Author: Sarah Hatchuel
Publisher: Presses universitaires de Rouen et du Havre
ISBN: 2877758427
Category : Art
Languages : en
Pages : 393
Book Description
Is there a specificity to adapting a Roman play to the screen ? This volume interrogates the ways directors and actors have filmed and performed the Shakespearean works known as the "Roman plays", which are, in chronological order of writing, Titus Andronicus, Julius Caesar, Antony and Cleopatra and Coriolanus. In the variety of plays and story lines, common questions nevertheless arise. Is there such a thing as filmic "Romanness"? By exploring the different ways in which the Roman plays are re-interpreted in the light of Roman history, film history and the Shakespearean tradition, the papers in this volume all take part in the ceaseless investigation of what the plays keep saying not only about our vision of the past, but also about our perception of the present.
Shakespeare on Screen : The Roman Plays
Author: Sarah Hatchuel
Publisher: Presses universitaires de Rouen et du Havre
ISBN: 2877758427
Category : Art
Languages : en
Pages : 393
Book Description
Is there a specificity to adapting a Roman play to the screen ? This volume interrogates the ways directors and actors have filmed and performed the Shakespearean works known as the "Roman plays", which are, in chronological order of writing, Titus Andronicus, Julius Caesar, Antony and Cleopatra and Coriolanus. In the variety of plays and story lines, common questions nevertheless arise. Is there such a thing as filmic "Romanness"? By exploring the different ways in which the Roman plays are re-interpreted in the light of Roman history, film history and the Shakespearean tradition, the papers in this volume all take part in the ceaseless investigation of what the plays keep saying not only about our vision of the past, but also about our perception of the present.
Publisher: Presses universitaires de Rouen et du Havre
ISBN: 2877758427
Category : Art
Languages : en
Pages : 393
Book Description
Is there a specificity to adapting a Roman play to the screen ? This volume interrogates the ways directors and actors have filmed and performed the Shakespearean works known as the "Roman plays", which are, in chronological order of writing, Titus Andronicus, Julius Caesar, Antony and Cleopatra and Coriolanus. In the variety of plays and story lines, common questions nevertheless arise. Is there such a thing as filmic "Romanness"? By exploring the different ways in which the Roman plays are re-interpreted in the light of Roman history, film history and the Shakespearean tradition, the papers in this volume all take part in the ceaseless investigation of what the plays keep saying not only about our vision of the past, but also about our perception of the present.
The Cambridge Companion to Shakespeare on Screen
Author: Russell Jackson
Publisher: Cambridge University Press
ISBN: 110836926X
Category : Literary Criticism
Languages : en
Pages : 299
Book Description
The Cambridge Companion to Shakespeare on Screen provides a lively guide to film and television productions adapted from Shakespeare's plays. Offering an essential resource for students of Shakespeare, the companion considers topics such as the early history of Shakespeare films, the development of 'live' broadcasts from theatre to cinema, the influence of promotion and marketing, and the range of versions available in 'world cinema'. Chapters on the contexts, genres and critical issues of Shakespeare on screen offer a diverse range of close analyses, from 'Classical Hollywood' films to the BBC's Hollow Crown series. The companion also features sections on the work of individual directors Orson Welles, Akira Kurosawa, Franco Zeffirelli, Kenneth Branagh, and Vishal Bhardwaj, and is supplemented by a guide to further reading and a filmography.
Publisher: Cambridge University Press
ISBN: 110836926X
Category : Literary Criticism
Languages : en
Pages : 299
Book Description
The Cambridge Companion to Shakespeare on Screen provides a lively guide to film and television productions adapted from Shakespeare's plays. Offering an essential resource for students of Shakespeare, the companion considers topics such as the early history of Shakespeare films, the development of 'live' broadcasts from theatre to cinema, the influence of promotion and marketing, and the range of versions available in 'world cinema'. Chapters on the contexts, genres and critical issues of Shakespeare on screen offer a diverse range of close analyses, from 'Classical Hollywood' films to the BBC's Hollow Crown series. The companion also features sections on the work of individual directors Orson Welles, Akira Kurosawa, Franco Zeffirelli, Kenneth Branagh, and Vishal Bhardwaj, and is supplemented by a guide to further reading and a filmography.
Tragedy of Titus Andronicus
Author: William Shakespeare
Publisher:
ISBN:
Category :
Languages : en
Pages : 154
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 154
Book Description
The Cambridge Companion to Shakespeare on Screen
Author: Russell Jackson
Publisher: Cambridge University Press
ISBN: 1108421164
Category : Art
Languages : en
Pages : 299
Book Description
Lively and up-to-date critical introductions to a rich range of Shakespeare adaptations for film, video and television.
Publisher: Cambridge University Press
ISBN: 1108421164
Category : Art
Languages : en
Pages : 299
Book Description
Lively and up-to-date critical introductions to a rich range of Shakespeare adaptations for film, video and television.
Shakespeare and the Moving Image
Author: Anthony Davies
Publisher: Cambridge University Press
ISBN: 9780521435734
Category : Drama
Languages : en
Pages : 280
Book Description
Towards the end of the 1980s it looked as if television had displaced cinema as the photographic medium for bringing Shakespeare to the modern audience. In recent years there has been a renaissance of Shakespearian cinema, including Kenneth Branagh's Henry V and Much Ado About Nothing, Franco Zeffirelli's Hamlet, Peter Greenaway's Prospero's Books and Christine Edzard's As You Like It. In this volume a range of writers study the best known and most entertaining film, television and video versions of Shakespeare's plays. Particular attention is given to the work of Olivier, Zeffirelli and Kurosawa, and to the BBC Television series. In addition the volume includes a survey of previous scholarship and an invaluable filmography.
Publisher: Cambridge University Press
ISBN: 9780521435734
Category : Drama
Languages : en
Pages : 280
Book Description
Towards the end of the 1980s it looked as if television had displaced cinema as the photographic medium for bringing Shakespeare to the modern audience. In recent years there has been a renaissance of Shakespearian cinema, including Kenneth Branagh's Henry V and Much Ado About Nothing, Franco Zeffirelli's Hamlet, Peter Greenaway's Prospero's Books and Christine Edzard's As You Like It. In this volume a range of writers study the best known and most entertaining film, television and video versions of Shakespeare's plays. Particular attention is given to the work of Olivier, Zeffirelli and Kurosawa, and to the BBC Television series. In addition the volume includes a survey of previous scholarship and an invaluable filmography.
Shakespeare on Screen: King Lear
Author: Victoria Bladen
Publisher: Cambridge University Press
ISBN: 1108426921
Category : Drama
Languages : en
Pages : 277
Book Description
An up-to-date survey of Shakespeare's King Lear on screen and the aesthetic, social and political issues raised by screen versions.
Publisher: Cambridge University Press
ISBN: 1108426921
Category : Drama
Languages : en
Pages : 277
Book Description
An up-to-date survey of Shakespeare's King Lear on screen and the aesthetic, social and political issues raised by screen versions.
Julius Caesar
Author: William Shakespeare
Publisher: Castrovilli Giuseppe
ISBN:
Category :
Languages : en
Pages : 142
Book Description
Publisher: Castrovilli Giuseppe
ISBN:
Category :
Languages : en
Pages : 142
Book Description
The Whip
Author: Juliet Gilkes Romero
Publisher: Bloomsbury Publishing
ISBN: 1786828669
Category : Social Science
Languages : en
Pages : 158
Book Description
Winner of the 2020 Alfred Fagon Award. As the 19th Century dawns in London, politicians of all parties gather to abolish the slave trade once and for all. But the price of freedom turns out to be a multi-billion pound bailout for slave owners rather than those enslaved. As morality and cunning compete amongst men thirsty for power, two women navigate their way to the true seat of political influence, challenging members of parliament who dare deny them their say. In this provocative new play by Juliet Gilkes Romero, the personal collides with the political to ask, what is the right thing to do and how much must it cost?
Publisher: Bloomsbury Publishing
ISBN: 1786828669
Category : Social Science
Languages : en
Pages : 158
Book Description
Winner of the 2020 Alfred Fagon Award. As the 19th Century dawns in London, politicians of all parties gather to abolish the slave trade once and for all. But the price of freedom turns out to be a multi-billion pound bailout for slave owners rather than those enslaved. As morality and cunning compete amongst men thirsty for power, two women navigate their way to the true seat of political influence, challenging members of parliament who dare deny them their say. In this provocative new play by Juliet Gilkes Romero, the personal collides with the political to ask, what is the right thing to do and how much must it cost?
Shakespeare
Author: Derek Traversi
Publisher: Stanford University Press
ISBN: 9780804701822
Category : Literary Criticism
Languages : en
Pages : 296
Book Description
Excerpt from Shakespeare: The Last Phase A number of critics have suggested that I have laid too much stress on the symbolic and religious elements ln the final plays at the expense of those of romance and fantasy. The tendency to read explicit statements of Christian belief into Shakespeare seems to me indeed to have been carried considerably too far in certain places. I do not myself believe that much can usefully be said concerning Shakes peare's personal beliefs, and I am certain that none of his plays were written to illustrate religious dogmas or to point preconceived moral judgements; but - I must add - it seems to me no more than natural that a writer of his t1me and place should be aware of Christian tradition as an influence moulding his thought and that he should even seek, in his latest plays, to present in terms of a highly personal reading of that tradition some of his final conclusions about life. For taking the plays seriously, for reading them as something more than poetic fantasies in dramatic form, I offer no apology; their seriousness and originality seem to me to be clearly written on practically every page. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Publisher: Stanford University Press
ISBN: 9780804701822
Category : Literary Criticism
Languages : en
Pages : 296
Book Description
Excerpt from Shakespeare: The Last Phase A number of critics have suggested that I have laid too much stress on the symbolic and religious elements ln the final plays at the expense of those of romance and fantasy. The tendency to read explicit statements of Christian belief into Shakespeare seems to me indeed to have been carried considerably too far in certain places. I do not myself believe that much can usefully be said concerning Shakes peare's personal beliefs, and I am certain that none of his plays were written to illustrate religious dogmas or to point preconceived moral judgements; but - I must add - it seems to me no more than natural that a writer of his t1me and place should be aware of Christian tradition as an influence moulding his thought and that he should even seek, in his latest plays, to present in terms of a highly personal reading of that tradition some of his final conclusions about life. For taking the plays seriously, for reading them as something more than poetic fantasies in dramatic form, I offer no apology; their seriousness and originality seem to me to be clearly written on practically every page. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Shakespeare's Politics
Author: Allan Bloom
Publisher: University of Chicago Press
ISBN: 0226060411
Category : Drama
Languages : en
Pages : 161
Book Description
Taking the classical view that the political shapes man's consciousness, Allan Bloom considers Shakespeare as a profoundly political Renaissance dramatist. He aims to recover Shakespeare's ideas and beliefs and to make his work once again a recognized source for the serious study of moral and political problems. In essays looking at Julius Caesar, Othello, and The Merchant of Venice, Bloom shows how Shakespeare presents a picture of man that does not assume privileged access for only literary criticism. With this claim, he argues that political philosophy offers a comprehensive framework within which the problems of the Shakespearean heroes can be viewed. In short, he argues that Shakespeare was an eminently political author. Also included is an essay by Harry V. Jaffa on the limits of politics in King Lear. "A very good book indeed . . . one which can be recommended to all who are interested in Shakespeare." —G. P. V. Akrigg "This series of essays reminded me of the scope and depth of Shakespeare's original vision. One is left with the impression that Shakespeare really had figured out the answers to some important questions many of us no longer even know to ask."-Peter A. Thiel, CEO, PayPal, Wall Street Journal Allan Bloom was the John U. Nef Distinguished Service Professor on the Committee on Social Thought and the co-director of the John M. Olin Center for Inquiry into the Theory and Practice of Democracy at the University of Chicago. Harry V. Jaffa is professor emeritus at Claremont McKenna College and Claremont Graduate School.
Publisher: University of Chicago Press
ISBN: 0226060411
Category : Drama
Languages : en
Pages : 161
Book Description
Taking the classical view that the political shapes man's consciousness, Allan Bloom considers Shakespeare as a profoundly political Renaissance dramatist. He aims to recover Shakespeare's ideas and beliefs and to make his work once again a recognized source for the serious study of moral and political problems. In essays looking at Julius Caesar, Othello, and The Merchant of Venice, Bloom shows how Shakespeare presents a picture of man that does not assume privileged access for only literary criticism. With this claim, he argues that political philosophy offers a comprehensive framework within which the problems of the Shakespearean heroes can be viewed. In short, he argues that Shakespeare was an eminently political author. Also included is an essay by Harry V. Jaffa on the limits of politics in King Lear. "A very good book indeed . . . one which can be recommended to all who are interested in Shakespeare." —G. P. V. Akrigg "This series of essays reminded me of the scope and depth of Shakespeare's original vision. One is left with the impression that Shakespeare really had figured out the answers to some important questions many of us no longer even know to ask."-Peter A. Thiel, CEO, PayPal, Wall Street Journal Allan Bloom was the John U. Nef Distinguished Service Professor on the Committee on Social Thought and the co-director of the John M. Olin Center for Inquiry into the Theory and Practice of Democracy at the University of Chicago. Harry V. Jaffa is professor emeritus at Claremont McKenna College and Claremont Graduate School.