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Author: Todd Howard James Pettigrew
Publisher: University of Delaware Press
ISBN: 9780874139518
Category : Literary Criticism
Languages : en
Pages : 206
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Book Description
By Shakespeare's time, the debate over legitimate medical practice had become vociferous and public. The powerful College of Physicians fought hard to discredit some and rein in others, but many resisted, denied, or ignored its authority. Dramatists did not fail to notice the turmoil, nor did they fail to comment on it - and no one commented more profoundly on stage than William Shakespeare. Going beyond the usual questions posed about Shakespeare and medicine, this study, which won the first Jay L. Halio Prize in Shakespeare and Early Modern Studies, explores Shakespeare's response to the early modern struggle for control of English medical practice. It does not rehearse the fundamentals of early modern medical thought such as the humoral system that have been more than adequately covered numerous times elsewhere. Instead, it undertakes a reading of popular English medical tracts in an effort to reconstruct the terms in which medical practitioners of all kinds were understood. injury were busy hearing such stories, and in a time of spectacular outbreaks of infectious disease, in a time of religious transition, and in a time of shifting modes of political power, such stories held especial fascination. Todd Pettigrew is an Associate Professor Cape Breton University.
Author: Todd Howard James Pettigrew
Publisher: University of Delaware Press
ISBN: 9780874139518
Category : Literary Criticism
Languages : en
Pages : 206
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Book Description
By Shakespeare's time, the debate over legitimate medical practice had become vociferous and public. The powerful College of Physicians fought hard to discredit some and rein in others, but many resisted, denied, or ignored its authority. Dramatists did not fail to notice the turmoil, nor did they fail to comment on it - and no one commented more profoundly on stage than William Shakespeare. Going beyond the usual questions posed about Shakespeare and medicine, this study, which won the first Jay L. Halio Prize in Shakespeare and Early Modern Studies, explores Shakespeare's response to the early modern struggle for control of English medical practice. It does not rehearse the fundamentals of early modern medical thought such as the humoral system that have been more than adequately covered numerous times elsewhere. Instead, it undertakes a reading of popular English medical tracts in an effort to reconstruct the terms in which medical practitioners of all kinds were understood. injury were busy hearing such stories, and in a time of spectacular outbreaks of infectious disease, in a time of religious transition, and in a time of shifting modes of political power, such stories held especial fascination. Todd Pettigrew is an Associate Professor Cape Breton University.
Author: Mary Floyd-Wilson
Publisher: Cambridge University Press
ISBN: 1107276845
Category : Literary Criticism
Languages : en
Pages : 249
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Book Description
Belief in spirits, demons and the occult was commonplace in the early modern period, as was the view that these forces could be used to manipulate nature and produce new knowledge. In this groundbreaking study, Mary Floyd-Wilson explores these beliefs in relation to women and scientific knowledge, arguing that the early modern English understood their emotions and behavior to be influenced by hidden sympathies and antipathies in the natural world. Focusing on Twelfth Night, Arden of Faversham, A Warning for Fair Women, All's Well That Ends Well, The Changeling and The Duchess of Malfi, she demonstrates how these plays stage questions about whether women have privileged access to nature's secrets and whether their bodies possess hidden occult qualities. Discussing the relationship between scientific discourse and the occult, she goes on to argue that as experiential evidence gained scientific ground, women's presumed intimacy with nature's secrets was either diminished or demonized.
Author: Sujata Iyengar
Publisher: Bloomsbury Publishing
ISBN: 1472557506
Category : Literary Criticism
Languages : en
Pages : 432
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Book Description
Physicians, readers and scholars have long been fascinated by Shakespeare's medical language and the presence of healers, wise women and surgeons in his work. This dictionary includes entries about ailments, medical concepts, cures and, taking into account recent critical work on the early modern body, bodily functions, parts, and pathologies in Shakespeare. Shakespeare's Medical Language will provide a comprehensive guide for those needing to understand specific references in the plays, in particular, archaic diagnoses or therapies ('choleric', 'tub-fast') and words that have changed their meanings ('phlegmatic', 'urinal'); those who want to learn more about early modern medical concepts ('elements', 'humors'); and those who might have questions about the embodied experience of living in Shakespeare's England. Entries reveal what terms and concepts might mean in the context of Shakespeare's plays, and the significance that a particular disease, body part or function has in individual plays and the Shakespearean corpus at large.
Author: Farah Karim Cooper
Publisher: Bloomsbury Publishing
ISBN: 1408174642
Category : Drama
Languages : en
Pages : 317
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Book Description
How did Elizabethan and Jacobean acting companies create their visual and aural effects? What materials were available to them and how did they influence staging and writing? What impact did the sensations of theatre have on early modern audiences? How did the construction of the playhouses contribute to technological innovations in the theatre? What effect might these innovations have had on the writing of plays? Shakespeare's Theatres and The Effects of Performance is a landmark collection of essays by leading international scholars addressing these and other questions to create a unique and comprehensive overview of the practicalities and realities of the theatre in the early modern period.
Author: S. P. Cerasano
Publisher: Fairleigh Dickinson Univ Press
ISBN: 0838642691
Category : English drama
Languages : en
Pages : 199
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Book Description
MEDIEVAL AND RENAISSANCE DRAMA IN ENGLAND, now over twenty years in publication, is an international journal committed to the publication of essays and reviews relevant to drama and theatre history to 1642. MaRDiE 23 features essays by MacDonald P. Jackson on authorship as related to Shakespeare, Kyd, and Arden of Faversham. James Hirsh considers the editing of Hamlet's 'To be, or not to be' in light of both conventional and emerging editorial theory. Politics and prophecy, as they influence Friar Bacon and Friar Bungay is at the centre of Brian Walsh's contribution, while John Curran uses declamation as a rhetorical strategy in order to focus on character in the Fletcher-Massinger plays. Chris Fitter considers vagrancy and 'vestry values' in Shakespeare's As You Like It and June Schlueter reconsiders the matter of theatrical cartography and The View of London from the North. The collection of reviews range from books on early modern dietaries and Shakespeare's plays to those on male friendship and theatre economics.
Author: Eric Mazur
Publisher: Addison-Wesley
ISBN: 9780321961594
Category : Education
Languages : en
Pages : 2050
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Book Description
ALERT: Before you purchase, check with your instructor or review your course syllabus to ensure that you select the correct ISBN. Several versions of Pearson's MyLab & Mastering products exist for each title, including customized versions for individual schools, and registrations are not transferable. In addition, you may need a CourseID, provided by your instructor, to register for and use Pearson's MyLab & Mastering products. Packages Access codes for Pearson's MyLab & Mastering products may not be included when purchasing or renting from companies other than Pearson; check with the seller before completing your purchase. Used or rental books If you rent or purchase a used book with an access code, the access code may have been redeemed previously and you may have to purchase a new access code. Access codes Access codes that are purchased from sellers other than Pearson carry a higher risk of being either the wrong ISBN or a previously redeemed code. Check with the seller prior to purchase. Putting physics first Based on his storied research and teaching, Eric Mazur's Principles & Practice of Physics builds an understanding of physics that is both thorough and accessible. Unique organization and pedagogy allow you to develop a true conceptual understanding of physics alongside the quantitative skills needed in the course. New learning architecture: The book is structured to help you learn physics in an organized way that encourages comprehension and reduces distraction. Physics on a contemporary foundation: Traditional texts delay the introduction of ideas that we now see as unifying and foundational. This text builds physics on those unifying foundations, helping you to develop an understanding that is stronger, deeper, and fundamentally simpler. Research-based instruction: This text uses a range of research-based instructional techniques to teach physics in the most effective manner possible. The result is a groundbreaking book that puts physics first, thereby making it more accessible to you to learn. MasteringPhysics® works with the text to create a learning program that enables you to learn both in and out of the classroom. The result is a groundbreaking book that puts physics first, thereby making it more accessible to students and easier for instructors to teach. Note: If you are purchasing the standalone text or electronic version, MasteringPhysics does not come automatically packaged with the text. To purchase MasteringPhysics, please visit: www.masteringphysics.com or you can purchase a package of the physical text + MasteringPhysics by searching the Pearson Higher Education website. MasteringPhysics is not a self-paced technology and should only be purchased when required by an instructor.
Author: Marion Gibson
Publisher: A&C Black
ISBN: 1780936184
Category : Literary Criticism
Languages : en
Pages : 249
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Book Description
Is postdramatic theatre political and if so how? How does it relate to Brecht's ideas of political theatre, for example? How can we account for the relationship between aesthetics and politics in new forms of theatre, playwriting, and performance? The chapters in this book discuss crucial aspects of the issues raised by the postdramatic turn in theatre in the late twentieth and early twenty-first century: the status of the audience and modes of spectatorship in postdramatic theatre; the political claims of postdramatic theatre; postdramatic theatre's ongoing relationship with the dramatic tradition; its dialectical qualities, or its eschewing of the dialectic; questions of representation and the real in theatre; the role of bodies, perception, appearance and theatricality in postdramatic theatre; as well as subjectivity and agency in postdramatic theatre, dance and performance. Offering analyses of a wide range of international performance examples, scholars in this volume engage with Hans-Thies Lehmann's theoretical positions both affirmatively and critically, relating them to other approaches by thinkers ranging from early theorists such as Brecht, Adorno and Benjamin, to contemporary thinkers such as Fischer-Lichte, Rancière and others
Author: Samuel Bailey
Publisher:
ISBN:
Category :
Languages : en
Pages : 456
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Book Description
Author: Bradin Cormack
Publisher: University of Chicago Press
ISBN: 022637856X
Category : Law
Languages : en
Pages : 342
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Book Description
"William Shakespeare is inextricably linked with the law. Legal documents make up most of the records we have of his life; trials, lawsuits, and legal terms permeate his plays. Gathering an extraordinary team of literary and legal scholars, philosophers, and even sitting judges, Shakespeare and the Law demonstrates that Shakespeare's thinking about legal concepts and legal practice points to a deep and sometimes vexed engagement with the law's technical workings, its underlying premises, and its social effects. Shakespeare and the Law opens with three essays that provide useful frameworks for approaching the topic, offering perspectives on law and literature that emphasize both the continuities and the contrasts between the two fields. In its second section, the book considers Shakespeare's awareness of common-law thinking and practice through examinations of Measure for Measure and Othello. Building and expanding on this question, the third part inquires into Shakespeare's general attitudes toward legal systems. A judge and former solicitor general rule on Shylock's demand for enforcement of his odd contract; and two essays by literary scholars take contrasting views on whether Shakespeare could imagine a functioning legal system. The fourth section looks at how law enters into conversation with issues of politics and community, both in the plays and in our own world. The volume concludes with a freewheeling colloquy among Supreme Court Justice Stephen G. Breyer, Judge Richard A. Posner, Martha C. Nussbaum, and Richard Strier that covers everything from the ghost in Hamlet to the nature of judicial discretion"--Jacket.
Author: Constance Jordan
Publisher: Cornell University Press
ISBN: 1501744437
Category : Literary Criticism
Languages : en
Pages : 239
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Book Description
Constance Jordan looks at how Shakespeare, through his romances, contributed to the cultural debates over the nature of monarchy in Jacobean England. Stressing the differences between absolutist and constitutionalist principles of rule, Jordan reveals Shakespeare's investment in the idea that a head of state should be responsive to law, and not be governed by his unbridled will. Conflicts within royal courts which occur in the romances show wives, daughters, and servants resisting tyrannical husbands, fathers, masters, and monarchs by relying on the authority of conscience. These loyal subjects demonstrated to Shakespeare's diverse audiences that the vitality of the body politic, its dynastic future, and its material productivity depend on a cooperative union of ruler and subject. Drawing on representations of servitude and slavery in the humanist and political literature of the period, Jordan shows that Shakespeare's abusive rulers suffer as much as they impose on their subjects. Shakespeare's Monarchies recognizes the romances as politically inflected texts and confirms Shakespeare's involvement in the public discourse of the period.
