Author: Penny Edwards
Publisher: University of Hawaii Press
ISBN: 0824829239
Category : History
Languages : en
Pages : 362
Book Description
This study of Cambodian nationalism brings to life eight turbulent decades of cultural change and sheds new light on the colonial ancestry of Pol Pot's murderous dystopia. Penny Edwards re-creates the intellectual milieux and cultural traffic linking Europe and empire, interweaving analysis of key movements and ideas in the French Protectorate of Cambodge with contemporary developments in the Metropole. With its fresh take on the dynamics of colonialism and nationalism, Cambodge: The Cultivation of a Nation, 1860-1945 will become essential reading for scholars of history, politics, and society in Southeast Asia. Edwards' analysis of Buddhism and her consideration of Angkor's emergence as a national monument will be of particular interest to students of Asian and European religion, museology, heritage studies, and art history. It will also appeal to specialists in modern French history, cultural studies, and colonialism, as well as readers with a general interest in Cambodia.
Cambodge
Author: Penny Edwards
Publisher: University of Hawaii Press
ISBN: 0824829239
Category : History
Languages : en
Pages : 362
Book Description
This study of Cambodian nationalism brings to life eight turbulent decades of cultural change and sheds new light on the colonial ancestry of Pol Pot's murderous dystopia. Penny Edwards re-creates the intellectual milieux and cultural traffic linking Europe and empire, interweaving analysis of key movements and ideas in the French Protectorate of Cambodge with contemporary developments in the Metropole. With its fresh take on the dynamics of colonialism and nationalism, Cambodge: The Cultivation of a Nation, 1860-1945 will become essential reading for scholars of history, politics, and society in Southeast Asia. Edwards' analysis of Buddhism and her consideration of Angkor's emergence as a national monument will be of particular interest to students of Asian and European religion, museology, heritage studies, and art history. It will also appeal to specialists in modern French history, cultural studies, and colonialism, as well as readers with a general interest in Cambodia.
Publisher: University of Hawaii Press
ISBN: 0824829239
Category : History
Languages : en
Pages : 362
Book Description
This study of Cambodian nationalism brings to life eight turbulent decades of cultural change and sheds new light on the colonial ancestry of Pol Pot's murderous dystopia. Penny Edwards re-creates the intellectual milieux and cultural traffic linking Europe and empire, interweaving analysis of key movements and ideas in the French Protectorate of Cambodge with contemporary developments in the Metropole. With its fresh take on the dynamics of colonialism and nationalism, Cambodge: The Cultivation of a Nation, 1860-1945 will become essential reading for scholars of history, politics, and society in Southeast Asia. Edwards' analysis of Buddhism and her consideration of Angkor's emergence as a national monument will be of particular interest to students of Asian and European religion, museology, heritage studies, and art history. It will also appeal to specialists in modern French history, cultural studies, and colonialism, as well as readers with a general interest in Cambodia.
Orestes
Author: Voltaire
Publisher: Simon and Schuster
ISBN: 1627933212
Category : Drama
Languages : en
Pages : 56
Book Description
Orestes was produced in 1750, an experiment which intensely interested the literary world and the public. In his Dedicatory Letters to the Duchess of Maine, Voltaire has the following passage on the Greek drama: "We should not, I acknowledge, endeavor to imitate what is weak and defective in the ancients: it is most probable that their faults were well known to their contemporaries. I am satisfied, Madam, that the wits of Athens condemned, as well as you, some of those repetitions, and some declamations with which Sophocles has loaded his Electra: they must have observed that he had not dived deep enough into the human heart. I will moreover fairly confess, that there are beauties peculiar not only to the Greek language, but to the climate, to manners and times, which it would be ridiculous to transplant hither. Therefore I have not copied exactly the Electra of Sophocles-much more I knew would be necessary; but I have taken, as well as I could, all the spirit and substance of it."
Publisher: Simon and Schuster
ISBN: 1627933212
Category : Drama
Languages : en
Pages : 56
Book Description
Orestes was produced in 1750, an experiment which intensely interested the literary world and the public. In his Dedicatory Letters to the Duchess of Maine, Voltaire has the following passage on the Greek drama: "We should not, I acknowledge, endeavor to imitate what is weak and defective in the ancients: it is most probable that their faults were well known to their contemporaries. I am satisfied, Madam, that the wits of Athens condemned, as well as you, some of those repetitions, and some declamations with which Sophocles has loaded his Electra: they must have observed that he had not dived deep enough into the human heart. I will moreover fairly confess, that there are beauties peculiar not only to the Greek language, but to the climate, to manners and times, which it would be ridiculous to transplant hither. Therefore I have not copied exactly the Electra of Sophocles-much more I knew would be necessary; but I have taken, as well as I could, all the spirit and substance of it."
Barefoot Through Mauretania
Author: Odette Du Puigaudeau
Publisher: Hardinge Simpole Limited
ISBN: 9781843822011
Category : Biography & Autobiography
Languages : en
Pages : 264
Book Description
Odette du Puigaudeau is best known for her major ethnographic work, Arts et Coutumes des Maures, a detailed study, in words and drawings, of the cultural world of the nomads of Mauretania. The present work explains how she came to write it. Barefoot Through Mauretania is an account of her first journey across the country by camel in 1933-4, with her life-long companion, Marion Senones. The book records the adventures of the two women during that year, often with a touch of humour. Above all, however, it presents a picture of a way of life that has, as they feared, almost vanished, and their determination that it should be recorded. Odette du Puigaudeau wrote a number of other books on different aspects of nomad life, such as the salt caravans and date markets, as well as articles on prehistoric rock-drawings, and a charming tribute to her pet leopard, Rachid."
Publisher: Hardinge Simpole Limited
ISBN: 9781843822011
Category : Biography & Autobiography
Languages : en
Pages : 264
Book Description
Odette du Puigaudeau is best known for her major ethnographic work, Arts et Coutumes des Maures, a detailed study, in words and drawings, of the cultural world of the nomads of Mauretania. The present work explains how she came to write it. Barefoot Through Mauretania is an account of her first journey across the country by camel in 1933-4, with her life-long companion, Marion Senones. The book records the adventures of the two women during that year, often with a touch of humour. Above all, however, it presents a picture of a way of life that has, as they feared, almost vanished, and their determination that it should be recorded. Odette du Puigaudeau wrote a number of other books on different aspects of nomad life, such as the salt caravans and date markets, as well as articles on prehistoric rock-drawings, and a charming tribute to her pet leopard, Rachid."
Print and Power
Author: Shawn Frederick McHale
Publisher: University of Hawaii Press
ISBN: 9780824826550
Category : Religion
Languages : en
Pages : 280
Book Description
In this ambitious and path-breaking book, Shawn McHale challenges long held views that define modern Vietnamese history in terms of anticolonial nationalism and revolution. McHale argues instead for a historiography that does not overstress either the role of politics in general or communism in particular. Using a wide range of sources from Vietnam, France, and the United States, many of them previously unexploited, he shows how the use of printed matter soared between 1920 and 1945 and in the process transformed Vietnamese public life and shaped the modern Vietnamese consciousnesss. Print and Power examines the impact of the French colonial state on Vietnamese society as well as Vietnamese and East Asian understandings of public discourse and public space. The work goes on to contest the impact of Confucianism on pre-modern and modern Vietnam and, based on materials never before used, provides a radically new perspective on the rise of Vietnamese communism from 1929 to 1945.
Publisher: University of Hawaii Press
ISBN: 9780824826550
Category : Religion
Languages : en
Pages : 280
Book Description
In this ambitious and path-breaking book, Shawn McHale challenges long held views that define modern Vietnamese history in terms of anticolonial nationalism and revolution. McHale argues instead for a historiography that does not overstress either the role of politics in general or communism in particular. Using a wide range of sources from Vietnam, France, and the United States, many of them previously unexploited, he shows how the use of printed matter soared between 1920 and 1945 and in the process transformed Vietnamese public life and shaped the modern Vietnamese consciousnesss. Print and Power examines the impact of the French colonial state on Vietnamese society as well as Vietnamese and East Asian understandings of public discourse and public space. The work goes on to contest the impact of Confucianism on pre-modern and modern Vietnam and, based on materials never before used, provides a radically new perspective on the rise of Vietnamese communism from 1929 to 1945.
Phantasmatic Indochina
Author: Panivong Norindr
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 224
Book Description
This reflection on colonial culture argues for an examination of "Indochina" as a fictive and mythic construct, a phantasmatic legacy of French colonialism in Southeast Asia. Panivong Norindr uses postcolonial theory to demonstrate how French imperialism manifests itself not only through physical domination of geographic entities, but also through the colonization of the imaginary. In this careful reading of architecture, film, and literature, Norindr lays bare the processes of fantasy, desire, and nostalgia constituent of French territorial aggression against Indochina. Analyzing the first Exposition Coloniale Internationale, held in Paris in 1931, Norindr shows how the exhibition's display of architecture gave a vision to the colonies that justified France's cultural prejudices, while stimulating the desire for further expansionism. He critiques the Surrealist counter-exposition mounted to oppose the imperialist aims of the Exposition Coloniale, and the Surrealist incorporation and appropriation of native artifacts in avant-garde works. According to Norindr, all serious attempts at interrogating French colonial involvement in Southeast Asia are threatened by discourse, images, representations, and myths that perpetuate the luminous aura of Indochina as a place of erotic fantasies and exotic adventures. Exploring the resilience of French nostalgia for Indochina in books and movies, the author examines work by Malraux, Duras, and Claudel, and the films Indochine, The Lover, and Dien Bien Phu. Certain to impact across a range of disciplines, Phantasmatic Indochina will be of interest to those engaged in the study of the culture and history of Vietnam, Cambodia, Thailand, and Laos, as well as specialists in the fields of French modernism, postcolonial studies, cultural studies, and comparative literature.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 224
Book Description
This reflection on colonial culture argues for an examination of "Indochina" as a fictive and mythic construct, a phantasmatic legacy of French colonialism in Southeast Asia. Panivong Norindr uses postcolonial theory to demonstrate how French imperialism manifests itself not only through physical domination of geographic entities, but also through the colonization of the imaginary. In this careful reading of architecture, film, and literature, Norindr lays bare the processes of fantasy, desire, and nostalgia constituent of French territorial aggression against Indochina. Analyzing the first Exposition Coloniale Internationale, held in Paris in 1931, Norindr shows how the exhibition's display of architecture gave a vision to the colonies that justified France's cultural prejudices, while stimulating the desire for further expansionism. He critiques the Surrealist counter-exposition mounted to oppose the imperialist aims of the Exposition Coloniale, and the Surrealist incorporation and appropriation of native artifacts in avant-garde works. According to Norindr, all serious attempts at interrogating French colonial involvement in Southeast Asia are threatened by discourse, images, representations, and myths that perpetuate the luminous aura of Indochina as a place of erotic fantasies and exotic adventures. Exploring the resilience of French nostalgia for Indochina in books and movies, the author examines work by Malraux, Duras, and Claudel, and the films Indochine, The Lover, and Dien Bien Phu. Certain to impact across a range of disciplines, Phantasmatic Indochina will be of interest to those engaged in the study of the culture and history of Vietnam, Cambodia, Thailand, and Laos, as well as specialists in the fields of French modernism, postcolonial studies, cultural studies, and comparative literature.
The Tay Son Uprising
Author: George E. Dutton
Publisher: University of Hawaii Press
ISBN: 0824829840
Category : History
Languages : en
Pages : 308
Book Description
"George Dutton has written the first detailed Western-language study of the Tây So’n movement, which permanently altered Vietnam’s political trajectory. But in so doing, he also provides a sensitive social and cultural analysis of the pre-1800 Vietnamese-speaking world as a whole, and indeed one of the most detailed descriptions of any late 18th-century society in Southeast Asia." —Victor Lieberman, University of Michigan "It is difficult to overstate the significance of George Dutton’s terrific new book. The Tây So’n Uprising represents the first serious western-language account of the intricate sequence of political developments that define the Tây So’n era and that arguably mark the onset of modernity in Vietnam. In addition to providing a vividly evocative narrative of the complex political history of the period, Dutton offers lucid and judicious interpretations of the origins, evolution and downfall of the uprising and of its consequences for a wide range of social groups, political forces and ethnic communities. The level of research and historical craftsmanship is superb, and Dutton’s frequent reflections on relevant theoretical and historiographical issues make for fascinating reading. In short, this is a stunning accomplishment and a major contribution to the study of Vietnamese history and historiography." —Peter Zinoman, University of California, Berkeley The Tây So’n uprising (1771–1802) was a cataclysmic event that profoundly altered the eighteenth-century Vietnamese political and social landscape. This groundbreaking book offers a new look at an important and controversial era. George Dutton follows three brothers from the hamlet of Tây So’n as they led a heterogeneous military force that ousted ruling families in both halves of the divided Vietnamese territories and eventually toppled the 350-year-old Lè dynasty. Supplementing Vietnamese primary sources with extensive use of archival European missionary accounts, he explores the dynamics of an event that affected every region of the country and every level of society. Tracing the manner in which the Tây So’n leaders transformed an inchoate uprising into a new political regime, Dutton challenges common depictions of the Tây So’n brothers as visionaries or revolutionaries. Instead, he reveals them as political opportunists whose worldview remained constrained by their provincial origins and the exigencies of ongoing warfare and political struggles.
Publisher: University of Hawaii Press
ISBN: 0824829840
Category : History
Languages : en
Pages : 308
Book Description
"George Dutton has written the first detailed Western-language study of the Tây So’n movement, which permanently altered Vietnam’s political trajectory. But in so doing, he also provides a sensitive social and cultural analysis of the pre-1800 Vietnamese-speaking world as a whole, and indeed one of the most detailed descriptions of any late 18th-century society in Southeast Asia." —Victor Lieberman, University of Michigan "It is difficult to overstate the significance of George Dutton’s terrific new book. The Tây So’n Uprising represents the first serious western-language account of the intricate sequence of political developments that define the Tây So’n era and that arguably mark the onset of modernity in Vietnam. In addition to providing a vividly evocative narrative of the complex political history of the period, Dutton offers lucid and judicious interpretations of the origins, evolution and downfall of the uprising and of its consequences for a wide range of social groups, political forces and ethnic communities. The level of research and historical craftsmanship is superb, and Dutton’s frequent reflections on relevant theoretical and historiographical issues make for fascinating reading. In short, this is a stunning accomplishment and a major contribution to the study of Vietnamese history and historiography." —Peter Zinoman, University of California, Berkeley The Tây So’n uprising (1771–1802) was a cataclysmic event that profoundly altered the eighteenth-century Vietnamese political and social landscape. This groundbreaking book offers a new look at an important and controversial era. George Dutton follows three brothers from the hamlet of Tây So’n as they led a heterogeneous military force that ousted ruling families in both halves of the divided Vietnamese territories and eventually toppled the 350-year-old Lè dynasty. Supplementing Vietnamese primary sources with extensive use of archival European missionary accounts, he explores the dynamics of an event that affected every region of the country and every level of society. Tracing the manner in which the Tây So’n leaders transformed an inchoate uprising into a new political regime, Dutton challenges common depictions of the Tây So’n brothers as visionaries or revolutionaries. Instead, he reveals them as political opportunists whose worldview remained constrained by their provincial origins and the exigencies of ongoing warfare and political struggles.
Vietnamese Peasants Under French Domination, 1861-1945
Author: Cao Dương Phạm
Publisher: University Press of America
ISBN:
Category : History
Languages : en
Pages : 248
Book Description
To find out more information about Rowman & Littlefield titles please visit us at www.rowmanlittlefield.com.
Publisher: University Press of America
ISBN:
Category : History
Languages : en
Pages : 248
Book Description
To find out more information about Rowman & Littlefield titles please visit us at www.rowmanlittlefield.com.
Spreading the Dhamma
Author: Daniel Veidlinger
Publisher: University of Hawaii Press
ISBN: 0824830245
Category : Religion
Languages : en
Pages : 282
Book Description
How did early Buddhists actually encounter the seminal texts of their religion? What were the attitudes held by monks and laypeople toward the written and oral Pali traditions? In this pioneering work, Daniel Veidlinger explores these questions in the context of the northern Thai kingdom of Lan Na. Drawing on a vast array of sources, including indigenous chronicles, reports by foreign visitors, inscriptions, and palm-leaf manuscripts, he traces the role of written Buddhist texts in the predominantly oral milieu of northern Thailand from the fifteenth to the nineteenth centuries. Veidlinger examines how the written word was assimilated into existing Buddhist and monastic practice in the region, considering the use of manuscripts for textual study and recitation as well as the place of writing in the cultic and ritual life of the faithful. He shows how manuscripts fit into the economy, describes how they were made and stored, and highlights the understudied issue of the "cult of the book" in Theravâda Buddhism. Looking at the wider Theravâda world, Veidlinger argues that manuscripts in Burma and Sri Lanka played a more central role in the preservation and dissemination of Buddhist texts. By offering a detailed examination of the motivations driving those who sponsored manuscript production, this study draws attention to the vital role played by forest-dwelling monastic orders introduced from Sri Lanka in the development of Lan Na’s written Pali heritage. It also considers the rivalry between those monks who wished to preserve the older oral tradition and monks, rulers, and laypeople who supported the expansion of the new medium of writing.
Publisher: University of Hawaii Press
ISBN: 0824830245
Category : Religion
Languages : en
Pages : 282
Book Description
How did early Buddhists actually encounter the seminal texts of their religion? What were the attitudes held by monks and laypeople toward the written and oral Pali traditions? In this pioneering work, Daniel Veidlinger explores these questions in the context of the northern Thai kingdom of Lan Na. Drawing on a vast array of sources, including indigenous chronicles, reports by foreign visitors, inscriptions, and palm-leaf manuscripts, he traces the role of written Buddhist texts in the predominantly oral milieu of northern Thailand from the fifteenth to the nineteenth centuries. Veidlinger examines how the written word was assimilated into existing Buddhist and monastic practice in the region, considering the use of manuscripts for textual study and recitation as well as the place of writing in the cultic and ritual life of the faithful. He shows how manuscripts fit into the economy, describes how they were made and stored, and highlights the understudied issue of the "cult of the book" in Theravâda Buddhism. Looking at the wider Theravâda world, Veidlinger argues that manuscripts in Burma and Sri Lanka played a more central role in the preservation and dissemination of Buddhist texts. By offering a detailed examination of the motivations driving those who sponsored manuscript production, this study draws attention to the vital role played by forest-dwelling monastic orders introduced from Sri Lanka in the development of Lan Na’s written Pali heritage. It also considers the rivalry between those monks who wished to preserve the older oral tradition and monks, rulers, and laypeople who supported the expansion of the new medium of writing.
Art as Politics
Author: Kathleen M. Adams
Publisher: University of Hawaii Press
ISBN: 0824861485
Category : Social Science
Languages : en
Pages : 313
Book Description
Art as Politics explores the intersection of art, identity politics, and tourism in Sulawesi, Indonesia. Based on long-term ethnographic research from the 1980s to the present, the book offers a nuanced portrayal of the Sa’dan Toraja, a predominantly Christian minority group in the world’s most populous Muslim country. Celebrated in anthropological and tourism literatures for their spectacular traditional houses, sculpted effigies of the dead, and pageantry-filled funeral rituals, the Toraja have entered an era of accelerated engagement with the global economy marked by on-going struggles over identity, religion, and social relations. In her engaging account, Kathleen Adams chronicles how various Toraja individuals and groups have drawn upon artistically-embellished "traditional" objects—as well as monumental displays, museums, UNESCO ideas about "word heritage," and the World Wide Web—to shore up or realign aspects of a cultural heritage perceived to be under threat. She also considers how outsiders—be they tourists, art collectors, members of rival ethnic groups, or government officials—have appropriated and reframed Toraja art objects for their own purposes. Her account illustrates how art can serve as a catalyst in identity politics, especially in the context of tourism and social upheaval. Ultimately, this insightful work prompts readers to rethink persistent and pernicious popular assumptions—that tourism invariably brings a loss of agency to local communities or that tourist art is a compromised form of expression. Art as Politics promises to be a favorite with students and scholars of anthropology, sociology, cultural studies, ethnic relations, art, and Asian studies.
Publisher: University of Hawaii Press
ISBN: 0824861485
Category : Social Science
Languages : en
Pages : 313
Book Description
Art as Politics explores the intersection of art, identity politics, and tourism in Sulawesi, Indonesia. Based on long-term ethnographic research from the 1980s to the present, the book offers a nuanced portrayal of the Sa’dan Toraja, a predominantly Christian minority group in the world’s most populous Muslim country. Celebrated in anthropological and tourism literatures for their spectacular traditional houses, sculpted effigies of the dead, and pageantry-filled funeral rituals, the Toraja have entered an era of accelerated engagement with the global economy marked by on-going struggles over identity, religion, and social relations. In her engaging account, Kathleen Adams chronicles how various Toraja individuals and groups have drawn upon artistically-embellished "traditional" objects—as well as monumental displays, museums, UNESCO ideas about "word heritage," and the World Wide Web—to shore up or realign aspects of a cultural heritage perceived to be under threat. She also considers how outsiders—be they tourists, art collectors, members of rival ethnic groups, or government officials—have appropriated and reframed Toraja art objects for their own purposes. Her account illustrates how art can serve as a catalyst in identity politics, especially in the context of tourism and social upheaval. Ultimately, this insightful work prompts readers to rethink persistent and pernicious popular assumptions—that tourism invariably brings a loss of agency to local communities or that tourist art is a compromised form of expression. Art as Politics promises to be a favorite with students and scholars of anthropology, sociology, cultural studies, ethnic relations, art, and Asian studies.
In the Name of Civil Society
Author: Eva-Lotta Hedman
Publisher: University of Hawaii Press
ISBN: 0824845463
Category : History
Languages : en
Pages : 284
Book Description
"In the Name of Civil Society examines Philippine politics in a highly original and provocative way. Hedman’s detailed analysis shows how dominant elites in the Philippines shore up the structures of liberal democracy in order to ensure their continued hegemony over Philippine society. This book will be of interest to everyone concerned with civil society and the processes of democratization and democracy in capitalist societies." —Paul D. Hutchcroft, University of Wisconsin, Madison What is the politics of civil society? Focusing on the Philippines—home to the mother of all election-watch movements, the original People Power revolt, and one of the largest and most diverse NGO populations in the world—Eva-Lotta Hedman offers a critique that goes against the grain of much other current scholarship. Her highly original work challenges celebratory and universalist accounts that tend to reify "civil society" as a unified and coherent entity, and to ascribe a single meaning and automatic trajectory to its role in democratization. She shows how mobilization in the name of civil society is contingent on the intercession of citizens and performative displays of citizenship—as opposed to other appeals and articulations of identity, such as class. In short, Hedman argues, the very definitions of "civil" and "society" are at stake. Based on extensive research spanning the course of a decade (1991–2001), this study offers a powerful analysis of Philippine politics and society inspired by the writings of Antonio Gramsci. It draws on a rich collection of sources from archives, interviews, newspapers, and participant-observation. It identifies a cycle of recurring "crises of authority," involving mounting threats—from above and below—to oligarchical democracy in the Philippines. Tracing the trajectory of Gramscian "dominant bloc" of social forces, Hedman shows how each such crisis in the Philippines promotes a countermobilization by the "intellectuals" of the dominant bloc: the capitalist class, the Catholic Church, and the U.S. government. In documenting the capacity of so-called "secondary associations" (business, lay, professional) to project moral and intellectual leadership in each of these crises, this study sheds new light on the forces and dynamics of change and continuity in Philippine politics and society.
Publisher: University of Hawaii Press
ISBN: 0824845463
Category : History
Languages : en
Pages : 284
Book Description
"In the Name of Civil Society examines Philippine politics in a highly original and provocative way. Hedman’s detailed analysis shows how dominant elites in the Philippines shore up the structures of liberal democracy in order to ensure their continued hegemony over Philippine society. This book will be of interest to everyone concerned with civil society and the processes of democratization and democracy in capitalist societies." —Paul D. Hutchcroft, University of Wisconsin, Madison What is the politics of civil society? Focusing on the Philippines—home to the mother of all election-watch movements, the original People Power revolt, and one of the largest and most diverse NGO populations in the world—Eva-Lotta Hedman offers a critique that goes against the grain of much other current scholarship. Her highly original work challenges celebratory and universalist accounts that tend to reify "civil society" as a unified and coherent entity, and to ascribe a single meaning and automatic trajectory to its role in democratization. She shows how mobilization in the name of civil society is contingent on the intercession of citizens and performative displays of citizenship—as opposed to other appeals and articulations of identity, such as class. In short, Hedman argues, the very definitions of "civil" and "society" are at stake. Based on extensive research spanning the course of a decade (1991–2001), this study offers a powerful analysis of Philippine politics and society inspired by the writings of Antonio Gramsci. It draws on a rich collection of sources from archives, interviews, newspapers, and participant-observation. It identifies a cycle of recurring "crises of authority," involving mounting threats—from above and below—to oligarchical democracy in the Philippines. Tracing the trajectory of Gramscian "dominant bloc" of social forces, Hedman shows how each such crisis in the Philippines promotes a countermobilization by the "intellectuals" of the dominant bloc: the capitalist class, the Catholic Church, and the U.S. government. In documenting the capacity of so-called "secondary associations" (business, lay, professional) to project moral and intellectual leadership in each of these crises, this study sheds new light on the forces and dynamics of change and continuity in Philippine politics and society.