Shakespeare & the Denial of Death PDF Download
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Author: James L. Calderwood
Publisher:
ISBN:
Category : Death in literature
Languages : en
Pages : 256
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Book Description
Author: James L. Calderwood
Publisher:
ISBN:
Category : Death in literature
Languages : en
Pages : 256
Get Book Here
Book Description
Author: James L. Calderwood
Publisher:
ISBN:
Category : Death in literature
Languages : en
Pages : 260
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Book Description
Author: Stanley Keleman
Publisher:
ISBN: 9780394487878
Category : Social Science
Languages : en
Pages : 184
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Book Description
"This book is about dying, not about death. We are always dying a big, always giving things up, always having things taken away. Is there a person alive who isn't really curious about what dying is for them? Is there a person alive who wouldn't like to go to their dying full of excitement, without fear and without morbidity? This books tells you how." -- Front cover.
Author: Paul Edmondson
Publisher: Cambridge University Press
ISBN: 1107017599
Category : Drama
Languages : en
Pages : 299
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Book Description
Did Shakespeare write Shakespeare? This authoritative collection of essays brings fresh perspectives to bear on an intriguing cultural phenomenon.
Author: James Shapiro
Publisher: Simon and Schuster
ISBN: 1416541632
Category : Biography & Autobiography
Languages : en
Pages : 356
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Book Description
Shakespeare scholar James Shapiro explains when and why so many people began to question whether Shakespeare wrote his plays.
Author: Thomas Moisan
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838639023
Category : Drama
Languages : en
Pages : 372
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Book Description
This book is an anthology of critical essays written about English literature during the Renaissance (or the 'early-modern' period). It focuses on Shakespeare's poetry and plays, including the 'Sonnets', 'The Phoenix and the Turtle', 'The Rape of Lucrece', 'King Lear', 'Othello', 'Measure for Measure', and 'Timon of Athens'. Also examined are the publication of the plays of Beaumont and Fletcher, William Cartwright's play 'The Royal Slave', and James Halliwell-Phillips, one of the central figures in the Shakespearean textual tradition.
Author: R. Chris Hassel Jr.
Publisher: Bloomsbury Publishing
ISBN: 1472577299
Category : Literary Criticism
Languages : en
Pages : 480
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Book Description
Religious issues and discourse are key to an understanding of Shakespeare's plays and poems. This dictionary discusses over 1000 words and names in Shakespeare's works that have a religious connotation. Its unique word-by-word approach allows equal consideration of the full nuance of each of these words, from 'abbess' to 'zeal'. It also gradually reveals the persistence, the variety, and the sophistication of Shakespeare's religious usage. Frequent attention is given to the prominence of Reformation controversy in these words, and to Shakespeare's often ingenious and playful metaphoric usage of them. Theological commonplaces assume a major place in the dictionary, as do overt references to biblical figures, biblical stories and biblical place-names; biblical allusions; church figures and saints.
Author: Sheldon Solomon
Publisher:
ISBN: 1400067472
Category : Death
Languages : en
Pages : 290
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Book Description
Demonstrates how an unconscious fear of death motivates nearly all human goals, behaviors, and cultures, examining the role of mortality awareness in prompting social unrest and war.
Author: Marlena Tronicke
Publisher: Routledge
ISBN: 1351213172
Category : Literary Criticism
Languages : en
Pages : 357
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Book Description
Shakespeare’s Suicides: Dead Bodies That Matter is the first study in Shakespeare criticism to examine the entirety of Shakespeare’s dramatic suicides. It addresses all plays featuring suicides and near-suicides in chronological order from Titus Andronicus to Antony and Cleopatra, thus establishing that suicide becomes increasingly pronounced as a vital means of dramatic characterisation. In particular, the book approaches suicide as a gendered phenomenon. By taking into account parameters such as onstage versus offstage deaths, suicide speeches or the explicit denial of final words, as well as settings and weapons, the study scrutinises the ways in which Shakespeare appropriates the convention of suicide and subverts traditional notions of masculine versus feminine deaths. It shows to what extent a gendered approach towards suicide opens up a more nuanced understanding of the correlation between gender and Shakespeare’s genres and how, eventually, through their dramatisation of suicide the tragedies query normative gender discourse.
Author: Victor L. Cahn
Publisher: Bloomsbury Publishing USA
ISBN: 0313390878
Category : Literary Criticism
Languages : en
Pages : 889
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Book Description
When Victor Cahn's Shakespeare the Playwright was issued in 1991, it was highly recommended for any general public library and for academic collections at all undergraduate levels (Choice) and viewed as a useful guide for the general reader, as well as high school and undergraduate students Library Journal. Now Professor Cahn has revised his introduction to make the context of Shakespeare's plays more meaningful to the beginning researcher and to show how the plays have been performed from the 16th century onward. In addition, the bibliographies for each of the 37 plays have been updated to include the best new research. These updates and revisions will enhance the use of this guide for the general reader, student, and researcher, from high school onward. Since their first production four centuries ago, the plays of William Shakespeare have been the most widely produced, popularly acclaimed, and critically examined works in the world's literature. In this unique book, Victor L. Cahn, an acclaimed teacher of drama, guides the reader scene by scene through each of Shakespeare's thirty-seven plays, re-creating the freshness and theatrical effect of performance. Cahn has based his approach on the assumption that the fundamental appeal of Shakespeare's plays lies in the characters, and with clarity and subtlety he focuses on how the implications of the characters' actions and the nuances of their language contribute to the plays' impact. The introduction briefly traces Shakespeare's life and career, and explains some of the social and artistic circumstances that influenced his work. The plays are grouped by genre: Tragedies, Histories, Comedies, and Romances. This structure allows Cahn to explore Shalespeare's development in all four dramatic forms, as well as to suggest relationships between characters, themes, and images throughout the works. In addition, Cahn discusses the plays as reflective of Shakespeare's age, particularly the Renaissance concern with the tension between individual rights and social responsibility. The text is free from extensive scholarly apparatus, but valuable suggestions for further reading follow the analysis of each play, and a selected bibliography concludes the volume. The comprehensiveness of the book, as well as the accessibility and quality of its interpretations, make it a valuable resource for courses in Shakespeare, drama, and British literature, and a worthy addition to high school, college, university, and public library reference collections.
