Author: Mark Thornton Burnett
Publisher: Springer
ISBN: 0230286798
Category : Literary Criticism
Languages : en
Pages : 259
Book Description
The essays in this volume read the Shakespeare films of the 1990s as key instruments with which western culture confronts the anxieties attendant upon the transition from one century to another. Such films as Hamlet, Love's Labour's Lost, Othello, Shakespeare in Love and William Shakespeare's Romeo and Juliet , the contributors maintain, engage with some of the most pressing concerns of the present, apocalyptic condition - familial crisis, social estrangement, urban blight, cultural hybridity, literary authority, the impact of technology and the end of history. The volume includes an exclusive interview with Kenneth Branagh.
Shakespeare, Film, Fin de Siecle
Author: Mark Thornton Burnett
Publisher: Springer
ISBN: 0230286798
Category : Literary Criticism
Languages : en
Pages : 259
Book Description
The essays in this volume read the Shakespeare films of the 1990s as key instruments with which western culture confronts the anxieties attendant upon the transition from one century to another. Such films as Hamlet, Love's Labour's Lost, Othello, Shakespeare in Love and William Shakespeare's Romeo and Juliet , the contributors maintain, engage with some of the most pressing concerns of the present, apocalyptic condition - familial crisis, social estrangement, urban blight, cultural hybridity, literary authority, the impact of technology and the end of history. The volume includes an exclusive interview with Kenneth Branagh.
Publisher: Springer
ISBN: 0230286798
Category : Literary Criticism
Languages : en
Pages : 259
Book Description
The essays in this volume read the Shakespeare films of the 1990s as key instruments with which western culture confronts the anxieties attendant upon the transition from one century to another. Such films as Hamlet, Love's Labour's Lost, Othello, Shakespeare in Love and William Shakespeare's Romeo and Juliet , the contributors maintain, engage with some of the most pressing concerns of the present, apocalyptic condition - familial crisis, social estrangement, urban blight, cultural hybridity, literary authority, the impact of technology and the end of history. The volume includes an exclusive interview with Kenneth Branagh.
Shakespeare's Women and the Fin de Siècle
Author: Sophie Duncan
Publisher: Oxford University Press
ISBN: 0192508210
Category : Literary Criticism
Languages : en
Pages : 290
Book Description
Shakespeare's Women and the Fin de Siècle illuminates the most iconoclastic performances of Shakespeare's heroines in late Victorian theatre, through the celebrity, commentary, and wider careers of the actresses who played them. By bringing together fin-de-siècle performances of Shakespeare and contemporary Victorian drama for the first time, this book illuminates the vital ways in which fin-de-siècle Shakespeare and contemporary Victorian theatre culture conditioned each other. Actresses' movements between Shakespeare and fin-de-siècle roles reveal the collisions and unexpected consonances between apparently independent areas of the fin-de-siècle repertory. Performances including Ellen Terry's Lady Macbeth, Madge Kendal's Rosalind, and Lillie Langtry's Cleopatra illuminate fin-de-siècle Shakespeare's lively intersections with cultural phenomena including the 'Jack the Ripper' killings, Aestheticism, the suicide craze, and the rise of metropolitan department stores. If, as previous studies have shown, Shakespeare was everywhere in Victorian culture, Sophie Duncan explores the surprising ways in which late-Victorian culture, from Dracula to pornography, and from Ruskin to the suffragettes, inflected Shakespeare. Via a wealth of unpublished archival material, Duncan reveals women's creative networks at the fin de siècle, and how Shakespearean performance traditions moved between actresses via little-studied performance genealogies. At the same time, controversial new stage business made fin-de-siècle Shakespeare as much a crucible for debates over gender roles and sexuality as plays by Ibsen and Shaw. Increasingly, actresses' creative networks encompassed suffragist activists, who took personal inspiration from star Shakespearean actresses. From a Salome-esque Juliet to a feminist Paulina, fin-de-siècle actresses created cultural legacies which Shakespeare-in-performance still negotiates today.
Publisher: Oxford University Press
ISBN: 0192508210
Category : Literary Criticism
Languages : en
Pages : 290
Book Description
Shakespeare's Women and the Fin de Siècle illuminates the most iconoclastic performances of Shakespeare's heroines in late Victorian theatre, through the celebrity, commentary, and wider careers of the actresses who played them. By bringing together fin-de-siècle performances of Shakespeare and contemporary Victorian drama for the first time, this book illuminates the vital ways in which fin-de-siècle Shakespeare and contemporary Victorian theatre culture conditioned each other. Actresses' movements between Shakespeare and fin-de-siècle roles reveal the collisions and unexpected consonances between apparently independent areas of the fin-de-siècle repertory. Performances including Ellen Terry's Lady Macbeth, Madge Kendal's Rosalind, and Lillie Langtry's Cleopatra illuminate fin-de-siècle Shakespeare's lively intersections with cultural phenomena including the 'Jack the Ripper' killings, Aestheticism, the suicide craze, and the rise of metropolitan department stores. If, as previous studies have shown, Shakespeare was everywhere in Victorian culture, Sophie Duncan explores the surprising ways in which late-Victorian culture, from Dracula to pornography, and from Ruskin to the suffragettes, inflected Shakespeare. Via a wealth of unpublished archival material, Duncan reveals women's creative networks at the fin de siècle, and how Shakespearean performance traditions moved between actresses via little-studied performance genealogies. At the same time, controversial new stage business made fin-de-siècle Shakespeare as much a crucible for debates over gender roles and sexuality as plays by Ibsen and Shaw. Increasingly, actresses' creative networks encompassed suffragist activists, who took personal inspiration from star Shakespearean actresses. From a Salome-esque Juliet to a feminist Paulina, fin-de-siècle actresses created cultural legacies which Shakespeare-in-performance still negotiates today.
Shakespeare, Film, Fin de Siècle
Author: Mark Thornton Burnett
Publisher:
ISBN: 9780333776636
Category : English drama
Languages : en
Pages : 244
Book Description
The essays in this volume read the Shakespeare films of the 1990s as key instruments with which western culture confronts the anxieties attendant upon the transition from one century to another. Such films as Hamlet, Love's Labour's Lost, Othello, Shakespeare in Love and William Shakespeare's Romeo and Juliet, the contributors maintain, engage with some of the most pressing concerns of the present, apocalyptic condition familial crisis, social estrangement, urban blight, cultural hybridity, literary authority, the impact of technology and the end of history. The volume includes an exclusive interview with Kenneth Branagh.
Publisher:
ISBN: 9780333776636
Category : English drama
Languages : en
Pages : 244
Book Description
The essays in this volume read the Shakespeare films of the 1990s as key instruments with which western culture confronts the anxieties attendant upon the transition from one century to another. Such films as Hamlet, Love's Labour's Lost, Othello, Shakespeare in Love and William Shakespeare's Romeo and Juliet, the contributors maintain, engage with some of the most pressing concerns of the present, apocalyptic condition familial crisis, social estrangement, urban blight, cultural hybridity, literary authority, the impact of technology and the end of history. The volume includes an exclusive interview with Kenneth Branagh.
New Wave Shakespeare on Screen
Author: Thomas Cartelli
Publisher: Polity
ISBN: 0745633935
Category : Language Arts & Disciplines
Languages : en
Pages : 215
Book Description
The past several years have witnessed a group of experiments in 'staging' Shakespeare on film. This book introduces and applies the analytic techniques and language that are required to make sense of this wave. It maps a vocabulary for interpreting Shakespeare film; addresses script-to-screen questions about authority and performativity; and more.
Publisher: Polity
ISBN: 0745633935
Category : Language Arts & Disciplines
Languages : en
Pages : 215
Book Description
The past several years have witnessed a group of experiments in 'staging' Shakespeare on film. This book introduces and applies the analytic techniques and language that are required to make sense of this wave. It maps a vocabulary for interpreting Shakespeare film; addresses script-to-screen questions about authority and performativity; and more.
Devouring Time
Author: Philippa Sheppard
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773550224
Category : Literary Criticism
Languages : en
Pages : 426
Book Description
From Kenneth Branagh’s groundbreaking Henry V to Justin Kurzel’s haunting Macbeth, many modern filmmakers have adapted Shakespeare for the big screen. Their translations of Renaissance plays to modern cinema both highlight and comment on contemporary culture and attitudes to art, identity, and the past. A dynamic analysis of twenty-seven films adapted from Shakespeare’s works, Philippa Sheppard’s Devouring Time addresses a wide range of topics, including gender, ritual, music, setting, rhetoric, and editing. She argues that the directors’ choice to adapt these four-hundred-year-old plays is an act of nostalgia, not only for the plays themselves, but also for the period in which they were written, the association of genius that accompanies them, and the medium of theatre. Sheppard contends that millennial anxiety brought on by the social and technological revolutions of the last five decades has generated a yearning for Shakespeare because he is an icon of a literary culture that is often deemed threatened. Authoritative and accessible, Devouring Time’s investigations of filmmakers’ nostalgia for the art of the past shed light on Western concepts of gender, identity, and colonialism.
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773550224
Category : Literary Criticism
Languages : en
Pages : 426
Book Description
From Kenneth Branagh’s groundbreaking Henry V to Justin Kurzel’s haunting Macbeth, many modern filmmakers have adapted Shakespeare for the big screen. Their translations of Renaissance plays to modern cinema both highlight and comment on contemporary culture and attitudes to art, identity, and the past. A dynamic analysis of twenty-seven films adapted from Shakespeare’s works, Philippa Sheppard’s Devouring Time addresses a wide range of topics, including gender, ritual, music, setting, rhetoric, and editing. She argues that the directors’ choice to adapt these four-hundred-year-old plays is an act of nostalgia, not only for the plays themselves, but also for the period in which they were written, the association of genius that accompanies them, and the medium of theatre. Sheppard contends that millennial anxiety brought on by the social and technological revolutions of the last five decades has generated a yearning for Shakespeare because he is an icon of a literary culture that is often deemed threatened. Authoritative and accessible, Devouring Time’s investigations of filmmakers’ nostalgia for the art of the past shed light on Western concepts of gender, identity, and colonialism.
The Cambridge Companion to Shakespeare on Film
Author: Russell Jackson
Publisher: Cambridge University Press
ISBN: 052168501X
Category : Literary Criticism
Languages : en
Pages : 12
Book Description
This companion is a collection of critical and historical essays on the films adapted from, and inspired by, Shakespeare's plays. The emphasis is on feature films for cinema with strong coverage Hamlet, Richard III, Macbeth, King Lear and Romeo and Juliet.
Publisher: Cambridge University Press
ISBN: 052168501X
Category : Literary Criticism
Languages : en
Pages : 12
Book Description
This companion is a collection of critical and historical essays on the films adapted from, and inspired by, Shakespeare's plays. The emphasis is on feature films for cinema with strong coverage Hamlet, Richard III, Macbeth, King Lear and Romeo and Juliet.
Shakespearean Gothic
Author: Christy Desmet
Publisher: University of Wales Press
ISBN: 070832262X
Category : Literary Criticism
Languages : en
Pages : 300
Book Description
This book explores the paradox that the Gothic (today's werewolves, vampires, and horror movies) owe their origins (and their legitimacy) to eighteenth-century interpretations of Shakespeare. As Shakespeare was being established as the supreme British writer throughout the century, he was cited as justification for early Gothic writers' fascination with the supernatural, their abandoning of literary "decorum," and their fascination with otherness and extremes of every kind. This book addresses the gap for an up to date analysis of Shakespeare's relation to the Gothic. An authority on the Gothic, E.J. Clery, has stated that "It would be impossible to overestimate the importance of Shakespeare as touchstone and inspiration for the terror mode, even if we feel the offspring are unworthy of their parent. Scratch the surface of any Gothic fiction and the debt to Shakespeare will be there." This book therefore addresses Shakespeare's importance to the Gothic tradition as a whole and also to particular, well-known and often studied Gothic works. It also considers the influence of the Gothic on Shakespeare, both in-print and on stage in eighteenth- and nineteenth-century Britain. The introductory chapter places the chapters within the historical development of both Shakespearean reception and Gothic Studies. The book is divided into three parts: 1) Gothic Appropriations of "Shakespeare"; 2) Rewriting Shakespearean Plays and Characters; 3) Shakespeare Before/After the Gothic.
Publisher: University of Wales Press
ISBN: 070832262X
Category : Literary Criticism
Languages : en
Pages : 300
Book Description
This book explores the paradox that the Gothic (today's werewolves, vampires, and horror movies) owe their origins (and their legitimacy) to eighteenth-century interpretations of Shakespeare. As Shakespeare was being established as the supreme British writer throughout the century, he was cited as justification for early Gothic writers' fascination with the supernatural, their abandoning of literary "decorum," and their fascination with otherness and extremes of every kind. This book addresses the gap for an up to date analysis of Shakespeare's relation to the Gothic. An authority on the Gothic, E.J. Clery, has stated that "It would be impossible to overestimate the importance of Shakespeare as touchstone and inspiration for the terror mode, even if we feel the offspring are unworthy of their parent. Scratch the surface of any Gothic fiction and the debt to Shakespeare will be there." This book therefore addresses Shakespeare's importance to the Gothic tradition as a whole and also to particular, well-known and often studied Gothic works. It also considers the influence of the Gothic on Shakespeare, both in-print and on stage in eighteenth- and nineteenth-century Britain. The introductory chapter places the chapters within the historical development of both Shakespearean reception and Gothic Studies. The book is divided into three parts: 1) Gothic Appropriations of "Shakespeare"; 2) Rewriting Shakespearean Plays and Characters; 3) Shakespeare Before/After the Gothic.
The Writer on Film
Author: J. Buchanan
Publisher: Springer
ISBN: 113731723X
Category : Performing Arts
Languages : en
Pages : 284
Book Description
Examining films about writers and acts of writing, The Writer on Film brilliantly refreshes some of the well-worn 'adaptation' debates by inviting film and literature to engage with each other trenchantly and anew – through acts of explicit configuration not adaptation.
Publisher: Springer
ISBN: 113731723X
Category : Performing Arts
Languages : en
Pages : 284
Book Description
Examining films about writers and acts of writing, The Writer on Film brilliantly refreshes some of the well-worn 'adaptation' debates by inviting film and literature to engage with each other trenchantly and anew – through acts of explicit configuration not adaptation.
Shakespeare at the Cineplex
Author: Samuel Crowl
Publisher: Ohio University Press
ISBN: 0821414941
Category : English drama
Languages : en
Pages : 289
Book Description
Samuel Crowl's 'Shakespeare at the Cineplex' explores the major Shakespeare films released since the surprising success of Kenneth Branagh's 'Henry V' in 1989.
Publisher: Ohio University Press
ISBN: 0821414941
Category : English drama
Languages : en
Pages : 289
Book Description
Samuel Crowl's 'Shakespeare at the Cineplex' explores the major Shakespeare films released since the surprising success of Kenneth Branagh's 'Henry V' in 1989.
Janespotting and Beyond
Author: Eckart Voigts-Virchow
Publisher: Gunter Narr Verlag
ISBN: 9783823360964
Category : Cultural industries
Languages : en
Pages : 220
Book Description
Publisher: Gunter Narr Verlag
ISBN: 9783823360964
Category : Cultural industries
Languages : en
Pages : 220
Book Description