Six Lectures on the Recorder and Other Flutes in Relation to Literature

Six Lectures on the Recorder and Other Flutes in Relation to Literature PDF Author: Christopher Welch
Publisher: London ; New York : Oxford University Press
ISBN:
Category : Flute
Languages : en
Pages : 488

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Six Lectures on the Recorder and Other Flutes in Relation to Literature

Six Lectures on the Recorder and Other Flutes in Relation to Literature PDF Author: Christopher Welch
Publisher: London ; New York : Oxford University Press
ISBN:
Category : Flute
Languages : en
Pages : 488

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Book Description


SIX LECTURES ON THE RECORDER

SIX LECTURES ON THE RECORDER PDF Author: CHRISTOPHER. WELCH
Publisher:
ISBN: 9781033554432
Category :
Languages : en
Pages : 0

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Six Lectures on the Recorder and Other Flutes in Relation to Literature

Six Lectures on the Recorder and Other Flutes in Relation to Literature PDF Author: Christopher Welch
Publisher:
ISBN: 9780722260616
Category : Music
Languages : en
Pages : 457

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6 LECTURES ON THE RECORDER & O

6 LECTURES ON THE RECORDER & O PDF Author: Christopher 1832-1915 Welch
Publisher:
ISBN: 9781363708581
Category : History
Languages : en
Pages : 484

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Six Lectures on the Recorder and Other Flutes in Relation to Literature

Six Lectures on the Recorder and Other Flutes in Relation to Literature PDF Author: John Milton
Publisher: Palala Press
ISBN: 9781347280409
Category :
Languages : en
Pages : 486

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Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The Recorder

The Recorder PDF Author: Richard W. Griscom
Publisher: Routledge
ISBN: 113583931X
Category : Music
Languages : en
Pages : 842

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Book Description
A Choice "Best Academic" book in its first edition, The Recorder remains an essential resource for anyone who wants to know about this instrument. This new edition is thoroughly redone, takes account of the publishing activity of the years since its first publication, and still follows the original organization.

The Recorder

The Recorder PDF Author: David Lasocki
Publisher: Yale University Press
ISBN: 030027064X
Category : Music
Languages : en
Pages : 367

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Book Description
The fascinating story of a hugely popular instrument, detailing its rich and varied history from the Middle Ages to the present The recorder is perhaps best known today for its educational role. Although it is frequently regarded as a stepping-stone on the path toward higher musical pursuits, this role is just one recent facet of the recorder’s fascinating history—which spans professional and amateur music-making since the Middle Ages. In this new addition to the Yale Musical Instrument Series, David Lasocki and Robert Ehrlich trace the evolution of the recorder. Emerging from a variety of flutes played by fourteenth-century soldiers, shepherds, and watchmen, the recorder swiftly became an artistic instrument for courtly and city minstrels. Featured in music by the greatest Baroque composers, including Bach and Handel, in the twentieth century it played a vital role in the Early Music Revival and achieved international popularity and notoriety in mass education. Overall, Lasocki and Ehrlich make a case for the recorder being surprisingly present, and significant, throughout Western music history.

The Cambridge Companion to the Recorder

The Cambridge Companion to the Recorder PDF Author: John Mansfield Thomson
Publisher: Cambridge University Press
ISBN: 9780521358163
Category : Music
Languages : en
Pages : 268

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Book Description
The first book to offer a complete introduction to the recorder includes basic reference material previously unavailable in one volume. A special feature is the rich collection of illustrations which in themselves provide a history of the instrument.

The Academy and Literature

The Academy and Literature PDF Author:
Publisher:
ISBN:
Category : Books
Languages : en
Pages : 894

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Book Description


From Renaissance to Baroque

From Renaissance to Baroque PDF Author: Jonathan Wainwright
Publisher: Routledge
ISBN: 1351566261
Category : Music
Languages : en
Pages : 342

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Book Description
Historians of instruments and instrumental music have long recognised that there was a period of profound change in the seventeenth century, when the consorts or families of instruments developed during the Renaissance were replaced by the new models of the Baroque period. Yet the process is still poorly understood, in part because each instrument has traditionally been considered in isolation, and changes in design have rarely been related to changes in the way instruments were used, or what they played. The essays in this book are by distinguished international authors that include specialists in particular instruments together with those interested in such topics as the early history of the orchestra, iconography, pitch and continuo practice. The book will appeal to instrument makers and academics who have an interest in achieving a better understanding of the process of change in the seventeenth century, but the book also raises questions that any historically aware performer ought to be asking about the performance of Baroque music. What sorts of instruments should be used? At what pitch? In which temperament? In what numbers and/or combinations? For this reason, the book will be invaluable to performers, academics, instrument makers and anyone interested in the fascinating period of change from the 'Renaissance' to the 'Baroque'.