Sonetti ... finqui inediti. [Edited by D. Moreni.] L.P.

Sonetti ... finqui inediti. [Edited by D. Moreni.] L.P. PDF Author: Anton Maria Salvini
Publisher:
ISBN:
Category :
Languages : en
Pages : 328

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Sonetti ... finqui inediti. [Edited by D. Moreni.] L.P.

Sonetti ... finqui inediti. [Edited by D. Moreni.] L.P. PDF Author: Anton Maria Salvini
Publisher:
ISBN:
Category :
Languages : en
Pages : 328

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British Museum Catalogue of printed Books

British Museum Catalogue of printed Books PDF Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 522

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Catalogue of the Printed Books in the Library of the British Museum

Catalogue of the Printed Books in the Library of the British Museum PDF Author: British Library
Publisher:
ISBN:
Category :
Languages : en
Pages : 962

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General catalogue of printed books

General catalogue of printed books PDF Author: British museum. Dept. of printed books
Publisher:
ISBN:
Category :
Languages : en
Pages : 496

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The British Museum Catalogue of Printed Books, 1881-1900

The British Museum Catalogue of Printed Books, 1881-1900 PDF Author: British Museum. Department of Printed Books
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 956

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General Catalogue of Printed Books to 1955

General Catalogue of Printed Books to 1955 PDF Author: British Museum. Dept. of Printed Books
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 1238

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The Cambridge Companion to Petrarch

The Cambridge Companion to Petrarch PDF Author: Albert Russell Ascoli
Publisher: Cambridge University Press
ISBN: 1316409287
Category : Literary Criticism
Languages : en
Pages : 294

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Book Description
Petrarch (Francesco Petrarca, 1304–74), best known for his influential collection of Italian lyric poetry dedicated to his beloved Laura, was also a remarkable classical scholar, a deeply religious thinker and a philosopher of secular ethics. In this wide-ranging study, chapters by leading scholars view Petrarch's life through his works, from the epic Africa to the Letter to Posterity, from the Canzoniere to the vernacular epic Triumphi. Petrarch is revealed as the heir to the converging influences of classical cultural and medieval Christianity, but also to his great vernacular precursor, Dante, and his friend, collaborator and sly critic, Boccaccio. Particular attention is given to Petrach's profound influence on the Humanist movement and on the courtly cult of vernacular love poetry, while raising important questions as to the validity of the distinction between medieval and modern and what is lost in attempting to classify this elusive figure.

Lyric Poetry by Women of the Italian Renaissance

Lyric Poetry by Women of the Italian Renaissance PDF Author: Virginia Cox
Publisher: JHU Press
ISBN: 1421408880
Category : History
Languages : en
Pages : 473

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This is an amazing book, a major achievement in the field of women's studies.--Renaissance Quarterly, reviewing Women's Writing in Italy, 1400-1650

Ladies Errant

Ladies Errant PDF Author: Deanna Shemek
Publisher: Duke University Press
ISBN: 9780822321675
Category : History
Languages : en
Pages : 276

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Book Description
The issue of a woman's place--and the possibility that she might stray from it--was one of early modern Italy's most persistent social concerns. Deanna Shemek presents the problem of wayward feminine behavior as it was perceived to threaten male identity and social order in the artistic and intellectual climate of the Italian Renaissance. LADIES ERRANT will interest scholars in Italian studies, women's studies, and European culture. 8 photos.

Commentary and Ideology

Commentary and Ideology PDF Author: Deborah Parker
Publisher:
ISBN:
Category : History
Languages : it
Pages : 390

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Book Description
Dante's Divine Comedy played a dual role in its relation to Italian Renaissance culture, actively shaping the fabric of that culture and, at the same time, being shaped by it. This productive relationship is examined in Commentary and Ideology, Deborah Parker's thorough compendium on the reception of Dante's chief work. By studying the social and historical circumstances under which commentaries on Dante were produced, the author clarifies the critical tradition of commentary and explains the ways in which this important body of material can be used in interpreting Dante's poem. Parker begins by tracing the criticism of Dante commentaries from the nineteenth century to the present and then examines the tradition of commentary from the Middle Ages to the Renaissance. She shows how the civic, institutional, and social commitments of commentators shaped their response to the Comedy, and how commentators tried to use the poem as an authoritative source for various kinds of social legitimation. Parker discusses how different commentators dealt with a deeply political section of the poem: the damnation of Brutus and Cassius. The scope and importance of Commentary and Ideology will command the attention of a broad group of scholars, including Italian specialists on Dante, late medievalists, students and professionals in early modern European literature, bibliographers, critical theorists, historians of literary criticism and theory, and cultural and intellectual historians.