Author: Howard McCalebb
Publisher: BoD – Books on Demand
ISBN: 3848208555
Category : Art
Languages : en
Pages : 62
Book Description
The artist Yang YounHee emerged on the global art scene with a welcomed and more humanist brand of contemporary art. Hers is a vision that rehabilitates the idea that art practice can carry the weight of the noble, through an aesthetic sensibility that is inner-directed and genial. It substantiates the quiet integrity of the artist, as a much needed antidote to the unrelenting offerings of the glib, the abject, and the perverse. This vision is centered within the wisdom of her age. By embracing its knowledge and representing its moods, she has evolved an art practice that grows from both the beauty and the imperfections of the human being. Yang is a representational painter, but she is not a "realist" painter. She does not prioritize the task of illusion creation as the subject or philosophy of her practice. When you enter Yang's paintings, you find yourself stepping into an extraordinary world, and the complex of knowledge, experience, and moods that amounts to it. Yang YounHee pursues her painting to meet life's basic need for personal expression. Her art making originates from an existential need to create. - - - Die Künstlerin Yang YounHee ist in der globalen Kunstszene mit einem willkommenen humanistischen Ansatz bekannt geworden. Ihre Vision erneuert die Idee, dass künstlerische Praxis das Edle tragen kann, und zwar durch ihre nach innen gerichtete und warmherzige ästhetische Sensibilität. Dieser Ansatz untermauert die ruhige Integrität der Künstlerin und fungiert als ein dringend benötigtes Gegenmittel gegen das unerbittliche Überangebot des Oberflächlichen, des Erbärmlichen und des Perversen in der zeitgenössischen Kunst. Diese Vision Yangs ist in der Weisheit ihres Alters verankert. Sie hat eine künstlerische Praxis entwickelt, die durch die Einbeziehung des Wissens und die Darstellung der Stimmungen dieser Weisheit aus der Schönheit und der Unvollkommenheit des menschlichen Wesens erwächst. Yang ist eine gegenständliche Malerin, aber keine "realistische" Malerin. Sie hat sich nicht die Erschaffung von Illusion zur Hauptaufgabe gemacht. Wenn man in Yangs Bilderwelten eindringt, findet man sich in einer außergewöhnlichen Welt wieder und begegnet den vielschichtigen Erkenntnissen, Erfahrungen und Stimmungen, die diese Werke ausmachen. Yang YounHee strebt durch ihre Malerei danach, dem grundlegenden Bedürfnis des Lebens nach persönlichem Ausdruck gerecht zu werden. Ihre Kunst entspringt einem existenziellen Bedürfnis, etwas Neues zu schaffen.
Silent Pictures
Author: Pat Graham
Publisher: Akashic Books
ISBN: 9781933354422
Category : Music
Languages : en
Pages : 148
Book Description
Modest Mouse, Fugazi, Bikini Kill, Blonde Redhead and Shellac are just a few of the subjects in Pat Graham's visually stunning new book. Many of these photographs have shaped the iconography of 90s underground rock.
Publisher: Akashic Books
ISBN: 9781933354422
Category : Music
Languages : en
Pages : 148
Book Description
Modest Mouse, Fugazi, Bikini Kill, Blonde Redhead and Shellac are just a few of the subjects in Pat Graham's visually stunning new book. Many of these photographs have shaped the iconography of 90s underground rock.
Still
Author: David S. Shields
Publisher: University of Chicago Press
ISBN: 022601343X
Category : Performing Arts
Languages : en
Pages : 416
Book Description
The success of movies like The Artist and Hugo recreated the wonder and magic of silent film for modern audiences, many of whom might never have experienced a movie without sound. But while the American silent movie was one of the most significant popular art forms of the modern age, it is also one that is largely lost to us, as more than eighty percent of silent films have disappeared, the victims of age, disaster, and neglect. We now know about many of these cinematic masterpieces only from the collections of still portraits and production photographs that were originally created for publicity and reference. Capturing the beauty, horror, and moodiness of silent motion pictures, these images are remarkable pieces of art in their own right. In the first history of still camera work generated by the American silent motion picture industry, David S. Shields chronicles the evolution of silent film aesthetics, glamour, and publicity, and provides unparalleled insight into this influential body of popular imagery. Exploring the work of over sixty camera artists, Still recovers the stories of the photographers who descended on early Hollywood and the stars and starlets who sat for them between 1908 and 1928. Focusing on the most culturally influential types of photographs—the performer portrait and the scene still—Shields follows photographers such as Albert Witzel and W. F. Seely as they devised the poses that newspapers and magazines would bring to Americans, who mimicked the sultry stares and dangerous glances of silent stars. He uncovers scene shots of unprecedented splendor—visions that would ignite the popular imagination. And he details how still photographs changed the film industry, whose growing preoccupation with artistry in imagery caused directors and stars to hire celebrated stage photographers and transformed cameramen into bankable names. Reproducing over one hundred and fifty of these gorgeous black-and-white photographs, Still brings to life an entire long-lost visual culture that a century later still has the power to enchant.
Publisher: University of Chicago Press
ISBN: 022601343X
Category : Performing Arts
Languages : en
Pages : 416
Book Description
The success of movies like The Artist and Hugo recreated the wonder and magic of silent film for modern audiences, many of whom might never have experienced a movie without sound. But while the American silent movie was one of the most significant popular art forms of the modern age, it is also one that is largely lost to us, as more than eighty percent of silent films have disappeared, the victims of age, disaster, and neglect. We now know about many of these cinematic masterpieces only from the collections of still portraits and production photographs that were originally created for publicity and reference. Capturing the beauty, horror, and moodiness of silent motion pictures, these images are remarkable pieces of art in their own right. In the first history of still camera work generated by the American silent motion picture industry, David S. Shields chronicles the evolution of silent film aesthetics, glamour, and publicity, and provides unparalleled insight into this influential body of popular imagery. Exploring the work of over sixty camera artists, Still recovers the stories of the photographers who descended on early Hollywood and the stars and starlets who sat for them between 1908 and 1928. Focusing on the most culturally influential types of photographs—the performer portrait and the scene still—Shields follows photographers such as Albert Witzel and W. F. Seely as they devised the poses that newspapers and magazines would bring to Americans, who mimicked the sultry stares and dangerous glances of silent stars. He uncovers scene shots of unprecedented splendor—visions that would ignite the popular imagination. And he details how still photographs changed the film industry, whose growing preoccupation with artistry in imagery caused directors and stars to hire celebrated stage photographers and transformed cameramen into bankable names. Reproducing over one hundred and fifty of these gorgeous black-and-white photographs, Still brings to life an entire long-lost visual culture that a century later still has the power to enchant.
Silent Pictures
Author: Howard McCalebb
Publisher: BoD – Books on Demand
ISBN: 3848208555
Category : Art
Languages : en
Pages : 62
Book Description
The artist Yang YounHee emerged on the global art scene with a welcomed and more humanist brand of contemporary art. Hers is a vision that rehabilitates the idea that art practice can carry the weight of the noble, through an aesthetic sensibility that is inner-directed and genial. It substantiates the quiet integrity of the artist, as a much needed antidote to the unrelenting offerings of the glib, the abject, and the perverse. This vision is centered within the wisdom of her age. By embracing its knowledge and representing its moods, she has evolved an art practice that grows from both the beauty and the imperfections of the human being. Yang is a representational painter, but she is not a "realist" painter. She does not prioritize the task of illusion creation as the subject or philosophy of her practice. When you enter Yang's paintings, you find yourself stepping into an extraordinary world, and the complex of knowledge, experience, and moods that amounts to it. Yang YounHee pursues her painting to meet life's basic need for personal expression. Her art making originates from an existential need to create. - - - Die Künstlerin Yang YounHee ist in der globalen Kunstszene mit einem willkommenen humanistischen Ansatz bekannt geworden. Ihre Vision erneuert die Idee, dass künstlerische Praxis das Edle tragen kann, und zwar durch ihre nach innen gerichtete und warmherzige ästhetische Sensibilität. Dieser Ansatz untermauert die ruhige Integrität der Künstlerin und fungiert als ein dringend benötigtes Gegenmittel gegen das unerbittliche Überangebot des Oberflächlichen, des Erbärmlichen und des Perversen in der zeitgenössischen Kunst. Diese Vision Yangs ist in der Weisheit ihres Alters verankert. Sie hat eine künstlerische Praxis entwickelt, die durch die Einbeziehung des Wissens und die Darstellung der Stimmungen dieser Weisheit aus der Schönheit und der Unvollkommenheit des menschlichen Wesens erwächst. Yang ist eine gegenständliche Malerin, aber keine "realistische" Malerin. Sie hat sich nicht die Erschaffung von Illusion zur Hauptaufgabe gemacht. Wenn man in Yangs Bilderwelten eindringt, findet man sich in einer außergewöhnlichen Welt wieder und begegnet den vielschichtigen Erkenntnissen, Erfahrungen und Stimmungen, die diese Werke ausmachen. Yang YounHee strebt durch ihre Malerei danach, dem grundlegenden Bedürfnis des Lebens nach persönlichem Ausdruck gerecht zu werden. Ihre Kunst entspringt einem existenziellen Bedürfnis, etwas Neues zu schaffen.
Publisher: BoD – Books on Demand
ISBN: 3848208555
Category : Art
Languages : en
Pages : 62
Book Description
The artist Yang YounHee emerged on the global art scene with a welcomed and more humanist brand of contemporary art. Hers is a vision that rehabilitates the idea that art practice can carry the weight of the noble, through an aesthetic sensibility that is inner-directed and genial. It substantiates the quiet integrity of the artist, as a much needed antidote to the unrelenting offerings of the glib, the abject, and the perverse. This vision is centered within the wisdom of her age. By embracing its knowledge and representing its moods, she has evolved an art practice that grows from both the beauty and the imperfections of the human being. Yang is a representational painter, but she is not a "realist" painter. She does not prioritize the task of illusion creation as the subject or philosophy of her practice. When you enter Yang's paintings, you find yourself stepping into an extraordinary world, and the complex of knowledge, experience, and moods that amounts to it. Yang YounHee pursues her painting to meet life's basic need for personal expression. Her art making originates from an existential need to create. - - - Die Künstlerin Yang YounHee ist in der globalen Kunstszene mit einem willkommenen humanistischen Ansatz bekannt geworden. Ihre Vision erneuert die Idee, dass künstlerische Praxis das Edle tragen kann, und zwar durch ihre nach innen gerichtete und warmherzige ästhetische Sensibilität. Dieser Ansatz untermauert die ruhige Integrität der Künstlerin und fungiert als ein dringend benötigtes Gegenmittel gegen das unerbittliche Überangebot des Oberflächlichen, des Erbärmlichen und des Perversen in der zeitgenössischen Kunst. Diese Vision Yangs ist in der Weisheit ihres Alters verankert. Sie hat eine künstlerische Praxis entwickelt, die durch die Einbeziehung des Wissens und die Darstellung der Stimmungen dieser Weisheit aus der Schönheit und der Unvollkommenheit des menschlichen Wesens erwächst. Yang ist eine gegenständliche Malerin, aber keine "realistische" Malerin. Sie hat sich nicht die Erschaffung von Illusion zur Hauptaufgabe gemacht. Wenn man in Yangs Bilderwelten eindringt, findet man sich in einer außergewöhnlichen Welt wieder und begegnet den vielschichtigen Erkenntnissen, Erfahrungen und Stimmungen, die diese Werke ausmachen. Yang YounHee strebt durch ihre Malerei danach, dem grundlegenden Bedürfnis des Lebens nach persönlichem Ausdruck gerecht zu werden. Ihre Kunst entspringt einem existenziellen Bedürfnis, etwas Neues zu schaffen.
Silent Cinema
Author: Lawrence Napper
Publisher: Columbia University Press
ISBN: 0231543506
Category : Performing Arts
Languages : en
Pages : 182
Book Description
Since the spectacular success of The Artist (2011) there has been a resurgence of interest in silent cinema, and particularly in the lush and passionate screen dramas of the 1920s. This book offers an introduction to the cinema of this extraordinary period, outlining the development of the form between the end of the First World War and the introduction of synchronized sound at the end of the 1920s. Lawrence Napper addresses the relationship between film aesthetics and the industrial and political contexts of film production through a series of case studies of "national" cinemas. It also focuses on film-going as the most popular leisure activity of the age. Topics such as the star system, cinema buildings, musical accompaniments, film fashions, and fan cultures are addressed—all the elements that ensured that the experience of the pictures was "big." The international dominance of Hollywood is outlined, as are the different responses to that dominance in Britain, Germany, and the USSR. Case studies seek to move beyond the familiar silent canon, and include The Oyster Princess (1919), It (1927), Shooting Stars (1927), and The Girl with the Hatbox (1927).
Publisher: Columbia University Press
ISBN: 0231543506
Category : Performing Arts
Languages : en
Pages : 182
Book Description
Since the spectacular success of The Artist (2011) there has been a resurgence of interest in silent cinema, and particularly in the lush and passionate screen dramas of the 1920s. This book offers an introduction to the cinema of this extraordinary period, outlining the development of the form between the end of the First World War and the introduction of synchronized sound at the end of the 1920s. Lawrence Napper addresses the relationship between film aesthetics and the industrial and political contexts of film production through a series of case studies of "national" cinemas. It also focuses on film-going as the most popular leisure activity of the age. Topics such as the star system, cinema buildings, musical accompaniments, film fashions, and fan cultures are addressed—all the elements that ensured that the experience of the pictures was "big." The international dominance of Hollywood is outlined, as are the different responses to that dominance in Britain, Germany, and the USSR. Case studies seek to move beyond the familiar silent canon, and include The Oyster Princess (1919), It (1927), Shooting Stars (1927), and The Girl with the Hatbox (1927).
Silent Movie
Author: Avi
Publisher: Atheneum/Anne Schwartz Books
ISBN:
Category : Juvenile Fiction
Languages : en
Pages : 66
Book Description
Black-and-white images follow one after another. The story of an immigrant family alone in a big city. Close-ups of a mother, a son -- faces filled with heartache and joy. Plenty of action. Excitement. Melodrama. A Silent Movie.
Publisher: Atheneum/Anne Schwartz Books
ISBN:
Category : Juvenile Fiction
Languages : en
Pages : 66
Book Description
Black-and-white images follow one after another. The story of an immigrant family alone in a big city. Close-ups of a mother, a son -- faces filled with heartache and joy. Plenty of action. Excitement. Melodrama. A Silent Movie.
Quiet Pictures
Author: Sarah Artt
Publisher: Bloomsbury Publishing USA
ISBN: 1501347233
Category : Performing Arts
Languages : en
Pages : 185
Book Description
Quiet Pictures approaches the films of Joanna Hogg, Lynne Ramsay, Céline Sciamma, and Lucile Hadžhalilovicthrough the lens of silence as a motif and texture. This book takes up the question of different uses of silence in the work of these directors and how this creates a space for foregrounding innovative practices that establish new ways of looking, staring, and gazing. Sarah Artt discusses how the deliberate deployment of silence creates space for the formation of reciprocal gazes that counteract the typically gendered and binary ways in which women and femme-presenting people tend to be portrayed on screen. Quiet Pictures draws on the political legacy of feminist film theory to explore and conceptualise what it means to not just look back, but to share the gaze. This book discusses several films, including: Unrelated (Hogg, 2007), Archipelago (Hogg, 2010), Exhibition (Hogg, 2013), The Souvenir Part I and II (Hogg, 2019 and 2021), Morvern Callar (Ramsay, 2002), We Need to Talk About Kevin (Ramsay, 2011), Innocence (Hadžhalilovic 2004), Evolution (Hadžhalilovic 2015), Waterlilies/Naissance des Pieuvres (Sciamma, 2007), Tomboy (Sciamma, 2011), Girlhood/Bande des Filles (Sciamma, 2014), Portrait of a Lady on Fire/Portrait d'une jeune fille en feu (Sciamma, 2019), and Petite Maman/Little Mother (Sciamma, 2021).
Publisher: Bloomsbury Publishing USA
ISBN: 1501347233
Category : Performing Arts
Languages : en
Pages : 185
Book Description
Quiet Pictures approaches the films of Joanna Hogg, Lynne Ramsay, Céline Sciamma, and Lucile Hadžhalilovicthrough the lens of silence as a motif and texture. This book takes up the question of different uses of silence in the work of these directors and how this creates a space for foregrounding innovative practices that establish new ways of looking, staring, and gazing. Sarah Artt discusses how the deliberate deployment of silence creates space for the formation of reciprocal gazes that counteract the typically gendered and binary ways in which women and femme-presenting people tend to be portrayed on screen. Quiet Pictures draws on the political legacy of feminist film theory to explore and conceptualise what it means to not just look back, but to share the gaze. This book discusses several films, including: Unrelated (Hogg, 2007), Archipelago (Hogg, 2010), Exhibition (Hogg, 2013), The Souvenir Part I and II (Hogg, 2019 and 2021), Morvern Callar (Ramsay, 2002), We Need to Talk About Kevin (Ramsay, 2011), Innocence (Hadžhalilovic 2004), Evolution (Hadžhalilovic 2015), Waterlilies/Naissance des Pieuvres (Sciamma, 2007), Tomboy (Sciamma, 2011), Girlhood/Bande des Filles (Sciamma, 2014), Portrait of a Lady on Fire/Portrait d'une jeune fille en feu (Sciamma, 2019), and Petite Maman/Little Mother (Sciamma, 2021).
The Last Silent Picture Show
Author: William M. Drew
Publisher: Scarecrow Press
ISBN: 0810876817
Category : Performing Arts
Languages : en
Pages : 270
Book Description
This book details the fate of an entire art form—the silent cinema—in the United States during the 1930s and how it managed to survive the onslaught of sound.
Publisher: Scarecrow Press
ISBN: 0810876817
Category : Performing Arts
Languages : en
Pages : 270
Book Description
This book details the fate of an entire art form—the silent cinema—in the United States during the 1930s and how it managed to survive the onslaught of sound.
Daily Consular and Trade Reports
Author:
Publisher:
ISBN:
Category : Consular reports
Languages : en
Pages : 944
Book Description
Publisher:
ISBN:
Category : Consular reports
Languages : en
Pages : 944
Book Description
RKO Radio Pictures
Author: Richard B. Jewell
Publisher: Univ of California Press
ISBN: 0520271793
Category : Business & Economics
Languages : en
Pages : 340
Book Description
"Enjoying exclusive access to RKO archives before they were dispersed to the winds, Rick Jewell has crafted a powerful and unprecedented company history that is rich in detail and sharp in insight. Pinpointing both industry ambitions and corporate shenanigans, Jewell offers a tale both gripping and instructive. A major contribution to Hollywood studio history in the classic era." —Dana Polan, author of Scenes of Instruction: The Beginnings of the U.S. Study of Film “Richard Jewell has written a definitive portrait of a major Hollywood studio during the heyday of the movies. Enriched by a lode of archival material, Jewell’s RKO story reconstructs the dynamics of the studio system; its stresses and strains; its logistical challenges; and its in-house rivalries. Some big names are vividly brought to life: David Sarnoff, Pandro Berman, Fred Astaire, Katharine Hepburn, Orson Welles, to name a few. Jewell interweaves RKO’s corporate maneuverings and production agenda with great skill. A more compelling history of a Hollywood major is hard to imagine.” —Tino Balio, author of The Foreign Film Renaissance on American Screens, 1946–1973 “A painstakingly researched and lucidly written business history of RKO Studios from its founding through 1942, Richard Jewell’s RKO Studios: A Titan is Born not only traces the shifting economic fortunes of the studio that gave us King Kong, the Astaire-Rogers musicals, and Citizen Kane but also fills an important gap in our understanding of how the studio system survived and at times even thrived during the Golden Age of Hollywood.” —Charles Maland, author of Chaplin and American Culture
Publisher: Univ of California Press
ISBN: 0520271793
Category : Business & Economics
Languages : en
Pages : 340
Book Description
"Enjoying exclusive access to RKO archives before they were dispersed to the winds, Rick Jewell has crafted a powerful and unprecedented company history that is rich in detail and sharp in insight. Pinpointing both industry ambitions and corporate shenanigans, Jewell offers a tale both gripping and instructive. A major contribution to Hollywood studio history in the classic era." —Dana Polan, author of Scenes of Instruction: The Beginnings of the U.S. Study of Film “Richard Jewell has written a definitive portrait of a major Hollywood studio during the heyday of the movies. Enriched by a lode of archival material, Jewell’s RKO story reconstructs the dynamics of the studio system; its stresses and strains; its logistical challenges; and its in-house rivalries. Some big names are vividly brought to life: David Sarnoff, Pandro Berman, Fred Astaire, Katharine Hepburn, Orson Welles, to name a few. Jewell interweaves RKO’s corporate maneuverings and production agenda with great skill. A more compelling history of a Hollywood major is hard to imagine.” —Tino Balio, author of The Foreign Film Renaissance on American Screens, 1946–1973 “A painstakingly researched and lucidly written business history of RKO Studios from its founding through 1942, Richard Jewell’s RKO Studios: A Titan is Born not only traces the shifting economic fortunes of the studio that gave us King Kong, the Astaire-Rogers musicals, and Citizen Kane but also fills an important gap in our understanding of how the studio system survived and at times even thrived during the Golden Age of Hollywood.” —Charles Maland, author of Chaplin and American Culture
Motion-picture Films
Author: United States. Congress. House. Committee on Interstate and Foreign Commerce
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 56
Book Description
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 56
Book Description