Author: Francesco 1304-1374 Petrarca
Publisher: Hassell Street Press
ISBN: 9781015297951
Category :
Languages : en
Pages : 364
Book Description
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Sonnets of Petrarch
Author: Francesco 1304-1374 Petrarca
Publisher: Hassell Street Press
ISBN: 9781015297951
Category :
Languages : en
Pages : 364
Book Description
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Publisher: Hassell Street Press
ISBN: 9781015297951
Category :
Languages : en
Pages : 364
Book Description
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Amoretti
Author: Edmunde Spenser
Publisher: Legare Street Press
ISBN: 9781021097163
Category :
Languages : en
Pages : 0
Book Description
This is a collection of sonnets written by the legendary poet Edmund Spenser. The sonnets are a tribute to the poet's love for a woman named Elizabeth Boyle. They are written in a traditional Elizabethan style and are known for their beauty and romanticism. This book is a must-have for students of English literature and lovers of poetry. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Publisher: Legare Street Press
ISBN: 9781021097163
Category :
Languages : en
Pages : 0
Book Description
This is a collection of sonnets written by the legendary poet Edmund Spenser. The sonnets are a tribute to the poet's love for a woman named Elizabeth Boyle. They are written in a traditional Elizabethan style and are known for their beauty and romanticism. This book is a must-have for students of English literature and lovers of poetry. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Themes and Variations in Shakespeare's Sonnets
Author: J B Leishman
Publisher: Routledge
ISBN: 1135032785
Category : Literary Criticism
Languages : en
Pages : 251
Book Description
First published in 1961. This study analyses Shakespeare's treatment of the universal themes of Beauty, Love and Time. He compares Shakespeare with other great poets and sonnet writers - Pindar, Horace and Ovid, with Petrarch, Tasso and Ronsart, with Shakespeare's own English predecessors and contemporaries, notably Spenser, Daniel and Drayton and with John Donne. By discussing their resemblances and differences, a not altogether orthodox picture of Shakespeare's attitude to life is presented, which suggests that he was not as phlegmatic and equable a person as critics have often supposed.
Publisher: Routledge
ISBN: 1135032785
Category : Literary Criticism
Languages : en
Pages : 251
Book Description
First published in 1961. This study analyses Shakespeare's treatment of the universal themes of Beauty, Love and Time. He compares Shakespeare with other great poets and sonnet writers - Pindar, Horace and Ovid, with Petrarch, Tasso and Ronsart, with Shakespeare's own English predecessors and contemporaries, notably Spenser, Daniel and Drayton and with John Donne. By discussing their resemblances and differences, a not altogether orthodox picture of Shakespeare's attitude to life is presented, which suggests that he was not as phlegmatic and equable a person as critics have often supposed.
The Art of Shakespeare’s Sonnets
Author: Helen Vendler
Publisher: Harvard University Press
ISBN: 0674637127
Category : Literary Criticism
Languages : en
Pages : 693
Book Description
Analyzes all of Shakespeare's sonnets in terms of their poetic structure, semantics, and use of sounds and images.
Publisher: Harvard University Press
ISBN: 0674637127
Category : Literary Criticism
Languages : en
Pages : 693
Book Description
Analyzes all of Shakespeare's sonnets in terms of their poetic structure, semantics, and use of sounds and images.
The Art of the Sonnet
Author: Stephen Burt
Publisher: Harvard University Press
ISBN: 9780674048140
Category : Literary Criticism
Languages : en
Pages : 472
Book Description
"Few poetic forms have found more uses than the sonnet in English, and none is now more recognizable. It is one of the longest-lived of verse forms, and one of the briefest. A mere fourteen lines, fashioned by intricate rhymes, it is, as Dante Gabriel Rossetti called it, "a moment's monument." From the Renaissance to the present, the sonnet has given poets a superb vehicle for private contemplation, introspection, and the expression of passionate feelings and thoughts." "The Art of the Sonnet collects one hundred exemplary sonnets of the English language (and a few sonnets in translation), representing highlights in the history of the sonnet, accompanied by short commentaries on each of the poems. The commentaries by Stephen Burt and David Mikics offer new perspectives and insights, and, taken together, demonstrate the enduring as well as changing nature of the sonnet. The authors serve as guides to some of the most-celebrated sonnets in English as well as less-well-known gems by nineteenth- and twentieth-century poets. Also included is a general introductory essay, in which the authors examine the sonnet form and its long and fascinating history, from its origin in medieval Sicily to its English appropriation in the sixteenth century to sonnet writing today in the United States, the United Kingdom, and other English-speaking parts of the world." --Book Jacket.
Publisher: Harvard University Press
ISBN: 9780674048140
Category : Literary Criticism
Languages : en
Pages : 472
Book Description
"Few poetic forms have found more uses than the sonnet in English, and none is now more recognizable. It is one of the longest-lived of verse forms, and one of the briefest. A mere fourteen lines, fashioned by intricate rhymes, it is, as Dante Gabriel Rossetti called it, "a moment's monument." From the Renaissance to the present, the sonnet has given poets a superb vehicle for private contemplation, introspection, and the expression of passionate feelings and thoughts." "The Art of the Sonnet collects one hundred exemplary sonnets of the English language (and a few sonnets in translation), representing highlights in the history of the sonnet, accompanied by short commentaries on each of the poems. The commentaries by Stephen Burt and David Mikics offer new perspectives and insights, and, taken together, demonstrate the enduring as well as changing nature of the sonnet. The authors serve as guides to some of the most-celebrated sonnets in English as well as less-well-known gems by nineteenth- and twentieth-century poets. Also included is a general introductory essay, in which the authors examine the sonnet form and its long and fascinating history, from its origin in medieval Sicily to its English appropriation in the sixteenth century to sonnet writing today in the United States, the United Kingdom, and other English-speaking parts of the world." --Book Jacket.
Structure & Surprise
Author: Michael Theune
Publisher: Teachers & Writers Collaborative
ISBN:
Category : Education
Languages : en
Pages : 268
Book Description
Structure & Surprise: Engaging Poetic Turns offers a road map for analyzing poetry through examination of poems' structure, rather than their forms or genres. Michael Theune's breakthrough concept encourages students, teachers, and writers to use structure as a tool to see the fundamental affinities between strikingly different kinds of poetry and radically different literary eras. The book includes examination of the mid-course turn and the elegy, as well as the ironic, concessional, emblem, and retrospective-prospective structures, among others. In addition, 14 contemporary poets provide an example of and commentary on their own work.
Publisher: Teachers & Writers Collaborative
ISBN:
Category : Education
Languages : en
Pages : 268
Book Description
Structure & Surprise: Engaging Poetic Turns offers a road map for analyzing poetry through examination of poems' structure, rather than their forms or genres. Michael Theune's breakthrough concept encourages students, teachers, and writers to use structure as a tool to see the fundamental affinities between strikingly different kinds of poetry and radically different literary eras. The book includes examination of the mid-course turn and the elegy, as well as the ironic, concessional, emblem, and retrospective-prospective structures, among others. In addition, 14 contemporary poets provide an example of and commentary on their own work.
Shakespeare's Living Art
Author: Rosalie Littell Colie
Publisher: Princeton University Press
ISBN: 1400867878
Category : Literary Criticism
Languages : en
Pages : 382
Book Description
In this, her last book, Rosalie L. Colie suggests that by linking "forms"—verse forms, devices, motives, themes, conventions, genres—to the culture from which a writer springs and to his selection and organization of materials, we can understand the processes by which he becomes what he is, and is enabled to do what he does. She is particularly concerned with uncovering the ways in which Shakespeare used, misused, criticized, re-created, and sometimes revolutionized the received topics and devices of his craft. In this sense, Shakespeare's plays are seen as problem plays, each exploring the problematics of his craft and revealing his assessment of what was problematical. The author has chosen for study topics which connect Shakespeare with the long and rich continental Renaissance, in the hope that in the future Shakespeare might be, like Dante and Cervantes, an essential author in a comparatist's education. Usually a single topic dealing with some formal aspect of a play—the use of stereotypes to create a character highly original in stage practice, or the various manipulations of a mode (the pastoral, for example) rich in potentialities—is used to try to see in what particular ways Shakespeare shaped works that are still unique. Originally published in 1974. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Publisher: Princeton University Press
ISBN: 1400867878
Category : Literary Criticism
Languages : en
Pages : 382
Book Description
In this, her last book, Rosalie L. Colie suggests that by linking "forms"—verse forms, devices, motives, themes, conventions, genres—to the culture from which a writer springs and to his selection and organization of materials, we can understand the processes by which he becomes what he is, and is enabled to do what he does. She is particularly concerned with uncovering the ways in which Shakespeare used, misused, criticized, re-created, and sometimes revolutionized the received topics and devices of his craft. In this sense, Shakespeare's plays are seen as problem plays, each exploring the problematics of his craft and revealing his assessment of what was problematical. The author has chosen for study topics which connect Shakespeare with the long and rich continental Renaissance, in the hope that in the future Shakespeare might be, like Dante and Cervantes, an essential author in a comparatist's education. Usually a single topic dealing with some formal aspect of a play—the use of stereotypes to create a character highly original in stage practice, or the various manipulations of a mode (the pastoral, for example) rich in potentialities—is used to try to see in what particular ways Shakespeare shaped works that are still unique. Originally published in 1974. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
The Poetry of Petrarch
Author: Petrarch
Publisher: Farrar, Straus and Giroux
ISBN: 1466872896
Category : Poetry
Languages : en
Pages : 324
Book Description
Ineffable sweetness, bold, uncanny sweetness that came to my eyes from her lovely face; from that day on I'd willingly have closed them, never to gaze again at lesser beauties. --from Sonnet 116 Petrarch was born in Tuscany and grew up in the south of France. He lived his life in the service of the church, traveled widely, and during his lifetime was a revered, model man of letters. Petrarch's greatest gift to posterity was his Rime in vita e morta di Madonna Laura, the cycle of poems popularly known as his songbook. By turns full of wit, languor, and fawning, endlessly inventive, in a tightly composed yet ornate form they record their speaker's unrequited obsession with the woman named Laura. In the centuries after it was designed, the "Petrarchan sonnet," as it would be known, inspired the greatest love poets of the English language--from the times of Spenser and Shakespeare to our own. David Young's fresh, idiomatic version of Petrarch's poetry is the most readable and approachable that we have. In his skillful hands, Petrarch almost sounds like a poet out of our own tradition bringing the wheel of influence full circle.
Publisher: Farrar, Straus and Giroux
ISBN: 1466872896
Category : Poetry
Languages : en
Pages : 324
Book Description
Ineffable sweetness, bold, uncanny sweetness that came to my eyes from her lovely face; from that day on I'd willingly have closed them, never to gaze again at lesser beauties. --from Sonnet 116 Petrarch was born in Tuscany and grew up in the south of France. He lived his life in the service of the church, traveled widely, and during his lifetime was a revered, model man of letters. Petrarch's greatest gift to posterity was his Rime in vita e morta di Madonna Laura, the cycle of poems popularly known as his songbook. By turns full of wit, languor, and fawning, endlessly inventive, in a tightly composed yet ornate form they record their speaker's unrequited obsession with the woman named Laura. In the centuries after it was designed, the "Petrarchan sonnet," as it would be known, inspired the greatest love poets of the English language--from the times of Spenser and Shakespeare to our own. David Young's fresh, idiomatic version of Petrarch's poetry is the most readable and approachable that we have. In his skillful hands, Petrarch almost sounds like a poet out of our own tradition bringing the wheel of influence full circle.
Shakespeare's sonnets and the Petrarchan tradition
Author: Stefan Ruhnke
Publisher: GRIN Verlag
ISBN: 3638907872
Category : Literary Criticism
Languages : en
Pages : 31
Book Description
Seminar paper from the year 2007 in the subject English Language and Literature Studies - Literature, grade: 1,3, Ernst Moritz Arndt University of Greifswald, course: Petrarchism in English Renaissance Poetry, language: English, abstract: Ever since the first publication of Shakespeare’s Sonnets in Thomas Thorpe’s, very likely unauthorized, Quarto-edition in 1609, these poetic masterpieces have interested and captivated readers and critics alike for the following centuries. Shakespeare’s exceptional abilities as a playwright as well as a poet have always drawn the attention of literary criticism towards his works and also to his sonnets. In the past, critics have often tried to answer all sorts of questions concerning the sonnets. Among the questions dealt with, like the identity of the persons mentioned in the poems, the correct order and structure of the sonnet cycle and many others, critics also tried to answer in which ways Shakespeare used and incorporated already existing poetic conventions and in how far he wrote against, contrasted and overcame common literary traditions by producing, according to Pequigney’s praise, “the greatest of all love-sonnet sequences”. The common literary tradition for writing love poetry that not only English but also continental poets followed in the sixteenth century was that of Petrarchism. Already after Francesco Petrarca, or Petrarch, had introduced this way of writing love poetry, the fashion of imitating or adopting and sometimes contrasting the Petrarchan way of writing poetry spread from Italy to France, Spain, the Netherlands and also to England4, where Wyatt and Surrey introduced the sonnet form and the thematic aspects which characterize Petrarchism5. Although Petrarchism, with its many followers who, despite striking similarities, often exhibit different ways of adopting the model set by Petrarch, seems not too easy to define6, this paper aims to show how this prominent love poetry tradition was adopted and adapted by Shakespeare for his Sonnets. To achieve this goal it seems essential to try to define what the Petrarchan way of writing love poetry is and why it became a predominant fashion in England before and during the time Shakespeare wrote his sonnets. This is to be the purpose of the following chapter.
Publisher: GRIN Verlag
ISBN: 3638907872
Category : Literary Criticism
Languages : en
Pages : 31
Book Description
Seminar paper from the year 2007 in the subject English Language and Literature Studies - Literature, grade: 1,3, Ernst Moritz Arndt University of Greifswald, course: Petrarchism in English Renaissance Poetry, language: English, abstract: Ever since the first publication of Shakespeare’s Sonnets in Thomas Thorpe’s, very likely unauthorized, Quarto-edition in 1609, these poetic masterpieces have interested and captivated readers and critics alike for the following centuries. Shakespeare’s exceptional abilities as a playwright as well as a poet have always drawn the attention of literary criticism towards his works and also to his sonnets. In the past, critics have often tried to answer all sorts of questions concerning the sonnets. Among the questions dealt with, like the identity of the persons mentioned in the poems, the correct order and structure of the sonnet cycle and many others, critics also tried to answer in which ways Shakespeare used and incorporated already existing poetic conventions and in how far he wrote against, contrasted and overcame common literary traditions by producing, according to Pequigney’s praise, “the greatest of all love-sonnet sequences”. The common literary tradition for writing love poetry that not only English but also continental poets followed in the sixteenth century was that of Petrarchism. Already after Francesco Petrarca, or Petrarch, had introduced this way of writing love poetry, the fashion of imitating or adopting and sometimes contrasting the Petrarchan way of writing poetry spread from Italy to France, Spain, the Netherlands and also to England4, where Wyatt and Surrey introduced the sonnet form and the thematic aspects which characterize Petrarchism5. Although Petrarchism, with its many followers who, despite striking similarities, often exhibit different ways of adopting the model set by Petrarch, seems not too easy to define6, this paper aims to show how this prominent love poetry tradition was adopted and adapted by Shakespeare for his Sonnets. To achieve this goal it seems essential to try to define what the Petrarchan way of writing love poetry is and why it became a predominant fashion in England before and during the time Shakespeare wrote his sonnets. This is to be the purpose of the following chapter.
A Companion to Shakespeare's Sonnets
Author: Michael Schoenfeldt
Publisher: John Wiley & Sons
ISBN: 1444332066
Category : Literary Criticism
Languages : en
Pages : 535
Book Description
This Companion represents the myriad ways of thinking about the remarkable achievement of Shakespeare’s sonnets. An authoritative reference guide and extended introduction to Shakespeare’s sonnets. Contains more than 20 newly-commissioned essays by both established and younger scholars. Considers the form, sequence, content, literary context, editing and printing of the sonnets. Shows how the sonnets provide a mirror in which cultures can read their own critical biases. Informed by the latest theoretical, cultural and archival work.
Publisher: John Wiley & Sons
ISBN: 1444332066
Category : Literary Criticism
Languages : en
Pages : 535
Book Description
This Companion represents the myriad ways of thinking about the remarkable achievement of Shakespeare’s sonnets. An authoritative reference guide and extended introduction to Shakespeare’s sonnets. Contains more than 20 newly-commissioned essays by both established and younger scholars. Considers the form, sequence, content, literary context, editing and printing of the sonnets. Shows how the sonnets provide a mirror in which cultures can read their own critical biases. Informed by the latest theoretical, cultural and archival work.