Singing Carr & Other Song-ballads of the Cumberlands PDF Download
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Author: William Aspenwall Bradley
Publisher:
ISBN:
Category : American poetry
Languages : en
Pages : 48
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Book Description
Author: William Aspenwall Bradley
Publisher:
ISBN:
Category : American poetry
Languages : en
Pages : 48
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Book Description
Author: William Aspenwall Bradley
Publisher: Forgotten Books
ISBN: 9780364167410
Category :
Languages : en
Pages : 42
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Book Description
Excerpt from Singing Carr and Other Song-Ballads of the Cumberlands These poems were written last summer, in the course of a second long ramble through the Ken tucky Cumberlands some in the saddle, almost, others during a prolonged stay at Hindman, my home in the mountains. Three, Singing Carr, The Blind Boy, and Sourwood Mountain, were printed in the local paper, The Little Star, from which the first found its way into a wider circulation. T his little piece owes its title to Mr. Howard Brockway, the composer, who visited the mountains two years ago, with Miss Loraine Wyman, in search of those song ballets with which, both on the concert platform and through their Lonesome Tunes, they have since become so closely identified. On his return, Mr. Brockway happened to speak of Singing Carr, and said he had heard the creek called Carr's Fork, thus named by the natives. I had never heard it myself, nor could I find anyone who had, when I went back there. In the meantime, however, I had written the verses, and was not sorry I had done so; for, surely, no one acquainted with that famous creek would quarrel with the appellation thus be stowed upon it. It is, indeed, Singing Carr, though perhaps not all the citizens are as averse to profane balladry as I have intimated! Even the members of the Old Carr Church are a vigorous, vital lot, both men and women, and do not enjoy life the less because of their peculiar religious principles. I am not likely to forget a night I once spent among them. It was noon when we left Hindman, a bright October day, the bottoms tawny with blown broom-sedge, the hills dyed purple and pale primrose with Farewell Summer, and the water in the creeks reflecting the deep azure of the sky, as they parted swiftly past rocks of gleaming golden ochre; but it was nearly dark when. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: William Aspenwall 1878-1939 Bradley
Publisher: Wentworth Press
ISBN: 9781373876072
Category : History
Languages : en
Pages : 44
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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: William Aspenwall Bradley
Publisher:
ISBN: 9780649190881
Category :
Languages : en
Pages : 50
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Author: Josiah H. Combs
Publisher: University of Texas Press
ISBN: 0292772718
Category : Music
Languages : en
Pages : 283
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“The spirit of balladry is not dead, but slowly dying. The instincts, sentiments, and feelings which it represents are indeed as immortal as romance itself, but their mode of expression, the folksong, is fighting with its back to the wall, with the odds against it in our introspective age.” This statement by Josiah Henry Combs is that of a man who grew up among the members of a singing family in one of the last strongholds of the ballad-making tradition, the Southern Highlands of the United States. Combs was born in 1886 in Hazard, Kentucky, the heart of the mountain feud area—a significant background for one who was to take a prominent part in the “ballad war” of the 1900s. Combs’s intimate knowledge of folk culture and his grasp of the scholarly literature enabled him to approach the ballad controversy with common sense as well as with some of the heat generated by the dispute. Although in the early twentieth century there was probably no more controversy about the nature of the folk and folksong than there is today, it was a different kind of controversy. Many theories of the origins of folksong current at that time, such as the alleged relationship of traditional ballads to “primitive poetry,” did not take into account contemporary evidence. Combs said, “Here as elsewhere, I go directly to the folk for much of my information, allowing the songs, language, names, customs . . . of the people to help settle the problem of ancestry. . . . In brief, a conscientious study of the lore of the folk cannot be separated from the folk itself.” Folk-Songs du Midi des États-Unis, published as a doctoral dissertation at the University of Paris in 1925, was an introduction to the study of the folksong of the Southern Appalachians, together with a selection of folksong texts collected by Combs. Folk-Songs of the Southern United States, the first publication of that work in English, is based on the French text and Combs’s English draft. To this edition is appended an annotated listing of all songs in the Josiah H. Combs Collection in the Western Kentucky Folklore Archive at the University of California, Los Angeles. The appendix also includes the texts of selected songs. The aim of this edition is to make the contents of the original volume more readily available in English and to provide an index to the Combs Collection that may be drawn upon by students of folksong. The book also offers texts of over fifty songs of British and American origin as sung in the Southern Highlands.
Author: Henry D. Shapiro
Publisher: UNC Press Books
ISBN: 1469617242
Category : History
Languages : en
Pages : 399
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Appalachia on Our Mind is not a history of Appalachia. It is rather a history of the American idea of Appalachia. The author argues that the emergence of this idea has little to do with the realities of mountain life but was the result of a need to reconcile the "otherness" of Appalachia, as decribed by local-color writers, tourists, and home missionaries, with assumptions about the nature of America and American civilization. Between 1870 and 1900, it became clear that the existence of the "strange land and peculiar people" of the southern mountains challenged dominant notions about the basic homogeneity of the American people and the progress of the United States toward achiving a uniform national civilization. Some people attempted to explain Appalachian otherness as normal and natural -- no exception to the rule of progress. Others attempted the practical integration of Appalachia into America through philanthropic work. In the twentieth century, however, still other people began questioning their assumptions about the characteristics of American civilization itself, ultimately defining Appalachia as a region in a nation of regions and the mountaineers as a people in a nation of peoples. In his skillful examination of the "invention" of the idea of Appalachia and its impact on American thought and action during the early twentieth century, Mr. Shapiro analyzes the following: the "discovery" of Appalachia as a field for fiction by the local-color writers and as a field for benevolent work by the home missionaries of the northern Protestant churches; the emergence of the "problem" of Appalachia and attempts to solve it through explanation and social action; the articulation of a regionalist definition of Appalachia and the establishment of instituions that reinforced that definition; the impact of that regionalistic definition of Appalachia on the conduct of systematic benevolence, expecially in the context of the debate over child-labor restriction and the transformation of philanthropy into community work; and the attempt to discover the bases for an indigenous mountain culture in handicrafts, folksong, and folkdance.
Author: Sydney Gilpin
Publisher:
ISBN:
Category :
Languages : en
Pages : 594
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Author: Chicago Public Library
Publisher:
ISBN:
Category :
Languages : en
Pages : 776
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Author:
Publisher:
ISBN:
Category : Best books
Languages : en
Pages : 992
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Author: George Coward (of Carlisle)
Publisher:
ISBN:
Category :
Languages : en
Pages : 584
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