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Author: Alan Bilton
Publisher: Springer
ISBN: 1137020253
Category : Social Science
Languages : en
Pages : 251
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Book Description
This absorbing study of early 20th Century American Culture interprets the anarchic absurdity of slapstick movies as a form of collective anxiety dream, their fantastical images and illogical gags expressing the unconscious wishes and fears of the modern age, in a way that foreshadows the concerns of our own celebrity-obsessed consumer culture.
Author: Alan Bilton
Publisher: Springer
ISBN: 1137020253
Category : Social Science
Languages : en
Pages : 251
Get Book Here
Book Description
This absorbing study of early 20th Century American Culture interprets the anarchic absurdity of slapstick movies as a form of collective anxiety dream, their fantastical images and illogical gags expressing the unconscious wishes and fears of the modern age, in a way that foreshadows the concerns of our own celebrity-obsessed consumer culture.
Author: Alan Bilton
Publisher: Springer
ISBN: 1137020253
Category : Social Science
Languages : en
Pages : 334
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Book Description
This absorbing study of early 20th Century American Culture interprets the anarchic absurdity of slapstick movies as a form of collective anxiety dream, their fantastical images and illogical gags expressing the unconscious wishes and fears of the modern age, in a way that foreshadows the concerns of our own celebrity-obsessed consumer culture.
Author: Maggie Hennefeld
Publisher: Columbia University Press
ISBN: 0231547064
Category : Performing Arts
Languages : en
Pages : 359
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Book Description
Women explode out of chimneys and melt when sprayed with soda water. Feminist activists play practical jokes to lobby for voting rights, while overworked kitchen maids dismember their limbs to finish their chores on time. In early slapstick films with titles such as Saucy Sue, Mary Jane’s Mishap, Jane on Strike, and The Consequences of Feminism, comediennes exhibit the tensions between joyful laughter and gendered violence. Slapstick comedy often celebrates the exaggeration of make-believe injury. Unlike male clowns, however, these comic actresses use slapstick antics as forms of feminist protest. They spontaneously combust while doing housework, disappear and reappear when sexually assaulted, or transform into men by eating magic seeds—and their absurd metamorphoses evoke the real-life predicaments of female identity in a changing modern world. Specters of Slapstick and Silent Film Comediennes reveals the gender politics of comedy and the comedic potentials of feminism through close consideration of hundreds of silent films. As Maggie Hennefeld argues, comedienne catastrophes provide disturbing but suggestive images for comprehending gendered social upheavals in the early twentieth century. At the same time, slapstick comediennes were crucial to the emergence of film language. Women’s flexible physicality offered filmmakers blank slates for experimenting with the visual and social potentials of cinema. Specters of Slapstick and Silent Film Comediennes poses major challenges to the foundations of our ideas about slapstick comedy and film history, showing how this combustible genre blows open age-old debates about laughter, society, and gender politics.
Author: Kristen Anderson Wagner
Publisher: Wayne State University Press
ISBN: 0814341039
Category : Performing Arts
Languages : en
Pages : 424
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Book Description
Those with an interest in film and representations of femininity in comedy will be fascinated by the analytical connections and thoroughly researched histories of these women and their groundbreaking movements in comedy and stage.
Author: Paula Marantz Cohen
Publisher: Oxford University Press, USA
ISBN: 019514094X
Category : Electronic books
Languages : en
Pages : 235
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Book Description
Cohen argues that silent film allowed America to sever its literary and linguistic ties to Europe and develop an original form of expression compatible with American strengths and weaknesses. She connects the rise of film and the rise of America as a cultural center and 20th century world power.
Author: William M. Drew
Publisher: Scarecrow Press
ISBN: 0810876817
Category : Performing Arts
Languages : en
Pages : 270
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Book Description
This book details the fate of an entire art form—the silent cinema—in the United States during the 1930s and how it managed to survive the onslaught of sound.
Author: Tom Paulus
Publisher: Routledge
ISBN: 1135966222
Category : Social Science
Languages : en
Pages : 569
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Book Description
From Chaplin’s tramp to the Bathing Beauties, from madcap chases to skyscraper perils, slapstick comedy supplied many of the most enduring icons of American cinema in the silent era. This collection of fourteen essays by prominent film scholars challenges longstanding critical dogma and offers new conceptual frameworks for thinking about silent comedy’s place in film history and American culture. The contributors discuss a broad range of topics including the contested theatrical or cinematic origins of slapstick; the comic spectacle of crazy technology and trick stunts; the filmmakers who shaped the style of early slapstick; and comedy’s implications for theories of film form and spectatorship. This volume is essential reading for anyone seeking to understand the origins and continued importance of a film genre at the heart of American cinema from its earliest days to today.
Author: Andrew Horton
Publisher: John Wiley & Sons
ISBN: 1119169550
Category : Performing Arts
Languages : en
Pages : 585
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Book Description
A wide-ranging survey of the subject that celebrates the variety and complexity of film comedy from the ‘silent’ days to the present, this authoritative guide offers an international perspective on the popular genre that explores all facets of its formative social, cultural and political context A wide-ranging collection of 24 essays exploring film comedy from the silent era to the present International in scope, the collection embraces not just American cinema, including Native American and African American, but also comic films from Europe, the Middle East, and Korea Essays explore sub-genres, performers, and cultural perspectives such as gender, politics, and history in addition to individual works Engages with different strands of comedy including slapstick, romantic, satirical and ironic Features original entries from a diverse group of multidisciplinary international contributors
Author: John Belton
Publisher:
ISBN: 9780071326179
Category : Performing Arts
Languages : en
Pages : 448
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Book Description
American Cinema/American Culture looks at the interplay between American cinema and mass culture from the 1890s to 2011. It begins with an examination of the basic narrative and stylistic features of classical Hollywood cinema. It then studies the genres of silent melodrama, the musical, American comedy, the war/combat film, film noir, the western, and the horror and science fiction film, investigating the way in which movies shape and are shaped by the larger cultural concerns of the nation as a whole. The book concludes with a discussion of post World War II Hollywood, giving separate chapter coverage to the effects of the Cold War, 3D, television, the counterculture of the 1960s, directors from the film school generation, and the cultural concerns of Hollywood from the 1970s through 2011. Ideal for Introduction to American Cinema courses, American Film History courses, and Introductory Film Appreciation courses, this text provides a cultural overview of the phenomenon of the American movie-going experience. An updated study guide is also available for American Cinema/American Culture. Written by Ed Sikov, this guide introduces each topic with an explanatory overview written in more informal language, suggests screenings and readings, and offers self-tests.
Author: Arthur Frank Wertheim
Publisher:
ISBN: 9781629335919
Category : Performing Arts
Languages : en
Pages : 272
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Book Description
Arthur Frank Wertheim's groundbreaking book is the first to examine W.C. Fields' twelve silent movies and how they influenced his later career in sound films. The author concludes that Fields might never have become one of the prem-ier comedians during the Golden Age of Sound Films without first embarking on a career in silent movies. In this explo-ration, readers will discover new insights and surprises concerning Fields' experiences in this medium. The Silent Movies of W.C. Fields details Fields' early failed screen attempts, which resulted in his decision not to abandon his successful Ziegfeld Follies career, a choice that would prevent him from joining the pantheon of great silent film stars: Chaplin, Keaton, and Lloyd---each of whom, by 1925, had achieved worldwide recog-nition and success. Wertheim relates how Fields would have to struggle against all types of roadblocks to reach the second pantheon tier - and how legendary filmmaker D. W. Griffith came to his rescue by directing two of his silent pictures. The Silent Movies of W.C. Fields is a comprehensive depiction of Fields' early years in New York and Holly-wood, his personal and professional trials and accomplishments, his triumphs and disillusionments, each of which would lead to his ultimate screen legacy. Generously illustrated with many new and rare photos, The Silent Movies of W.C. Fields will prove invaluable to fans of both the comic genius of W.C. Fields and his pristine time of moviemaking. Arthur Frank Wertheim has written numerous books on Twentieth Century American Culture including The New York Little Renaissance and Radio Comedy. He has also co-edited with Barbara Bair three volumes on the The Papers of Will Rogers and edited Will Rogers at the Ziegfeld Follies and American Popular Culture. An American history professor at several universities, his awards include a Fulbright grant to teach at the Univer-sity of Indonesia. He has recently published a three-volume biography on W. C. Fields.
