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Author: Sharon Friedman
Publisher: Cambridge Scholars Publishing
ISBN: 1443845647
Category : Performing Arts
Languages : en
Pages : 190
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Book Description
The intention of this work is to present perspectives on post-apartheid dance in South Africa by South African authors. Beginning with an historical context for dance in SA, the book moves on to reflect the multiplicity of bodies, voices and stories suggested by the title. Given the diversity of conflicting realities experienced by artists in this country, contentious issues have deliberately been juxtaposed in an attempt to draw attention to the complexity of dancing on the ashes of apartheid. Although the focus is dance since 1994, all chapters are rooted in an historical analysis and offer a view of the field. This book is ground breaking as it is the first of its kind to speak of contemporary dance in South Africa and the first singular body of work to have emerged in any book form that attempts to provide a cohesive account of the range of voices within dance in post-apartheid South Africa. The book is scholarly in nature and has wide applications for colleges and universities, without alienating dance lovers or minds curious about dance in Africa. Mindful of its wide audience, the writing deliberately adopts an uncomplicated, reader-friendly tone, given the diversity of audiences including dance students, dance scholars, critics and general dance lovers that it will attract.
Author: Sharon Friedman
Publisher: Cambridge Scholars Publishing
ISBN: 1443845647
Category : Performing Arts
Languages : en
Pages : 190
Get Book Here
Book Description
The intention of this work is to present perspectives on post-apartheid dance in South Africa by South African authors. Beginning with an historical context for dance in SA, the book moves on to reflect the multiplicity of bodies, voices and stories suggested by the title. Given the diversity of conflicting realities experienced by artists in this country, contentious issues have deliberately been juxtaposed in an attempt to draw attention to the complexity of dancing on the ashes of apartheid. Although the focus is dance since 1994, all chapters are rooted in an historical analysis and offer a view of the field. This book is ground breaking as it is the first of its kind to speak of contemporary dance in South Africa and the first singular body of work to have emerged in any book form that attempts to provide a cohesive account of the range of voices within dance in post-apartheid South Africa. The book is scholarly in nature and has wide applications for colleges and universities, without alienating dance lovers or minds curious about dance in Africa. Mindful of its wide audience, the writing deliberately adopts an uncomplicated, reader-friendly tone, given the diversity of audiences including dance students, dance scholars, critics and general dance lovers that it will attract.
Author: James Nott
Publisher: Manchester University Press
ISBN: 1526156245
Category : Performing Arts
Languages : en
Pages : 267
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Book Description
By the 1920s, much of the world was ‘dance mad,’ as dancers from Buenos Aires to Tokyo, from Manchester to Johannesburg and from Chelyabinsk to Auckland, engaged in the Charleston, the foxtrot and a whole host of other fashionable dances. Worlds of social dancing examines how these dance cultures spread around the globe at this time and how they were altered to suit local tastes. As it looks at dance as a ‘social world’, the book explores the social and personal relationships established in encounters on dance floors on all continents. It also acknowledges the impact of radio and (sound) film as well as the contribution of dance teachers, musicians and other entertainment professionals to the making of the new dance culture.
Author:
Publisher:
ISBN:
Category : Ballet
Languages : en
Pages : 628
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Book Description
Author: J. Alswang
Publisher: New Africa Books
ISBN: 9780864865359
Category : Sports & Recreation
Languages : en
Pages : 338
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Book Description
This title is a collection of information on probably every sport that has been played in South Africa. It brings us the rules, the method of play, the specifications and layout of playing area of a multitude of sport.
Author: Mzo Sirayi
Publisher: Xlibris Corporation
ISBN: 1477120823
Category : Drama
Languages : en
Pages : 211
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Book Description
Mzo Sirayi has embarked on a highly impressive and daring enterprise with the unfl inching boldness of a scholar who is driven by a passionate pursuit to set the record straight. He manages to pull no punches and make no apologies by being true to his convictions, especially within the context of a new South Africa. The book adopts a largely historicized, critical and analytical perspective, which strikingly approximates that of postcolonial theory. — Owen Seda This new and authoritative book is an excellent addition to the few existing books on black South African drama and theatre. South African Drama and Th eatre from Pre-colonial Times to 1990s: An Alternative Reading takes the reader on a tour of the indigenous as well as the modern South African theatre zones. The chapters reverberate with echoes of Africanisation and rock on renaissance waves. This exciting and stimulating book is transparently readable, accessible and is of inestimable value to academics and general readers. — Patrick Ebewo
Author:
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Category :
Languages : en
Pages : 658
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Book Description
Author: Ellen W. Goellner
Publisher: Rutgers University Press
ISBN: 9780813521275
Category : Literary Criticism
Languages : en
Pages : 288
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Book Description
Dance and literary studies have traditionally been at odds: dancers and dance critics have understood academic analysis to be overly invested in the mind at the expense of body signification; literary critics and theorists have seen dance studies as anti-theoretical, even anti-intellectual. Bodies of the Text is the first book-length study of the interconnections between the two arts and the body of writing about them. The essays, by scholar-critics of dance and literature, explore dances actual and fictional to offer powerful new insights into issues of gender, race, ethnicity, popular culture, feminist aesthetics, historical "embodiment," identity politics, and narrativity. The general introduction traces the genealogy of dance studies in the academy to suggest why critical and theoretical attention to dance--and dance's challenges to writing--is both compelling and overdue. A milestone in interdisciplinary studies, Bodies of the Text opens both its fields to new inquiry, new theoretical precision, and to new readers and writers.
Author: Ellen Koskoff
Publisher: Routledge
ISBN: 0415994039
Category : Music
Languages : en
Pages : 786
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Book Description
The critical importance of past for the present--of music histories in local and global forms--asserts itself. The history of world music, as each chapter makes clear, is one of critical moments and paradigm shifts.
Author: New York Public Library. Dance Collection
Publisher:
ISBN:
Category : Dance
Languages : en
Pages : 748
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Book Description
Author: Sarahleigh Castelyn
Publisher: Cambridge Scholars Publishing
ISBN: 1527589250
Category : Performing Arts
Languages : en
Pages : 184
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Book Description
This book explores when and how, and to what effect, the body in South African contemporary dance protests, subverts, or represents a site of the struggle against oppressive forces of power. It considers how the dancing body is choreographed, what meanings lie behind the movements it makes in space, the possible effect of these movements, how and why it is costumed, and its relationship to its setting and space. It examines a selection of contemporary South African dance works, including Flatfoot Dance Company’s Transmission: Mother to Child (2005), Siwela Sonke Dance Theatre’s Home (2003), Musa Hlatshwayo’s Umthombi (2004), Mlu Zondi’s Silhouette (2006), and Nelisiwe Xaba’s They Look at Me and That Is All They Think (2006). Using both critical study of these works and the author’s own practice research, the book develops an understanding of the body in contemporary dance and its political and social meanings both in the chosen performance and within the broader context of South African society from 2003-2007. This provides a snapshot of the practice and concerns of contemporary dance in just over a decade from the first democratic national elections in 1994. It is through the study of these dance works that this moment in South African history is captured. Contemporary dance in South Africa tells the story of South Africa; its past, present, and possible future, and is therefore an enticing and evocative historical period to research a dance practice.
