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Author: Frank Rutter
Publisher: Forgotten Books
ISBN: 9780267594771
Category : Art
Languages : en
Pages : 226
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Book Description
Excerpt from Some Contemporary Artists T is no longer the fashion to abuse British pictures. All sorts of nice things are being said about our paintings and, if we believed all we were told, we should think that our painters had nothing to learn from anybody. British art stands second to none in the world. So said Sir Robert Witt at the open ing of a Spring exhibition in Whitechapel this year (1922) and Sir William Orpen, who him self certainly knows how to paint, has re echoed his words. No doubt it is comforting to have a good opinion of ourselves, but these pronouncements would carry more conviction did they come from the mouth of a foreigner. We are hardly able ourselves justly to appraise the worth of our contemporary artists. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Frank Rutter
Publisher: Forgotten Books
ISBN: 9780267594771
Category : Art
Languages : en
Pages : 226
Get Book Here
Book Description
Excerpt from Some Contemporary Artists T is no longer the fashion to abuse British pictures. All sorts of nice things are being said about our paintings and, if we believed all we were told, we should think that our painters had nothing to learn from anybody. British art stands second to none in the world. So said Sir Robert Witt at the open ing of a Spring exhibition in Whitechapel this year (1922) and Sir William Orpen, who him self certainly knows how to paint, has re echoed his words. No doubt it is comforting to have a good opinion of ourselves, but these pronouncements would carry more conviction did they come from the mouth of a foreigner. We are hardly able ourselves justly to appraise the worth of our contemporary artists. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Wilfrid Meynell
Publisher: Forgotten Books
ISBN: 9780259843788
Category : Art
Languages : en
Pages : 262
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Book Description
Excerpt from Some Modern Artists and Their Work At last, at about the age of one-and-twenty, the patient student was found ripe for painting in Rome. There he worked for some three years, and there, at the age of twenty-four, he produced the picture which established him suddenly but surely in England as a famous man. The Procession of Cimabue's Madonna was Mr. Leighton's first Academy picture. The name of the young continental student was not known here, and his work was an almost unparalleled surprise. The exquisite serenity of the treatment at a time in which Art was tawdry when it was in any sense decorative; the chaste and cool colour at a period when somewhat garish hues prevailed; the lofty sense of beauty in a day of prettiness; in a word, the inspiration of mediaeval Florence shining upon Trafalgar Square the thing was altogether unexpected, as new in its style as in its merits. In spite of the admiration excited, and of the fact that the picture of the year Was bought by the Queen, the young painter fled from the scene of his brilliant de'but, and, during a residence of some years in Paris, gained from study and practice an increase in technical skill, and from Ary Scheffer an addition of sentiment. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Isabelle Loring Wallace
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754669746
Category : Art
Languages : en
Pages : 414
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Book Description
Contemporary art is deeply engaged with the subject of classical myth. Yet within the literature on contemporary art, little has been said about this provocative relationship. Composed of fifteen original essays, Contemporary Art and Classical Myth addresses this scholarly gap, exploring, and in large part establishing, the multifaceted intersection of contemporary art and classical myth.
Author: Christian Brinton
Publisher: Forgotten Books
ISBN: 9780365362142
Category : Art
Languages : en
Pages : 408
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Book Description
Excerpt from Modern Artists Unnatural restraint gave way to licence frankly human, and austere splendour was replaced by the magic of personal en chantment. As in life, so in art, there were no traces of pain or sorrow. A feverish reversion to pleasure was the only note sounded. Skies were perpetually blue, gallants languished about strumming guitars, and the greensward was dotted with Shep herds and shepherdesses beribboned and Operatic. Existence became a pastoral now French, now Italian, new Spanish, and the world gaily embarked in flower-decked galleys for Cythera, unmindful of hoarse mutterings which were soon to sweep aside this fleeting moment Of nonchalance. In essence the entire movement was a return to paganism, not the broad paganism of earlier days, but an ethereal paganism recording all the in consequence of its hour. For the time being standards were strangely confused. Religion as well as reality was obscured. The crucifix and the crown Of thorns were forgotten. Those bambini who tempered the zealous exaltation of numerous Um brian and Flemish canvases, who with Raphael or van Dyck added such spontaneous charm, became mischievous amorini bent on missions dubious and diverting. Venus slipped into the niche SO long sacred to Mary Of Nazareth and Psyche shone cream-white amid the green of Versailles leafage. The chosen poet of all this radiant subversion, the one who best caught its particular accent, was not Watteau, SO tinged with pensiveness, nor Boucher, who possessed every gift save the gift of truth, but J ean-honoré Fragonard. It was he whose purpose was clearest, he who reduced desire to its most infec tious terms, he who joyously revived so many lost kisses and neglected caresses. Throughout his life Fragonard played and perpetuated the Comedy of Love. Femininity, perverse and eu dearing, he glorified in countless miniatures, portraits, fans, and decorative panels. Though he came last among the painters of Elysium, he imprisoned a beauty which had escaped all. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Robert De La Sizeranne
Publisher: Forgotten Books
ISBN: 9780656069392
Category : Art
Languages : en
Pages : 350
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Book Description
Excerpt from English Contemporary Art: Translated From the French This merely relates, it must be understood, to the great English painters, the masters whose names have become most famous in England, and who, abroad, best characterise the art of their. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Stewart Dick
Publisher: Forgotten Books
ISBN: 9780365444602
Category : Art
Languages : en
Pages : 356
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Book Description
Excerpt from Master Painters: Being Pages From the Romance of Art But though the roaring current Of modern life passes him by, yet never were people more curious to hear about the lives of artists and their doings. Why is this? What is it that outsiders find so attractive about Bohemia? They would not live and work in a smell of paint and varnish and snatch scanty meals in the midst of the muddle. They have little taste for poverty, which is only picturesque to the outsider. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Randall Davies
Publisher: Forgotten Books
ISBN: 9780267703296
Category : Art
Languages : en
Pages : 166
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Book Description
Excerpt from English Society of the Eighteenth Century in Contemporary Art Apart from any question Of sentiment, that may sanctify one age or execrate another, the Eighteenth Century is a period that is exceptionally interesting to glance over in search Of illustrations of Society in this country. For, as it happens, it is a period of continuous development in the art of painting; from a time, that is to say, when there was practically no English painting at all, till the arrival of Hogarth and his minor contemporaries; from him to the great age of Reynolds and Gainsborough; and though after these two nothing greater could be expected, yet in the close of the century, when their influence was still paramount, and when the Wider diffusion Of artistic influences that followed on the establish ment of the Royal Academy was giving a stimulus to almost every kind of art, it can hardly be said that there was any retrogression. At the same time, the choice of illustrations for a subject of this sort must necessarily prove to be a matter of some little difficulty; for While our public galleries are confined to exhibiting only works of the first importance, the minor pictures, from which the bulk of the selection would naturally be made, are mostly in country houses, and not easily available for reproduction. But the reader will, I hope, so far appreciate the series here given as to share the gratitude I feel for the kindness of both owners and custodians in helping me to make it SO full of interest and variety. To others, also, whom I have invoked and found such fair assist ance, I wish to acknowledge myself most gratefully indebted. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: John Ruskin
Publisher: Forgotten Books
ISBN: 9780259308805
Category : Art
Languages : en
Pages : 500
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Book Description
Excerpt from Modern Painters, Vol. 1: Part I.-II The work now laid before the public originated in indigua. Tion at the shallow and false criticism of the periodicals of the day on the works of the great living artist to whom it princi pally refers. It was intended to be a short pamphlet, reprohat ing the matter and style of those critiques, and pointing out their perilous tendency, as guides of public feeling. But, as point after point presented itself for demonstration, I found myself compelled to amplify what was at first a letter to the Editor of a Review, into something very like a treatise on art, to which I was obliged to give the more consistency and com pleteness, because it advocated opinions which, to the ordinary connoisseur, will sound heretical. I now scarcely know whether I should announce it is an Essay on Landscape Painting, and apologize for its frequent reference to the works of a particular master; or, announcing it as a critique on particular works, apologize for its lengthy discussion of general principles. But of whatever character the work may be considered, the motives which led me to undertake it must not be mistaken. No zeal for the reputation of any individual, no personal feeling of any kind, has the slightest weight or influence with me. The rep tation of the great artist to whose works I have chiefly referred, is established on too legitimate grounds amongall whose admira tion is honorable, to be in any way afiected by the ignorant sarcasms of pretension and afiectation. But when public taste seems plunging deeper and deeper into degradation day by dayw and when the press universally exerts such power as it possesses to direct the feeling of the nation more completely to all that is theatrical, affected, and false in art; while it vents its ribald bufiooneries on the most exalted truth, and the highest ideal of. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Frank P. Brown
Publisher: Forgotten Books
ISBN: 9780428799328
Category : Education
Languages : en
Pages : 136
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Book Description
Excerpt from South Kensington and Its Art Training The opinions Of one who now occupies the first place among contemporary artists in matters relating to the Decorative Arts cannot be lightly dismissed when the question Of State aided Art training is brought before the notice of the public. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Whitney Museum of American Art
Publisher: Forgotten Books
ISBN: 9780365746713
Category : Art
Languages : en
Pages : 24
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Book Description
Excerpt from Contemporary American Ceramics: October Thirteenth-November Seventh, Nineteen Thirty-Seven To adequately fill the space in the galleries devoted to the exhibition a few additional pieces are included by artists already represented by other works. The Whitney Museum of American Art is indebted to the Syracuse Museum of Fine Arts for the privilege of giving the exhibition of American Ceramics in New York and wishes to thank those individuals and institutions who generously ex tended the period of their loans to include this exhibition in our Museum. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
