Author: Catharine Savage Brosman
Publisher: McFarland
ISBN: 1476625956
Category : Literary Criticism
Languages : en
Pages : 233
Book Description
This literary history focuses on five women writers--Mary Austin, Willa Cather, Laura Adams Armer, Peggy Pond Church and Alice Marriott--whose work appeared from around 1900 through the 1980s. All came from or lived and worked in California, Arizona, New Mexico or Oklahoma. The book situates them in their time and place and examines their interactions with landscapes, people, art and history. Their interest in fine arts and native arts and crafts is stressed, as well as their concern for the environment.
Southwestern Women Writers and the Vision of Goodness
Author: Catharine Savage Brosman
Publisher: McFarland
ISBN: 1476625956
Category : Literary Criticism
Languages : en
Pages : 233
Book Description
This literary history focuses on five women writers--Mary Austin, Willa Cather, Laura Adams Armer, Peggy Pond Church and Alice Marriott--whose work appeared from around 1900 through the 1980s. All came from or lived and worked in California, Arizona, New Mexico or Oklahoma. The book situates them in their time and place and examines their interactions with landscapes, people, art and history. Their interest in fine arts and native arts and crafts is stressed, as well as their concern for the environment.
Publisher: McFarland
ISBN: 1476625956
Category : Literary Criticism
Languages : en
Pages : 233
Book Description
This literary history focuses on five women writers--Mary Austin, Willa Cather, Laura Adams Armer, Peggy Pond Church and Alice Marriott--whose work appeared from around 1900 through the 1980s. All came from or lived and worked in California, Arizona, New Mexico or Oklahoma. The book situates them in their time and place and examines their interactions with landscapes, people, art and history. Their interest in fine arts and native arts and crafts is stressed, as well as their concern for the environment.
Mary Hunter Austin: A Female Writer’s Protest Against the First World War in the United States
Author: Jowan A. Mohammed
Publisher: Vernon Press
ISBN: 1648893198
Category : Social Science
Languages : en
Pages : 169
Book Description
Mary Hunter Austin (1868-1934) is often referred to as an important American writer of the early decades of the 20th century, with much of her work concerning nature and Native American culture. Hunter Austin was also considered to be one of the early feminist writers, whose works had an impact on the redefinition of gender roles during the First World War. This study examines the feminist perception of her later years, connecting feminist history to questions related to memory through a study of literature, politics, and interpretations of the past (both feminist and gendered). It demonstrates how far the perception and remembrance of the past are determined by later agendas and considerations. This work is an insightful and detailed study, meant to expand knowledge within the field of collective memory about Mary Hunter Austin’s life and work alike. This book is intended for those with a general interest in feminism, socialism, World War One and gender issues. Academics and specialists in the field will value new research on a crucial figure in American literary history.
Publisher: Vernon Press
ISBN: 1648893198
Category : Social Science
Languages : en
Pages : 169
Book Description
Mary Hunter Austin (1868-1934) is often referred to as an important American writer of the early decades of the 20th century, with much of her work concerning nature and Native American culture. Hunter Austin was also considered to be one of the early feminist writers, whose works had an impact on the redefinition of gender roles during the First World War. This study examines the feminist perception of her later years, connecting feminist history to questions related to memory through a study of literature, politics, and interpretations of the past (both feminist and gendered). It demonstrates how far the perception and remembrance of the past are determined by later agendas and considerations. This work is an insightful and detailed study, meant to expand knowledge within the field of collective memory about Mary Hunter Austin’s life and work alike. This book is intended for those with a general interest in feminism, socialism, World War One and gender issues. Academics and specialists in the field will value new research on a crucial figure in American literary history.
Our Osage Hills
Author: Michael Snyder
Publisher: Rowman & Littlefield
ISBN: 1611463025
Category : Literary Criticism
Languages : en
Pages : 345
Book Description
This revealing book presents a selection of lost articles from “Our Osage Hills,” a newspaper column by the renowned Osage writer, naturalist, and historian, John Joseph Mathews. Signed only with the initials “J.J.M.,” Mathews’s column featured regularly in the Pawhuska Daily Journal-Capital during the early 1930s. While Mathews is best known for his novel Sundown (1934), the pieces gathered in this volume reveal him to be a compelling essayist. Marked by wit and erudition, Mathews’s column not only evokes the unique beauty of the Osage prairie, but also takes on urgent political issues, such as ecological conservation and Osage sovereignty. In Our Osage Hills, Michael Snyder interweaves Mathews’s writings with original essays that illuminate their relevant historical and cultural contexts. The result isan Osage-centric chronicle of the Great Depression, a time of environmental and economic crisis for the Osage Nation and country as a whole. Drawing on new historical and biographical research, Snyder’s commentaries highlight the larger stakes of Mathews’s reflections on nature and culture and situate them within a fascinating story about Osage, Native American, and American life in the early twentieth century. In treating topics that range from sports, art, film, and literature to the realities and legacies of violence against the Osages, Snyder conveys the broad spectrum of Osage familial, social, and cultural history.
Publisher: Rowman & Littlefield
ISBN: 1611463025
Category : Literary Criticism
Languages : en
Pages : 345
Book Description
This revealing book presents a selection of lost articles from “Our Osage Hills,” a newspaper column by the renowned Osage writer, naturalist, and historian, John Joseph Mathews. Signed only with the initials “J.J.M.,” Mathews’s column featured regularly in the Pawhuska Daily Journal-Capital during the early 1930s. While Mathews is best known for his novel Sundown (1934), the pieces gathered in this volume reveal him to be a compelling essayist. Marked by wit and erudition, Mathews’s column not only evokes the unique beauty of the Osage prairie, but also takes on urgent political issues, such as ecological conservation and Osage sovereignty. In Our Osage Hills, Michael Snyder interweaves Mathews’s writings with original essays that illuminate their relevant historical and cultural contexts. The result isan Osage-centric chronicle of the Great Depression, a time of environmental and economic crisis for the Osage Nation and country as a whole. Drawing on new historical and biographical research, Snyder’s commentaries highlight the larger stakes of Mathews’s reflections on nature and culture and situate them within a fascinating story about Osage, Native American, and American life in the early twentieth century. In treating topics that range from sports, art, film, and literature to the realities and legacies of violence against the Osages, Snyder conveys the broad spectrum of Osage familial, social, and cultural history.
Mississippi Poets
Author: Catharine Savage Brosman
Publisher: Univ. Press of Mississippi
ISBN: 1496829085
Category : Literary Criticism
Languages : en
Pages : 274
Book Description
Mississippi has produced outstanding writers in numbers far out of proportion to its population. Their contributions to American literature, including poetry, rank as enormous. Mississippi Poets: A Literary Guide showcases forty-seven poets associated with the state and assesses their work with the aim of appreciating it and its place in today’s culture. In Mississippi, the importance of poetry can no longer be doubted. It partakes, as Faulkner wrote, of the broad aim of all literature: “to uplift man’s heart.” In Mississippi Poets, author Catharine Savage Brosman introduces readers to the poets themselves, stressing their versatility and diversity. She describes their subject matter and forms, their books, and particularly representative or striking poems. Of broad interest and easy to consult, this book is both a source of information and a showcase. It highlights the organic connection between poetry by Mississippians and the indigenous music genres of the region, blues and jazz. No other state has produced such abundant and impressive poetry connected to these essential American forms. Brosman profiles and assesses poets from the twentieth and twenty-first centuries. Grounds for selection include connections between the poets and the state; the excellence and abundance of their work; its critical reception; and both local and national standing. Natives of Mississippi and others who have resided here draw equal consideration. As C. Liegh McInnis observed, “You do not have to be born in Mississippi to be a Mississippi writer. . . . If what happens in Mississippi has an immediate and definite effect on your work, you are a Mississippi writer.”
Publisher: Univ. Press of Mississippi
ISBN: 1496829085
Category : Literary Criticism
Languages : en
Pages : 274
Book Description
Mississippi has produced outstanding writers in numbers far out of proportion to its population. Their contributions to American literature, including poetry, rank as enormous. Mississippi Poets: A Literary Guide showcases forty-seven poets associated with the state and assesses their work with the aim of appreciating it and its place in today’s culture. In Mississippi, the importance of poetry can no longer be doubted. It partakes, as Faulkner wrote, of the broad aim of all literature: “to uplift man’s heart.” In Mississippi Poets, author Catharine Savage Brosman introduces readers to the poets themselves, stressing their versatility and diversity. She describes their subject matter and forms, their books, and particularly representative or striking poems. Of broad interest and easy to consult, this book is both a source of information and a showcase. It highlights the organic connection between poetry by Mississippians and the indigenous music genres of the region, blues and jazz. No other state has produced such abundant and impressive poetry connected to these essential American forms. Brosman profiles and assesses poets from the twentieth and twenty-first centuries. Grounds for selection include connections between the poets and the state; the excellence and abundance of their work; its critical reception; and both local and national standing. Natives of Mississippi and others who have resided here draw equal consideration. As C. Liegh McInnis observed, “You do not have to be born in Mississippi to be a Mississippi writer. . . . If what happens in Mississippi has an immediate and definite effect on your work, you are a Mississippi writer.”
Feminist Collections
Author:
Publisher:
ISBN:
Category : Feminism
Languages : en
Pages : 100
Book Description
Publisher:
ISBN:
Category : Feminism
Languages : en
Pages : 100
Book Description
The Frontiers of Women's Writing
Author: Brigitte Georgi-Findlay
Publisher: University of Arizona Press
ISBN: 0816549346
Category : Literary Criticism
Languages : en
Pages : 374
Book Description
Although the myth of the American frontier is largely the product of writings by men, a substantial body of writings by women exists that casts the era of western expansion in a different light. In this study of American women's writings about the West between 1830 and 1930, a European scholar provides a reconstruction and new vision of frontier narrative from a perspective that has frequently been overlooked or taken for granted in discussions of the frontier. Brigitte Georgi-Findlay presents a range of writings that reflects the diversity of the western experience. Beginning with the narratives of Caroline Kirkland and other women of the early frontier, she reviews the diaries of the overland trails; letters and journals of the wives of army officers during the Indian wars; professional writings, focusing largely on travel, by women such as Caroline Leighton from the regional publishing cultures that emerged in the Far West during the last quarter of the century; and late-nineteenth- and early-twentieth-century accounts of missionaries and teachers on Indian reservations. Most of the writers were white, literate women who asserted their own kind of cultural authority over the lands and people they encountered. Their accounts are not only set in relation to a masculine frontier myth but also investigated for clues about their own involvement with territorial expansion. By exploring the various ways in which women writers actively contributed to and at times rejected the development of a national narrative of territorial expansion based on empire building and colonization, the author shows how their accounts are implicated in expansionist processes at the same time that they formulate positions of innocence and detachment. Georgi-Findlay has drawn on American studies scholarship, feminist criticism, and studies of colonial discourse to examine the strategies of women's representation in writing about the West in ways that most theorists have not. She critiques generally accepted stereotypes and assumptions--both about women's writing and its difference of view in particular, and about frontier discourse and the rhetoric of westward expansion in general--as she offers a significant contribution to literary studies of the West that will challenge scholars across a wide range of disciplines.
Publisher: University of Arizona Press
ISBN: 0816549346
Category : Literary Criticism
Languages : en
Pages : 374
Book Description
Although the myth of the American frontier is largely the product of writings by men, a substantial body of writings by women exists that casts the era of western expansion in a different light. In this study of American women's writings about the West between 1830 and 1930, a European scholar provides a reconstruction and new vision of frontier narrative from a perspective that has frequently been overlooked or taken for granted in discussions of the frontier. Brigitte Georgi-Findlay presents a range of writings that reflects the diversity of the western experience. Beginning with the narratives of Caroline Kirkland and other women of the early frontier, she reviews the diaries of the overland trails; letters and journals of the wives of army officers during the Indian wars; professional writings, focusing largely on travel, by women such as Caroline Leighton from the regional publishing cultures that emerged in the Far West during the last quarter of the century; and late-nineteenth- and early-twentieth-century accounts of missionaries and teachers on Indian reservations. Most of the writers were white, literate women who asserted their own kind of cultural authority over the lands and people they encountered. Their accounts are not only set in relation to a masculine frontier myth but also investigated for clues about their own involvement with territorial expansion. By exploring the various ways in which women writers actively contributed to and at times rejected the development of a national narrative of territorial expansion based on empire building and colonization, the author shows how their accounts are implicated in expansionist processes at the same time that they formulate positions of innocence and detachment. Georgi-Findlay has drawn on American studies scholarship, feminist criticism, and studies of colonial discourse to examine the strategies of women's representation in writing about the West in ways that most theorists have not. She critiques generally accepted stereotypes and assumptions--both about women's writing and its difference of view in particular, and about frontier discourse and the rhetoric of westward expansion in general--as she offers a significant contribution to literary studies of the West that will challenge scholars across a wide range of disciplines.
The Desert is No Lady
Author: Vera Norwood
Publisher: University of Arizona Press
ISBN: 9780816516490
Category : Art
Languages : en
Pages : 356
Book Description
Over the past century, women artists and writers have expressed diverse creative responses to the landscape of the Southwest. The Desert Is No Lady provides a cross-cultureal perspective on women by examining Anglo, Hispanic, and Native American women's artistic expressions and the effect of their art in defining the southwestern landscape. The Desert Is No Lady has been made into a motion picture of the same title by Women Make movies, New York, NY "A beautifully crafted book. . . . Although it varies in intensity, the response of women to the environment is virtually always different from the male frontiersman's view of the land as inanimate, boundless, conquerable and controllable." ÑPolly Wells Kaufman in Women's Review of Books "A powerful masterpiece." ÑEve Gruntfest in The Professional Geographer
Publisher: University of Arizona Press
ISBN: 9780816516490
Category : Art
Languages : en
Pages : 356
Book Description
Over the past century, women artists and writers have expressed diverse creative responses to the landscape of the Southwest. The Desert Is No Lady provides a cross-cultureal perspective on women by examining Anglo, Hispanic, and Native American women's artistic expressions and the effect of their art in defining the southwestern landscape. The Desert Is No Lady has been made into a motion picture of the same title by Women Make movies, New York, NY "A beautifully crafted book. . . . Although it varies in intensity, the response of women to the environment is virtually always different from the male frontiersman's view of the land as inanimate, boundless, conquerable and controllable." ÑPolly Wells Kaufman in Women's Review of Books "A powerful masterpiece." ÑEve Gruntfest in The Professional Geographer
Contemporary American Women Writers
Author: Lois Parkinson Zamora
Publisher: Routledge
ISBN: 1317893069
Category : Literary Criticism
Languages : en
Pages : 236
Book Description
This collection brings together critical essays that examine questions of identity and community in the fiction of contemporary American women writers among them Alice Walker, Toni Morrison and Sandra Cisnernos. The essays consider how identities and societies are dramatized in particular works of fiction, and how these works reflect cultural communities outside the fictional frame - often the communities in which their authors live and work. The essays included here concern fictional representations of African American, Latino, Asian American, Native American, Anglo and Euro-American communities and their working interactions in the multicultural United States. Each critic asks, in his or her own way, how a particular writer transforms her social grounding into language and literature. The introduction includes an overview of the range of literary criticism devoted to contemporary American women writers, and an extensive bibliography of complementary critical readings is provided to encourage further study. Undergraduate and postgraduate students of contemporary literature will find the text an invaluable guide to contemporary women's writing in America, and the range of criticism that this has given rise to.
Publisher: Routledge
ISBN: 1317893069
Category : Literary Criticism
Languages : en
Pages : 236
Book Description
This collection brings together critical essays that examine questions of identity and community in the fiction of contemporary American women writers among them Alice Walker, Toni Morrison and Sandra Cisnernos. The essays consider how identities and societies are dramatized in particular works of fiction, and how these works reflect cultural communities outside the fictional frame - often the communities in which their authors live and work. The essays included here concern fictional representations of African American, Latino, Asian American, Native American, Anglo and Euro-American communities and their working interactions in the multicultural United States. Each critic asks, in his or her own way, how a particular writer transforms her social grounding into language and literature. The introduction includes an overview of the range of literary criticism devoted to contemporary American women writers, and an extensive bibliography of complementary critical readings is provided to encourage further study. Undergraduate and postgraduate students of contemporary literature will find the text an invaluable guide to contemporary women's writing in America, and the range of criticism that this has given rise to.
South by Southwest
Author: Janis P. Stout
Publisher: University of Alabama Press
ISBN: 0817317821
Category : Biography & Autobiography
Languages : en
Pages : 265
Book Description
An interdisciplinary study of Katherine Anne Porter’s troubled relationship to her Texas origins and southern roots, South by Southwest offers a fresh look at this ever-relevant author. Today, more than thirty years after her death, Katherine Anne Porter remains a fascinating figure. Critics and biographers have portrayed her as a strikingly glamorous woman whose photographs appeared in society magazines. They have emphasized, of course, her writing— particularly the novel Ship of Fools, which was made into an award-winning film, and her collection Pale Horse, Pale Rider, which cemented her role as a significant and original literary modernist. They have highlighted her dramatic, sad, and fragmented personal life. Few, however, have addressed her uneasy relationship to her childhood in rural Texas. Janis P. Stout argues that throughout Porter’s life she remained preoccupied with the twin conundrums of how she felt about being a woman and how she felt about her Texas origins. Her construction of herself as a beautiful but unhappy southerner sprung from a plantation aristocracy of reduced fortunes meant she construed Texas as the Old South. The Texas Porter knew and re-created in her fiction had been settled by southerners like her grandparents, who brought slaves with them. As she wrote of this Texas, she also enhanced and mythologized it, exaggerating its beauty, fertility, and gracious ways as much as the disaffection that drove her to leave. Her feelings toward Texas ran to both extremes, and she was never able to reconcile them. Stout examines the author and her works within the historical and cultural context from which she emerged. In particular, Stout emphasizes four main themes in the history of Texas that she believes are of the greatest importance in understanding Porter: its geography and border location (expressed in Porter’s lifelong fascination with marginality, indeterminacy, and escape); its violence (the brutality of her first marriage as well as the lawlessness that pervaded her hometown); its racism (lynchings were prevalent throughout her upbringing); and its marginalization of women (Stout draws a connection between Porter’s references to the burning sun and oppressive heat of Texas and her life with her first husband).
Publisher: University of Alabama Press
ISBN: 0817317821
Category : Biography & Autobiography
Languages : en
Pages : 265
Book Description
An interdisciplinary study of Katherine Anne Porter’s troubled relationship to her Texas origins and southern roots, South by Southwest offers a fresh look at this ever-relevant author. Today, more than thirty years after her death, Katherine Anne Porter remains a fascinating figure. Critics and biographers have portrayed her as a strikingly glamorous woman whose photographs appeared in society magazines. They have emphasized, of course, her writing— particularly the novel Ship of Fools, which was made into an award-winning film, and her collection Pale Horse, Pale Rider, which cemented her role as a significant and original literary modernist. They have highlighted her dramatic, sad, and fragmented personal life. Few, however, have addressed her uneasy relationship to her childhood in rural Texas. Janis P. Stout argues that throughout Porter’s life she remained preoccupied with the twin conundrums of how she felt about being a woman and how she felt about her Texas origins. Her construction of herself as a beautiful but unhappy southerner sprung from a plantation aristocracy of reduced fortunes meant she construed Texas as the Old South. The Texas Porter knew and re-created in her fiction had been settled by southerners like her grandparents, who brought slaves with them. As she wrote of this Texas, she also enhanced and mythologized it, exaggerating its beauty, fertility, and gracious ways as much as the disaffection that drove her to leave. Her feelings toward Texas ran to both extremes, and she was never able to reconcile them. Stout examines the author and her works within the historical and cultural context from which she emerged. In particular, Stout emphasizes four main themes in the history of Texas that she believes are of the greatest importance in understanding Porter: its geography and border location (expressed in Porter’s lifelong fascination with marginality, indeterminacy, and escape); its violence (the brutality of her first marriage as well as the lawlessness that pervaded her hometown); its racism (lynchings were prevalent throughout her upbringing); and its marginalization of women (Stout draws a connection between Porter’s references to the burning sun and oppressive heat of Texas and her life with her first husband).
Old Southwest/new Southwest
Author: Judy Nolte Temple
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 190
Book Description
Essays from the Old Southwest/New Southwest Conference held Nov. 14-17, 1985 in Tucson, Ariz. and sponsored by the Tucson Public Library and the National Endowment for the Humanities.
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 190
Book Description
Essays from the Old Southwest/New Southwest Conference held Nov. 14-17, 1985 in Tucson, Ariz. and sponsored by the Tucson Public Library and the National Endowment for the Humanities.