Songs of the University of Virginia PDF Download
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Author: Albert Frederick Wilson
Publisher:
ISBN:
Category : Students' songs
Languages : en
Pages : 106
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Book Description
Author: Albert Frederick Wilson
Publisher:
ISBN:
Category : Students' songs
Languages : en
Pages : 106
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Book Description
Author: Albert Frederick Wilson
Publisher: Forgotten Books
ISBN: 9780331261394
Category : Poetry
Languages : en
Pages : 108
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Book Description
Excerpt from Songs of the University of Virginia T does seem remarkable that out of the long decades of song and romance which have clustered themselves about this old University, there has never before come a collection of her songs. There is no other institution in this broad land where song and student life have been more closely interwoven. There is hardly an evening, whatever be the season, that the casual stroller does not hear the song of the reveler floating out across the Lawn, straying down from Carr's Hill, or at best those brave attempts at close harmony, struggling thitherward from The Corners. The Virginia Glee Club has made an enviable reputation, gathering its material from these wayward sources, but with the exception of the Glee Club there has been no organ wherein these songs of our Alma Mater might assume permanent form, both for their preservation and wider circulation. Every Alumnus should have a copy of his University Song Book in his home; it will renew the old spirit; it will refresh the old memories; it will make you a firmer and truer son of the old Alma Mater. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: A. Frederick Wilson
Publisher:
ISBN:
Category : Students' songs
Languages : en
Pages : 86
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Book Description
Author: A Frederick Wilson
Publisher: Palala Press
ISBN: 9781357033064
Category :
Languages : en
Pages : 102
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Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: University of Virginia
Publisher:
ISBN:
Category :
Languages : en
Pages : 8
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Book Description
Author: Karl Hagstrom Miller
Publisher: Duke University Press
ISBN: 0822392704
Category : Music
Languages : en
Pages : 386
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Book Description
In Segregating Sound, Karl Hagstrom Miller argues that the categories that we have inherited to think and talk about southern music bear little relation to the ways that southerners long played and heard music. Focusing on the late nineteenth century and the early twentieth, Miller chronicles how southern music—a fluid complex of sounds and styles in practice—was reduced to a series of distinct genres linked to particular racial and ethnic identities. The blues were African American. Rural white southerners played country music. By the 1920s, these depictions were touted in folk song collections and the catalogs of “race” and “hillbilly” records produced by the phonograph industry. Such links among race, region, and music were new. Black and white artists alike had played not only blues, ballads, ragtime, and string band music, but also nationally popular sentimental ballads, minstrel songs, Tin Pan Alley tunes, and Broadway hits. In a cultural history filled with musicians, listeners, scholars, and business people, Miller describes how folklore studies and the music industry helped to create a “musical color line,” a cultural parallel to the physical color line that came to define the Jim Crow South. Segregated sound emerged slowly through the interactions of southern and northern musicians, record companies that sought to penetrate new markets across the South and the globe, and academic folklorists who attempted to tap southern music for evidence about the history of human civilization. Contending that people’s musical worlds were defined less by who they were than by the music that they heard, Miller challenges assumptions about the relation of race, music, and the market.
Author: Jerry Ratcliffe
Publisher: Whitman Publishing
ISBN: 9780794826475
Category :
Languages : en
Pages : 0
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Book Description
Author: Arthur Quiller-Couch
Publisher:
ISBN:
Category : Ballads
Languages : en
Pages : 906
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Book Description
One hundred seventy-six ballads arranged by subject area.
Author: Virginia Giglio
Publisher:
ISBN: 9780806126050
Category : Music
Languages : en
Pages : 243
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Book Description
A study of contemporary Southern Cheyenne women's music, including an overview of Cheyenne culture and history as well as analyses of 32 songs and their variants: lullabies and children's songs, hand-game songs, social songs, and Christian spiritual songs. A sampling of closely related Arapaho India
Author: Fred Everett Maus
Publisher: Oxford University Press
ISBN: 0197607527
Category : Social Science
Languages : en
Pages : 691
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Book Description
Music and queerness interact in many different ways. The Oxford Handbook of Music and Queerness brings together many topics and scholarly disciplines, reflecting the diversity of current research and methodology. Each of the book's six sections exemplifies a particular rhetoric of queer music studies. The section "Kinds of Music" explores queer interactions with specific musics such as EDM, hip hop, and country. "Versions" explores queer meanings that emerge in the creation of a version of a pre-existing text, for instance in musical settings of Biblical texts or practices of karaoke. "Voices and Sounds" turns in various ways to the materiality of music and sound. "Lives" focuses on interactions of people's lives with music and queerness. "Histories" addresses moments in the past, beginning with times when present conceptualizations of sexuality had not yet developed and moving to cases studies of more recent history, including the creation of pop songs in response to HIV/AIDS and the Eurovision song contest. The final section, "Cross-cultural Queerness," asks how to understand gender and sexuality in locations where recent Euro-American concepts may not be appropriate.
