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Author: Marco Caracciolo
Publisher: U of Nebraska Press
ISBN: 1496230876
Category : Literary Criticism
Languages : en
Pages : 334
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Book Description
2024 Barbara Perkins and George Perkins Prize Slow Narrative and Nonhuman Materialities investigates how the experience of slowness in contemporary narrative practices can create a vision of interconnectedness between human communities and the nonhuman world. Here, slowness is not a matter of measurable time but a transformative experience for audiences of contemporary narratives engaging with the ecological crisis. While climate change is a scientific abstraction, the imagination of slowness turns it into a deeply embodied and affective experience. Marco Caracciolo explores the value of slowness in dialogue with a wide range of narratives in various media, from prose fiction to comic books to video games. He argues that we need patience and an eye for complex patterns in order to recognize the multiple threads that link human communities and the slow-moving processes of climate and geological history. Decelerating attention offers important insight into human societies' relations with the nonhuman materialities of Earth's physical landscapes, ecosystems, and atmosphere. Caracciolo centers the experiential effects of narrative and offers a range of theoretically grounded readings that complement the formal language of narrative theory. These close readings demonstrate that slowness is not a matter of measurable time but a "thickening" of attention that reveals the deeply multithreaded nature of reality. The importance of this realization cannot be overstated: through an investment in the here and now of experience, slow narrative can help us manage the uncertainty of living in an era marked by dramatically shifting climate patterns.
Author: Marco Caracciolo
Publisher: U of Nebraska Press
ISBN: 1496230876
Category : Literary Criticism
Languages : en
Pages : 334
Get Book Here
Book Description
2024 Barbara Perkins and George Perkins Prize Slow Narrative and Nonhuman Materialities investigates how the experience of slowness in contemporary narrative practices can create a vision of interconnectedness between human communities and the nonhuman world. Here, slowness is not a matter of measurable time but a transformative experience for audiences of contemporary narratives engaging with the ecological crisis. While climate change is a scientific abstraction, the imagination of slowness turns it into a deeply embodied and affective experience. Marco Caracciolo explores the value of slowness in dialogue with a wide range of narratives in various media, from prose fiction to comic books to video games. He argues that we need patience and an eye for complex patterns in order to recognize the multiple threads that link human communities and the slow-moving processes of climate and geological history. Decelerating attention offers important insight into human societies' relations with the nonhuman materialities of Earth's physical landscapes, ecosystems, and atmosphere. Caracciolo centers the experiential effects of narrative and offers a range of theoretically grounded readings that complement the formal language of narrative theory. These close readings demonstrate that slowness is not a matter of measurable time but a "thickening" of attention that reveals the deeply multithreaded nature of reality. The importance of this realization cannot be overstated: through an investment in the here and now of experience, slow narrative can help us manage the uncertainty of living in an era marked by dramatically shifting climate patterns.
Author: Marco Caracciolo
Publisher: U of Nebraska Press
ISBN: 1496229096
Category : Literary Criticism
Languages : en
Pages : 258
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Book Description
Marco Caracciolo investigates how the experience of slowness in contemporary narrative practices can create a vision of interconnectedness between human communities and the nonhuman world in an era marked by dramatically shifting climate patterns.
Author: Linda Pillière
Publisher: Springer Nature
ISBN: 3031548841
Category :
Languages : en
Pages : 311
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Book Description
Author: Shannon Lambert
Publisher: Bloomsbury Publishing
ISBN: 1350425435
Category : Literary Criticism
Languages : en
Pages : 232
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Book Description
Moving from the micro world of quantum physics to the macro scales of earth science and ecology, this book considers how, in contemporary literature, affective experiences like desire, suffering, anxiety, and joy shape scientific persons, practices, and products. This book brings into dialogue close readings of scientific writing and contemporary literary works by authors like Jeanette Winterson, Richard Powers, Hanya Yanagihara, Thalia Field, and Jenny Offill. Combining narrative and affect studies, it uses formal strategies such as moving metaphor, visceral or affective description, plot-level analogy, contraction, and rhythm to engage with western scientific epistemologies, which still tends towards the impassive, universal, and objective. While each chapter focuses on a different field (or fields) of science, all foreground bodies-human and nonhuman-as a way of exploring knowledge production. Through close readings, the book argues that select 'scientific stories' raise important questions about how 'knowledge' is defined and who (and what) is invited into its processes of production.
Author: Marie-Laure Ryan
Publisher: U of Nebraska Press
ISBN: 1496239237
Category : Literary Criticism
Languages : en
Pages : 332
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Book Description
Object-Oriented Narratology explores the representation of objects from a narratological point of view, combining an object-centered approach with specific text studies and arguing for the cultural meanings of objects and their power and influence on the behavior of characters, while acknowledging the independence of their existence from human perception.
Author: Alison Gibbons
Publisher: U of Nebraska Press
ISBN: 149623815X
Category : Literary Criticism
Languages : en
Pages : 291
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Book Description
Readers, literary critics, and theorists alike have long demonstrated an abiding fascination with the author, both as a real person—an artist and creator—and as a theoretical concept that shapes the way we read literary works. Whether anonymous, pseudonymous, or trending on social media, authors continue to be an object of critical and readerly interest. Yet theories surrounding authorship have yet to be satisfactorily updated to register the changes wrought on the literary sphere by the advent of the digital age, the recent turn to autofiction, and the current literary climate more generally. In Reading the Contemporary Author the contributors look back on the long history of theorizing the author and offer innovative new approaches for understanding this elusive figure. Mapping the contours of the vast territory that is contemporary authorship, this collection investigates authorship in the context of narrative genres ranging from memoir and autobiographically informed texts to biofiction and novels featuring novelist narrators and characters. Bringing together the perspectives of leading scholars in narratology, cultural theory, literary criticism, stylistics, comparative literature, and autobiography studies, Reading the Contemporary Author demonstrates that a variety of interdisciplinary viewpoints and critical stances are necessary to capture the multifaceted nature of contemporary authorship.
Author: Patrick Colm Hogan
Publisher: U of Nebraska Press
ISBN: 1496241045
Category : Literary Criticism
Languages : en
Pages : 308
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Book Description
Patrick Colm Hogan extends his earlier work to argue that story genres play a prominent role in the fashioning of postcolonization literature, encompassing both the colonial and postcolonial periods.
Author: Barbara Leckie
Publisher: Stanford University Press
ISBN: 1503633993
Category : Literary Criticism
Languages : en
Pages : 293
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Book Description
In this moment of climate precarity, Victorian studies scholar Barbara Leckie considers the climate crisis as a problem of time. Spanning the long nineteenth century through our current moment, her interdisciplinary treatment of climate change at once rethinks time and illustrates that the time for climate action is now. Climate Change, Interrupted argues that linear, progress-inflected temporalities are not adequate to a crisis that defies their terms. Instead, this book advances a theory and practice of interruption to rethink prevailing temporal frameworks. At the same time, it models the anachronistic, time-blending, and time-layering temporality it advances. In a series of experimental chapters informed by the unlikely trio of Walter Benjamin, Donna Haraway, and Virginia Woolf, Leckie reinflects and cowrites the traditions and knowledges of the long nineteenth century and the current period in the spirit of climate action collaboration. The current moment demands as many approaches as possible, invites us to take risks, and asks scholars and activists adept at storytelling to participate in the conversation. Climate Change, Interrupted, accordingly, invests in interruption to tell a different story of the climate crisis.
Author: Nilgun Bayraktar
Publisher: Springer Nature
ISBN: 3031608593
Category :
Languages : en
Pages : 305
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Book Description
Author: Jane Simon
Publisher: Taylor & Francis
ISBN: 1000954382
Category : Art
Languages : en
Pages : 195
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Book Description
By carefully conceptualising the domestic in relation to the self and the photographic, this book offers a unique contribution to both photography theory and criticism, and life-narrative studies. Jane Simon brings together two critical practices into a new conversation, arguing that artists who harness domestic photography can advance a more expansive understanding of the autobiographical. Exploring the idea that self-representation need not equate to self-portraiture or involve the human form, artists from around the globe are examined, including Rinko Kawauchi, Catherine Opie, Dayanita Singh, Moyra Davey, and Elina Brotherus, who maintain a personal gaze at domestic detail. By treating the representation of interiors, domestic objects, and the very practice of photographic seeing and framing as autobiographical gestures, this book reframes the relationship between interiors and exteriors, public and private, and insists on the importance of domestic interiors to understandings of the self and photography. The book will be of interest to scholars working in photographic history and theory, art history, and visual studies.
