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Author: Nancy Boas
Publisher: Univ of California Press
ISBN: 0520919777
Category : Art
Languages : en
Pages : 234
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Book Description
Six plein-air painters in Oakland, California, joined together in 1917 to form an association that lasted nearly fifteen years. The Society of Six—Selden Connor Gile, Maurice Logan, William H. Clapp, August F. Gay, Bernard von Eichman, and Louis Siegriest—created a color-centered modernist idiom that shocked establishment tastes but remains the most advanced painting of its era in Northern California. Nancy Boas's well-informed and sumptuously illustrated chronicle recognizes the importance of these six painters in the history of American Post-Impressionism. The Six found themselves in the position of an avant garde not because they set out to reject conventionality, but because they aspired to create their own indigenous modernism. While the artists were considered outsiders in their time, their work is now recognized as part of the vital and enduring lineage of American art. Depression hardship ended the Six's ascendancy, but their painterliness, use of color, and deep alliance with the land and the light became a beacon for postwar Northern California modern painters such as Richard Diebenkorn and Wayne Thiebaud. Combining biography and critical analysis, Nancy Boas offers a fitting tribute to the lives and exhilarating painting of the Society of Six.
Author: Nancy Boas
Publisher: Univ of California Press
ISBN: 0520919777
Category : Art
Languages : en
Pages : 234
Get Book Here
Book Description
Six plein-air painters in Oakland, California, joined together in 1917 to form an association that lasted nearly fifteen years. The Society of Six—Selden Connor Gile, Maurice Logan, William H. Clapp, August F. Gay, Bernard von Eichman, and Louis Siegriest—created a color-centered modernist idiom that shocked establishment tastes but remains the most advanced painting of its era in Northern California. Nancy Boas's well-informed and sumptuously illustrated chronicle recognizes the importance of these six painters in the history of American Post-Impressionism. The Six found themselves in the position of an avant garde not because they set out to reject conventionality, but because they aspired to create their own indigenous modernism. While the artists were considered outsiders in their time, their work is now recognized as part of the vital and enduring lineage of American art. Depression hardship ended the Six's ascendancy, but their painterliness, use of color, and deep alliance with the land and the light became a beacon for postwar Northern California modern painters such as Richard Diebenkorn and Wayne Thiebaud. Combining biography and critical analysis, Nancy Boas offers a fitting tribute to the lives and exhilarating painting of the Society of Six.
Author: Richard Wendorf
Publisher: Harvard University Press
ISBN: 067480967X
Category : Art
Languages : en
Pages : 321
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Book Description
Sir Joshua Reynolds explores the ways in which portrait-painting is embedded in the social fabric of a given culture as well as in the social and professional transaction between the artist and his or her subject. In addition to providing a new view of Reynolds, Wendorf's book develops a thoroughly new way of interpreting portraiture.
Author: Guy Debord
Publisher: Bread and Circuses Publishing
ISBN: 1617508306
Category : Political Science
Languages : en
Pages : 154
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Book Description
The Das Kapital of the 20th century,Society of the Spectacle is an essential text, and the main theoretical work of the Situationists. Few works of political and cultural theory have been as enduringly provocative. From its publication amid the social upheavals of the 1960's, in particular the May 1968 uprisings in France, up to the present day, with global capitalism seemingly staggering around in it’s Zombie end-phase, the volatile theses of this book have decisively transformed debates on the shape of modernity, capitalism, and everyday life in the late 20th century. This ‘Red and Black’ translation from 1977 is Introduced by Notting Hill armchair insurrectionary Tom Vague with a galloping time line and pop-situ verve, and given a more analytical over view by young upstart thinker Sam Cooper.
Author:
Publisher:
ISBN: 9780935037784
Category : Painters
Languages : en
Pages : 125
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Book Description
Author: Will Wright
Publisher: Univ of California Press
ISBN: 9780520027534
Category : Performing Arts
Languages : en
Pages : 230
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Book Description
Author: Whitney Chadwick
Publisher:
ISBN: 9780500203545
Category : Art
Languages : en
Pages : 496
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Book Description
"This expanded edition is brought up to date in the light of the most recent developments in contemporary art. A new chapter considers globalization in the visual arts and the complex issues it raises, focusing on the many major international exhibitions since 1990 that have become an important arena for women artists from around the world."--BOOK JACKET.
Author: John Ogden Murray
Publisher: Good Press
ISBN:
Category : Nature
Languages : en
Pages : 48
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Book Description
The Immortal Six Hundred were 600 Confederate officers сфзегкув by the Union Army in 1864–65. In 1863, the Confederacy passed a resolution stating all arrested African-American soldiers and the officers of colored troops would not be returned. That resolution also allowed any captured officer of colored troops to be executed or sold into slavery. John Ogden Murray, a major in the Confederate Army and an author, wrote a firsthand account of Confederate prisoners of war. He is also credited with coining the phrase "Immortal Six Hundred."
Author: Meyer Schapiro
Publisher: George Braziller Publishers
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 266
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Book Description
How can we profitably compare art and philosophy? In the first part of this collection of twenty-one writings, many previously unpublished, Schapiro uses specific works of art to elucidate the rich variety of ways in which artists and art movements have been compared with philosophical systems. His highly lucid arguments, graceful prose, and extraordinary erudition offer new opportunities to broaden and enrich our understanding of even the most familiar works of art. In the second part of the collection, Schapiro explores aspects of our everyday experiences with art: the value of modern art, social realism, revolutionary art, art as a cause of violence, the art market, the public support of artists, public art commissions, church art, and others. Here, in essays that range in a period of more than forty years, we witness Schapiro's unfailing dedication both to the liberty of the artist and to the integration of the arts in society. Throughout all of his writings, Schapiro provides us with a means of ordering our past that is reasoned and passionate, methodical and inventive. In so doing, he revitalizes our faith in the unsurpassed importance of critical thinking and creative independence.
Author: Adam Gidwitz
Publisher: Penguin
ISBN: 073523146X
Category : Juvenile Fiction
Languages : en
Pages : 208
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Book Description
The newest adventure in the bestselling Unicorn Rescue Society transports readers to the Himalayan mountains in Northern Pakistan! When Uchenna and Elliot’s classmate publishes an article in the school newspaper about the Schmoke Brothers, Professor Fauna notices something alarming in a photo. Mounted on the wall of the Schmoke’s living room is a single spiral horn that he’s certain could have come from only one animal—a unicorn! To save these magical creatures—and to finally see a unicorn themselves—the Unicorn Rescue Society heads to the rugged mountains of Pakistan. Hena Khan, the critically acclaimed author of Amina’s Voice, joins Newbery Honor-winner Adam Gidwitz for the Unicorn Rescue Society’s most dramatic, action-filled mission yet!
Author: Will Wright
Publisher: Univ of California Press
ISBN: 0520340787
Category : Performing Arts
Languages : en
Pages : 228
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Book Description
From the Preface: The purpose of this book is to explain the Western's popularity. While the Western itself may seem simple (it isn't quite), an explanation of its popularity cannot be; for the Western, like any myth, stands between individual human consciousness and society. If a myth is popular, it must somehow appeal to or reinforce the individuals who view it by communicating a symbolic meaning to them. This meaning must, in turn, reflect the particular social institutions and attitudes that have created and continue to nourish the myth. Thus, a myth must tell its viewers about themselves and their society. This study, which takes up the question of the Western as an American myth, will lead us into abstract structural theory as well as economic and political history. Mostly, however, it will take us into the movies, the spectacular and not-so-spectacular sagebrush of the cinema. Unlike most works of social science, the data on which my analysis is based is available to all of my readers, either at the local theater or, more likely, on the late, late show. I hope you will take the opportunity, whenever it is offered, to check my findings and test my interpretations; the effort is small and the rewards are many. And if your wife, husband, mother, or child asks you why you are wasting your time staring at Westerns on TV in the middle of the night, tell them firmly—as I often did—that you are doing research in social science. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1977. From the Preface: The purpose of this book is to explain the Western's popularity. While the Western itself may seem simple (it isn't quite), an explanation of its popularity cannot be; for the Western, like any myth, stands between individual human consc
