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Author: Robert S. Miola
Publisher: OUP Oxford
ISBN:
Category : Drama
Languages : en
Pages : 256
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Book Description
This book surveys Shakespeare's comedies, charting the influence upon them of the ancient playwrights, Plautus and Terence. Robert S. Miola analyses these sources, and places the comedies in their Renaissance context, as well as in the larger context of European theatre. Discovering new indebtedness, and discerning new patterns in previously attested borrowings, Shakespeare and Classical Comedy presents an integrated and comprehensive assessment of the complex interactions of the Classical, Shakespearean, and other Renaissance theatres. Robert S. Miola re-evaluates Plautus and Terence in the light of their Greek antecedents, and gives special attention to Renaissance translations and commentaries, Italian theorists, and playwrights, as well as contemporary dramatists such as Middleton, Jonson, Heywood, and Chapman. Four broad categories organize the discussion - New Comedic errors, intrigue, alazoneia (pretension), and romance - and each is illustrated by illuminating readings of individual Shakespearean plays. The author keeps in view Shakespeare's eclecticism, his habit of combining disparate sources and traditions, as well as the rich history of literary criticism and theatrical interpretation. The book concludes by discussing the presence of New Comedy in tragedy, in Hamlet and King Lear. Robert S. Miola's thoroughly researched book ranges over a vast amount of European drama, from Aristophanes to Beckett and Ionesco. It makes an important contribution to our understanding not only of Shakespeare and his foremost antecedents, but also of Renaissance theatre, and its complex adaptations of ancient texts and traditions.
Author: Robert S. Miola
Publisher: OUP Oxford
ISBN:
Category : Drama
Languages : en
Pages : 256
Get Book
Book Description
This book surveys Shakespeare's comedies, charting the influence upon them of the ancient playwrights, Plautus and Terence. Robert S. Miola analyses these sources, and places the comedies in their Renaissance context, as well as in the larger context of European theatre. Discovering new indebtedness, and discerning new patterns in previously attested borrowings, Shakespeare and Classical Comedy presents an integrated and comprehensive assessment of the complex interactions of the Classical, Shakespearean, and other Renaissance theatres. Robert S. Miola re-evaluates Plautus and Terence in the light of their Greek antecedents, and gives special attention to Renaissance translations and commentaries, Italian theorists, and playwrights, as well as contemporary dramatists such as Middleton, Jonson, Heywood, and Chapman. Four broad categories organize the discussion - New Comedic errors, intrigue, alazoneia (pretension), and romance - and each is illustrated by illuminating readings of individual Shakespearean plays. The author keeps in view Shakespeare's eclecticism, his habit of combining disparate sources and traditions, as well as the rich history of literary criticism and theatrical interpretation. The book concludes by discussing the presence of New Comedy in tragedy, in Hamlet and King Lear. Robert S. Miola's thoroughly researched book ranges over a vast amount of European drama, from Aristophanes to Beckett and Ionesco. It makes an important contribution to our understanding not only of Shakespeare and his foremost antecedents, but also of Renaissance theatre, and its complex adaptations of ancient texts and traditions.
Author: William Shakespeare
Publisher: Bantam Classics
ISBN: 0307424413
Category : Drama
Languages : en
Pages : 624
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Book Description
Titus Andronicus * Timon of Athens * Coriolanus Each Edition Includes: Comprehensive explanatory notes placed on pages facing the text of the play Vivid introductions and the most up-to-date scholarship Clear, modernized spelling and punctuation, enabling contemporary readers to understand the Elizabethan English Completely updated, detailed bibliographies and performance histories An interpretive essay on film adaptations of the play, along with an extensive filmography Titus Andronicus This, Shakespeare’s earliest tragedy, is also his bloodiest and most horror-filled. A Roman general, to appease the spirit of his dead son, sacrifices the son of a captive Goth queen—and sets in motion a remorseless cycle of revenge and counterrevenge. The play’s vivid spectacle of violence stuns audiences with rape, murder, mutilation, and unmitigated cruelty. Timon of Athens This stark drama—in some ways Shakespeare’s most bitter play—is a brilliant psychological portrait of a wealthy Athenian lord whose extraordinary trust and love for others turns to hate and spite when, bankrupted by his generosity, he is overwhelmed by the indifference and ingratitude of those he had thought friends. Coriolanus The arrogance of a Roman military hero puts him in conflict with the people of Rome when the aristocrat is unwilling to compromise with the commoners he so despises. Compellingly relevant today, Shakespeare’s last tragedy—from its opening scene of popular unrest to its chilling climax of betrayal and murder—takes an unwavering, ironic look at political extremism.
Author: Claire McEachern
Publisher: Cambridge University Press
ISBN: 110701977X
Category : Drama
Languages : en
Pages : 325
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Book Description
This updated Companion has been fully revised and includes an extensively overhauled bibliography and four new chapters by leading scholars.
Author: Tanya Pollard
Publisher: Oxford University Press
ISBN: 0198793111
Category : Drama
Languages : en
Pages : 342
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Book Description
"The book argues that rediscovered ancient Greek plays exerted a powerful and uncharted influence on sixteenth-century England's dramatic landscape, not only in academic and aristocratic settings, but also at the heart of the developing commercial theaters."--Introduction, p. 2.
Author: Charles Martindale
Publisher: Cambridge University Press
ISBN: 9781139453639
Category : Literary Criticism
Languages : en
Pages : 340
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Book Description
Shakespeare and the Classics demonstrates that the classics are of central importance in Shakespeare's plays and in the structure of his imagination. Written by an international team of Shakespeareans and classicists, this book investigates Shakespeare's classicism and shows how he used a variety of classical books to explore crucial areas of human experience such as love, politics, ethics and history. The book focuses on Shakespeare's favourite classical authors, especially Ovid, Virgil, Seneca, Plautus and Terence, and, in translation only, Plutarch. Attention is also paid to the humanist background and to Shakespeare's knowledge of Greek literature and culture. The final section, from the perspective of reception, examines how Shakespeare's classicism was seen and used by later writers. This accessible book offers a rounded and comprehensive treatment of Shakespeare's classicism and will be a useful first port of call for students and others approaching the subject.
Author: Robert S. Miola
Publisher: Oxford University Press on Demand
ISBN: 9780198112648
Category : Language Arts & Disciplines
Languages : en
Pages : 224
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Book Description
This book charts the influence of Seneca--both as specific text and inherited tradition--through Shakespeare's tragedies. Discerning patterns in previously attested borrowings and discovering new indebtedness, it presents an integrated and comprehensive assessment. Familiar methods of source study and a sophisticated understanding of intertextuality are employed to re-evaluate the much maligned Seneca in the light of his Greek antecedents, Renaissance translations and commentaries, and contemporary dramatic adaptations, especially those of Chapman, Jonson, Marston, Garnier, and Giraldi Cinthio. Three broad categories organize the discussion--Senecan revenge, tyranny, and furor--and each is illustrated by an earlier and later Shakespearean tragedy. The author keeps in view Shakespeare's eclecticism, his habit of combining disparate sources and conventions, as well as the rich history of literary criticism and theatrical interpretation. The book concludes by discussing Seneca's presence in Renaissance comedy and, more important, in that new and fascinating hybrid genre, tragicomedy. Shakespeare and Classical Tragedy makes an important contribution to our understanding of Shakespeare and of his foremost antecedents, as well as throwing light on the complex interactions of the Classical and Renaissance theatres.
Author: D. F. Bratchell
Publisher: Routledge
ISBN: 1134967098
Category : Literary Criticism
Languages : en
Pages : 176
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Book Description
This volume reflects changing critical perceptions of Shakespeare's works from Renaissance to modern times and celebrates the power of Shakespearean tragedy. The selection of critical reaction covers both the general concept of Shakespearean tragedy and its expression in the major plays, illustrating the main directions of critical approaches to Shakespearean tragedy and enabling the reader to develop an informed response to Shakespeare's dramatic works. An introductory chapter traces the development of the concept of tragedy from classical times, and its dramatic expression in the time of Shakespeare. Each of Shakespeare's great tragedies - Hamlet, Macbeth, Lear, and Othello - is considered in turn, and a final chapter summarizes contemporary critical approaches so that the reader can link the best of the critical past with the present critical scene.
Author: Colin Burrow
Publisher: Oxford University Press
ISBN: 0199684782
Category : Literary Criticism
Languages : en
Pages : 290
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Book Description
Shakespeare and Classical Antiquity explains the nature and extent of Shakspeare's classical learning, exploring why Ben Jonson was wrong to claim that he had 'small Latin and less Greek'. It examines Shakespeare's relationship to classical texts and how this relationship changed in the course of his career.
Author: Curtis Perry
Publisher: Cambridge University Press
ISBN: 1108496172
Category : Literary Criticism
Languages : en
Pages : 307
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Book Description
Perry reveals Shakespeare derived modes of tragic characterization, previously seen as presciently modern, via engagement with Rome and Senecan tragedy.
Author: Iván Nyusztay
Publisher: Rodopi
ISBN: 9789042015401
Category : Drama
Languages : en
Pages : 210
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Book Description
This volume for the first time presents a systematic comparison of Greek and Shakespearean tragedy. By thematizing the common modes of the tragic, it measures their structural regularities against corresponding philosophical and ethical reflections. The comparative theory of tragedy evolves through a constant debate with the traditional views of Aristotle, Hegel, Schelling, Paul Ricoeur, and others.
