Author: Raimond van Marle
Publisher:
ISBN:
Category : Painting, Italian
Languages : en
Pages : 660
Book Description
The Development of the Italian Schools of Painting
Author: Raimond van Marle
Publisher:
ISBN:
Category : Painting, Italian
Languages : en
Pages : 660
Book Description
Publisher:
ISBN:
Category : Painting, Italian
Languages : en
Pages : 660
Book Description
A Sienese Painter of the Franciscan Legend
Author: Bernard Berenson
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 162
Book Description
A comparison of Sassetta and Giotto as painters of the Franciscan legend. Originally published in 'Burlington Magazine', vol. 3, 1903.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 162
Book Description
A comparison of Sassetta and Giotto as painters of the Franciscan legend. Originally published in 'Burlington Magazine', vol. 3, 1903.
The United States Catalog
Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 2204
Book Description
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 2204
Book Description
The Nineteenth Century and After
Author:
Publisher:
ISBN:
Category : Nineteenth century
Languages : en
Pages : 1078
Book Description
Publisher:
ISBN:
Category : Nineteenth century
Languages : en
Pages : 1078
Book Description
The Nineteenth Century
Author:
Publisher:
ISBN:
Category : Nineteenth century
Languages : en
Pages : 1074
Book Description
Publisher:
ISBN:
Category : Nineteenth century
Languages : en
Pages : 1074
Book Description
The United States Catalog
Author: Eleanor E. Hawkins
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 2222
Book Description
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 2222
Book Description
Fra Filippo Lippi the Carmelite Painter
Author: Megan Holmes
Publisher: Yale University Press
ISBN: 0300081049
Category : Art
Languages : en
Pages : 323
Book Description
Widely admired for his paintings of exquisitely beautiful Madonnas, Florentine Renaissance friar-artist Fra Filippo Lippi (c. 1406-69) gained renown also for his love affair with the nun Lucrezia who bore their son, Filippino Lippi, later a well-known painter himself. In this beautiful and compelling book, Megan Holmes shines new light on Lippi's life and career, from the first paintings he created while a friar in Santa Maria del Carmine to the later works he painted when living outside the monastery for the Medici family, their supporters, and other patrons. Focusing especially on the fascinating conjunction of Lippi's work as a painter and his experiences as a Carmelite friar, Holmes transforms our understanding of Filippo Lippi and of the way art was produced and viewed in fifteenth-century Florence. Unlike most monastic artists, Fra Filippo learned to paint only after joining a religious order. In the first section of the book, the author considers how the doctrines, rules, rituals, and practices of the Carmelites shaped Lippi's art and manner of envisioning sacred subjects. In the second section, Holmes discusses Lippi's life and painting after he left the monastery, demonstrating how his mature work broke new ground but continued to draw upon Carmelite influences. The final section of the book looks closely at three altarpieces Fra Filippo painted for monastic institutions and sets them in a broader social and religious context.
Publisher: Yale University Press
ISBN: 0300081049
Category : Art
Languages : en
Pages : 323
Book Description
Widely admired for his paintings of exquisitely beautiful Madonnas, Florentine Renaissance friar-artist Fra Filippo Lippi (c. 1406-69) gained renown also for his love affair with the nun Lucrezia who bore their son, Filippino Lippi, later a well-known painter himself. In this beautiful and compelling book, Megan Holmes shines new light on Lippi's life and career, from the first paintings he created while a friar in Santa Maria del Carmine to the later works he painted when living outside the monastery for the Medici family, their supporters, and other patrons. Focusing especially on the fascinating conjunction of Lippi's work as a painter and his experiences as a Carmelite friar, Holmes transforms our understanding of Filippo Lippi and of the way art was produced and viewed in fifteenth-century Florence. Unlike most monastic artists, Fra Filippo learned to paint only after joining a religious order. In the first section of the book, the author considers how the doctrines, rules, rituals, and practices of the Carmelites shaped Lippi's art and manner of envisioning sacred subjects. In the second section, Holmes discusses Lippi's life and painting after he left the monastery, demonstrating how his mature work broke new ground but continued to draw upon Carmelite influences. The final section of the book looks closely at three altarpieces Fra Filippo painted for monastic institutions and sets them in a broader social and religious context.
Nineteenth Century
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 1088
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 1088
Book Description
Nineteenth Century and After
Author:
Publisher:
ISBN:
Category : English periodicals
Languages : en
Pages : 1064
Book Description
Publisher:
ISBN:
Category : English periodicals
Languages : en
Pages : 1064
Book Description
The Burlington Magazine for Connoisseurs
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 722
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 722
Book Description