The Shape of Sound PDF Download
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Author: Fiona Murphy
Publisher: Text Publishing
ISBN: 1922330515
Category : Biography & Autobiography
Languages : en
Pages : 311
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Book Description
A vivid and essential memoir of deafness, disability and identity by Australian writer Fiona Murphy
Author: Fiona Murphy
Publisher: Text Publishing
ISBN: 1922330515
Category : Biography & Autobiography
Languages : en
Pages : 311
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Book Description
A vivid and essential memoir of deafness, disability and identity by Australian writer Fiona Murphy
Author: Roman Jakobson
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3112322215
Category : Foreign Language Study
Languages : en
Pages : 348
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Book Description
No detailed description available for "The Sound Shape of Language".
Author: Timothy B Layden
Publisher: Lulu.com
ISBN: 1446644219
Category : Art
Languages : en
Pages : 76
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Book Description
The Shape of sounds is a series of sound and visual art developed by synesthetic artistThe work explores how the invisible world of sound can manifest itself in visually through an overlapping of the senses.
Author: James W. Moore
Publisher: Butterworth-Heinemann
ISBN: 9780750616997
Category : Aids to navigation
Languages : en
Pages : 140
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Book Description
Author: Victoria Meyers
Publisher: Artifice Incorporated
ISBN: 9781908967299
Category : Architecture
Languages : en
Pages : 144
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Book Description
For the past 20 years, Victoria Meyers, a Founding Partner of hanrahanMeyers architects, has crafted an architectural and urban design practice that includes sound as an intimate aspect of the designed environment. Meyers analyses the shape of sound; architecture and sound; form; materiality; windows; the urban soundscape, its politics, aesthetics and social character; reflection; virtuality; sound art; and silence. This sequel to Designing with Light offers new theoretical insights into sound and the spatial experience accompanied by several key case studies. These include Meyers' work with Stephen Vitiello, whose piece A Bell For Every Minute animated the New York High Line project, and her collaborations with composer and sound artist Michael Schumacher. Digital Water i-Pavilion, located opposite Ground Zero in Manhattan, has proved particularly innovative: Schumacher's score, developed especially for the building, has been etched into a glass facade which can be 'played' by the public via an app; onlookers direct their mobile phones at the glass to read and hear the music. Sound is not simply music however, and Meyers reflects upon this in her quest for an understanding of architecture as an auditory environment, through examples of buildings and materials which inspire and possess characteristic sonic properties.
Author: Daniel Leech-Wilkinson
Publisher: Oxford University Press
ISBN: 0190657014
Category : Music
Languages : en
Pages : 449
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Book Description
Shape is a concept widely used in talk about music. Musicians in classical, popular, jazz and world musics use it to help them rehearse, teach and think about what they do. Yet why is a word that seems to require something to see or to touch so useful to describe something that sounds? Music and Shape examines numerous aspects of this surprisingly close relationship, with contributions from scholars and musicians, artists, dancers, filmmakers, and synaesthetes. The main chapters are provided by leading scholars from music psychology, music analysis, music therapy, dance, classical, jazz and popular music who examine how shape makes sense in music from their varied points of view. Here we see shape providing a key notion for the teaching and practice of performance nuance or prosody; as a way of making relationships between sound and body movement; as a link between improvisational as well as compositional design and listener response, and between notation, sound and cognition; and as a unimodal quality linked to vitality affects. Reflections from practitioners, between the chapters, offer complementary insights, embracing musical form, performance and composition styles, body movement, rhythm, harmony, timbre, narrative, emotions and feelings, and beginnings and endings. Music and Shape opens up new perspectives on musical performance, music psychology and music analysis, making explicit and open to investigation a vital factor in musical thinking and experience previously viewed merely as a metaphor.
Author: Andrew Ruzkowski
Publisher: Elj Publications
ISBN: 9780615795720
Category :
Languages : en
Pages : 52
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Book Description
We think we know language. We think it is ours. The body speaks it. Words are pieces and parts of humans. However, like people, language morphs. Andrew Ruzkowski investigates the complications of language in his long poem A Shape & Sound. The poet explores what words can do to us, in us, and for us. His love of writing, the world, and the beloved take us to a connected space. This long poem begs the reader to explore our collective and individual happenings.
Author: Alexander Lauterwasser
Publisher: Macromedia
ISBN: 9781888138092
Category : Nature photography
Languages : en
Pages : 0
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Book Description
In the 18th century, Chladni developed the technique of drawing a violin bow across a metal plate of sand and observing the patterns that formed. In this title, Lauterwasser extends the idea to more complex and moving sounds in water, ranging from pure sine waves to music by Beethoven, Stockhausen and overtone chanting.
Author: Dr. Jean Feldman
Publisher: Carson-Dellosa Publishing
ISBN: 1617412465
Category : Juvenile Nonfiction
Languages : en
Pages : 12
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Book Description
Sing Along With Dr. Jean And Dr. Holly To Learn About Shapes.
Author: Michel Chion
Publisher: Duke University Press
ISBN: 082237482X
Category : Music
Languages : en
Pages : 285
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Book Description
First published in French in 1998, revised in 2010, and appearing here in English for the first time, Michel Chion's Sound addresses the philosophical, interpretive, and practical questions that inform our encounters with sound. Chion considers how cultural institutions privilege some sounds above others and how spurious distinctions between noise and sound guide the ways we hear and value certain sounds. He critiques the tenacious tendency to understand sounds in relation to their sources and advocates "acousmatic" listening—listening without visual access to a sound’s cause—to disentangle ourselves from auditory habits and prejudices. Yet sound can no more be reduced to mere perceptual phenomena than encapsulated in the sciences of acoustics and physiology. As Chion reminds us and explores in depth, a wide range of linguistic, sensory, cultural, institutional, and media- and technologically-specific factors interact with and shape sonic experiences. Interrogating these interactions, Chion stimulates us to think about how we might open our ears to new sounds, become more nuanced and informed listeners, and more fully understand the links between how we hear and what we do.
