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Author: Dunja Hersak
Publisher:
ISBN:
Category : Art, African
Languages : en
Pages : 208
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Book Description
Author: Dunja Hersak
Publisher:
ISBN:
Category : Art, African
Languages : en
Pages : 208
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Book Description
Author: François Neyt
Publisher: Prestel Publishing
ISBN:
Category : Art
Languages : en
Pages : 408
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Book Description
This unique collection of rarely seen tribal art brings together nearly one thousand examples of powerful artefacts from the Songye tribe of Central Africa. A tribal people located in the Democratic Republic of Congo, the Songye are best known for their distinctive statuaries and masks, which for centuries have been used to protect villages, ward off enemies and bring fertility and wealth. Approximately one thousand of these pieces are shown in this vibrant collection by the world's leading expert on the Songye in conjunction with the Royal Museum for Central Africa in Tervuren, Belgium, the world's premier research institute of African Studies. The Songye often named their statues and decorated them with horns, skins, beads, tacks, shells and bits of cloth. As a result, each item displays a singular, impressive identity. Considered to be imbued with magical energy and used only by village shamans, these statues have enormous cultural and historical significance, and they are also powerful works of art in their own right. AUTHOR: François Neyt is the author of several books on African art. ILLUSTRATIONS 400 colour illustrations
Author: Francois Neyt
Publisher:
ISBN: 9788874398645
Category :
Languages : en
Pages : 240
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Book Description
Offers a fresh perspective on the Songye and Luba through the study of the Woods Davy Collection Kifwebe masks are ceremonial objects used by the Songye and Luba societies (Democratic Republic of Congo), where they are worn with costumes consisting of a long robe and a long beard made of plant fibres. As in other central African cultures, the same mask can be used in either magical and religious or festive ceremonies. In order to understand Kifwebe masks, it is essential to consider them within the cosmogony of the python rainbow, metalworking in the forge, and other plant and animal signs. Among the Songye, benevolent female masks reveal what is hidden and balance white and red energy associated with two subsequent initiations, the bukishi. Aggressive male masks were originally involved in social control and had a kind of policing role, carried out in accordance with the instructions of village elders. These two male and female forces acted in a balanced way to reinforce harmony within the village. Among the Luba, the masked figures are also benevolent and appear at the new moon, their role being to enhance fertility. Although the male and female masks fulfil functions that do not wholly overlap, they do have features in common: a frontal crest, round and excessively protruding eyes, flaring nostrils, a cube-shaped mouth and lips, stripes, and colors. Art historians and anthropologists have taken increasing interest in Kifwebe masks in recent years.
Author: Hans-Joachim Koloss
Publisher: Metropolitan Museum of Art
ISBN: 0870995901
Category : Art
Languages : en
Pages : 89
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Book Description
Author: Alisa LaGamma
Publisher: Metropolitan Museum of Art
ISBN: 0870999338
Category : Art, Black
Languages : en
Pages : 82
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Book Description
Twenty-eight African cultures are represented here by artifacts created to communicate with ancestors, spirits, and gods, about such issues as health, conception, and determination of guilt or innocence. Issued in conjunction with an April-July 2000 exhibit at The Metropolitan Museum of Art, NY, this catalog contains extensive ethnographic, descriptive, and interpretive text in connection with each of 50 pictured pieces, as well as a 13-page essay about divination in Sub-Saharan Africa (by John Pemberton III) and an introductory essay by LaGamma. Annotation copyrighted by Book News, Inc., Portland, OR
Author: Susan Mullin Vogel
Publisher: Metropolitan Museum of Art
ISBN: 0870992678
Category : Art, African
Languages : en
Pages : 258
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Book Description
Author: Rosalind Hackett
Publisher: A&C Black
ISBN: 0826436552
Category : Religion
Languages : en
Pages : 245
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Book Description
Africa's religious and artistic traditions constitute a primary example of its intellectual and cultural vitality. Artistic works play a vital role - especially where oral traditions dominate - in communicating ideas about the relationship between the human, spiritual and natural worlds. This work is a comparative study of Africa's visual and performing arts, concentrating on their geographical, material and gendered diversity, and focusing on the relation of these arts to African religion. The author combines ethnographic and art-historical methodology but does not assume any prior knowledge of African art or African religion. The text seeks a greater understanding of the philosophical and religious aspects of African art, thus challenging western perceptions of what is "important" in terms of artistic representation. This approach reveals the transformative capacities and multi-dimensionality of African art. The work also highlights the changes brought about by Christianity, Islam and the newer religious movements in post-colonial Africa.
Author: Library of Congress
Publisher:
ISBN:
Category : Subject headings, Library of Congress
Languages : en
Pages : 1164
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Book Description
Author: Joan M. Marter
Publisher: Oxford University Press, USA
ISBN: 0195335791
Category : Architecture
Languages : en
Pages : 3140
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Book Description
Arranged in alphabetical order, these 5 volumes encompass the history of the cultural development of America with over 2300 entries.
Author: Avner Shakarov
Publisher: McFarland
ISBN: 0786498749
Category : Art
Languages : en
Pages : 171
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Book Description
The art of sub-Saharan Africa reveals the marvelous achievements of unknown artists over thousands of years. Their aesthetic ideal finds form in wood, ivory, fabric, bronze and iron. This illustrated study of traditional African art includes pieces from Western Sudan, the Congolese Basin, the Guinea coast, Gabon, the Democratic Republic of Congo and East and South Africa. Each piece is characterized by its own traditions and artistic forms. The earliest works date from the beginning of the first millennium, the most recent from the early 20th century. Unique and rare examples are documented, many heretofore virtually unknown.
