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Author: C.M. Jackson-Houlston
Publisher: Routledge
ISBN: 1351956051
Category : Literary Criticism
Languages : en
Pages : 337
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Book Description
As a book on allusion, this has interest for both the traditional literary or cultural historian and for the modern student of textuality and readership positions. It focuses on allusion to folksong, and, more tangentially, to popular culture, areas which have so far been slighted by literary critics. In the nineteenth century many authors attempted to mediate the culture(s) of the working classes for the enjoyment of their predominantly middle-class audiences. In so doing they took songs out of their original social and musical contexts and employed a variety of strategies which - consciously or unconsciously - romanticised, falsified or denigrated what the novels or stories claimed to represent. In addition, some writers who were well-informed about the cultures they described used allusion to song as a covert system of reference to topics such as sexuality and the criticism of class and gender relations which it was difficult to discuss directly.
Author: C.M. Jackson-Houlston
Publisher: Routledge
ISBN: 1351956051
Category : Literary Criticism
Languages : en
Pages : 337
Get Book Here
Book Description
As a book on allusion, this has interest for both the traditional literary or cultural historian and for the modern student of textuality and readership positions. It focuses on allusion to folksong, and, more tangentially, to popular culture, areas which have so far been slighted by literary critics. In the nineteenth century many authors attempted to mediate the culture(s) of the working classes for the enjoyment of their predominantly middle-class audiences. In so doing they took songs out of their original social and musical contexts and employed a variety of strategies which - consciously or unconsciously - romanticised, falsified or denigrated what the novels or stories claimed to represent. In addition, some writers who were well-informed about the cultures they described used allusion to song as a covert system of reference to topics such as sexuality and the criticism of class and gender relations which it was difficult to discuss directly.
Author: Alfred Roffe
Publisher:
ISBN:
Category : Music in literature
Languages : en
Pages : 144
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Book Description
Author: Constance Sutcliffe Marriott
Publisher:
ISBN:
Category :
Languages : en
Pages : 106
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Book Description
Author:
Publisher:
ISBN:
Category : Philology, Modern
Languages : en
Pages : 314
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Book Description
Author: Richmond Samuel Howe Noble
Publisher: London : Oxford University Press
ISBN:
Category : Music and literature
Languages : en
Pages : 172
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Book Description
Author:
Publisher:
ISBN:
Category : Philology, Modern
Languages : en
Pages : 1112
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Book Description
Author: Inverness Gaelic Society
Publisher:
ISBN:
Category : Celtic literature
Languages : en
Pages : 376
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Book Description
List of members in each vol.
Author: Erin Minear
Publisher: Routledge
ISBN: 1317063724
Category : Literary Criticism
Languages : en
Pages : 338
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Book Description
In this study, Erin Minear explores the fascination of Shakespeare and Milton with the ability of music-heard, imagined, or remembered-to infiltrate language. Such infected language reproduces not so much the formal or sonic properties of music as its effects. Shakespeare's and Milton's understanding of these effects was determined, she argues, by history and culture as well as individual sensibility. They portray music as uncanny and divine, expressive and opaque, promoting associative rather than logical thought processes and unearthing unexpected memories. The title reflects the multiple and overlapping meanings of reverberation in the study: the lingering and infectious nature of musical sound; the questionable status of audible, earthly music as an echo of celestial harmonies; and one writer's allusions to another. Minear argues that many of the qualities that seem to us characteristically 'Shakespearean' stem from Shakespeare's engagement with how music works-and that Milton was deeply influenced by this aspect of Shakespearean poetics. Analyzing Milton's account of Shakespeare's 'warbled notes,' she demonstrates that he saw Shakespeare as a peculiarly musical poet, deeply and obscurely moving his audience with language that has ceased to mean, but nonetheless lingers hauntingly in the mind. Obsessed with the relationship between words and music for reasons of his own, including his father's profession as a composer, Milton would adopt, adapt, and finally reject Shakespeare's form of musical poetics in his own quest to 'join the angel choir.' Offering a new way of looking at the work of two major authors, this study engages and challenges scholars of Shakespeare, Milton, and early modern culture.
Author: John Addington Symonds
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 92
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Book Description
Author: Eva Munson Smith
Publisher:
ISBN:
Category : Hymns, English
Languages : en
Pages : 982
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Book Description
