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Author: Jeffrey Rayner Myers
Publisher: Peter Lang Incorporated, International Academic Publishers
ISBN:
Category : Art
Languages : en
Pages : 276
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Book Description
Myers uses a new and theoretically provocative comparative approach to bring into view and then to question the pervasive but often unsuspected influence of the «classical» conception of Shakespeare's canon dominant since Dowden first suggested it in the middle of the nineteenth century. As an alternative, he argues for a «mannerist» conception of the canon that is more persuasive than the outmoded conception in the light of artistic possibilities in the Renaissance and more useful to the continuing reinterpretation of Shakespeare's plays.
Author: Jeffrey Rayner Myers
Publisher: Peter Lang Incorporated, International Academic Publishers
ISBN:
Category : Art
Languages : en
Pages : 276
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Book Description
Myers uses a new and theoretically provocative comparative approach to bring into view and then to question the pervasive but often unsuspected influence of the «classical» conception of Shakespeare's canon dominant since Dowden first suggested it in the middle of the nineteenth century. As an alternative, he argues for a «mannerist» conception of the canon that is more persuasive than the outmoded conception in the light of artistic possibilities in the Renaissance and more useful to the continuing reinterpretation of Shakespeare's plays.
Author: Sam Ladkin
Publisher: Oxford University Press
ISBN: 0192692046
Category : Poetry
Languages : en
Pages : 377
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Book Description
Frank O'Hara's New York School & Mid-Century Mannerism offers a ground-breaking account of the poet Frank O'Hara and the extraordinary cultural blossoming O'Hara catalysed, namely the mid-century experimental and multi-disciplinary arts scene, the New York School. Fresh accounts of canonical figures (Jackson Pollock, Willem de Kooning, George Balanchine, Fred Astaire) and original work on those too little discussed (Edwin Denby, Elaine de Kooning) resound with analysis of queer iconology from Michelangelo's David to James Dean. Sam Ladkin argues that O'Hara and the New York School revive Mannerism. Turning away from interpretations of O'Hara's Transcendentalism, Romanticism, or pastoralism, 'mid-century Mannerism' helps explain O'Hara's self-conscious style, its play with sweet and grand grace, contortion of conventional measure, risks with affectation, conceits, nonchalance, and scrambling of high/low culture. Mannerism clarifies the sociability implicit in the formal innovations of the New York School. The work also studies the kinship between art mediums by retooling rhetoric and recovering a perennial manneristic tendency beyond period style. Genealogies of grace, the figura serpentinata, sprezzatura, ornatus, and the marvellous exemplify qualities exhibited by O'Hara's New York School. Ladkin relates the essential role of dance in the New York School. O'Hara's reception has been tied to painting, predominantly Abstract Expressionism. He was also, however, a balletomane, a fan, for whom ballet was 'made up exclusively of qualities which other arts only aspire to in order to be truly modern.' Relaying ballet's Mannerist origins and aesthetics, and demonstrating its influence alongside Broadway and Hollywood musical-dance on art and poetry, completes the portrait of mid-century modernity.
Author: Jean-Pierre Maquerlot
Publisher: Cambridge University Press
ISBN: 9780521410830
Category : Drama
Languages : en
Pages : 220
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Book Description
This 1996 book offers an original approach to Shakespeare's so-called 'problem plays' by contending that they can be viewed as experiments in the Mannerist style. The plays reappraised here are Julius Caesar, Hamlet, Troilus and Cressida, All's Well That Ends Well and Measure for Measure. How can a term used to define a movement in art history be made relevant to theatrical analysis? Maquerlot shows how famous painters of sixteenth-century Italy cultivated structural ambiguity or dissonance in reaction to the classical canons of the High Renaissance. Close readings of Shakespeare's plays, from the period 1599 to 1604, reveal intriguing analogies with Mannerist art and the dramatist's response to Elizabethan formalism. Maquerlot concludes by examining Othello, which marks the end of Shakespeare's Mannerist experiments, and the less equivocal use of artifice in his late romances.
Author: Stanley Wells
Publisher: Cambridge University Press
ISBN: 9780521523813
Category : Drama
Languages : en
Pages : 240
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Book Description
Shakespeare Survey is a yearbook of Shakespeare studies and production. Since 1948 Survey has published the best international scholarship in English and many of its essays have become classics of Shakespeare criticism. Each volume is devoted to a theme, or play, or group of plays; each also contains a section of reviews of the previous year's textual and critical studies and of major British performances. The books are illustrated with a variety of Shakespearean images and production photographs. The current editor of Survey is Peter Holland. The first eighteen volumes were edited by Allardyce Nicoll, numbers 19-33 by Kenneth Muir and numbers 34-52 by Stanley Wells. The virtues of accessible scholarship and a keen interest in performance, from Shakespeare's time to our own, have characterised the journal from the start. For the first time, numbers 1-50 are being reissued in paperback, available separately and as a set.
Author: John Mackinnon Robertson
Publisher:
ISBN:
Category :
Languages : en
Pages : 248
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Book Description
Author:
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 1140
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Book Description
Author: John Mackinnon Robertson
Publisher:
ISBN:
Category :
Languages : en
Pages : 248
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Book Description
Author: John Mackinnon Robertson
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 518
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Book Description
Author: John Mackinnon Robertson
Publisher:
ISBN:
Category :
Languages : en
Pages : 248
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Book Description
Author:
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 680
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Book Description
Études sur la pré-renaissance et la renaissance anglaises.
