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Author: James Driscoll
Publisher:
ISBN: 9781680534818
Category : Religion
Languages : en
Pages : 0
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Book Description
In Shakespeare and Jung - The God in Time literary critic and philosopher James Driscoll presents original arguments for the existence and nature of God. He traverses the boundaries of art, philosophy, psychology, and religion to draw on Shakespeare, Carl Jung, and A. N. Whitehead to define and illuminate the interconnections of God and time. Time's irreversibility and continuous creation of novelty makes it the medium and engine of order, value, and meaning. Time connects and differentiates all, thereby making reality relational and allowing for feeling, thought, art, and science. Shakespeare, the writer with the greatest insight into human nature, dramatized the primacy of time in our lives. Time is the de facto God of Shakespeare's worlds. Shakespeare anticipated our own age when time began to displace eternity as the ground of reality. Jung gave us a new map of the psyche and terminology to explore more deeply the human condition, bound as it is in time, and the nature of deity. Driscoll carries Jung's insights further into the three paradigmatic revelations of the Western Godhead: The Book of Job, the Gospels, and Shakespeare's King Lear. Shakespeare the artist grasped the dynamics of the Western Godhead giving us a singular revelation of its dominant archetypes, Yahweh, Job, Prometheus, and Christ. The archetypes of the Western Godhead shaped the development of art, science, and technology and energized the ideals of progress and freedom. The West advanced rapidly in science, the arts, and human rights because of the unique archetypal dynamics of its God in Time.
Author: James Driscoll
Publisher:
ISBN: 9781680534818
Category : Religion
Languages : en
Pages : 0
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Book Description
In Shakespeare and Jung - The God in Time literary critic and philosopher James Driscoll presents original arguments for the existence and nature of God. He traverses the boundaries of art, philosophy, psychology, and religion to draw on Shakespeare, Carl Jung, and A. N. Whitehead to define and illuminate the interconnections of God and time. Time's irreversibility and continuous creation of novelty makes it the medium and engine of order, value, and meaning. Time connects and differentiates all, thereby making reality relational and allowing for feeling, thought, art, and science. Shakespeare, the writer with the greatest insight into human nature, dramatized the primacy of time in our lives. Time is the de facto God of Shakespeare's worlds. Shakespeare anticipated our own age when time began to displace eternity as the ground of reality. Jung gave us a new map of the psyche and terminology to explore more deeply the human condition, bound as it is in time, and the nature of deity. Driscoll carries Jung's insights further into the three paradigmatic revelations of the Western Godhead: The Book of Job, the Gospels, and Shakespeare's King Lear. Shakespeare the artist grasped the dynamics of the Western Godhead giving us a singular revelation of its dominant archetypes, Yahweh, Job, Prometheus, and Christ. The archetypes of the Western Godhead shaped the development of art, science, and technology and energized the ideals of progress and freedom. The West advanced rapidly in science, the arts, and human rights because of the unique archetypal dynamics of its God in Time.
Author: Aleksandra Vujovic
Publisher: GRIN Verlag
ISBN: 3346580474
Category : Literary Criticism
Languages : en
Pages : 231
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Book Description
Document from the year 2021 in the subject English Language and Literature Studies - Literature, grade: A, , language: English, abstract: This work deals with various characters from Shakespeare's works and analyses them according to the Jungian Art. In the individuation process, Shakespeare sides with Jung related to the role and importance of the concept of free will. None of Shakespeare’s heroes follow their fate as an externally imposed, inevitable chain of events which lead to their doom. Rather, it is their lack of self-knowledge and self-control as a sign of their failed individuation that causes their tragic ends. These characters embody a soul which is in many ways great and noble, but which has a fatal flaw which plays the role of fate. In Jungian terms, fate can be interpreted as unrecognized psychological processes or archetypes that are not dealt with, which therefore influence or lead the actions of the ego conscience. Shakespeare explores in depth these flaws to which the tragic hero, after an inner conflict, fails to attempt to deal with the archetypal psychic forces. The result is that the tragic hero loses his soul, the link to the archetype of Self as both the motivator and the goal of the individuation process. In that regard, when we examine, for example, Othello, it is obvious that the cause of his crisis and ruin is psychological and that his intellectual confusion is not the cause but rather the result of the chaos in his psyche. In Jungian terms, Othello, as the ego consciousness, struggles and fails to understand and establish a functioning relationship with both Iago and Desdemona, respectively seen as his shadow and anima. The importance of dealing with these archetypes as a means of reaching psychic balance as one of the indicators of a successfully ongoing individuation process, is described from a Jungian point of view.
Author: Kenneth Tucker
Publisher: McFarland
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 184
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Book Description
The reader of Shakespeare has always been curious about the Bard's actual religion, opinions, sexual orientation, and relationships. We would like to ask him why his Hamlet is so indecisive, whether Henry V is his ideal ruler, and whether he himself fell in love with Rosalind. The Jungian theories of psychology used in literary interpretation have almost always involved a broader theory of archetypes rather than concentrating on more specific psychological types, despite Jung's belief that an understanding of these types is vital to self-realization. Jung's typological theories, applied to literary studies, may illuminate the personalities of fictional characters and indeed of the author himself. The psychological type of a writer's character can be understood as a projection of the author's own personality: Iago can show Shakespeare's rational function whereas Othello embodies the expression of the dramatist's capacity to experience emotion. Thus Jungian typology initiates a quasi-biographical approach to understanding writers and their works. Instead of directing attention toward an author's education, class prejudices, and so on, it leans toward important emotional undercurrents within the writings, which in turn express similar currents within the author's psyche. Jungian psychetypology is long overdue in gaining recognition as a tool for literary analysis, and this work applies these theories to the full spectrum of Shakespeare's plays in detailed individual readings and comparisons.
Author: James P. Driscoll
Publisher: University Press of Kentucky
ISBN: 0813161533
Category : Poetry
Languages : en
Pages : 248
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Book Description
In this first extensive Jungian treatment of Milton's major poems, James P. Driscoll uses archetypal psychology to explore Milton's great themes of God, man, woman, and evil and offers readers deepened understanding of Jung's profound thoughts on Godhead. The Father, the Son, Satan, Messiah, Samson, Adam, and Eve gain new dimensions of meaning as their stories become epiphanies of the archetypes of Godhead. God and Satan of Paradise Lost are seen as the ego and the shadow of a single unfolding personality whose anima is the Holy Spirit and Milton's muse. Samson carries the Yahweh archetype examined by Jung in Answer to Job, and Messiah and Satan in Paradise Regained embody the hostile brothers archetype. Anima, animus and the individuation drive underlie the psychodynamics of Adam and Eve's fall. Driscoll draws on his critical acumen and scholarly knowledge of Renaissance literature to shed new light on Jung's psychology of religion. The Unfolding God of Jung and Milton illumines Jung's heterodox notion of Godhead as a quarternity rather than a trinity, his revolutionary concept of a divine individuation process, his radical solution to the problem of evil, and his wrestling with the feminine in Godhead. The book's glossary of Jungian terms, written for literary critics and theologians rather than clinicians, is exceptionally detailed and insightful. Beyond enriching our understanding of Jung and Milton, Driscoll's discussion contributes to theodicy, to process theology, and to the study of myths and archetypes in literature.
Author: Matthew A. Fike
Publisher: Routledge
ISBN: 113461196X
Category : Literary Criticism
Languages : en
Pages : 283
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Book Description
The One Mind: C. G. Jung and the Future of Literary Criticism explores the implications of C. G. Jung's unus mundus by applying his writings on the metaphysical, the paranormal, and the quantum to literature. As Jung knew, everything is connected because of its participation in universal consciousness, which encompasses all that is, including the collective unconscious. Matthew A. Fike argues that this principle of unity enables an approach in which psychic functioning is both a subject and a means of discovery—psi phenomena evoke the connections among the physical world, the psyche, and the spiritual realm. Applying the tools of Jungian literary criticism in new ways by expanding their scope and methodology, Fike discusses the works of Hawthorne, Milton, Shakespeare, Wordsworth, and lesser-known writers in terms of issues from psychology, parapsychology, and physics. Topics include the case for monism over materialism, altered states of consciousness, types of psychic functioning, UFOs, synchronicity, and space-time relativity. The One Mind examines Goodman Brown's dream, Adam's vision in Paradise Lost, the dream sequence in "The Wanderer," the role of metaphor in Robert A. Monroe's metaphysical trilogy, Orfeo Angelucci's work on UFOs, and the stolen boat episode in Wordsworth's The Prelude. The book concludes with case studies on Robert Jordan and William Blake. Considered together, these readings bring us a significant step closer to a unity of psychology, science, and spirituality. The One Mind illustrates how Jung's writings contain the seeds of the future of literary criticism. Reaching beyond archetypal criticism and postmodern theoretical approaches to Jung, Fike proposes a new school of Jungian literary criticism based on the unitary world that underpins the collective unconscious. This book will appeal to scholars of C. G. Jung as well as students and readers with an interest in psychoanalysis, literature, literary theory, and the history of ideas.
Author: T. McAlindon
Publisher: Cambridge University Press
ISBN: 9780521566056
Category : Drama
Languages : en
Pages : 328
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Book Description
This study focuses on Romeo and Juliet, Julius Caesar, the four main tragedies and Antony and Cleopatra. Tom McAlindon argues that there were two models of nature in Renaissance culture, one hierarchical, in which everything has an appointed place, and the other contrarious, showing nature as a tense system of interacting opposites, liable to sudden collapse and transformation. This latter model informs Shakespeare's tragedy.
![Jung and Shakespeare - Hamlet, Othello and the Tempest [Paperback] PDF](https://books.google.com/books/content/images/frontcover/qxwTswEACAAJ?fife=w80-h100)
Author: Barbara Rogers-Gardner
Publisher:
ISBN: 9781630512545
Category : Literary Criticism
Languages : en
Pages : 128
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Book Description
Three plays analyzed from a Jungian perspective and a fresh wit, catching many contemporary nuances in these well-loved plays and their continuing relevance for today. Barbara Rogers-Gardner has a Ph.D. in comparative literature from Rutgers University and has published two novels as well as numerous scholarly articles. She has taught at Ramapo College of New Jersey, the University of California, Santa Barbara, and is now a member of the faculty at Pacifica Graduate Institute, a center for the study of Depth Psychology. From the book: "A model of Jung's mature, harmonious self is to be found in Prospero, who trusts that death is an initiation into divinity. Prospero's shadow is recognized and embraced in Caliban, the poetic, sensual monster who grounds us in pig-nuts and music. Not in individualism, the sort of maladaptive bog in which Claudius, lago, and Stephano sink, but in accommodating the self to the social order does the Shakespearean hero find his peace." "Dr. Rogers-Gardner places Shake-speare's characters under the lens of archetypal theory, showing us eruptions from the unconscious, fragmentation of the ego, and finally the maturation pro-cess in which opposites are conjoined. In this brilliant blend of Depth Psychol-ogy and current literary criticism, we cannot help but see ourselves." -Dr. C. Edward Crowther, Jungian psy-chotherapist and author of "Intimacy: Strategies for Successful Relationships"
Author: William Bishop
Publisher: William Bishop
ISBN: 1987073142
Category : Literary Criticism
Languages : en
Pages : 71
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Book Description
It is my intention, in reading together literary critics, artists and theorists, to show how the development of Shakespeare's conception of his own subjectivity develops over the course of his sonnet sequence. I will discuss and utilise the Jungian concept of individuation, and the Lacanian concept of desire, as well as language from the lexicon of the fifteenth and sixteenth century alchemists to develop an understanding of how the intimately psychological nature of the production of art is being demonstrated by Shakespeare in his poems.
Author:
Publisher: Dorrance Publishing
ISBN: 1434974553
Category :
Languages : en
Pages : 320
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Book Description
Author: Margaret Healy
Publisher: Cambridge University Press
ISBN: 1107004047
Category : Literary Criticism
Languages : en
Pages : 271
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Book Description
Healy demonstrates how Renaissance alchemy shaped Shakespeare's bawdy but spiritual sonnets, transforming our understanding of Shakespeare's art and beliefs.
