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Author: Janne Ahlin
Publisher: Park Book
ISBN: 9783906027487
Category : Architecture
Languages : en
Pages : 201
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Book Description
Sigurd Lewerentz (1885-1975) was initially educated as mechanical engineer in Gothenburg. Yet it was his architectural apprenticeship in Munich 1909-10 that set him on his path as an architect, opening his own office in Stockholm in 1911. Although his built work is relatively small, Lewerentz is revered as one of Sweden's most eminent architects. Cemeteries and sacred buildings became a core part of Lewerentz's oeuvre, including Stockholm's South Cemetery (1914-17), Malmo Eastern Cemetery (1916), St. Mark's Church, Bjorkhagen (1956), and Petri Church, Klippan (1963). In association with Gunnar Asplund, he was also the main architect for the Stockholm International Exhibition (1930), and in collaboration with Erik Lallerstedt and David Hellden he created a masterpiece of functionalist architecture, the Malmo City Theatre (1935). Sigurd Lewerentz, Architect is a reprint of the first ever monograph on his work, originally published in English 1987 and long out of print. It tells the story of Lewerentz's life and presents his entire work in text and many photographs, drawings and plans.
Author: Janne Ahlin
Publisher: Park Book
ISBN: 9783906027487
Category : Architecture
Languages : en
Pages : 201
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Book Description
Sigurd Lewerentz (1885-1975) was initially educated as mechanical engineer in Gothenburg. Yet it was his architectural apprenticeship in Munich 1909-10 that set him on his path as an architect, opening his own office in Stockholm in 1911. Although his built work is relatively small, Lewerentz is revered as one of Sweden's most eminent architects. Cemeteries and sacred buildings became a core part of Lewerentz's oeuvre, including Stockholm's South Cemetery (1914-17), Malmo Eastern Cemetery (1916), St. Mark's Church, Bjorkhagen (1956), and Petri Church, Klippan (1963). In association with Gunnar Asplund, he was also the main architect for the Stockholm International Exhibition (1930), and in collaboration with Erik Lallerstedt and David Hellden he created a masterpiece of functionalist architecture, the Malmo City Theatre (1935). Sigurd Lewerentz, Architect is a reprint of the first ever monograph on his work, originally published in English 1987 and long out of print. It tells the story of Lewerentz's life and presents his entire work in text and many photographs, drawings and plans.
Author: Mikael Andersson
Publisher: Park Publishing (WI)
ISBN: 9783038602323
Category :
Languages : en
Pages : 712
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Book Description
The definitive monograph on Swedish modernist architect Sigurd Lewerentz. Sigurd Lewerentz (1885-1975) is one of the most highly revered--as well as one of the most heavily mythologized--protagonists of modern European architecture. Arguably Sweden's most distinguished modernist, he is more influential for architects around the world today than he was during his lifetime. Countless architecture lovers from around the world visit his buildings. Stockholm's woodland cemetery Skogskyrkogården, his most significant contribution to landscape design, is a UNESCO World Heritage Site. This authoritative new monograph on Sigurd Lewerentz is based on extensive research undertaken at ArkDes, Sweden's national center for architecture and design, where his archive and personal library are kept. It features a wealth of drawings and sketches, designs for furniture and interiors, model photographs, and more from his estate, most of which are published here for the first time, alongside new photographs of his realized buildings. Essays by leading experts explore Lewerentz's life and work, his legacy, and lasting significance from a contemporary perspective. This substantial, beautifully designed book offers the most comprehensive survey to date of Lewerentz's achievements in all fields of his multifaceted work.
Author: Nicola Flora
Publisher: Phaidon Press
ISBN: 9781904313465
Category : Architecture
Languages : en
Pages : 0
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Book Description
This study of Sigurd Lewerentz, the Swedish modern master, is the most original and comprehensive monograph published to date, with a full treatment of unbuilt projects as well as completed buildings.
Author:
Publisher: Byggforlaget
ISBN: 9789179880279
Category :
Languages : en
Pages : 127
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Book Description
Author: Architectural Association (Great Britain)
Publisher:
ISBN: 9781870890090
Category : Architects
Languages : en
Pages : 88
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Book Description
Author: Jonathan Foote
Publisher: Actar D, Inc.
ISBN: 1638409773
Category : Architecture
Languages : en
Pages : 287
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Book Description
The publication Lewerentz Fragments introduces new scholarship on the architect’s motivations and compiles new essays from all the major scholars on his work, for the first time in one volume presenting both historical and critical perspectives. Through new essays, recently discovered archival material, photography, and drawings, the publication Lewerentz Fragments explores the architect’s body of work spanning three-quarters of the twentieth century. Comprising writings from all the major scholars on Lewerentz’ work, along with several new voices, this publication offers new insight into the context surrounding this architect’s work. Rather than focusing on a single thesis, the book offers a diversity of insight from multiple cultural and professional perspectives. In addition, previously unpublished translations of interviews and dialogs among the architect and his contemporaries offer a voice to the ‘silent architect’ altering the traditional interpretations of the work and digging past the surface of what might be considered his philosophy of building. Rather than serving as an introduction to the architect’s work, this volume provides detailed fragments as a deep and diverse dive into one of the most mysterious of Scandinavia’s modern masters. Contributors: Johan Celsing, Patrick Doan, Nicola Flora, Jonathan Foote, Matthew Hall, Per Iwansson, Thomas Bo Jensen, Nathan Matteson, Enrico Miglietta, Paolo Giardiello, Hansjörg Göritz, Magnus Gustafsson, Mariana Manner, Anne-Marie Nelson, Gennaro Postiglione, Wilfried Wang, Ola Wedebrunn With Contributions of: Archival reproductions from the Swedish Centre for Architecture and Design (ArkDes), The Stockholm stadsarkiv, and The Malmö stadsarkiv. Historical construction photos of St Peter’s Church by Carl-Hugo and Lars Gustafsson Photos of the newly constructed St Peter’s Church by Ole Meyer Previously unpublished archival photographs of Lewerentz’ work Translations of various archival documents and audio interviews with the architect Current photography of the architect’s work from a variety of photographers Funding support: Auburn University College of Architecture, Design & Construction Aarhus School of Architecture DePaul University College of Computing and Digital Media The King Gustaf VI Adolfs fund for Swedish Culture The Peter and Birgitta Celsing Foundation The University of Tennessee College of Architecture & Design
Author: Sigurd Lewerentz
Publisher:
ISBN: 9789188439161
Category : Architecture, Modern
Languages : fr
Pages : 231
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Book Description
Author: Sigurd Lewerentz
Publisher: Gingko Press
ISBN:
Category : Architecture
Languages : en
Pages : 104
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Book Description
Most famous for the remarkable Woodland Cementary which has influenced Tadao Ando and many others, Sigurd Lewerentz (1885-1975) collaborated often with Erik Gunnar Asplund and played an important role at the 1930 Stockholm exhibition, a breakthrough in Modernism. Afterwards Lewerentz went to create an intense personal architecture that has a strong following. The two examples featured in this book, the Church of St. Marks (1958) and the Church of St. Peters (1958), are considered to be his masterpieces. With essays by: Claes Caldenby, Adam Caruso, Sven Ivar Lind and Olof Hultin. Including drawings and plans.
Author: Nicholas Adams
Publisher: Penn State Press
ISBN: 0271065222
Category : Architecture
Languages : en
Pages : 479
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Book Description
In the west coast port city of Gothenburg, Sweden, the architect Gunnar Asplund built a modest extension to an old courthouse on the main square (1934–36). Judged today to be one of the finest works of modern architecture, the courthouse extension was immediately the object of a negative newspaper campaign led by one of the most noted editors of the day, Torgny Segerstedt. Famous for his determined opposition to National Socialism, he also took a principled stand against the undermining of urban tradition in Gothenburg. Gothenburg’s problems with modern public architecture, though clamorous and publicized throughout Sweden, were by no means unique. In Gunnar Asplund’s Gothenburg, Nicholas Adams places Asplund’s building in the wider context of public architecture between the wars, setting the originality and sensitivity of Asplund’s conception against the political and architectural struggles of the 1930s. Today, looking at the building in the broadest of contexts, we can appreciate the richness of this exquisite work of architecture. This book recaptures the complex magic of its creation and the fascinating controversy of its completed form.
Author: Jorge Otero-Pailos
Publisher: U of Minnesota Press
ISBN: 1452942692
Category : Architecture
Languages : en
Pages : 456
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Book Description
Architecture’s Historical Turn traces the hidden history of architectural phenomenology, a movement that reflected a key turning point in the early phases of postmodernism and a legitimating source for those architects who first dared to confront history as an intellectual problem and not merely as a stylistic question. Jorge Otero-Pailos shows how architectural phenomenology radically transformed how architects engaged, theorized, and produced history. In the first critical intellectual account of the movement, Otero-Pailos discusses the contributions of leading members, including Jean Labatut, Charles Moore, Christian Norberg-Schulz, and Kenneth Frampton. For architects maturing after World War II, Otero-Pailos contends, architectural history was a problem rather than a given. Paradoxically, their awareness of modernism’s historicity led some of them to search for an ahistorical experiential constant that might underpin all architectural expression. They drew from phenomenology, exploring the work of Bachelard, Merleau-Ponty, Heidegger, and Ricoeur, which they translated for architectural audiences. Initially, the concept that experience could be a timeless architectural language provided a unifying intellectual basis for the stylistic pluralism that characterized postmodernism. It helped give theory—especially the theory of architectural history—a new importance over practice. However, as Otero-Pailos makes clear, architectural phenomenologists could not accept the idea of theory as an end in itself. In the mid-1980s they were caught in the contradictory and untenable position of having to formulate their own demotion of theory. Otero-Pailos reveals how, ultimately, the rise of architectural phenomenology played a crucial double role in the rise of postmodernism, creating the antimodern specter of a historical consciousness and offering the modern notion of essential experience as the means to defeat it.
