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Author: Fernando Arrabal
Publisher:
ISBN:
Category :
Languages : en
Pages : 376
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Book Description
Author: Fernando Arrabal
Publisher:
ISBN:
Category :
Languages : en
Pages : 376
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Book Description
Author: Luis Oscar Arata
Publisher: University Press of Kentucky
ISBN: 0813194334
Category : Literary Criticism
Languages : en
Pages : 128
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Book Description
Along with Samuel Beckett and Eugene Ionesco, Fernando Arrabal is a major exponent of the Theater of the Absurd. In this study Arrabal's plays are seen as a contemporary expression of a festive form of theater that flourished during the Middle Ages and that had its roots in the drama of Aeschylus and Aristophanes. With this view of Arrabal's work, Luis Arata explores the nature of play in art in the light of Jean Piaget's psychology. He thus offers a new way to approach festive and playful art.
Author: Catherine O'Leary
Publisher: Tamesis Books
ISBN: 9781855661110
Category : Biography & Autobiography
Languages : en
Pages : 346
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Book Description
This monograph examines the complex relationship between Antonio Buero Vallejo [1916 - 2000] and the ideologies of Francoist and post-Franco Spain. This monograph examines the complex relationship between Antonio Buero Vallejo [1916 - 2000] and the ideologies of Francoist and post-Franco Spain. The central focus of the study is Buero's political theatre and his employment ofmyth and history to challenge the notion of an España eterna. It also considers Buero's creation of his own myths and his revision of history in order to rationalize and justify his own stance. In his determination towrite and stage committed drama in a repressive society, Buero's choice, with its inherent contradictions and ambiguities, was posibilismo. This book looks at this pragmatic employment of language and silence, both in his art and in his dealings with the censors and with other representatives of the hegemony and analyses how posibilismo both aided and limited him. The monograph also considers Buero's neglected post-Franco theatre, examining the reasons for its initial negative reception and its renewed importance in today's Spain. In these days of digging up the past, Buero's post-Franco insistence on rejecting the pacto de olvido is perhaps more relevantthan ever before. CATHERINE O'LEARY lectures in Spanish at the National University of Ireland, Maynooth
Author: Jonathan Law
Publisher: A&C Black
ISBN: 140813148X
Category : Reference
Languages : en
Pages : 560
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Book Description
The Methuen Drama Dictionary of the Theatre is an essential reference tool and companion for anyone interested in the theatre and theatre-going. Containing over 2500 entries it covers the international spectrum of theatre with particular emphasis on the UK and USA. With biographical information on playwrights, actors and directors, entries on theatres and theatre companies, explanation of technical terms and theatrical genres, and synopses of major plays, this is an authoritative, trustworthy and comprehensive compendium. Included are: synopses of 500 major plays biographical entries on hundreds of playwrights, actors, directors and producers definitions of nearly 200 genres and movements entries on over 100 key characters from plays information about more than 250 theatres and companies Unlike similar products, The Methuen Drama Dictionary of the Theatre avoids a dry, technical approach with its sprinkling of anecdotal asides and fascinating trivia, such as how Michael Gambon gave his name to a corner of a racing track following an incident on BBC's Top Gear programme, and under 'advice to actors' the sage words of Alec Guinness: 'First wipe your nose and check your flies', and the equally wise guidance from the master of his art, Noël Coward: 'Just know your lines and don't bump into the furniture.' As a companion to everything from the main stage to the fringes of theatrical fact and folklore, this will prove an irresistible book to all fans of the theatre.
Author:
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 644
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Book Description
Author: David Bradby
Publisher: Cambridge University Press
ISBN: 9780521278812
Category : Literary Criticism
Languages : en
Pages : 324
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Book Description
In the years since 1940, French theatre has been transformed both institutionally and artistically. This book compares all the major traditions and tendencies at work in French theatre since the outbreak of the Second World War, not only in Paris, but also in the Centres Dramatiques and Maisons de la Culture. Previous books have stopped short at the end of the fifties when the influence of Artaud was strong and the Absurd Theatre had become the new orthodoxy. David Bradby reassesses Beckett, lonesco, Adamov and Genet and challenges the notion that the sixties and seventies were a period of decline in French theatre. The book proceeds chronologically, offering a critical survey of the principal directors, actors and companies as well as of the playwrights, who are its major concern. Important productions are illustrated with black and white photographs. The political background is explained and all quotations are in English.
Author: Traci Roberts-Camps
Publisher: University of New Mexico Press
ISBN: 0826358284
Category : Performing Arts
Languages : en
Pages : 216
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Book Description
Women are noticeably marginalized from the Latin American film industry, with lower budgets and inadequate distribution, and they often rely on their creativity to make more interesting films. This book highlights the voices and stories of some of these directors from Brazil, Chile, Argentina, and Mexico. Roberts-Camps’s insightful exploration is the most broad-ranging account of its kind, making the book relevant to the study of literature as well as film.
Author: Brian Docherty
Publisher: Springer
ISBN: 1349230731
Category : Literary Criticism
Languages : en
Pages : 238
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Book Description
This volume offers critical and theoretical perspectives on some of the major figures in European drama in the twentieth century. There are thirteen essays covering Luigi Pirandello, Bertolt Brecht, Stanislaw Witkiewicz, Samuel Beckett, Antonin Artaud, Eugene Ionesco, Jean Anouilh, Fernando Arrabal, Jean Genet, Peter Weiss, Vaclav Havel, comtemporary German theatre, and Dario Fo and Franca Rame. These specially commissioned essays combine contemporary theory with a discussion of the dramatic work of the playwrights who created modern drama in Europe.
Author: John R. Clark
Publisher: University Press of Kentucky
ISBN: 0813161355
Category : Literary Criticism
Languages : en
Pages : 224
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Book Description
Thomas Mann predicted that no manner or mode in literature would be so typical or so pervasive in the twentieth century as the grotesque. Assuredly he was correct. The subjects and methods of our comic literature (and much of our other literature) are regularly disturbing and often repulsive -- no laughing matter. In this ambitious study, John R. Clark seeks to elucidate the major tactics and topics deployed in modern literary dark humor. In Part I he explores the satiric strategies of authors of the grotesque, strategies that undercut conventional usage and form: the de-basement of heroes, the denigration of language and style, the disruption of normative narrative technique, and even the debunking of authors themselves. Part II surveys major recurrent themes of grotesquerie: tedium, scatology, cannibalism, dystopia, and Armageddon or the end of the world. Clearly the literature of the grotesque is obtrusive and ugly, its effect morbid and disquieting -- and deliberately meant to be so. Grotesque literature may be unpleasant, but it is patently insightful. Indeed, as Clark shows, all of the strategies and topics employed by this literature stem from age-old and spirited traditions. Critics have complained about this grim satiric literature, asserting that it is dank, cheerless, unsavory, and negative. But such an interpretation is far too simplistic. On the contrary, as Clark demonstrates, such grotesque writing, in its power and its prevalence in the past and present, is in fact conventional, controlled, imaginative, and vigorous -- no mean achievements for any body of art.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 64
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Book Description
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
