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Author: Laura Anne Bateman
Publisher: National Library of Canada = Bibliothèque nationale du Canada
ISBN:
Category : Singing
Languages : en
Pages : 172
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Book Description
There are numerous widely varying vocal styles and voice qualities in Western music. Popular music in the 21st century uses a particular voice quality for female voice that is quite different from the trained classical voice quality. Classical voice quality has been the subject of a vast body of research, whereas research that deals with non-classical voice quality and pedagogy is very limited. In order to learn more about these issues, the author chose to do research using a variety of standard voice quality tests to substantiate the existing literature, and perhaps generate new information. This thesis presents a review of the existing literature on voice quality in various different styles of singing: Classical, Belt, Legit, R & B, Jazz, Country and Pop. In addition, this thesis looks at spectral measurements from a small set of voice samples, elicited from a professional soprano. Laryngographic (LGG) data was generated simultaneously with the audio samples. To limit the data set for the scope of this thesis, singing samples using the vowel [i] are selected_ The analysis techniques used in this thesis are Spectrogram, LPC, FFT, and various LGG ratio measurements. The spectral measurements compared include the relative strength of the first two harmonics, the formant locations, relative energy from harmonic strength near the formants, summed energy in two quadrants (0-3000Hz, 3000-5000Hz), and the inharmonic or aperiodic activity seen in each quality. Data from the LGG is used to calculate the contact quotient (the time the vocal folds are in contact divided by the time for one cycle of the vocal fold vibration), speed quotient (the time between maximum contact of the vocal folds and vocal fold separation divided by the time between first contact and maximum contact) and ascending slope (the slope of the contacting phase of the vocal fold wave). The LGG waveform was also visually assessed. The acoustic and LGG data are compared to an auditory analysis by Dr. John Esling (Professor of Linguistics, UVic) and to the subject's descriptions of the physical configurations involved in producing these qualities. Physiological observations obtained from x-ray fluoroscopy & MRI scans of belt and classical voice qualities are included in Appendix B. The intention of the thesis is to reveal more about the workings of these voice qualities. The thesis also serves as a prototype for a series of 10 vowels and running samples that were elicited at the same time. Perhaps, even though this thesis presents a limited data set, it may be useful to pedagogues who are struggling to understand the complexities of the non-classical female voice, as well as to computer programmers and engineers who are developing voice enhancement devices and biofeedback tools.
Author: Laura Anne Bateman
Publisher: National Library of Canada = Bibliothèque nationale du Canada
ISBN:
Category : Singing
Languages : en
Pages : 172
Get Book Here
Book Description
There are numerous widely varying vocal styles and voice qualities in Western music. Popular music in the 21st century uses a particular voice quality for female voice that is quite different from the trained classical voice quality. Classical voice quality has been the subject of a vast body of research, whereas research that deals with non-classical voice quality and pedagogy is very limited. In order to learn more about these issues, the author chose to do research using a variety of standard voice quality tests to substantiate the existing literature, and perhaps generate new information. This thesis presents a review of the existing literature on voice quality in various different styles of singing: Classical, Belt, Legit, R & B, Jazz, Country and Pop. In addition, this thesis looks at spectral measurements from a small set of voice samples, elicited from a professional soprano. Laryngographic (LGG) data was generated simultaneously with the audio samples. To limit the data set for the scope of this thesis, singing samples using the vowel [i] are selected_ The analysis techniques used in this thesis are Spectrogram, LPC, FFT, and various LGG ratio measurements. The spectral measurements compared include the relative strength of the first two harmonics, the formant locations, relative energy from harmonic strength near the formants, summed energy in two quadrants (0-3000Hz, 3000-5000Hz), and the inharmonic or aperiodic activity seen in each quality. Data from the LGG is used to calculate the contact quotient (the time the vocal folds are in contact divided by the time for one cycle of the vocal fold vibration), speed quotient (the time between maximum contact of the vocal folds and vocal fold separation divided by the time between first contact and maximum contact) and ascending slope (the slope of the contacting phase of the vocal fold wave). The LGG waveform was also visually assessed. The acoustic and LGG data are compared to an auditory analysis by Dr. John Esling (Professor of Linguistics, UVic) and to the subject's descriptions of the physical configurations involved in producing these qualities. Physiological observations obtained from x-ray fluoroscopy & MRI scans of belt and classical voice qualities are included in Appendix B. The intention of the thesis is to reveal more about the workings of these voice qualities. The thesis also serves as a prototype for a series of 10 vowels and running samples that were elicited at the same time. Perhaps, even though this thesis presents a limited data set, it may be useful to pedagogues who are struggling to understand the complexities of the non-classical female voice, as well as to computer programmers and engineers who are developing voice enhancement devices and biofeedback tools.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
There are numerous widely varying vocal styles and voice qualities in Western music. Popular music in the 21st century uses a particular voice quality for female voice that is quite different from the trained classical voice quality. Classical voice quality has been the subject of a vast body of research, whereas research that deals with non-classical voice quality and pedagogy is very limited. In order to learn more about these issues, the author chose to do research using a variety of standard voice quality tests to substantiate the existing literature, and perhaps generate new information. This thesis presents a review of the existing literature on voice quality in various different styles of singing: Classical, Belt, Legit, R & B, Jazz, Country and Pop. In addition, this thesis looks at spectral measurements from a small set of voice samples, elicited from a professional soprano. Laryngographic (LGG) data was generated simultaneously with the audio samples. To limit the data set for the scope of this thesis, singing samples using the vowel [i] are selected_ The analysis techniques used in this thesis are Spectrogram, LPC, FFT, and various LGG ratio measurements. The spectral measurements compared include the relative strength of the first two harmonics, the formant locations, relative energy from harmonic strength near the formants, summed energy in two quadrants (0-3000Hz, 3000-5000Hz), and the inharmonic or aperiodic activity seen in each quality. Data from the LGG is used to calculate the contact quotient (the time the vocal folds are in contact divided by the time for one cycle of the vocal fold vibration), speed quotient (the time between maximum contact of the vocal folds and vocal fold separation divided by the time between first contact and maximum contact) and ascending slope (the slope of the contacting phase of the vocal fold wave). The LGG waveform was also visually assessed. The acoustic and LGG data are compared to an auditory analysis by Dr. John Es.
Author: Geoffrey S. Riggs
Publisher: McFarland
ISBN: 9780786414017
Category : Music
Languages : en
Pages : 276
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Book Description
It is unusual for styles in opera to carry over from one era into another. It would be even more unusual for one era's characteristics to linger two generations into the next. Yet this is precisely what happened during the first half of the nineteenth century, when the intricacies of the fleet bel canto style were combined with the Romantic era's heroic declamation and formidable orchestral emphasis resulting in the creation of the assoluta voice. This work traces the emergence of the impressive vocal writing that resulted from the marriage of the bel canto and Romantic eras. It also covers the uniquely versatile divas who were given the opportunities to make their mark on opera from the time of Cherubini to that of a young Verdi. Here, both the wide-ranging vocalism in the scores themselves and the artists capable of performing this style are referred to as assoluta. Chapters consider Luigi Cherubini's Medee, Gioacchino Rossini's Armida, Carl Maria von Weber's Oberon, Gaetano Donizetti's Anna Bolena, Vincenzo Bellini's Norma, Donizetti's Gemma di Vergy and Roberto Devereux, the time of transition in the late 1800s and early 1900s, and Giuseppe Verdi's Nabucco and Macbeth.
Author: Stanford Felix
Publisher:
ISBN: 9780578803074
Category :
Languages : en
Pages :
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Book Description
An extensive guide to classical vocal technique, which provides original insights into the great teaching masters of bel canto("beautiful singing"), presented in a scholarly yet readable and accessible way. A fresh approach to this time-honored technique, Beautiful Singing addresses the physical, mental, and aesthetic elements of the art of singing in a style designed for vocal teachers and students of all levels.
Author: Frederick James Crowest
Publisher: Good Press
ISBN:
Category : Fiction
Languages : en
Pages : 132
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Book Description
Frederick James Crowest defines his book, 'Advice to Singers', as not a guide on how to sing, but rather a collection of hints for aspiring singers. He emphasizes the importance of having a teacher and dispels the myth that singing can be learned from a book alone. Crowest covers a wide range of topics, including habits, pronunciation, voices, instruction, practice, style, expression, time, and music selection. He stresses the need for a good education, discipline, and perseverance in the study of singing, as it is an art that will test one's character.
Author: Richard Miller
Publisher: Oxford University Press
ISBN: 0199880972
Category : Music
Languages : en
Pages : 188
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Book Description
Training Soprano Voices provides a complete and reliable system for training each type of soprano voice. Designed as a practical program for singers, teachers, and voice professionals, it couples historic vocal pedagogy with the latest research on the singing voice, emphasizing the special nature of the soprano voice and the proper physiological functioning for vocal proficiency. Renowned singing teacher Richard Miller supplies a detailed description for each of the nine categories of soprano voices. For each category he then surveys the appropriate literature and provides an effective system for voice building, including techniques for breath management, vibratory response, resonance balancing, language articulation, vocal agility, sostenuto, proper vocal registration, and dynamic control. The book concludes with a daily regimen of vocal development for healthy singing and artistic performance. It also features dozens of technical exercises, vocalization material taken from the performance literature, and numerous anatomical illustrations. Unique in its focus on a single voice, Training Soprano Voices is likely to set the standard in voice training for years to come.
Author: Pamelia S. Phillips
Publisher: John Wiley & Sons
ISBN: 1118053044
Category : Music
Languages : en
Pages : 322
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Book Description
Ah, there’s just nothing better than singing in the shower. The acoustics are perfect and you don’t sound half bad, if you do say so yourself. In fact, with a little practice you could be the next “American Idol” platinum-selling recording artist, or stage sensation. It’s time for Pavarotti to step down and for you to step up as monarch of songdom. Whether you’re a beginning vocalist or a seasoned songster, Singing for Dummies makes it easy for you to achieve your songbird dreams. Singing for Dummies gives you step-by-step instructions and lots of helpful tips, hints, vocal exercises, reminders, and warnings for both men and women, including advice on: The mechanics of singing Discovering your singing voice Developing technique Singing in performance Maintaining vocal health Performing like a pro Singing for Dummies is written by Dr. Pamelia Phillips, Chair of Voice and Music at New York University’s Undergraduate Drama Department. Dr. Phillips shares all of her professional expertise to help you sing your way to the top. She gives you all the information you need to know about: Proper posture and breathing Perfecting your articulation Finding the right voice teacher for you How to train for singing Selecting your music materials Acting the song Overcoming stage fright Auditioning for musical theater In addition to Dr. Phillips’ wisdom, Singing for Dummies comes with a CD packed full of useful instruction and songs, including: Demonstrations of proper technique Exercises to develop technique and strength Scales and pitch drills Practice songs for beginning, intermediate, and advanced singers Singing for Dummies contains all the information, practices, techniques, and expert advice you need to hone your vocal skills with ease.
Author: Estelle Liebling
Publisher: Hal Leonard Corporation
ISBN: 9780793506354
Category : Music
Languages : en
Pages : 64
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Book Description
(Vocal Method). A method that has long been highly regarded among teachers and students alike. Each of these books consists of 3 parts: Part I describes the vocal mechanism and its function briefly and in simple, non-technical language. Part II consists of basic, fundamental vocalises carefully selected to develop the specific voices for which the book is written. Part III presents the important elements of diction in the 5 languages most commonly used in singing: English, Italian, French, German and Spanish.
Author: Christopher Fifield
Publisher: Routledge
ISBN: 1351125729
Category : Music
Languages : en
Pages : 1203
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Book Description
For the greater part of the twentieth century, Ibbs and Tillett's concert agency was to the British music industry what Marks and Spencer is to the world of the department store. The roll-call of famous musicians on its books was unmatched, and included such international stars as Clara Butt, Fritz Kreisler, Pablo Casals, Sergei Rachmaninov, Andr Segovia, Kathleen Ferrier, Myra Hess, Jacqueline du Pr Clifford Curzon and Vladimir Ashkenazy, to name but a handful. From 1906, the success of the company was due to the dedication of its founders, Robert Leigh Ibbs and John Tillett. After their deaths, the agency was run by the latter's wife, Emmie, who, dubbed the 'Duchess of Wigmore Street', became one of the most formidable yet respected women in British music. The history of this unique institution and its owners is told here for the first time, often through the fascinating letters that were exchanged between the artists themselves and the agency. It begins in the latter years of the 19th century with the concert and theatrical manager Narciso Vert, for whom both Ibbs and Tillett worked until his death in 1905. The story then becomes a history of musical life in twentieth-century Britain, illuminating aspects of the day-to-day management of concerts and festivals, the lives and livelihoods of professional musicians, as well as those who strove to join their ranks through audition or recommendation. The changing profile, and particularly the onset and development of personal management of artists represented by Ibbs and Tillett and their reception in the press, can be viewed as a barometer of musical taste. The demise of the agency in 1990 was indicative of just how much the world of British music had changed by the end of the century, but despite its loss to the profession, the legacy and influence of Ibbs and Tillett has remained a benchmark in today's highly competitive world of artist management and concert promotion, many of whose principal operators began
Author: Wendy D. LeBorgne
Publisher: Plural Publishing
ISBN: 1635501652
Category : Music
Languages : en
Pages : 414
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Book Description
The Vocal Athlete, Second Edition and the companion book The Vocal Athlete: Application and Technique for the Hybrid Singer, Second Edition are written and designed to bridge the gap between the art of contemporary commercial music (CCM) singing and the science behind voice production in this ever-growing popular vocal style. This textbook is a “must have” for vocal pedagogy courses and speech-language pathologists, singing voice specialists, and voice teachers. Heavily referenced, this text is ripe with current research on singing science as it relates to the CCM voice. In addition to general singing science, The Vocal Athlete is the first book of its kind to address the unique vocal and physiologic demands of commercial singing from a sound scientific and pedagogical standpoint. Historical review of classical vocal pedagogy is interwoven and transitioned to current pedagogy of CCM. Anyone who trains singers will gain insight into the current research and trends regarding the commercial music artist. The text distinguishes itself from other pedagogy texts by incorporating current peer reviewed literature in the area of CCM and its studio application. Also unique to this text are chapters on body alignment, traditional and holistic medicine, the lifecycle of the voice, and the physiology of belting. New to the Second Edition *New medical chapter on Common Pathologies in Vocal Athletes *New comprehensive chapter on Perception, Aesthetics, and Registration in the Commercial Vocal Athlete *Extended sections in Motor Learning and Exercise Physiology chapters *Updated references throughout Disclaimer: Please note that ancillary content (such as documents, audio, and video, etc.) may not be included as published in the original print version of this book.
