Soprano, Style and Voice Quality PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Soprano, Style and Voice Quality PDF full book. Access full book title Soprano, Style and Voice Quality by Laura Anne Bateman. Download full books in PDF and EPUB format.
Author: Laura Anne Bateman
Publisher: National Library of Canada = Bibliothèque nationale du Canada
ISBN:
Category : Singing
Languages : en
Pages : 172
Get Book Here
Book Description
There are numerous widely varying vocal styles and voice qualities in Western music. Popular music in the 21st century uses a particular voice quality for female voice that is quite different from the trained classical voice quality. Classical voice quality has been the subject of a vast body of research, whereas research that deals with non-classical voice quality and pedagogy is very limited. In order to learn more about these issues, the author chose to do research using a variety of standard voice quality tests to substantiate the existing literature, and perhaps generate new information. This thesis presents a review of the existing literature on voice quality in various different styles of singing: Classical, Belt, Legit, R & B, Jazz, Country and Pop. In addition, this thesis looks at spectral measurements from a small set of voice samples, elicited from a professional soprano. Laryngographic (LGG) data was generated simultaneously with the audio samples. To limit the data set for the scope of this thesis, singing samples using the vowel [i] are selected_ The analysis techniques used in this thesis are Spectrogram, LPC, FFT, and various LGG ratio measurements. The spectral measurements compared include the relative strength of the first two harmonics, the formant locations, relative energy from harmonic strength near the formants, summed energy in two quadrants (0-3000Hz, 3000-5000Hz), and the inharmonic or aperiodic activity seen in each quality. Data from the LGG is used to calculate the contact quotient (the time the vocal folds are in contact divided by the time for one cycle of the vocal fold vibration), speed quotient (the time between maximum contact of the vocal folds and vocal fold separation divided by the time between first contact and maximum contact) and ascending slope (the slope of the contacting phase of the vocal fold wave). The LGG waveform was also visually assessed. The acoustic and LGG data are compared to an auditory analysis by Dr. John Esling (Professor of Linguistics, UVic) and to the subject's descriptions of the physical configurations involved in producing these qualities. Physiological observations obtained from x-ray fluoroscopy & MRI scans of belt and classical voice qualities are included in Appendix B. The intention of the thesis is to reveal more about the workings of these voice qualities. The thesis also serves as a prototype for a series of 10 vowels and running samples that were elicited at the same time. Perhaps, even though this thesis presents a limited data set, it may be useful to pedagogues who are struggling to understand the complexities of the non-classical female voice, as well as to computer programmers and engineers who are developing voice enhancement devices and biofeedback tools.
Author: Laura Anne Bateman
Publisher: National Library of Canada = Bibliothèque nationale du Canada
ISBN:
Category : Singing
Languages : en
Pages : 172
Get Book Here
Book Description
There are numerous widely varying vocal styles and voice qualities in Western music. Popular music in the 21st century uses a particular voice quality for female voice that is quite different from the trained classical voice quality. Classical voice quality has been the subject of a vast body of research, whereas research that deals with non-classical voice quality and pedagogy is very limited. In order to learn more about these issues, the author chose to do research using a variety of standard voice quality tests to substantiate the existing literature, and perhaps generate new information. This thesis presents a review of the existing literature on voice quality in various different styles of singing: Classical, Belt, Legit, R & B, Jazz, Country and Pop. In addition, this thesis looks at spectral measurements from a small set of voice samples, elicited from a professional soprano. Laryngographic (LGG) data was generated simultaneously with the audio samples. To limit the data set for the scope of this thesis, singing samples using the vowel [i] are selected_ The analysis techniques used in this thesis are Spectrogram, LPC, FFT, and various LGG ratio measurements. The spectral measurements compared include the relative strength of the first two harmonics, the formant locations, relative energy from harmonic strength near the formants, summed energy in two quadrants (0-3000Hz, 3000-5000Hz), and the inharmonic or aperiodic activity seen in each quality. Data from the LGG is used to calculate the contact quotient (the time the vocal folds are in contact divided by the time for one cycle of the vocal fold vibration), speed quotient (the time between maximum contact of the vocal folds and vocal fold separation divided by the time between first contact and maximum contact) and ascending slope (the slope of the contacting phase of the vocal fold wave). The LGG waveform was also visually assessed. The acoustic and LGG data are compared to an auditory analysis by Dr. John Esling (Professor of Linguistics, UVic) and to the subject's descriptions of the physical configurations involved in producing these qualities. Physiological observations obtained from x-ray fluoroscopy & MRI scans of belt and classical voice qualities are included in Appendix B. The intention of the thesis is to reveal more about the workings of these voice qualities. The thesis also serves as a prototype for a series of 10 vowels and running samples that were elicited at the same time. Perhaps, even though this thesis presents a limited data set, it may be useful to pedagogues who are struggling to understand the complexities of the non-classical female voice, as well as to computer programmers and engineers who are developing voice enhancement devices and biofeedback tools.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :
Get Book Here
Book Description
There are numerous widely varying vocal styles and voice qualities in Western music. Popular music in the 21st century uses a particular voice quality for female voice that is quite different from the trained classical voice quality. Classical voice quality has been the subject of a vast body of research, whereas research that deals with non-classical voice quality and pedagogy is very limited. In order to learn more about these issues, the author chose to do research using a variety of standard voice quality tests to substantiate the existing literature, and perhaps generate new information. This thesis presents a review of the existing literature on voice quality in various different styles of singing: Classical, Belt, Legit, R & B, Jazz, Country and Pop. In addition, this thesis looks at spectral measurements from a small set of voice samples, elicited from a professional soprano. Laryngographic (LGG) data was generated simultaneously with the audio samples. To limit the data set for the scope of this thesis, singing samples using the vowel [i] are selected_ The analysis techniques used in this thesis are Spectrogram, LPC, FFT, and various LGG ratio measurements. The spectral measurements compared include the relative strength of the first two harmonics, the formant locations, relative energy from harmonic strength near the formants, summed energy in two quadrants (0-3000Hz, 3000-5000Hz), and the inharmonic or aperiodic activity seen in each quality. Data from the LGG is used to calculate the contact quotient (the time the vocal folds are in contact divided by the time for one cycle of the vocal fold vibration), speed quotient (the time between maximum contact of the vocal folds and vocal fold separation divided by the time between first contact and maximum contact) and ascending slope (the slope of the contacting phase of the vocal fold wave). The LGG waveform was also visually assessed. The acoustic and LGG data are compared to an auditory analysis by Dr. John Es.
Author: Ronald Allen Cleveland
Publisher:
ISBN:
Category : Voice disorders
Languages : en
Pages : 118
Get Book Here
Book Description
Author:
Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 324
Get Book Here
Book Description
"Education, arts and social sciences, natural and technical sciences in the United States and Canada".
Author: David M. Howard
Publisher: Taylor & Francis
ISBN: 1317508300
Category : Technology & Engineering
Languages : en
Pages : 510
Get Book Here
Book Description
The acoustics of a space can have a real impact on the sounds you create and capture. Acoustics and Psychoacoustics, Fifth Edition provides supportive tools and exercises to help you understand how music sounds and behaves in different spaces, whether during a performance or a recording, when planning a control room or listening space, and how it is perceived by performers, listeners, and recording engineers. With their clear and simple style, Howard and Angus cover both theory and practice by addressing the science of sound engineering and music production, the acoustics of musical instruments, the ways in which we hear musical sounds, the underlying principles of sound processing, and the application of these concepts to music spaces to create professional sound. This new edition is fully revised to reflect new psychoacoustic information related to timbre and temporal perception, including an updated discussion of vocal fold vibration principles, samples of recent acoustic treatments, and a description of variable acoustics in spaces, as well as coverage of the environment’s effect on production listening, sonification, and other topics. Devoted to the teaching of musical understanding, an accompanying website (www.routledge.com/cw/howard) features various audio clips, tutorial sheets, questions and answers, and trainings that will take your perception of sound to the next level. This book will help you: Gain a basic grounding in acoustics and psychoacoustics with respect to music audio technology systems Incorporate knowledge of psychoacoustics in future music technology system designs as appropriate Understand how we hear pitch, loudness, and timbre Learn to influence the acoustics of an enclosed space through designed physical modifications
Author: Raymond D. Kent
Publisher: MIT Press
ISBN: 9780262112789
Category : Language Arts & Disciplines
Languages : en
Pages : 644
Get Book Here
Book Description
A major new reference work with entries covering the entire field of communication and speech disorders.
Author: Jiyoung Shin
Publisher: Cambridge University Press
ISBN: 1139789880
Category : Foreign Language Study
Languages : en
Pages : 265
Get Book Here
Book Description
This introduction to the sounds of Korean is designed for English-speaking students with no prior knowledge of the language and includes online sound files, which demonstrate the sounds and pronunciation described. It will be an invaluable resource for students of Korean wanting to understand the basis of the current state of Korean phonetics and phonology, as well as for those studying Korean linguistics. • Provides a complete and authoritative description and explanation of the current state of Korean phonetics and phonology • Gives clear comparisons with English and provides practical advice on pronunciation • Provides a wealth of authentic Korean examples • Each chapter contains exercises and Did you know? sections to help students put their knowledge into practice.
Author: R.L. Trask
Publisher: Routledge
ISBN: 1134884206
Category : Language Arts & Disciplines
Languages : en
Pages : 348
Get Book Here
Book Description
This dictionary of grammatical terms covers both current and traditional terminology in syntax and morphology. It includes descriptive terms, the major theoretical concepts of the most influential grammatical frameworks, and the chief terms from mathematical and computational linguistics. It contains over 1500 entries, providing definitions and examples, pronunciations, the earliest sources of terms and suggestions for further reading, and recommendations about competing and conflicting usages. The book focuses on non-theory-boumd descriptive terms, which are likely to remain current for some years. Aimed at students and teachers of linguistics, it allows a reader puzzled by a grammatical term to look it up and locate further reading with ease.
Author: David Pisoni
Publisher: John Wiley & Sons
ISBN: 0470756772
Category : Language Arts & Disciplines
Languages : en
Pages : 704
Get Book Here
Book Description
The Handbook of Speech Perception is a collection of forward-looking articles that offer a summary of the technical and theoretical accomplishments in this vital area of research on language. Now available in paperback, this uniquely comprehensive companion brings together in one volume the latest research conducted in speech perception Contains original contributions by leading researchers in the field Illustrates technical and theoretical accomplishments and challenges across the field of research and language Adds to a growing understanding of the far-reaching relevance of speech perception in the fields of phonetics, audiology and speech science, cognitive science, experimental psychology, behavioral neuroscience, computer science, and electrical engineering, among others.
Author: Margaret Fawcus
Publisher: Springer
ISBN: 9780412364808
Category : Medical
Languages : en
Pages : 392
Get Book Here
Book Description
Since this book was first published, four years ago, there has been a considerable upsurge of interest in the field of both normal and abnormal voice production. Tangible evidence of this lies in the publication of the Journal of Voice in the United States, and in the UK the formation of the British Voice Association. This organization has attracted an increasing membership from professionals involved in all aspects of voice care and use - actors and singers, laryngologists and speech therapists, teachers and phoneticians. The Association holds regular study days, holds an annual two-day symposium, and publishes a Newsletter which attracts entries from this broad spectrum of professionals. We have also seen an increase in the number of specialist voice clinics, and in the two final chapters in this book a contrast is presented between such a specialist setting and the more typical clinic that operates in the majority of general hospitals. This last chapter now contains a breakdown of voice referrals over an eight-year period, which must represent a unique published study in this country. There still remains, however, little research into the management of voice disorders. There is clearly a need for more efficacy studies into specific treatment methods, and the single case-study designs developed in the field of aphasia would seem to be appropriate here.
