Author: Janet Hamlin
Publisher: Fantagraphics Books
ISBN: 1606996916
Category : Art
Languages : en
Pages : 173
Book Description
Camp X-Ray in the U.S. military base in Guantanamo, Cuba, opened in January, 2002 in the wake of the 9-11 attacks to house alleged terrorists ― off the American mainland, unaccountable to the U.S. judiciary ― in “indefinite detention.” Newer and more permanent prisons were later built miles away, and continue to house terrorist suspects today. The United States government does not allow photographs of the military trials at Guantanamo, but beginning in 2006, Janet Hamlin went to Guantanamo as a courtroom sketch artist to serve as a visual witness to the courtroom prceedings and provide worldwide media with artwork drawn during them. She has been the only sketch artist covering these trials from 2006 to the present time. Sketching Guantanamo is both a collection of her most potent and revealing sketches drawn during this period, as well a chronicle of her experience at Guantanamo. Before entering the viewing booth behind multi-paneled soundproof glass in the back of the court, Hamlin is daily subjected to thorough searches, wanding, and metal detecting in three separate checkpoints. The U.S. government and even detainees can demand that certain details be ”smudged” or even changed. When one detainee who had just pled guilty demanded that sketches of him not be released, Hamlin staged a four-hour sit-in until the authorities relented. Hamlin’s drawings and her accompanying text provide rare insight into the military courts of Guantanamo. The trials are considered notorious and historic, among the most carefully censored trials in recent U.S. history, and sketches are the only visuals the world is allowed to see. Sketching Guantanamo features nearly 150 drawings, as well as photographs of the surrounding facilities that enhance the artist’s illustrations and her running commentary.
Sketching Guantanamo
Author: Janet Hamlin
Publisher: Fantagraphics Books
ISBN: 1606996916
Category : Art
Languages : en
Pages : 173
Book Description
Camp X-Ray in the U.S. military base in Guantanamo, Cuba, opened in January, 2002 in the wake of the 9-11 attacks to house alleged terrorists ― off the American mainland, unaccountable to the U.S. judiciary ― in “indefinite detention.” Newer and more permanent prisons were later built miles away, and continue to house terrorist suspects today. The United States government does not allow photographs of the military trials at Guantanamo, but beginning in 2006, Janet Hamlin went to Guantanamo as a courtroom sketch artist to serve as a visual witness to the courtroom prceedings and provide worldwide media with artwork drawn during them. She has been the only sketch artist covering these trials from 2006 to the present time. Sketching Guantanamo is both a collection of her most potent and revealing sketches drawn during this period, as well a chronicle of her experience at Guantanamo. Before entering the viewing booth behind multi-paneled soundproof glass in the back of the court, Hamlin is daily subjected to thorough searches, wanding, and metal detecting in three separate checkpoints. The U.S. government and even detainees can demand that certain details be ”smudged” or even changed. When one detainee who had just pled guilty demanded that sketches of him not be released, Hamlin staged a four-hour sit-in until the authorities relented. Hamlin’s drawings and her accompanying text provide rare insight into the military courts of Guantanamo. The trials are considered notorious and historic, among the most carefully censored trials in recent U.S. history, and sketches are the only visuals the world is allowed to see. Sketching Guantanamo features nearly 150 drawings, as well as photographs of the surrounding facilities that enhance the artist’s illustrations and her running commentary.
Publisher: Fantagraphics Books
ISBN: 1606996916
Category : Art
Languages : en
Pages : 173
Book Description
Camp X-Ray in the U.S. military base in Guantanamo, Cuba, opened in January, 2002 in the wake of the 9-11 attacks to house alleged terrorists ― off the American mainland, unaccountable to the U.S. judiciary ― in “indefinite detention.” Newer and more permanent prisons were later built miles away, and continue to house terrorist suspects today. The United States government does not allow photographs of the military trials at Guantanamo, but beginning in 2006, Janet Hamlin went to Guantanamo as a courtroom sketch artist to serve as a visual witness to the courtroom prceedings and provide worldwide media with artwork drawn during them. She has been the only sketch artist covering these trials from 2006 to the present time. Sketching Guantanamo is both a collection of her most potent and revealing sketches drawn during this period, as well a chronicle of her experience at Guantanamo. Before entering the viewing booth behind multi-paneled soundproof glass in the back of the court, Hamlin is daily subjected to thorough searches, wanding, and metal detecting in three separate checkpoints. The U.S. government and even detainees can demand that certain details be ”smudged” or even changed. When one detainee who had just pled guilty demanded that sketches of him not be released, Hamlin staged a four-hour sit-in until the authorities relented. Hamlin’s drawings and her accompanying text provide rare insight into the military courts of Guantanamo. The trials are considered notorious and historic, among the most carefully censored trials in recent U.S. history, and sketches are the only visuals the world is allowed to see. Sketching Guantanamo features nearly 150 drawings, as well as photographs of the surrounding facilities that enhance the artist’s illustrations and her running commentary.
Drawing Blood
Author: Molly Crabapple
Publisher: HarperCollins
ISBN: 0062323652
Category : Biography & Autobiography
Languages : en
Pages : 325
Book Description
Art was my dearest friend. To draw was trouble and safety, adventure and freedom. In that four-cornered kingdom of paper, I lived as I pleased. This is the story of a girl and her sketchbook. In language that is fresh, visceral, and deeply moving—and illustrations that are irreverent and gorgeous—here is a memoir that will change the way you think about art, sex, politics, and survival in our times. From a young age, Molly Crabapple had the eye of an artist and the spirit of a radical. After a restless childhood on New York's Long Island, she left America to see Europe and the Near East, a young artist plunging into unfamiliar cultures, notebook always in hand, drawing what she observed. Returning to New York City after 9/11 to study art, she posed nude for sketch artists and sketchy photographers, danced burlesque, and modeled for the world famous Suicide Girls. Frustrated with the academy and the conventional art world, she eventually landed a post as house artist at Simon Hammerstein's legendary nightclub The Box, the epicenter of decadent Manhattan nightlife before the financial crisis of 2008. There she had a ringside seat for the pitched battle between the bankers of Wall Street and the entertainers who walked among them—a scandalous, drug-fueled circus of mutual exploitation that she captured in her tart and knowing illustrations. Then, after the crash, a wave of protest movements—from student demonstrations in London to Occupy Wall Street in her own backyard—led Molly to turn her talents to a new form of witness journalism, reporting from places such as Guantanamo, Syria, Rikers Island, and the labor camps of Abu Dhabi. Using both words and artwork to shed light on the darker corners of American empire, she has swiftly become one of the most original and galvanizing voices on the cultural stage. Now, with the same blend of honesty, fierce insight, and indelible imagery that is her signature, Molly offers her own story: an unforgettable memoir of artistic exploration, political awakening, and personal transformation.
Publisher: HarperCollins
ISBN: 0062323652
Category : Biography & Autobiography
Languages : en
Pages : 325
Book Description
Art was my dearest friend. To draw was trouble and safety, adventure and freedom. In that four-cornered kingdom of paper, I lived as I pleased. This is the story of a girl and her sketchbook. In language that is fresh, visceral, and deeply moving—and illustrations that are irreverent and gorgeous—here is a memoir that will change the way you think about art, sex, politics, and survival in our times. From a young age, Molly Crabapple had the eye of an artist and the spirit of a radical. After a restless childhood on New York's Long Island, she left America to see Europe and the Near East, a young artist plunging into unfamiliar cultures, notebook always in hand, drawing what she observed. Returning to New York City after 9/11 to study art, she posed nude for sketch artists and sketchy photographers, danced burlesque, and modeled for the world famous Suicide Girls. Frustrated with the academy and the conventional art world, she eventually landed a post as house artist at Simon Hammerstein's legendary nightclub The Box, the epicenter of decadent Manhattan nightlife before the financial crisis of 2008. There she had a ringside seat for the pitched battle between the bankers of Wall Street and the entertainers who walked among them—a scandalous, drug-fueled circus of mutual exploitation that she captured in her tart and knowing illustrations. Then, after the crash, a wave of protest movements—from student demonstrations in London to Occupy Wall Street in her own backyard—led Molly to turn her talents to a new form of witness journalism, reporting from places such as Guantanamo, Syria, Rikers Island, and the labor camps of Abu Dhabi. Using both words and artwork to shed light on the darker corners of American empire, she has swiftly become one of the most original and galvanizing voices on the cultural stage. Now, with the same blend of honesty, fierce insight, and indelible imagery that is her signature, Molly offers her own story: an unforgettable memoir of artistic exploration, political awakening, and personal transformation.
Guantanamo Voices
Author: Sarah Mirk
Publisher: Abrams
ISBN: 164700120X
Category : Comics & Graphic Novels
Languages : en
Pages : 222
Book Description
An anthology of illustrated narratives about the prison and the lives it changed forever. In January 2002, the United States sent a group of Muslim men they suspected of terrorism to a prison in Guantánamo Bay. They were the first of roughly 780 prisoners who would be held there—and forty inmates still remain. Eighteen years later, very few of them have been ever charged with a crime. In Guantánamo Voices, journalist Sarah Mirk and her team of diverse, talented graphic novel artists tell the stories of ten people whose lives have been shaped and affected by the prison, including former prisoners, lawyers, social workers, and service members. This collection of illustrated interviews explores the history of Guantánamo and the world post-9/11, presenting this complicated partisan issue through a new lens. “These stories are shocking, essential, haunting, thought-provoking. This book should be required reading for all earthlings.” —The Iowa Review “This anthology disturbs and illuminates in equal measure.” —Publishers Weekly “Editor Mirk presents an extraordinary chronicle of the notorious prison, featuring first-person accounts by prisoners, guards, and other constituents that demonstrate the facility’s cruel reputation. . . . An eye-opening, damning indictment of one of America’s worst trespasses that continues to this day.” —Kirkus Reviews
Publisher: Abrams
ISBN: 164700120X
Category : Comics & Graphic Novels
Languages : en
Pages : 222
Book Description
An anthology of illustrated narratives about the prison and the lives it changed forever. In January 2002, the United States sent a group of Muslim men they suspected of terrorism to a prison in Guantánamo Bay. They were the first of roughly 780 prisoners who would be held there—and forty inmates still remain. Eighteen years later, very few of them have been ever charged with a crime. In Guantánamo Voices, journalist Sarah Mirk and her team of diverse, talented graphic novel artists tell the stories of ten people whose lives have been shaped and affected by the prison, including former prisoners, lawyers, social workers, and service members. This collection of illustrated interviews explores the history of Guantánamo and the world post-9/11, presenting this complicated partisan issue through a new lens. “These stories are shocking, essential, haunting, thought-provoking. This book should be required reading for all earthlings.” —The Iowa Review “This anthology disturbs and illuminates in equal measure.” —Publishers Weekly “Editor Mirk presents an extraordinary chronicle of the notorious prison, featuring first-person accounts by prisoners, guards, and other constituents that demonstrate the facility’s cruel reputation. . . . An eye-opening, damning indictment of one of America’s worst trespasses that continues to this day.” —Kirkus Reviews
Guantánamo and American Empire
Author: Don E. Walicek
Publisher: Springer
ISBN: 3319622684
Category : Literary Criticism
Languages : en
Pages : 321
Book Description
This book explores the humanities as an insightful platform for understanding and responding to the military prison at Guantánamo Bay, other manifestations of “Guantánamo,” and the contested place of freedom in American Empire. It presents the work of scholars and writers based in Cuba’s Guantánamo Province and various parts of the US. Its essays, short stories, poetry, and other texts engage the far-reaching meaning and significance of Gitmo by bringing together what happens on the U.S. side of the fence—or “la cerca,” as it is called in Cuba—with perspectives from the outside world. Chapters include critiques of artistic renderings of the Guantánamo region; historical narratives contemplating the significance of freedom; analyses of the ways the base and region inform the Cuban imaginary; and fiction and poetry published for the first time in English. Not simply a critique of imperialism, this volume presents politically engaged commentary that suggests a way forward for a site of global contact and conflict.
Publisher: Springer
ISBN: 3319622684
Category : Literary Criticism
Languages : en
Pages : 321
Book Description
This book explores the humanities as an insightful platform for understanding and responding to the military prison at Guantánamo Bay, other manifestations of “Guantánamo,” and the contested place of freedom in American Empire. It presents the work of scholars and writers based in Cuba’s Guantánamo Province and various parts of the US. Its essays, short stories, poetry, and other texts engage the far-reaching meaning and significance of Gitmo by bringing together what happens on the U.S. side of the fence—or “la cerca,” as it is called in Cuba—with perspectives from the outside world. Chapters include critiques of artistic renderings of the Guantánamo region; historical narratives contemplating the significance of freedom; analyses of the ways the base and region inform the Cuban imaginary; and fiction and poetry published for the first time in English. Not simply a critique of imperialism, this volume presents politically engaged commentary that suggests a way forward for a site of global contact and conflict.
Ode to the Sea: Art from Guantanamo
Author: Postprint Magazine
Publisher: Lulu.com
ISBN: 0692996869
Category : Art
Languages : en
Pages : 60
Book Description
The exhibition catalogue for Ode to the Sea: Art from Guantanamo.
Publisher: Lulu.com
ISBN: 0692996869
Category : Art
Languages : en
Pages : 60
Book Description
The exhibition catalogue for Ode to the Sea: Art from Guantanamo.
Lidless
Author: Frances Ya-Chu Cowhig
Publisher: A&C Black
ISBN: 1408177781
Category : Drama
Languages : en
Pages : 80
Book Description
Frances Ya-Chu Cowhig's powerful drama Lidless asks important and difficult questions: is guilt a necessary form of moral reckoning, or is it an obstacle to be overcome? Will the price of national political amnesia be paid only by the next generation - the daughters and sons who were never there? It's been fifteen years since Guantánamo, fifteen years since Bashir last saw his U.S. Army interrogator, Alice. Bashir is now dying of a disease of the liver, an organ that he believes is the home of the soul. He tracks down Alice in Texas and demands that she donate half her liver as restitution for the damage wrought during her interrogations. But Alice doesn't remember Bashir; a PTSD pill trial she participated in while in the army has left her without any memory of her time there. It is only when her inquisitive fourteen-year-old daughter begins her own investigation that the fragile peace of mind that Alice's drug-induced oblivion enabled begins to falter. Although politically engaged and topical, the play's significance is further-reaching and taps into timeless questions. Lidless portrays the inevitable consequences of moral crimes, in spite of the lapse of time and the oblivion of the perpetrators. Guilt inexorably engenders retribution with a horrible symmetry, so comeuppance is exacted upon what is held most dear. Within a modern and politically-charged setting, Lidless has a tight plot of cyclical, interfamilial violence and inevitable, if blindly executed, vengeance.
Publisher: A&C Black
ISBN: 1408177781
Category : Drama
Languages : en
Pages : 80
Book Description
Frances Ya-Chu Cowhig's powerful drama Lidless asks important and difficult questions: is guilt a necessary form of moral reckoning, or is it an obstacle to be overcome? Will the price of national political amnesia be paid only by the next generation - the daughters and sons who were never there? It's been fifteen years since Guantánamo, fifteen years since Bashir last saw his U.S. Army interrogator, Alice. Bashir is now dying of a disease of the liver, an organ that he believes is the home of the soul. He tracks down Alice in Texas and demands that she donate half her liver as restitution for the damage wrought during her interrogations. But Alice doesn't remember Bashir; a PTSD pill trial she participated in while in the army has left her without any memory of her time there. It is only when her inquisitive fourteen-year-old daughter begins her own investigation that the fragile peace of mind that Alice's drug-induced oblivion enabled begins to falter. Although politically engaged and topical, the play's significance is further-reaching and taps into timeless questions. Lidless portrays the inevitable consequences of moral crimes, in spite of the lapse of time and the oblivion of the perpetrators. Guilt inexorably engenders retribution with a horrible symmetry, so comeuppance is exacted upon what is held most dear. Within a modern and politically-charged setting, Lidless has a tight plot of cyclical, interfamilial violence and inevitable, if blindly executed, vengeance.
Don't Forget Us Here
Author: Mansoor Adayfi
Publisher:
ISBN: 9780306923869
Category : Biography & Autobiography
Languages : en
Pages : 384
Book Description
"The moving, eye-opening memoir of an innocent man detained at Gauntánamo Bay for 15 years: a story of humanity in the unlikeliest of places and an unprecedented look at life at Gauntánamo on the eve of its 20th anniversary"--
Publisher:
ISBN: 9780306923869
Category : Biography & Autobiography
Languages : en
Pages : 384
Book Description
"The moving, eye-opening memoir of an innocent man detained at Gauntánamo Bay for 15 years: a story of humanity in the unlikeliest of places and an unprecedented look at life at Gauntánamo on the eve of its 20th anniversary"--
Marking Time
Author: Nicole R. Fleetwood
Publisher: Harvard University Press
ISBN: 067491922X
Category : Art
Languages : en
Pages : 350
Book Description
Winner of the National Book Critics Circle Award A Smithsonian Book of the Year A New York Review of Books “Best of 2020” Selection A New York Times Best Art Book of the Year An Art Newspaper Book of the Year A powerful document of the inner lives and creative visions of men and women rendered invisible by America’s prison system. More than two million people are currently behind bars in the United States. Incarceration not only separates the imprisoned from their families and communities; it also exposes them to shocking levels of deprivation and abuse and subjects them to the arbitrary cruelties of the criminal justice system. Yet, as Nicole Fleetwood reveals, America’s prisons are filled with art. Despite the isolation and degradation they experience, the incarcerated are driven to assert their humanity in the face of a system that dehumanizes them. Based on interviews with currently and formerly incarcerated artists, prison visits, and the author’s own family experiences with the penal system, Marking Time shows how the imprisoned turn ordinary objects into elaborate works of art. Working with meager supplies and in the harshest conditions—including solitary confinement—these artists find ways to resist the brutality and depravity that prisons engender. The impact of their art, Fleetwood observes, can be felt far beyond prison walls. Their bold works, many of which are being published for the first time in this volume, have opened new possibilities in American art. As the movement to transform the country’s criminal justice system grows, art provides the imprisoned with a political voice. Their works testify to the economic and racial injustices that underpin American punishment and offer a new vision of freedom for the twenty-first century.
Publisher: Harvard University Press
ISBN: 067491922X
Category : Art
Languages : en
Pages : 350
Book Description
Winner of the National Book Critics Circle Award A Smithsonian Book of the Year A New York Review of Books “Best of 2020” Selection A New York Times Best Art Book of the Year An Art Newspaper Book of the Year A powerful document of the inner lives and creative visions of men and women rendered invisible by America’s prison system. More than two million people are currently behind bars in the United States. Incarceration not only separates the imprisoned from their families and communities; it also exposes them to shocking levels of deprivation and abuse and subjects them to the arbitrary cruelties of the criminal justice system. Yet, as Nicole Fleetwood reveals, America’s prisons are filled with art. Despite the isolation and degradation they experience, the incarcerated are driven to assert their humanity in the face of a system that dehumanizes them. Based on interviews with currently and formerly incarcerated artists, prison visits, and the author’s own family experiences with the penal system, Marking Time shows how the imprisoned turn ordinary objects into elaborate works of art. Working with meager supplies and in the harshest conditions—including solitary confinement—these artists find ways to resist the brutality and depravity that prisons engender. The impact of their art, Fleetwood observes, can be felt far beyond prison walls. Their bold works, many of which are being published for the first time in this volume, have opened new possibilities in American art. As the movement to transform the country’s criminal justice system grows, art provides the imprisoned with a political voice. Their works testify to the economic and racial injustices that underpin American punishment and offer a new vision of freedom for the twenty-first century.
We Had a Little Real Estate Problem
Author: Kliph Nesteroff
Publisher: Simon and Schuster
ISBN: 1982103051
Category : Biography & Autobiography
Languages : en
Pages : 336
Book Description
"From renowned comedy journalist and historian Kliph Nesteroff comes the underappreciated story of Native Americans and comedy"--
Publisher: Simon and Schuster
ISBN: 1982103051
Category : Biography & Autobiography
Languages : en
Pages : 336
Book Description
"From renowned comedy journalist and historian Kliph Nesteroff comes the underappreciated story of Native Americans and comedy"--
Botero
Author:
Publisher:
ISBN:
Category : Artists
Languages : en
Pages : 0
Book Description
Publisher:
ISBN:
Category : Artists
Languages : en
Pages : 0
Book Description