Author: Susanna Phillippo
Publisher: Peter Lang Gmbh, Internationaler Verlag Der Wissenschaften
ISBN: 9783034308519
Category : French drama
Languages : en
Pages : 0
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Book Description
This book builds a picture of how Greek literature was reworked by the authors of seventeenth-century French tragedy. The text explores the complex interactions surrounding these adaptations, involving the input of scribes, editors, translators and earlier authors, and asks the important question of what these dramatists conceived of themselves as doing.
Author: Bronwyn Reddan
Publisher: U of Nebraska Press
ISBN: 1496223950
Category : Fiction
Languages : en
Pages : 265
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Book Description
Love is a key ingredient in the stereotypical fairy-tale ending in which everyone lives happily ever after. This romantic formula continues to influence contemporary ideas about love and marriage, but it ignores the history of love as an emotion that shapes and is shaped by hierarchies of power including gender, class, education, and social status. This interdisciplinary study questions the idealization of love as the ultimate happy ending by showing how the conteuses, the women writers who dominated the first French fairy-tale vogue in the 1690s, used the fairy-tale genre to critique the power dynamics of courtship and marriage. Their tales do not sit comfortably in the fairy-tale canon as they explore the good, the bad, and the ugly effects of love and marriage on the lives of their heroines. Bronwyn Reddan argues that the conteuses’ scripts for love emphasize the importance of gender in determining the “right” way to love in seventeenth-century France. Their version of fairy-tale love is historical and contingent rather than universal and timeless. This conversation about love compels revision of the happily-ever-after narrative and offers incisive commentary on the gendered scripts for the performance of love in courtship and marriage in seventeenth-century France.
Author: Robert McBride
Publisher: Springer
ISBN: 1349036005
Category : Literary Criticism
Languages : en
Pages : 198
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Book Description
Author: Mechele Leon
Publisher: University of Iowa Press
ISBN: 1587298910
Category : Drama
Languages : en
Pages : 198
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Book Description
From 1680 until the French Revolution, when legislation abolished restrictions on theatrical enterprise, a single theatre held sole proprietorship of Molière’s works. After 1791, his plays were performed in new theatres all over Paris by new actors, before audiences new to his works. Both his plays and his image took on new dimensions. In Molière, the French Revolution, and the Theatrical Afterlife, Mechele Leon convincingly demonstrates how revolutionaries challenged the ties that bound this preeminent seventeenth-century comic playwright to the Old Regime and provided him with a place of honor in the nation’s new cultural memory. Leon begins by analyzing the performance of Molière’s plays during the Revolution, showing how his privileged position as royal servant was disrupted by the practical conditions of the revolutionary theatre. Next she explores Molière’s relationship to Louis XIV, Tartuffe, and the social function of his comedy, using Rousseau’s famous critique of Molière as well as appropriations of George Dandin in revolutionary iconography to discuss how Moliérean laughter was retooled to serve republican interests. After examining the profusion of plays dealing with his life in the latter years of the Revolution, she looks at the exhumation of his remains and their reentombment as the tangible manifestation of his passage from Ancien Régime favorite to new national icon. The great Molière is appreciated by theatre artists and audiences worldwide, but for the French people it is no exaggeration to say that the Father of French Comedy is part of their national soul. By showing how he was represented, reborn, and reburied in the new France—how the revolutionaries asserted his relevance for their tumultuous time in ways that were audacious, irreverent, imaginative, and extreme—Leon clarifies the important role of theatrical figures in preserving and portraying a nation’s history.
Author: William Burgwinkle
Publisher: Cambridge University Press
ISBN: 0521897866
Category : Literary Criticism
Languages : en
Pages : 823
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Book Description
The most comprehensive history of literature written in French ever produced in English.
Author: Katherine Ibbett
Publisher: Routledge
ISBN: 1351881418
Category : Literary Criticism
Languages : en
Pages : 289
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Book Description
Engaging with recent thinking about performance, political theory and canon formation, this study addresses the significance of the formal changes in seventeenth-century French theater. Each chapter takes up a particularity of seventeenth-century theatrical style and staging”for example, the clearing of violence from the stage”and shows how the conceptualization of these French stylistic shifts appropriates a rich body of Italian political writing on questions of action, temporality, and law. The theater's appropriation of political concerns and vocabularies, the author argues, proffers an astute reflection on the practices of government that draws attention to questions obscured in reason of state, such as the instrumentalization of women's bodies. In a new reading of tragedies about government, the author shows how the canonical figure of Pierre Corneille is formally engaged with the political strategizing he often appears to repudiate, and in so doing challenges a literary history that has read neoclassicism largely as a display of pure French style.
Author: Jennifer Robin Perlmutter
Publisher: Gunter Narr Verlag
ISBN: 9783823362210
Category : Families in literature
Languages : en
Pages : 346
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Book Description
This volume is devoted to the variety of relationships that defined France and ist citizens. Man's connection with God is explored, the travel raelation and the particular hierarchy that exists between a director and a dramatist, respectively. These themes are further addressed in the articles that follow on relationships of authority, Catholics and Protestants, books and Illustrations, literary genres, travel relations, aesthetics and ethics and family relationships.
Author: John S. Powell
Publisher: Clarendon Press
ISBN: 9780198165996
Category : History
Languages : en
Pages : 622
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Book Description
During the course of the 17th century, the dramatic arts reached a pinnacle of development in France; but despite the volumes devoted to the literature and theatre of the ancien régime, historians have largely neglected the importance of music and dance. This study defines the musical practices of comedy, tragicomedy, tragedy, and mythological and non-mythological pastoral drama, from the arrival of the first repertory companies in Paris until the establishment of the Comédie-Française.
Author: Bernard Bourque
Publisher: Peter Lang
ISBN: 9783039115372
Category : Literary Collections
Languages : en
Pages : 304
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Book Description
This volume of essays explores influences from Antiquity onwards that shaped the literary and cultural output of the French seventeenth century and the developments to which this period - the so-called 'classical' period - gave rise in later centuries. The thirteen essays in English and French cover three major areas: the continuation in French seventeenth-century literature and cultural events of themes found in previous centuries; internal changes within the body of writings by French seventeenth-century playwrights; the influence of seventeenth-century French writers on later centuries. The collection celebrates the life and scholarly achievements of the eminent dix-septiémiste Christopher J. Gossip, Emeritus Professor of French, University of New England, Australia.
Author: Juliette Cherbuliez
Publisher: Fordham University Press
ISBN: 0823287831
Category : Literary Criticism
Languages : en
Pages : 165
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Book Description
In the Wake of Medea examines the violence of seventeenth-century French political dramas. French tragedy has traditionally been taken to be a passionless, cerebral genre that refused all forms of violence. This book explores the rhetorical, literary, and performance strategies through which violence persists, contextualizing it in a longer literary and philosophical history from Ovid to Pasolini. The mythological figure of Medea, foreigner who massacres her brother, murders kings, burns down Corinth, and kills her own children, exemplifies the persistence of violence in literature and art. A refugee who is welcomed yet feared, who confirms the social while threatening its integrity, Medea offers an alternative to western philosophy’s ethical paradigm of Antigone. The Medean presence, Cherbuliez shows, offers a model of radically persistent and disruptive outsiderness, both for classical theater and for its wake in literary theory. In the Wake of Medea explores a range of artistic strategies integrating violence into drama, from rhetorical devices like ekphrasis to dramaturgical mechanisms like machinery, all of which involve temporal disruption. The full range of this Medean presence is explored in treatments of the character Medea and in works figuratively invoking a Medean presence, from the well-known tragedies of Racine and Corneille through a range of other neoclassical political theater, including spectacular machine plays, Neo-Stoic parables, didactic Christian theater. In the Wake of Medea recognizes the violence within these tragedies to explain why violence remains so integral to literature and arts today.
