader debates around nationalism, modernization, memory and historical revisionism. Essential reading for anyone concerned with Irish Studies and its relationship with theory, the issues raised by ‘The Ends of Ireland’ set a new agenda for Irish Studies in the coming times.