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Author: Jan M. Ziolkowski
Publisher: Harvard University Press
ISBN:
Category : Drama
Languages : en
Pages : 480
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Book Description
In this work, Ziolkowski pits wise Solomon against a wily peasant named Marcolf. While it is widely known by name, until now it has not been translated into any modern language. This volume offers an introduction, followed by the Latin and English, detailed commentary, and reproductions of woodcut illustrations from the 1514 edition.
Author: Jan M. Ziolkowski
Publisher: Harvard University Press
ISBN:
Category : Drama
Languages : en
Pages : 480
Get Book Here
Book Description
In this work, Ziolkowski pits wise Solomon against a wily peasant named Marcolf. While it is widely known by name, until now it has not been translated into any modern language. This volume offers an introduction, followed by the Latin and English, detailed commentary, and reproductions of woodcut illustrations from the 1514 edition.
Author: Nancy Mason Bradbury
Publisher: Medieval Institute Publications
ISBN: 1580444563
Category : Literary Criticism
Languages : en
Pages : 120
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Book Description
The two texts of the Dialogue presented here, a Latin version printed ca. 1488 and a Middle English translation printed in 1492, preserve lively, entertaining, and revealing exchanges between the Old Testament wisdom figure Solomon and Marcolf, a medieval peasant who is ragged and foul-mouthed but quick-witted and verbally astute. The Dialogue was a best-seller of its day; Latin versions survive in some twenty-seven manuscripts and forty-nine early printed editions and the work was translated into a wide variety of late medieval vernaculars, including German, Dutch, Swedish, Italian, English, and Welsh.
Author: Curtis A. Gruenler
Publisher: University of Notre Dame Pess
ISBN: 0268101655
Category : Literary Criticism
Languages : en
Pages : 636
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Book Description
In this book, Curtis Gruenler proposes that the concept of the enigmatic, latent in a wide range of medieval thinking about literature, can help us better understand in medieval terms much of the era’s most enduring literature, from the riddles of the Anglo-Saxon bishop Aldhelm to the great vernacular works of Dante, Chaucer, Julian of Norwich, and, above all, Langland’s Piers Plowman. Riddles, rhetoric, and theology—the three fields of meaning of aenigma in medieval Latin—map a way of thinking about reading and writing obscure literature that was widely shared across the Middle Ages. The poetics of enigma links inquiry about language by theologians with theologically ambitious literature. Each sense of enigma brings out an aspect of this poetics. The playfulness of riddling, both oral and literate, was joined to a Christian vision of literature by Aldhelm and the Old English riddles of the Exeter Book. Defined in rhetoric as an obscure allegory, enigma was condemned by classical authorities but resurrected under the influence of Augustine as an aid to contemplation. Its theological significance follows from a favorite biblical verse among medieval theologians, “We see now through a mirror in an enigma, then face to face” (1 Cor. 13:12). Along with other examples of the poetics of enigma, Piers Plowman can be seen as a culmination of centuries of reflection on the importance of obscure language for knowing and participating in endless mysteries of divinity and humanity and a bridge to the importance of the enigmatic in modern literature. This book will be especially useful for scholars and undergraduate students interested in medieval European literature, literary theory, and contemplative theology.
Author: Angelo Solomon Rappoport
Publisher:
ISBN:
Category : Jewish legends
Languages : en
Pages : 334
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Book Description
Author: Seth Lerer
Publisher: University of Chicago Press
ISBN: 0226473023
Category : Literary Criticism
Languages : en
Pages : 396
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Book Description
Ever since children have learned to read, there has been children’s literature. Children’s Literature charts the makings of the Western literary imagination from Aesop’s fables to Mother Goose, from Alice's Adventures in Wonderland to Peter Pan, from Where the Wild Things Are to Harry Potter. The only single-volume work to capture the rich and diverse history of children’s literature in its full panorama, this extraordinary book reveals why J. R. R. Tolkien, Dr. Seuss, Laura Ingalls Wilder, Beatrix Potter, and many others, despite their divergent styles and subject matter, have all resonated with generations of readers. Children’s Literature is an exhilarating quest across centuries, continents, and genres to discover how, and why, we first fall in love with the written word. “Lerer has accomplished something magical. Unlike the many handbooks to children’s literature that synopsize, evaluate, or otherwise guide adults in the selection of materials for children, this work presents a true critical history of the genre. . . . Scholarly, erudite, and all but exhaustive, it is also entertaining and accessible. Lerer takes his subject seriously without making it dull.”—Library Journal (starred review) “Lerer’s history reminds us of the wealth of literature written during the past 2,600 years. . . . With his vast and multidimensional knowledge of literature, he underscores the vital role it plays in forming a child’s imagination. We are made, he suggests, by the books we read.”—San Francisco Chronicle “There are dazzling chapters on John Locke and Empire, and nonsense, and Darwin, but Lerer’s most interesting chapter focuses on girls’ fiction. . . . A brilliant series of readings.”—Diane Purkiss, Times Literary Supplement
Author: Paul Maurice Clogan
Publisher: Rowman & Littlefield
ISBN: 9780742570184
Category : Education
Languages : en
Pages : 180
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Book Description
Since its founding in 1943, Medievalia et Humanistica has won worldwide recognition as the first scholarly publication in America to devote itself entirely to medieval and Renaissance studies. Since 1970, a new series, sponsored by the Modern Language Association of America and edited by an international board of distinguished scholars and critics, has published interdisciplinary articles. In yearly hardcover volumes, the new series publishes significant scholarship, criticism, and reviews treating all facets of medieval and Renaissance culture: history, art, literature, music, science, law, economics, and philosophy. Medievalia et Humanistica Editorial Board and Submissions Guidelines
Author: Alanus (de Insulis)
Publisher:
ISBN: 9780674059962
Category : Bilingual books
Languages : en
Pages : 0
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Book Description
Alan of Lille was renowned for his learning, his contributions to systematic theology, and his Latin poetry. The works included in this volume give imaginative expression to the main tenets of Alan's theology, but the original forms in which his vision is embodied are informed by a rich awareness of poetic tradition.
Author: King Solomon
Publisher:
ISBN: 9781946774040
Category : Religion
Languages : en
Pages : 44
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Book Description
This edition of the Testament of Solomon is a complete and accurate reprint of the original translation of ancient manuscripts by F.C. Conybeare first printed in 1898. It contains all Conybeare's original notes and commentary, including the Greek characters he footnoted for the reader's consideration. Beware of other editions of this work that do not contain all the original text. The Testament of Solomon is a pseudepigraphical work attributed to King Solomon the Wise of the Old Testament. Written in the first-person narrative, the book tells the story of the creation of the magical ring of King Solomon and how Solomon's ring was used to bind and control demons, including Beelzebub. In this book of King Solomon, the discourses between the King and the various spirits are told, and the story shows how Solomon uses his wisdom to withstand the demons' tricks and guile and enlist their aid in the building of his temple. The spells and seals of Solomon used by the King to bind the spirits are detailed, which makes this work a book of Solomon's magic, similar in nature to the Lesser Key of Solomon the King and the Greater Key of Solomon the King, which both are King Solomon books of magic and contain various talismans of Solomon, including the secret seal of Solomon. The manuscripts from which this work was discovered date from the 15th, 16th, and 17th centuries. All were written in Greek. This dating makes most experts believe that the work is medieval. But some scholars, including D.C. Duling, argue that it is likely that the work comes from the 5th or 6th centuries. The various manuscripts used to source the work all date to medieval times, but the text itself, as well as references to other works, indicate the Testament is much older. For example, in the Dialogue of Timothy and Aquila, there is a direct reference to the Testament of Solomon. The Dialogue purports to have been written during the Archbishopric of Cyril in 444 C.E., and therefore, its reference would date the Testament before that time. Similarly, in the early 4th century Gnostic text On the Origin of the World, references to the book of Solomon and his 49 demons are made. No matter the date, the text provides an immensely interesting description of how King Solomon tamed various demons to build his temple. The text includes predictions of the coming of Christ, as one demon explains to Solomon that while he may be bound, the only thing that can truly take his power away is the man born from a virgin who will be crucified by the Jews.
Author: Catharine MacMillan
Publisher: Cambridge University Press
ISBN: 1108429238
Category : History
Languages : en
Pages : 363
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Book Description
A unique volume demonstrating how law changes by reason of challenges to authority which seek the recognition of rights.
Author: Nancy Mason Bradbury
Publisher: Penn State Press
ISBN: 0271098341
Category : Literary Criticism
Languages : en
Pages : 221
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Book Description
In this elegantly written study, Nancy Mason Bradbury situates Chaucer’s last and most ambitious work in the context of a zeal for proverbs that was still rising in his day. Rival Wisdoms demonstrates that for Chaucer’s contemporaries, these tiny embedded microgenres could be potent, disruptive, and sometimes even incendiary. In order to understand Chaucer’s use of proverbs and their reception by premodern readers, we must set aside post-Romantic prejudices against such sayings as prosaic and unoriginal. The premodern focus on proverbs conditioned the literary culture that produced the Canterbury Tales and helped shape its audience’s reading practices. Aided by Thomas Speght’s notations in his 1602 edition, Bradbury shows that Chaucer acknowledges the power of the proverb, reflecting on its capacity for harm as well as for good and on its potential to expand and deepen—but also to regulate and constrict—the meanings of stories. Far from banishing proverbs as incompatible with the highest reaches of poetry, Chaucer places them at the center of the liberating interpretive possibilities the Canterbury Tales extends to its readers. Revelatory and persuasive, this book will appeal to scholars and students of medieval and early modern English literature as well as those interested in proverbs and the Canterbury Tales.
