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Author: Ann Ward
Publisher: Cambridge Scholars Publishing
ISBN: 1443865044
Category : Art
Languages : en
Pages : 275
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Book Description
Socrates and Dionysus engages and seeks to redraw the boundaries between philosophy and poetry, science and art. Friedrich Nietzsche argues in his work The Birth of Tragedy that science conquers art, especially the tragic art of the Dionysian poet of ancient Greece. Appealing to the natural, primeval self that is suppressed but not extinguished by the knowledge of culture, Dionysian tragedy establishes contact with our bodies and their deepest longings. Science and philosophy, associated with the ‘Socratism’ of the theoretical man, celebrate the human mind in particular and the mind or rationality of the universe more generally. According to Nietzsche, it is Euripides who destroys the Dionysian entirely. Euripides celebrated the unadorned individual because only the individual, separated from their god, is intelligible or accessible to human reason; he insisted that art be comprehended by mind or that it be rationally understood. Euripides was possessed of such a rationalizing drive, Nietzsche claims, because his primary audience was Socrates. It is Socrates, therefore, who is the true opponent of Dionysus. Following Nietzsche’s bifurcation between philosophy and art, postmodern political philosopher Richard Rorty rejects the tendency of philosophy to posit absolute, universal truths and turns to the concept of ‘redescription’ which he associates with the ‘wisdom of the novel’. The novel is wise because it posits the relative truths and perspectives of the various individuals, societies and cultures that it represents. As an art form, it can therefore include every possible perspective of every particular situation, event or person. New interdisciplinary fields in politics, literature and film are giving rise to an expanding community of scholars who disagree with the approaches taken by Nietzsche and Rorty. These scholars are shedding light on the ways in which philosophy and art are friends rather than enemies. They seek to bridge the theoretical and ethical gaps between the world of ‘fiction’ and the world of ‘fact’, of art and science. There appears to be a fundamental tension between literary-artistic and scientific projects. Whereas the artist seeks to recreate human experience, thereby evoking basic ethical issues, the scientist apparently seeks ethically-neutral, evidence-based facts as the constituents of our knowledge of reality. Chapters in this volume, however, will reconsider how artists, philosophers and film-makers have addressed and attempted to reconcile the artist’s language of normativity and the scientist’s language of facticity.
Author: Ann Ward
Publisher: Cambridge Scholars Publishing
ISBN: 1443865044
Category : Art
Languages : en
Pages : 275
Get Book Here
Book Description
Socrates and Dionysus engages and seeks to redraw the boundaries between philosophy and poetry, science and art. Friedrich Nietzsche argues in his work The Birth of Tragedy that science conquers art, especially the tragic art of the Dionysian poet of ancient Greece. Appealing to the natural, primeval self that is suppressed but not extinguished by the knowledge of culture, Dionysian tragedy establishes contact with our bodies and their deepest longings. Science and philosophy, associated with the ‘Socratism’ of the theoretical man, celebrate the human mind in particular and the mind or rationality of the universe more generally. According to Nietzsche, it is Euripides who destroys the Dionysian entirely. Euripides celebrated the unadorned individual because only the individual, separated from their god, is intelligible or accessible to human reason; he insisted that art be comprehended by mind or that it be rationally understood. Euripides was possessed of such a rationalizing drive, Nietzsche claims, because his primary audience was Socrates. It is Socrates, therefore, who is the true opponent of Dionysus. Following Nietzsche’s bifurcation between philosophy and art, postmodern political philosopher Richard Rorty rejects the tendency of philosophy to posit absolute, universal truths and turns to the concept of ‘redescription’ which he associates with the ‘wisdom of the novel’. The novel is wise because it posits the relative truths and perspectives of the various individuals, societies and cultures that it represents. As an art form, it can therefore include every possible perspective of every particular situation, event or person. New interdisciplinary fields in politics, literature and film are giving rise to an expanding community of scholars who disagree with the approaches taken by Nietzsche and Rorty. These scholars are shedding light on the ways in which philosophy and art are friends rather than enemies. They seek to bridge the theoretical and ethical gaps between the world of ‘fiction’ and the world of ‘fact’, of art and science. There appears to be a fundamental tension between literary-artistic and scientific projects. Whereas the artist seeks to recreate human experience, thereby evoking basic ethical issues, the scientist apparently seeks ethically-neutral, evidence-based facts as the constituents of our knowledge of reality. Chapters in this volume, however, will reconsider how artists, philosophers and film-makers have addressed and attempted to reconcile the artist’s language of normativity and the scientist’s language of facticity.
Author: James I. Porter
Publisher: Stanford University Press
ISBN: 9780804737005
Category : Philosophy
Languages : en
Pages : 244
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Book Description
This book argues that The Birth of Tragedy, Nietzsche's first book, does not mark a rupture with his prior philosophical undertakings but is, in fact, continuous with them and with his later writings as well. It shows that many of the book's elements are reminiscent of Nietzsche's earlier revisions of philology and anticipate the later writings.
Author: Friedrich Wilhelm Nietzsche
Publisher:
ISBN:
Category : Philosophy, German
Languages : en
Pages : 452
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Book Description
Author: Yulia Ustinova
Publisher: Routledge
ISBN: 1351581260
Category : History
Languages : en
Pages : 459
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Book Description
‘Our greatest blessings come to us by way of mania, provided it is given us by divine gift,’ – says Socrates in Plato’s Phaedrus. Certain forms of alteration of consciousness, considered to be inspired by supernatural forces, were actively sought in ancient Greece. Divine mania comprises a fascinating array of diverse experiences: numerous initiates underwent some kind of alteration of consciousness during mystery rites; sacred officials and inquirers attained revelations in major oracular centres; possession states were actively sought; finally, some thinkers, such as Pythagoras and Socrates, probably practiced manipulation of consciousness. These experiences, which could be voluntary or involuntary, intense or mild, were interpreted as an invasive divine power within one’s mind, or illumination granted by a super-human being. Greece was unique in its attitude to alteration of consciousness. From the perspective of individual and public freedom, the prominent position of the divine mania in Greek society reflects its acceptance of the inborn human proclivity to experience alteration of consciousness, interpreted in positive terms as god-sent. These mental states were treated with cautious respect, and in contrast to the majority of complex societies, ancient and modern, were never suppressed or pushed to the cultural and social periphery.
Author:
Publisher: BRILL
ISBN: 9004429565
Category : Religion
Languages : en
Pages : 358
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Book Description
Readers of Eastern Christianity and Late Antique Philosophy will find a collection of authoritative papers from across the Neoplatonic and Eastern Christian traditions. It is only recently that scholars have started to take notice of the Eastern Christian engagement with late antique philosophical texts. This volume builds upon this new interest in order to show the dynamic nature of Neoplatonism and Eastern Christianity at a time when both faced a variety of challenges. The legacy of Greek philosophy in the Christian East fills the gap between the schools of Alexandria and Baghdad and brings into focus the intellectual history of the period. The aim of the volume is to stimulate interest in late antique philosophy and its reception in the Christian East.
Author: Filip Doroszewski
Publisher: Routledge
ISBN: 1000392414
Category : History
Languages : en
Pages : 232
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Book Description
This volume presents an essential but underestimated role that Dionysus played in Greek and Roman political thought. Written by an interdisciplinary team of scholars, the volume covers the period from archaic Greece to the late Roman Empire. The reader can observe how ideas and political themes rooted in Greek classical thought were continued, adapted and developed over the course of history. The authors (including four leading experts in the field: Cornelia Isler-Kerényi, Jean-Marie Pailler, Richard Seaford andRichard Stoneman) reconstruct the political significance of Dionysus by examining different types of evidence: historiography, poetry, coins, epigraphy, art and philosophy. They discuss the place of the god in Greek city-state politics, explore the long tradition of imitating Dionysus that ancient leaders, from Alexander the Great to the Roman emperors, manifested in various ways, and shows how the political role of Dionysus was reflected in Orphism and Neoplatonist philosophy. Dionysus and Politics provides an excellent introduction to a fundamental feature of ancient political thought which until now has been largely neglected by mainstream academia. The book will be an invaluable resource to students and scholars interested in ancient politics and religion.
Author: Paul Raimond Daniels
Publisher: Routledge
ISBN: 1317548094
Category : Philosophy
Languages : en
Pages : 252
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Book Description
Nietzsche's philosophy - at once revolutionary, erudite and deep - reaches into all spheres of the arts. Well into a second century of influence, the profundity of his ideas and the complexity of his writings still determine Nietzsche's power to engage his readers. His first book, "The Birth of Tragedy", presents us with a lively inquiry into the existential meaning of Greek tragedy. We are confronted with the idea that the awful truth of our existence can be revealed through tragic art, whereby our relationship to the world transfigures from pessimistic despair into sublime elation and affirmation. It is a landmark text in his oeuvre and remains an important book both for newcomers to Nietzsche and those wishing to enrich their appreciation of his mature writings. "Nietzsche and The Birth of Tragedy" provides a clear account of the text and explores the philosophical, literary and historical influences bearing upon it. Each chapter examines part of the text, explaining the ideas presented and assessing relevant scholarly points of interpretation. The book will be an invaluable guide to readers in Philosophy, Literary Studies and Classics coming to "The Birth of Tragedy" for the first time.
Author: Ann Ward
Publisher: Rowman & Littlefield
ISBN: 1793603782
Category : Political Science
Languages : en
Pages : 153
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Book Description
The author explores the recovery of Socratic philosophy in the political thought of G.W.F. Hegel, Soren Kierkegaard, John Stuart Mill, and Friedrich Nietzsche. Ward identifies the cause of the renewed interest in Socrates in Hegel’s call for the absorption of the individual within the modern, liberal state and the concomitant claim that Socratic skepticism should cease because history has reached its end and perfection. Recoiling from Hegel’s attempt to chain the individual within the “cave,” nineteenth century thinkers push back against his deification of the state. Yet, underlying Kierkegaard, Mill and Nietzsche’s turn to Socrates is their acceptance of Hegel’s critique of the liberal conception of the rights-bearing individual. Like Hegel, they agree that such an individual is an unworthy competitor to the state. In search of a noble individual to hold up against the state and counter the belief in the “end” of history, Kierkegaard, Mill and Nietzsche bring back and transform Socrates in significant ways. For Kierkegaard the Socratic philosopher in modern times is the person of faith, for Mill the public intellectual whose idiosyncratic identity arises from the freedom of speech, and for Nietzsche the Dionysian artist. Each model the beauty of individuality in our democratic age.
Author: Donald J. Robertson
Publisher: St. Martin's Press
ISBN: 1250286298
Category : Comics & Graphic Novels
Languages : en
Pages : 251
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Book Description
In the tradition of Logicomix, Donald J. Robertson's Verissimus is a riveting graphic novel on the life and stoic philosophy of Marcus Aurelius. Marcus Aurelius was the last famous Stoic of antiquity but he was also to become the most powerful man in the known world – the Roman emperor. After losing his father at an early age, he threw himself into the study of philosophy. The closest thing history knew to a philosopher-king, yet constant warfare and an accursed plague almost brought his empire to its knees. “Life is warfare”, he wrote, “and a sojourn in foreign land!” One thing alone could save him: philosophy, the love of wisdom! The remarkable story of Marcus Aurelius’ life and philosophical journey is brought to life by philosopher and psychotherapist Donald J. Robertson, in a sweeping historical epic of a graphic novel, based on a close study of the historical evidence, with the stunning full-color artwork of award-winning illustrator Zé Nuno Fraga.
Author: Michael Allen Gillespie
Publisher: University of Chicago Press
ISBN: 0226293483
Category : Philosophy
Languages : en
Pages : 335
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Book Description
In the twentieth century, we often think of Nietzsche, nihilism, and the death of God as inextricably connected. But, in this pathbreaking work, Michael Gillespie argues that Nietzsche, in fact, misunderstood nihilism, and that his misunderstanding has misled nearly all succeeding thought about the subject. Reconstructing nihilism's intellectual and spiritual origins before it was given its determinitive definition by Nietzsche, Gillespie focuses on the crucial turning points in the development of nihilism, from Ockham and the nominalist revolution to Descartes, Fichte, the German Romantics, the Russian nihilists and Nietzsche himself. His analysis shows that nihilism is not the result of the death of God, as Nietzsche believed; but the consequence of a new idea of God as a God of will who overturns all eternal standards of truth and justice. To understand nihilism, one has to understand how this notion of God came to inform a new notion of man and nature, one that puts will in place of reason, and freedom in place of necessity and order.
