Significance of Compositional Forms in Hindustani Classical Music PDF Download
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Author: Manjusree Tyagi
Publisher: Pratibha Prakasana
ISBN:
Category : Music
Languages : en
Pages : 240
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Book Description
Author: Manjusree Tyagi
Publisher: Pratibha Prakasana
ISBN:
Category : Music
Languages : en
Pages : 240
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Book Description
Author: Vijaya Chandorkar
Publisher:
ISBN: 9788121512190
Category : Hindustani music
Languages : en
Pages : 0
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Book Description
Author: Subhadrā Caudharī
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 560
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Book Description
This work presents historical and analytical study of five major subjects of Indian music,namely,Gitaka,Tala,Prabandha,Chanda and Dhruva.Of these Chanda,prabandha (composition)and Dhruv? (metrical songs employed in ancient drama)have been intensively dealt with by the author.Undoubtedly,it is a pioneer work in these so far untouched,ignored and obscure areas.
Author: Rabindra Bharali
Publisher:
ISBN:
Category : Hindustani music
Languages : en
Pages : 136
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Book Description
Author: José Luiz Martinez
Publisher: Motilal Banarsidass Publ.
ISBN: 9788120818019
Category : Music
Languages : en
Pages : 430
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Book Description
For thousands of years music in India has been considered a signifying art. Indian music creates and represents meanings of all kings, some of which extend outwardly to the cosmos, while others arise inwardly, in the refined feelings which a musical connoisseur experiences when listening to it. In this book the author explores signification in Hindustani classical music along a two-fold path. Martineq first constructs a theory of musical semiotics based on the sign-theories of Charles Sanders Peirce. He then applies his theory to the analysis of various types of Hindustani music and how they generate significations. The author engages such fundamental issues as sound quality, raga, tala and form, while advancing his unique interpretations of well-known semiotic phenomena like iconicity, metalanguage, indexicality, symbolism, Martinez`s study also provides deep insight into semiotic issues of musical perception, performance, scholarship, and composition. An specially innovative and extensive section of the book analyzes representations in Hindustani music in terms of the Indian aesthetic theory of rasa. The evolution of the rasa system as applied to musical structures is traced historically and analyzed semiotically. In the light of Martinez`s theories, Hindustani music reveals itself to be both a delightfully sensuous and highly sophisticated system of acoustic representations.
Author: Dr R Aruna Sri
Publisher: Notion Press
ISBN: 1946129941
Category : Health & Fitness
Languages : en
Pages : 176
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Book Description
Wish to touch the realms where Science meets Spirituality? Travelling through the world of mystic sounds, mantras and ragas, one can evolve towards higher planes of consciousness. Appreciating the relation between swaras, ragas, emotions and chakras will help one explore new territories of music therapy. A Call to “GOD” introduces Swara SamYoga and guides you to experience oneness with the Supreme through music therapy. An extract of veteran playback singer Vani Jairam’s exclusive foreword No monumental task gets done on this planet without divine intervention. In Dr. Aruna’s case, this great spiritual guidance came in the form of Puttaparthi Baba’s divine blessings right from the beginning. She has gone deep into the subject explaining things correctly and convincingly, at the same time alerting readers about half-baked and self-proclaimed pundits on the subject. Again I quote, “The 3Cs of life are commitment, contribution and competition. Let our lifetime decisions be made based on commitment and contribution. Let’s compete to achieve excellence not better than others but be better selves than yesterday.” The reasons she has explained as to why this therapy may not be that effective in the case of musicians can very well be understood. Whenever I am unable to sleep, I try listening to some good music which is so soothing but instead of enjoying the music, a musician’s mind always wanders thinking of the prayogas performed by the musician. It has happened to me so many times. I am sure Dr. Aruna’s untiring efforts in bringing out such a rewarding, analytical, informative book will prove to be a real treasure benefitting one and all, not only musicians, scholars, doctors and patients. Vani Jairam 11th, Jul 2016
Author: Asoke Kumar Datta
Publisher: Springer
ISBN: 9811039593
Category : Technology & Engineering
Languages : en
Pages : 259
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Book Description
This book presents a comprehensive overview of the basics of Hindustani music and the associated signal analysis and technological developments. It begins with an in-depth introduction to musical signal analysis and its current applications, and then moves on to a detailed discussion of the features involved in understanding the musical meaning of the signal in the context of Hindustani music. The components consist of tones, shruti, scales, pitch duration and stability, raga, gharana and musical instruments. The book covers the various technological developments in this field, supplemented with a number of case studies and their analysis. The book offers new music researchers essential insights into the use the automatic concept for finding and testing the musical features for their applications. Intended primarily for postgraduate and PhD students working in the area of scientific research on Hindustani music, as well as other genres where the concepts are applicable, it is also a valuable resource for professionals and researchers in musical signal processing.
Author: Nivedita Singh
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 286
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Book Description
A Study Of Hindustani Music In Its Sociological Perspective. Covers Guru-Shishya Parampara, The Social Status Of Musician Community-History Of Hindustani Music Etc. Has 6 Chapters Followed By Conclusion.
Author: Vimalakānta Rôya Caudhurī
Publisher: Motilal Banarsidass Publ.
ISBN: 9788120817081
Category : Music
Languages : en
Pages : 228
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Book Description
In this book the author has dealt with the musical terms as found in the old sastras and are also in common use. He has explained these terms in simple language with reference to their history of origin. Description of seventy-eight different musical instruments and forty-seven different Talas are also there. An essential aid to research-scholars and students of music. The Bengali version of the book Bharatiya Sangeetkosh earned for him Sangeet Natak Academy award as the best book on music published during the period from 1960 to 1968. Bimalakanta Roychaudhuri was born in 1909 in all illustrious family of musical heritage. He had his training in music from Sitalchandra Mukhopadhyay, Sitalkrishna Ghosh, Amir Khan (Sarod) and then from Inayet Khan, the foremost Sitar players of those days. He also had his musical training from his maternal uncle Birendrakishore Roychaudhuri and maternal grandfather Brojendrakishore Roychaudhuri. He took part in the translation of Sangeet Ratnakara from Sanskrit to Bengali under the patronage of Brojendrakishore Roychaudhuri. He was Chairman of the Board of Musical Studies of the University of Calcutta. His work Raga Vyakarana (in Hindi) has been published by the Bharatiya Jnanpith.
Author: Manorma Sharma
Publisher: APH Publishing
ISBN: 9788176489997
Category : Hindustani music
Languages : en
Pages : 280
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Book Description
