Author: Jonathan Baldo
Publisher: Routledge
ISBN: 1136497684
Category : Literary Criticism
Languages : en
Pages : 254
Book Description
A distinguishing feature of Shakespeare’s later histories is the prominent role he assigns to the need to forget. This book explore the ways in which Shakespeare expanded the role of forgetting in histories from King John to Henry V, as England contended with what were perceived to be traumatic breaks in its history and in the fashioning of a sense of nationhood. For plays ostensibly designed to recover the past and make it available to the present, they devote remarkable attention to the ways in which states and individuals alike passively neglect or actively suppress the past and rewrite history. Two broad and related historical developments caused remembering and forgetting to occupy increasingly prominent and equivocal positions in Shakespeare’s history plays: an emergent nationalism and the Protestant Reformation. A growth in England’s sense of national identity, constructed largely in opposition to international Catholicism, caused historical memory to appear a threat as well as a support to the sense of unity. The Reformation caused many Elizabethans to experience a rupture between their present and their Catholic past, a condition that is reflected repeatedly in the history plays, where the desire to forget becomes implicated with traumatic loss. Both of these historical shifts resulted in considerable fluidity and uncertainty in the values attached to historical memory and forgetting. Shakespeare’s histories, in short, become increasingly equivocal about the value of their own acts of recovery and recollection.
Memory in Shakespeare's Histories
Author: Jonathan Baldo
Publisher: Routledge
ISBN: 1136497684
Category : Literary Criticism
Languages : en
Pages : 254
Book Description
A distinguishing feature of Shakespeare’s later histories is the prominent role he assigns to the need to forget. This book explore the ways in which Shakespeare expanded the role of forgetting in histories from King John to Henry V, as England contended with what were perceived to be traumatic breaks in its history and in the fashioning of a sense of nationhood. For plays ostensibly designed to recover the past and make it available to the present, they devote remarkable attention to the ways in which states and individuals alike passively neglect or actively suppress the past and rewrite history. Two broad and related historical developments caused remembering and forgetting to occupy increasingly prominent and equivocal positions in Shakespeare’s history plays: an emergent nationalism and the Protestant Reformation. A growth in England’s sense of national identity, constructed largely in opposition to international Catholicism, caused historical memory to appear a threat as well as a support to the sense of unity. The Reformation caused many Elizabethans to experience a rupture between their present and their Catholic past, a condition that is reflected repeatedly in the history plays, where the desire to forget becomes implicated with traumatic loss. Both of these historical shifts resulted in considerable fluidity and uncertainty in the values attached to historical memory and forgetting. Shakespeare’s histories, in short, become increasingly equivocal about the value of their own acts of recovery and recollection.
Publisher: Routledge
ISBN: 1136497684
Category : Literary Criticism
Languages : en
Pages : 254
Book Description
A distinguishing feature of Shakespeare’s later histories is the prominent role he assigns to the need to forget. This book explore the ways in which Shakespeare expanded the role of forgetting in histories from King John to Henry V, as England contended with what were perceived to be traumatic breaks in its history and in the fashioning of a sense of nationhood. For plays ostensibly designed to recover the past and make it available to the present, they devote remarkable attention to the ways in which states and individuals alike passively neglect or actively suppress the past and rewrite history. Two broad and related historical developments caused remembering and forgetting to occupy increasingly prominent and equivocal positions in Shakespeare’s history plays: an emergent nationalism and the Protestant Reformation. A growth in England’s sense of national identity, constructed largely in opposition to international Catholicism, caused historical memory to appear a threat as well as a support to the sense of unity. The Reformation caused many Elizabethans to experience a rupture between their present and their Catholic past, a condition that is reflected repeatedly in the history plays, where the desire to forget becomes implicated with traumatic loss. Both of these historical shifts resulted in considerable fluidity and uncertainty in the values attached to historical memory and forgetting. Shakespeare’s histories, in short, become increasingly equivocal about the value of their own acts of recovery and recollection.
Evoking (and Forgetting) Shakespeare
Author: Peter Brook
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 52
Book Description
Brook's meditation on performing Shakespeare today.
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 52
Book Description
Brook's meditation on performing Shakespeare today.
Memory and Forgetting in English Renaissance Drama
Author: Garrett A. Sullivan
Publisher: Cambridge University Press
ISBN: 9780521848428
Category : Literary Criticism
Languages : en
Pages : 212
Book Description
Publisher description
Publisher: Cambridge University Press
ISBN: 9780521848428
Category : Literary Criticism
Languages : en
Pages : 212
Book Description
Publisher description
Shakespeare's Tragic Skepticism
Author: Millicent Bell
Publisher: Yale University Press
ISBN: 0300127200
Category : Drama
Languages : en
Pages : 303
Book Description
Readers of Shakespeare’s greatest tragedies have long noted the absence of readily explainable motivations for some of Shakespeare’s greatest characters: why does Hamlet delay his revenge for so long? Why does King Lear choose to renounce his power? Why is Othello so vulnerable to Iago’s malice? But while many critics have chosen to overlook these omissions or explain them away, Millicent Bell demonstrates that they are essential elements of Shakespeare’s philosophy of doubt. Examining the major tragedies, Millicent Bell reveals the persistent strain of philosophical skepticism. Like his contemporary, Montaigne, Shakespeare repeatedly calls attention to the essential unknowability of our world. In a period of social, political, and religious upheaval, uncertainty hovered over matters great and small—the succession of the crown, the death of loved ones from plague, the failure of a harvest. Tumultuous social conditions raised ultimate questions for Shakespeare, Bell argues, and ultimately provoked in him a skepticism which casts shadows of existential doubt over his greatest masterpieces.
Publisher: Yale University Press
ISBN: 0300127200
Category : Drama
Languages : en
Pages : 303
Book Description
Readers of Shakespeare’s greatest tragedies have long noted the absence of readily explainable motivations for some of Shakespeare’s greatest characters: why does Hamlet delay his revenge for so long? Why does King Lear choose to renounce his power? Why is Othello so vulnerable to Iago’s malice? But while many critics have chosen to overlook these omissions or explain them away, Millicent Bell demonstrates that they are essential elements of Shakespeare’s philosophy of doubt. Examining the major tragedies, Millicent Bell reveals the persistent strain of philosophical skepticism. Like his contemporary, Montaigne, Shakespeare repeatedly calls attention to the essential unknowability of our world. In a period of social, political, and religious upheaval, uncertainty hovered over matters great and small—the succession of the crown, the death of loved ones from plague, the failure of a harvest. Tumultuous social conditions raised ultimate questions for Shakespeare, Bell argues, and ultimately provoked in him a skepticism which casts shadows of existential doubt over his greatest masterpieces.
Shakespeare, Memory and Performance
Author: Peter Holland
Publisher: Cambridge University Press
ISBN: 0521863805
Category : Literary Criticism
Languages : en
Pages : 326
Book Description
This collection by leading Shakespeare scholars, first published in 2006, brings together memory and performance.
Publisher: Cambridge University Press
ISBN: 0521863805
Category : Literary Criticism
Languages : en
Pages : 326
Book Description
This collection by leading Shakespeare scholars, first published in 2006, brings together memory and performance.
The Routledge Handbook of Shakespeare and Memory
Author: Lina Perkins Wilder
Publisher:
ISBN: 9781138816763
Category : Memory in literature
Languages : en
Pages : 0
Book Description
The Routledge Handbook of Shakespeare and Memory introduces this vibrant field of study to students and scholars, whilst defining and extending critical debates in the area. Mapping memory in key areas of Shakespeare studies, the volume then goes on to look at the role of memory in individual plays.
Publisher:
ISBN: 9781138816763
Category : Memory in literature
Languages : en
Pages : 0
Book Description
The Routledge Handbook of Shakespeare and Memory introduces this vibrant field of study to students and scholars, whilst defining and extending critical debates in the area. Mapping memory in key areas of Shakespeare studies, the volume then goes on to look at the role of memory in individual plays.
Evoking Shakespeare
Author: Peter Brook
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 64
Book Description
Based on a talk given by Peter Brook in Berlin, Evoking Shakespeare addresses a number of essential questions about performing Shakespeare today. 'Why is Shakespeare not out of date?' 'What do we mean by Shakespeare's "genius" or "creativity" or "poetry"?' 'What, in fact, is the Shakespeare phenomenon?'. In attempting answers to these and other questions, Brook invites us to consider the actual conditions of the Elizabethan theatre and the actual qualities of Shakespeare's language. The result is a provocative take on our greatest playwright by one of his most influential modern interpreters.
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 64
Book Description
Based on a talk given by Peter Brook in Berlin, Evoking Shakespeare addresses a number of essential questions about performing Shakespeare today. 'Why is Shakespeare not out of date?' 'What do we mean by Shakespeare's "genius" or "creativity" or "poetry"?' 'What, in fact, is the Shakespeare phenomenon?'. In attempting answers to these and other questions, Brook invites us to consider the actual conditions of the Elizabethan theatre and the actual qualities of Shakespeare's language. The result is a provocative take on our greatest playwright by one of his most influential modern interpreters.
The Shakespeare Reader
Author: William Shakespeare
Publisher:
ISBN:
Category :
Languages : en
Pages : 172
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 172
Book Description
Shakespeare and Company
Author: Sylvia Beach
Publisher: U of Nebraska Press
ISBN: 9780803260979
Category : Literary Criticism
Languages : en
Pages : 272
Book Description
Sylvia Beach was intimately acquainted with the expatriate and visiting writers of the Lost Generation, a label that she never accepted. Like moths of great promise, they were drawn to her well-lighted bookstore and warm hearth on the Left Bank. Shakespeare and Company evokes the zeitgeist of an era through its revealing glimpses of James Joyce, Ernest Hemingway, Scott Fitzgerald, Sherwood Anderson, Andre Gide, Ezra Pound, Gertrude Stein, Alice B. Toklas, D. H. Lawrence, and others already famous or soon to be. In his introduction to this new edition, James Laughlin recalls his friendship with Sylvia Beach. Like her bookstore, his publishing house, New Directions, is considered a cultural touchstone.
Publisher: U of Nebraska Press
ISBN: 9780803260979
Category : Literary Criticism
Languages : en
Pages : 272
Book Description
Sylvia Beach was intimately acquainted with the expatriate and visiting writers of the Lost Generation, a label that she never accepted. Like moths of great promise, they were drawn to her well-lighted bookstore and warm hearth on the Left Bank. Shakespeare and Company evokes the zeitgeist of an era through its revealing glimpses of James Joyce, Ernest Hemingway, Scott Fitzgerald, Sherwood Anderson, Andre Gide, Ezra Pound, Gertrude Stein, Alice B. Toklas, D. H. Lawrence, and others already famous or soon to be. In his introduction to this new edition, James Laughlin recalls his friendship with Sylvia Beach. Like her bookstore, his publishing house, New Directions, is considered a cultural touchstone.
Medieval Shakespeare
Author: Ruth Morse
Publisher: Cambridge University Press
ISBN: 1107016274
Category : Drama
Languages : en
Pages : 279
Book Description
This book gives readers the opportunity to appreciate Shakespeare from the perspectives of the late-medieval European traditions that surrounded him.
Publisher: Cambridge University Press
ISBN: 1107016274
Category : Drama
Languages : en
Pages : 279
Book Description
This book gives readers the opportunity to appreciate Shakespeare from the perspectives of the late-medieval European traditions that surrounded him.