Sharp and Flat, a musical farce in two acts. First performed at the Lyceum Theatre, English opera, on Wednesday, August 4, 1813, etc PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Sharp and Flat, a musical farce in two acts. First performed at the Lyceum Theatre, English opera, on Wednesday, August 4, 1813, etc PDF full book. Access full book title Sharp and Flat, a musical farce in two acts. First performed at the Lyceum Theatre, English opera, on Wednesday, August 4, 1813, etc by Dennis Lawler. Download full books in PDF and EPUB format.
Author: Dennis Lawler
Publisher:
ISBN:
Category :
Languages : en
Pages : 46
Get Book Here
Book Description
Author: Dennis Lawler
Publisher:
ISBN:
Category :
Languages : en
Pages : 46
Get Book Here
Book Description
Author: British Museum. Department of Printed Books
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 514
Get Book Here
Book Description
Author: British Museum. Dept. of Printed Books
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 512
Get Book Here
Book Description
Author:
Publisher:
ISBN:
Category : Union catalogs
Languages : en
Pages : 716
Get Book Here
Book Description
Author: Alexander Wheelock Thayer
Publisher: Good Press
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 1230
Get Book Here
Book Description
Alexander Wheelock Thayer's 'The Life of Ludwig van Beethoven' is a monumental three-volume biography that delves deep into the personal and professional life of the legendary composer. Thayer's meticulous research and comprehensive documentation provide readers with a detailed account of Beethoven's trials and triumphs, offering insights into his revolutionary compositions and enduring legacy. Written in a scholarly but approachable style, this biography sheds light on Beethoven's complex personality and the social and cultural context in which he created his immortal music. Thayer's work is not only a biography but also a valuable historical and artistic resource for anyone interested in classical music and the life of one of its greatest composers. Alexander Wheelock Thayer, a dedicated music historian, spent years studying Beethoven's life and works, collecting extensive materials to create this definitive account. His passion for Beethoven's music and commitment to accuracy shine through in every page of this meticulously researched biography. Thayer's expertise and deep understanding of Beethoven's music and life make 'The Life of Ludwig van Beethoven' a must-read for scholars, musicians, and music lovers alike. I highly recommend 'The Life of Ludwig van Beethoven' to anyone seeking a comprehensive and engaging exploration of Beethoven's life, music, and lasting influence on classical music. Thayer's scholarly approach and detailed analysis provide a rich and rewarding reading experience for those interested in the life and works of one of the greatest composers in history.
Author: Ellen Douglas Larned
Publisher:
ISBN:
Category : Windham County (Conn.)
Languages : en
Pages : 618
Get Book Here
Book Description
Author: Alfred Edward Newton
Publisher: Boston : Atlantic Monthly Press
ISBN:
Category : Bibliomania
Languages : en
Pages : 406
Get Book Here
Book Description
Author: John Denison Champlin
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 508
Get Book Here
Book Description
Author: E. Cobham Brewer
Publisher: BoD – Books on Demand
ISBN: 3734093228
Category : Fiction
Languages : en
Pages : 582
Get Book Here
Book Description
Reproduction of the original: Character Sketches of Romance, Fiction and the Drama by E. Cobham Brewer
Author: Maud Cuney-Hare
Publisher: Library of Alexandria
ISBN: 1465604782
Category : Fiction
Languages : en
Pages : 406
Get Book Here
Book Description
In offering this study of Negro music, I do so with the admission that there is no consistent development as found in national schools of music. The Negro, a musical force, through his own distinct racial characteristics has made an artistic contribution which is racial but not yet national. Rather has the influence of musical stylistic traits termed Negro, spread over many nations wherever the colonies of the New World have become homes of Negro people. These expressions in melody and rhythm have been a compelling force in American music Ð tragic and joyful in emotion, pathetic and ludicrous in melody, primitive and barbaric in rhythm. The welding of these expressions has brought about a harmonic effect which is now influencing thoughtful musicians throughout the world. At present there is evidenced a new movement far from academic, which plays an important technical part in the music of this and other lands. The question as to whether there exists a pure Negro art in America is warmly debated. Many Negroes as well as Anglo-Americans admit that the so-called American Negro is no longer an African Negro. Apart from the fusion of blood he has for centuries been moved by the same stimuli which have affected all citizens of the United States. They argue rightly that he is a product of a vital American civilization with all its daring, its progress, its ruthlessness, and unlovely speed. As an integral part of the nation, the Negro is influenced by like social environment and governed by the same political institutions; thus page vi we may expect the ultimate result of his musical endeavors to be an art-music which embodies national characteristics exercised upon by his soul's expression. In the field of composition, the early sporadic efforts by people of African descent, while not without historic importance, have been succeeded by contributions from a rising group of talented composers of color who are beginning to find a listening public. The tendency of this music is toward the development of an American symphonic, operatic and ballet school led for the moment by a few lone Negro musicians of vision and high ideals. The story of those working toward this end is herein treated. Facts for this volume have been obtained from educated African scholars with whom the author sought acquaintanceship and from printed sources found in the Boston Public Library, the New York Public Library and the Music Division of the Library of Congress. The author has also had access to rare collections and private libraries which include her own. Folk material has been gathered in personal travel.
