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![Sexuality and Containment [microform] : Ling Mengchu's Erotic Stories PDF](https://books.google.com/books/content/images/frontcover/GvbNygAACAAJ?fife=w150-h200)
Author: Lenny Lingyi Hu
Publisher: National Library of Canada = Bibliothèque nationale du Canada
ISBN: 9780612500396
Category :
Languages : en
Pages : 792
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Book Description
![Sexuality and Containment [microform] : Ling Mengchu's Erotic Stories PDF](https://books.google.com/books/content/images/frontcover/GvbNygAACAAJ?fife=w80-h100)
Author: Lenny Lingyi Hu
Publisher: National Library of Canada = Bibliothèque nationale du Canada
ISBN: 9780612500396
Category :
Languages : en
Pages : 792
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author: Lenny Lingyi Hu
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
This thesis is a cultural study of a group of stories about illicit sex in the short story collections 'Pai'an jinqi' and ' Erke pai'an jingqi', both of which were written by the late Ming writer Ling Mengchu (1580-1644). The whole thesis consists of two parts: introduction and translation. The translation includes four erotic stories selected from these two collections and these four stories have never been rendered into English before (though some of them have French and German versions). The introduction, instead of a potpourri of rudimentary generalizations about the author and his works, is a monograph mainly focussed on a paradox of these stories, i.e., the tension between the presentation of sexual pleasure and its containment for a moral purpose. To give a convincing explanation to this tension, the thesis examines the context--the life of the author and the society in which he lived as much as it analyses the text--the aspects of sexuality and the repressive mechanisms the author imposed on his erotic descriptions. In so doing, it tries to demonstrate the eroticism in the way that may help understand not only how the principle of pleasure is related to the economic base of the late Ming but also how, owing to the functioning of the state ideology, it is morally contained, contrary to what has been assumed by some Western scholars (e.g. Foucault) that "pleasure is not considered in relation to an absolute law of the permitted and the forbidden, nor by reference to a criterion of utility, but first and foremost in relation to itself." And it is the conclusion of this thesis that these stories about illicit sex, erotic as they are, are actually mildly explicit in terms of sexual description, belonging, in its three-tier typological schema (i.e., the schema that divides late Ming erotic fiction into three basic kinds: lust, lust-love and lust-sex) of the late Ming erotica, to the category of "lust."
Author: Mengchu Ling
Publisher: arsenal pulp press
ISBN: 9781551521343
Category : Fiction
Languages : en
Pages : 0
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Book Description
A collection of five erotic stories from Ming dynasty China, in English for the first time.
Author: Keith McMahon
Publisher: BRILL
ISBN: 9004645349
Category : History
Languages : en
Pages : 170
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Book Description
A number of features characterize late Ming vernacular fiction as part of the general cultural expansion of that period. These features centrally include the exposition of sexual transgression and the function of containment, by which is meant the ideology of the control of desires. The late Ming writers are studiously devoted to illustrating minute, obscene, or erotic details that belief the decorum of the orthodox surface. However, this subversiveness of detail decreases in intensity from the late Ming to the early Qing, when values of containment are reinvoked. Related topics are: the theme of causality and its role in the story's mapping of the logic of adultery; adultery as an emblem of the woman's escape from containment and the use of the narrative topos of the gap in the wall as a locus of sexual transgression.
Author: Martin W. Huang
Publisher: BRILL
ISBN: 1684173574
Category : Literary Criticism
Languages : en
Pages : 370
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Book Description
"In this new study of desire in Late Imperial China, Martin Huang argues that the development of traditional Chinese fiction as a narrative genre was closely related to changes in conceptions of the fundamental nature of desire. He further suggests that the rise of vernacular fiction during the late Ming dynasty should be studied in the context of contemporary debates on desire, along with the new and complex views that emerged from those debates.Desire and Fictional Narrative in Late Imperial China shows that the obsession of authors with individual desire is an essential quality that defines traditional Chinese fiction as a narrative genre. Thus the maturation of the genre can best be appreciated in terms of its increasingly sophisticated exploration of the phenomenon of desire."
Author:
Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 630
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Author:
Publisher:
ISBN:
Category : Dissertation abstracts
Languages : en
Pages : 848
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Author: Paolo Santangelo
Publisher:
ISBN: 9789004396869
Category : Chinese literature
Languages : en
Pages : 0
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Book Description
The Culture of Love in China and Europe offers a cautiously comparative survey of the cults of love developed in the history of ideas and literary production in China and Europe between the 12th and early 19th century.
Author: Keith McMahon
Publisher: BRILL
ISBN: 1684176565
Category : Literary Criticism
Languages : en
Pages : 308
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Book Description
In Saying All That Can Be Said, Keith McMahon presents the first full analysis of the sexually explicit portrayals in the Ming novel Jin Ping Mei 金瓶梅 (The Plum in the Golden Vase). Countering common views of those portrayals as "just sex" or as "bad sex," he shows that they are rich in thematic meaning and loaded with social and aesthetic purpose. McMahon places the novel in the historical context of Chinese sexual culture, from which Jin Ping Mei inherits the style of the elegant, metaphorical description of erotic pleasure, but which the anonymous author extends in an exploration of the explicit, the obscene, and the graphic. The novel uses explicit description to evaluate and comment on characters, situations, and sexual and psychic states of being. Echoing the novel's way of taking sex as a vehicle for reading the world, McMahon celebrates the richness and exuberance of Jin Ping Mei's language of sex, which refuses imprisonment within the boundaries of orthodox culture's cleanly authoritative style, and which continues to inspire admiration from readers around the world. Saying All That Can Be Said will change the way we think about sexual culture in premodern China.
