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Author: Claire Saunders
Publisher: Pari Publishing (USA)
ISBN: 8895604016
Category : Drama
Languages : en
Pages : 141
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Book Description
"Shakespeare's 100 Greatest Dramatic Images is an entertaining, illuminating and witty guide to the complete plays. It begins with a series of imaginative word-games which entice readers into an appreciation of some of the language's richest poetry. The 'images' are then placed within the context of the plays themselves. Moving nearly between word-play and analysis, the book's ingenious format makes it accessible to all readers."--BOOK JACKET.
Author: Claire Saunders
Publisher: Pari Publishing (USA)
ISBN: 8895604016
Category : Drama
Languages : en
Pages : 141
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Book Description
"Shakespeare's 100 Greatest Dramatic Images is an entertaining, illuminating and witty guide to the complete plays. It begins with a series of imaginative word-games which entice readers into an appreciation of some of the language's richest poetry. The 'images' are then placed within the context of the plays themselves. Moving nearly between word-play and analysis, the book's ingenious format makes it accessible to all readers."--BOOK JACKET.
Author: Aleksandŭr Shurbanov
Publisher: University of Delaware Press
ISBN: 0874130867
Category : Drama
Languages : en
Pages : 312
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Book Description
This book explores Shakespeare's poetic drama as a blend of the dramatic and the lyrical. Through a series of minute textual analyses, it traces the gradual integration of the two modes from Love's Labour's Lost to Hamlet and the other mature tragedies. How this combination is effected in its details is a question that can help us understand better the specificity of Shakespeare's innovative work for the theater and the power of its impact.
Author: James mascarene hubbard
Publisher:
ISBN:
Category :
Languages : en
Pages : 178
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Book Description
Author: Una Ellis-Fermor
Publisher: Routledge
ISBN: 1136560483
Category : Literary Criticism
Languages : en
Pages : 200
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Book Description
First published in 1980. This collection of essays by the first General Editor of the New Arden Shakespeare brings together the best of Ellis-Fermor's Shespearean criticism, in addition to outstanding essays on Coriolanus and Troilus and Cressida. Collected and edited by Kenneth Muir, the book is prefaced by an appreciation of Ellis-Fermor's work.
Author: William Shakespeare
Publisher: National Geographic Books
ISBN: 0141371218
Category : Juvenile Nonfiction
Languages : en
Pages : 0
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Book Description
A beautiful, intricate colouring book, full of romantic, inspirational and dramatic quotes from the favourite plays and poems of William Shakespeare. An ideal choice for older children and adults, in a beautiful square format, it is gloriously intricate illustrations provide a soothing occupation for the millions of fans of adult colouring books.
Author: Paul Edmondson
Publisher: Cambridge University Press
ISBN: 1107017599
Category : Drama
Languages : en
Pages : 299
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Book Description
Did Shakespeare write Shakespeare? This authoritative collection of essays brings fresh perspectives to bear on an intriguing cultural phenomenon.
Author:
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 286
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Book Description
Author: Sean McEvoy
Publisher: Routledge
ISBN: 1136320903
Category : Literary Criticism
Languages : en
Pages : 298
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Book Description
Now in its third edition Shakespeare: The Basics is an insightful and informative introduction to the work of William Shakespeare. Exploring all aspects of Shakespeare’s plays including the language, cultural contexts, and modern interpretations, this text looks at how a range of plays from across the genres have been understood. Updates in this edition include: Ecocritical, queer, presentist and gendered discussions of Shakespeare’s work Studies of new performances including Tennant and Tate’s Much Ado About Nothing Critical discussions of race and politics in Othello and King Lear Case studies of modern film versions of Shakespeare’s works A chronology of Shakespeare’s work and contemporary events With fully updated further reading throughout and a wide range of case studies and examples, this text is essential reading for all those studying Shakespeare’s work.
Author: Harold Bloom
Publisher: Scribner
ISBN: 1501164201
Category : Literary Criticism
Languages : en
Pages : 176
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Book Description
From one of the greatest Shakespeare scholars of our time, a beloved professor who has taught the Bard for over half a century—an intimate, wise, deeply compelling portrait of Lear, arguably Shakespeare’s most tragic and compelling character, the third in a series of five short books hailed as Harold Bloom’s “last love letter to the shaping spirit of his imagination” (The New York Times Book Review). King Lear is one of the most famous and compelling characters in literature. The aged, abused monarch—a man in his eighties, like Bloom himself—is at once the consummate figure of authority and the classic example of the fall from grace and widely agreed to be Shakespeare’s most moving, tragic hero. Award-winning writer and beloved professor Harold Bloom writes about Lear with wisdom, joy, exuberance, and compassion. He also explores his own personal relationship to the character: Just as we encounter one Anna Karenina or Jay Gatsby when we are seventeen and another when we are forty, Bloom writes about his shifting understanding—over the course of his own lifetime—of this endlessly compelling figure, so that the book also becomes an extraordinarily moving argument for literature as a path to and a measure of our humanity. Bloom is mesmerizing in the classroom, wrestling with the often tragic choices Shakespeare’s characters make. Now he brings that insight to his “measured, thoughtful assessment of a key play in the Shakespeare canon” (Kirkus Reviews). “Lear is a “short, superb book that has a depth of observation acquired from a lifetime of study” (Publishers Weekly).
Author: Marguerite A. Tassi
Publisher: Susquehanna University Press
ISBN: 9781575910857
Category : Art
Languages : en
Pages : 278
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Book Description
In Elizabethan England, dramatists and painters were both achieving the greatest degree of artistic excellence yet witnessed, but they were also in a state of transition, vying for social status and patronage, as well as struggling against religious reformers' accusations of idolatry and eroticism. This interdisciplinary study brings to light the radical, inventive ways in which dramatists such as Shakespeare, Lyly, and Marston appropriated painting and subtly competed with painters to advance their own art and defend theater against Puritan attacks. They transformed painting into a provocative stage property and trope that enhanced the language of their scripts and the audience's imaginative participation in the drama. At the same time, they reflected a profound ambivalence towards painting by staging scenes with painters and pictures that emphasized the dangerous powers inherent in visual images and image-making.
