Author: Richard Hollis JeffersonPublisher:
ISBN:
Category :
Languages : en
Pages : 408
Book Description
Some Aspects of Richard Brome's Coemdies of Manners
Author: Richard Hollis JeffersonPublisher:
ISBN:
Category :
Languages : en
Pages : 408
Book Description
Richard Brome
Author: Ralph James KaufmannPublisher: New York, Columbia University Press
ISBN:
Category : BROME, RICHARD,D. 1652
Languages : en
Pages : 216
Book Description
ENGLISH SOURCES OF RESTORATION COMEDY OF MANNERS.
Author: KATHLEEN MARTHA LYNCHPublisher:
ISBN:
Category :
Languages : en
Pages : 636
Book Description
Dissertations in English and American Literature
Author: Laurence F. McNameePublisher: New York : Bowker
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 1148
Book Description
James Shirley
Author: Sandra A. BurnerPublisher: State University of New York Press
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 258
Book Description
A Study of the Comedies of Richard Brome
Author: Herbert Francis AllenPublisher:
ISBN:
Category :
Languages : en
Pages : 70
Book Description
The Sons of Ben
Author: Joe Lee DavisPublisher: Detroit : Wayne State University Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 266
Book Description
Richard Brome
Author: Clarence Edward AndrewsPublisher:
ISBN:
Category : Dramatists, English
Languages : en
Pages : 168
Book Description
The English Moore, Or, The Mock-mariage
Author: Richard BromePublisher: Columbia : University of Missouri Press
ISBN:
Category : Drama
Languages : en
Pages : 184
Book Description
English Drama
Author: Richard W. BevisPublisher: Routledge
ISBN: 1317870913
Category : Literary Criticism
Languages : en
Pages : 374
Book Description
What were the causes of Restoration drama's licentiousness? How did the elegantly-turned comedy of Congreve become the pointed satire of Fielding? And how did Sheridan and Goldsmith reshape the materials they inherited? In the first account of the entire period for more than a decade, Richard Bevis argues that none of these questions can be answered without an understanding of Augustan and Georgian history. The years between 1660 and 1789 saw considerable political and social upheaval, which is reflected in the eclectic array of dramatic forms that is Georgian theatre's essential characteristic.
