Six sonatas for the harpsichord with accompanyments for two violins & a violoncello, opera settima

Six sonatas for the harpsichord with accompanyments for two violins & a violoncello, opera settima PDF Author: Charles Avison
Publisher:
ISBN:
Category : Quartets (Harpsichord, violins (2), cello)
Languages : en
Pages : 86

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Six sonatas for the harpsichord with accompanyments for two violins & a violoncello, opera settima

Six sonatas for the harpsichord with accompanyments for two violins & a violoncello, opera settima PDF Author: Charles Avison
Publisher:
ISBN:
Category : Quartets (Harpsichord, violins (2), cello)
Languages : en
Pages : 86

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Six Sonatas for Two Violins and a Violoncello Or Harpsichord

Six Sonatas for Two Violins and a Violoncello Or Harpsichord PDF Author: William Flackton
Publisher:
ISBN:
Category : Sonatas (Violins (2) and continuo)
Languages : en
Pages : 48

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Complete Sonatas

Complete Sonatas PDF Author: William McGibbon
Publisher: A-R Editions, Inc.
ISBN: 1987200578
Category : Sonatas (Flute and continuo)
Languages : en
Pages : 207

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Book Description
Now better known for his collections of Scottish tunes with variations, William McGibbon (1696–1756) was the best-known and most popular violinist-composer in Edinburgh in the eighteenth century. His three volumes of trio sonatas—one of which survives only in fragmentary form—combine fluidity of writing with Corellian influence. The 1729 set was the first music published in Scotland for the transverse flute, and its sixth trio sonata features virtuosic violin writing as well. This edition contains twelve trio sonatas, six solo sonatas, six flute duets, and the surviving first flute part of the fragmentary third volume of trio sonatas.

The Strad

The Strad PDF Author:
Publisher:
ISBN:
Category : Bowed stringed instruments
Languages : en
Pages : 724

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Charles Avison's Essay on Musical Expression

Charles Avison's Essay on Musical Expression PDF Author: Pierre Dubois
Publisher: Routledge
ISBN: 1351572350
Category : Music
Languages : en
Pages : 271

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Book Description
Charles Avison's Essay on Musical Expression, first published in 1752, is a major contribution to the debate on musical aesthetics which developed in the course of the 18th century. Considered by Charles Burney as the first essay devoted to 'musical criticism' proper, it established the primary importance of 'expression' and reconsidered the relative importance of harmony and melody. Immediately after its publication it was followed by William Hayes's Remarks (1753), to which Avison himself retorted in his Reply. Taken together these three texts offer a fascinating insight into the debate that raged in the 18th century between the promoters of the so-called 'ancient music' (such as Hayes) and the more 'modern' musicians. Beyond matters of taste, what was at stake in Avison's theoretical contribution was the assertion that the individual's response to music ultimately mattered more than the dry rules established by professional musicians. Avison also wrote several prefaces to the published editions of his own musical compositions. This volume reprints these prefaces and advertisements together with his Essay to provide an interesting view of eighteenth-century conceptions of composition and performance, and a complete survey of Avison's theory of music.

The Scoring of Baroque Concertos

The Scoring of Baroque Concertos PDF Author: C. R. F. Maunder
Publisher: Boydell Press
ISBN: 9781843830719
Category : Music
Languages : en
Pages : 304

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The concertos of Vivaldi, Bach, Handel and their contemporaries are some of the most popular, and the most frequently performed, pieces of classical music; and the assumption has always been they were full orchestral works. This book takes issue with this orthodox opinion to argue quite the reverse: that contemporaries regarded the concerto as chamber music. The author surveys the evidence, from surviving printed and manuscript performance material, from concerts throughout Europe between 1685 and 1750 (the heyday of the concerto), demonstrating that concertos were nearly always played one-to-a-part at that time. He makes a particularly close study of the scoring of the bass line, discussing the question of what instruments were most appropriate and what was used when. The late Dr RICHARD MAUNDER was Fellow of Christ's College, Cambridge.

Catalogs

Catalogs PDF Author: Harold Reeves (Firm)
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 620

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Catalogue of Rare Books

Catalogue of Rare Books PDF Author: Ellis (Firm)
Publisher:
ISBN:
Category :
Languages : en
Pages : 1106

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Catalogue of the Allen A. Brown Collection of Music in the Public Library of the City of Boston

Catalogue of the Allen A. Brown Collection of Music in the Public Library of the City of Boston PDF Author: Allen A. Brown Collection (Boston Public Library)
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 462

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The Encyclopædia Britannica

The Encyclopædia Britannica PDF Author: Hugh Chisholm
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 1066

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