Author: Sergey Prokofiev
Publisher: Gardners Books
ISBN: 9780571226306
Category : Biography & Autobiography
Languages : en
Pages : 775
Book Description
The second volume of Sergey Prokofiev's recently uncovered Diaries extends from 1915 to 1922 - a momentous epoch in European history, in the personal story of Prokofiev's life, and in the development of his art.
Sergey Prokofiev: Diaries, 1915-1922
Author: Sergey Prokofiev
Publisher: Gardners Books
ISBN: 9780571226306
Category : Biography & Autobiography
Languages : en
Pages : 775
Book Description
The second volume of Sergey Prokofiev's recently uncovered Diaries extends from 1915 to 1922 - a momentous epoch in European history, in the personal story of Prokofiev's life, and in the development of his art.
Publisher: Gardners Books
ISBN: 9780571226306
Category : Biography & Autobiography
Languages : en
Pages : 775
Book Description
The second volume of Sergey Prokofiev's recently uncovered Diaries extends from 1915 to 1922 - a momentous epoch in European history, in the personal story of Prokofiev's life, and in the development of his art.
Nikolay Myaskovsky
Author: Gregor Tassie
Publisher: Rowman & Littlefield
ISBN: 1442231335
Category : Biography & Autobiography
Languages : en
Pages : 439
Book Description
Gregor Tassie describes Nikolay Myaskovsky as “one of the great enigmas of 20th-century Russian music.” Between the two world wars, the symphonies of Myaskovsky enjoyed great popularity and were performed by all major American and European orchestras; they were some of the most inspiring symphonic works of the last hundred years and prolonged the symphonic genre. But accusations of “formalism” at the 1948 USSR Composers Congress resulted in the purposeful neglect of his music until the collapse of the Soviet Union. Myaskovsky wrote some of the most inspiring symphonic works of the last hundred years and prolonged and extended the symphonic genre. In Nikolay Myaskovsky: The Conscience of Russian Music, Tassie gives readers the first modern English-language biography of this Russian composer since his death in 1950. Tassie draws together information from the composer’s diaries and letters, as well as the memoirs of friends and colleagues—even his secret police files—to chronicle Myaskovsky’s early life, subsequent far-reaching influence as a composer, teacher, and journalist, and his final persecution by the Soviet government. This biography will surely rekindle interest in Myaskovsky’s remarkable body of work and will interest aficionados, students, and scholars of the modern classical music tradition and history of the arts in Russia.
Publisher: Rowman & Littlefield
ISBN: 1442231335
Category : Biography & Autobiography
Languages : en
Pages : 439
Book Description
Gregor Tassie describes Nikolay Myaskovsky as “one of the great enigmas of 20th-century Russian music.” Between the two world wars, the symphonies of Myaskovsky enjoyed great popularity and were performed by all major American and European orchestras; they were some of the most inspiring symphonic works of the last hundred years and prolonged the symphonic genre. But accusations of “formalism” at the 1948 USSR Composers Congress resulted in the purposeful neglect of his music until the collapse of the Soviet Union. Myaskovsky wrote some of the most inspiring symphonic works of the last hundred years and prolonged and extended the symphonic genre. In Nikolay Myaskovsky: The Conscience of Russian Music, Tassie gives readers the first modern English-language biography of this Russian composer since his death in 1950. Tassie draws together information from the composer’s diaries and letters, as well as the memoirs of friends and colleagues—even his secret police files—to chronicle Myaskovsky’s early life, subsequent far-reaching influence as a composer, teacher, and journalist, and his final persecution by the Soviet government. This biography will surely rekindle interest in Myaskovsky’s remarkable body of work and will interest aficionados, students, and scholars of the modern classical music tradition and history of the arts in Russia.
Sergey Prokofiev Diaries, 1915-1923
Author: Sergey Prokofiev
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 816
Book Description
This second volume of Prokofiev's diary records an astonishing record of artistic accomplishment against a backdrop of cataclysmic change. The composer dodges gunfire in Petrograd during the February Revolution, but as a rule pays attention to political events only as they affect him personally. Composition and performance are the main concerns, along with the persistent and ultimately failed struggle to arrange a performance of his opera The Gambler. As in his Conservatory years, he also reveals his own aesthetic principles as he reacts to the work of others, sometimes with dark humor. The years in America were difficult. Always in the shadow of Rachmaninoff, he struggled to establish himself as composer and piano virtuoso. He details the seemingly endless but finally successful battle with the Chicago Civic Opera to mount Love for the Three Oranges, falls in love with the young Stella Adler, and begins work on his third opera, The Fiery Angel. Two years later he is in Paris, where his music is more warmly received than in Russia or America. Here the galaxy of connections grows exponentially as his fame expands. As always, he documents his encounters with sharp, often sardonic insight. The pages of the diary teem with the names of the period's most celebrated artists. There are the Russians Diaghilev, Chaliapin, Kossevitzky, Stravinsky, Mayakovsky ("a fearsome apache"), Meyerhold, and Bakst. But Prokofiev's world now expands to include Ravel, Szymanowski, Marinetti, Mary Garden, Cocteau, Artur Rubenstein, and many others.
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 816
Book Description
This second volume of Prokofiev's diary records an astonishing record of artistic accomplishment against a backdrop of cataclysmic change. The composer dodges gunfire in Petrograd during the February Revolution, but as a rule pays attention to political events only as they affect him personally. Composition and performance are the main concerns, along with the persistent and ultimately failed struggle to arrange a performance of his opera The Gambler. As in his Conservatory years, he also reveals his own aesthetic principles as he reacts to the work of others, sometimes with dark humor. The years in America were difficult. Always in the shadow of Rachmaninoff, he struggled to establish himself as composer and piano virtuoso. He details the seemingly endless but finally successful battle with the Chicago Civic Opera to mount Love for the Three Oranges, falls in love with the young Stella Adler, and begins work on his third opera, The Fiery Angel. Two years later he is in Paris, where his music is more warmly received than in Russia or America. Here the galaxy of connections grows exponentially as his fame expands. As always, he documents his encounters with sharp, often sardonic insight. The pages of the diary teem with the names of the period's most celebrated artists. There are the Russians Diaghilev, Chaliapin, Kossevitzky, Stravinsky, Mayakovsky ("a fearsome apache"), Meyerhold, and Bakst. But Prokofiev's world now expands to include Ravel, Szymanowski, Marinetti, Mary Garden, Cocteau, Artur Rubenstein, and many others.
Sergei Prokofiev
Author: Christina Guillaumier
Publisher: Reaktion Books
ISBN: 1789149894
Category : Biography & Autobiography
Languages : en
Pages : 220
Book Description
A critical biography of the twentieth-century Russian composer and pianist. This wide-ranging and incisive biography unfolds the life and work of the much-loved twentieth-century composer Sergei Prokofiev. In it, Christina Guillaumier reveals Prokofiev’s surprisingly optimistic spirit amidst a tumultuous backdrop of geopolitical chaos and ever-shifting musical landscapes. Guillaumier breathes life into the people and worlds that shaped Prokofiev’s complicated life, capturing the unwavering passion of a musical genius whose love for his craft transcended all barriers. This new critical account is a vivid portrait of the artist’s indomitable drive.
Publisher: Reaktion Books
ISBN: 1789149894
Category : Biography & Autobiography
Languages : en
Pages : 220
Book Description
A critical biography of the twentieth-century Russian composer and pianist. This wide-ranging and incisive biography unfolds the life and work of the much-loved twentieth-century composer Sergei Prokofiev. In it, Christina Guillaumier reveals Prokofiev’s surprisingly optimistic spirit amidst a tumultuous backdrop of geopolitical chaos and ever-shifting musical landscapes. Guillaumier breathes life into the people and worlds that shaped Prokofiev’s complicated life, capturing the unwavering passion of a musical genius whose love for his craft transcended all barriers. This new critical account is a vivid portrait of the artist’s indomitable drive.
Three Loves for Three Oranges
Author: Dassia N. Posner
Publisher: Indiana University Press
ISBN: 0253057906
Category : Music
Languages : en
Pages : 433
Book Description
In 1921, Sergei Prokofiev's Love for Three Oranges—one of the earliest, most famous examples of modernist opera—premiered in Chicago. Prokofiev's source was a 1913 theatrical divertissement by Vsevolod Meyerhold, who, in turn, took inspiration from Carlo Gozzi's 1761 commedia dell'arte–infused theatrical fairy tale. Only by examining these whimsical, provocative works together can we understand the full significance of their intertwined lineage. With contributions from 17 distinguished scholars in theater, art history, Italian, Slavic studies, and musicology, Three Loves for Three Oranges: Gozzi, Meyerhold, Prokofiev illuminates the historical development of Modernism in the arts, the ways in which commedia dell'arte's self-referential and improvisatory elements have inspired theater and music innovations, and how polemical playfulness informs creation. A resource for scholars and theater lovers alike, this collection of essays, paired with new translations of Love for Three Oranges, charts the transformations and transpositions that this fantastical tale underwent to provoke theatrical revolutions that still reverberate today.
Publisher: Indiana University Press
ISBN: 0253057906
Category : Music
Languages : en
Pages : 433
Book Description
In 1921, Sergei Prokofiev's Love for Three Oranges—one of the earliest, most famous examples of modernist opera—premiered in Chicago. Prokofiev's source was a 1913 theatrical divertissement by Vsevolod Meyerhold, who, in turn, took inspiration from Carlo Gozzi's 1761 commedia dell'arte–infused theatrical fairy tale. Only by examining these whimsical, provocative works together can we understand the full significance of their intertwined lineage. With contributions from 17 distinguished scholars in theater, art history, Italian, Slavic studies, and musicology, Three Loves for Three Oranges: Gozzi, Meyerhold, Prokofiev illuminates the historical development of Modernism in the arts, the ways in which commedia dell'arte's self-referential and improvisatory elements have inspired theater and music innovations, and how polemical playfulness informs creation. A resource for scholars and theater lovers alike, this collection of essays, paired with new translations of Love for Three Oranges, charts the transformations and transpositions that this fantastical tale underwent to provoke theatrical revolutions that still reverberate today.
Historical Dictionary of United States-Russian/Soviet Relations
Author: Norman E. Saul
Publisher: Scarecrow Press
ISBN: 0810862573
Category : History
Languages : en
Pages : 496
Book Description
For more than 200 years the United States and Russia have shared a multi-faceted relationship. Because of the rise of power the two countries enjoyed in the late 19th and through the 20th century, Russian-American relations have dominated much of recent world history. Prior to World War II the two countries had relatively friendly contacts in culture, commerce, and diplomacy, however, as they contested for supremacy during the Cold War relations turned hostile and competitive. With the apparent end of the Cold War with the collapse of the Soviet Union and of communism in 1991, the relationship continues to evolve and the future looks uncertain but promising. The Historical Dictionary of United States-Russian/Soviet Relations identifies the key issues, individuals, and events in the history of U.S.-Russian/Soviet relations and places them in the context of the complex and dynamic regional strategic, political, and economic processes that have fashioned the American relationship with Russia. This is done through a chronology, a bibliography, an introductory essay, and several hundred cross-referenced dictionary entries on key persons, places, events, institutions, and organizations.
Publisher: Scarecrow Press
ISBN: 0810862573
Category : History
Languages : en
Pages : 496
Book Description
For more than 200 years the United States and Russia have shared a multi-faceted relationship. Because of the rise of power the two countries enjoyed in the late 19th and through the 20th century, Russian-American relations have dominated much of recent world history. Prior to World War II the two countries had relatively friendly contacts in culture, commerce, and diplomacy, however, as they contested for supremacy during the Cold War relations turned hostile and competitive. With the apparent end of the Cold War with the collapse of the Soviet Union and of communism in 1991, the relationship continues to evolve and the future looks uncertain but promising. The Historical Dictionary of United States-Russian/Soviet Relations identifies the key issues, individuals, and events in the history of U.S.-Russian/Soviet relations and places them in the context of the complex and dynamic regional strategic, political, and economic processes that have fashioned the American relationship with Russia. This is done through a chronology, a bibliography, an introductory essay, and several hundred cross-referenced dictionary entries on key persons, places, events, institutions, and organizations.
The Great War for Peace
Author: William Mulligan
Publisher: Yale University Press
ISBN: 0300206216
Category : History
Languages : en
Pages : 452
Book Description
“The war to end all wars” rings out a bitter mockery of the First World War, often viewed as the seminal catastrophe of the twentieth century, the crucible from which Soviet, Fascist, and Nazi dictatorships emerged. Today’s conventional wisdom is that the Great War attuned the world to large-scale slaughter, that post-war efforts directed by the Treaty at Versailles were botched, that unbridled new nationalisms made the Second World War inevitable. This provocative book refutes such interpretations, arguing instead that the first two decades of the twentieth century—and the First World War in particular—played an essential part in the construction of a peaceful new order on a global scale. Historian William Mulligan takes an entirely fresh look at the aspirations of statesmen, soldiers, intellectuals, and civilians who participated in the war and at the new ideas about peace that were forged. While the hope for ultimate peace may have legitimized and even intensified the violence of the war, it also broadened conventional ideas about international politics and led to the emergence of such institutions as the League of Nations and the International Labour Organization. The experience of the First World War reinforced humanitarian concerns in political life and focused attention on building a better and more peaceful world order, Mulligan shows. Such issues resonate still in the political and diplomatic debates of today.
Publisher: Yale University Press
ISBN: 0300206216
Category : History
Languages : en
Pages : 452
Book Description
“The war to end all wars” rings out a bitter mockery of the First World War, often viewed as the seminal catastrophe of the twentieth century, the crucible from which Soviet, Fascist, and Nazi dictatorships emerged. Today’s conventional wisdom is that the Great War attuned the world to large-scale slaughter, that post-war efforts directed by the Treaty at Versailles were botched, that unbridled new nationalisms made the Second World War inevitable. This provocative book refutes such interpretations, arguing instead that the first two decades of the twentieth century—and the First World War in particular—played an essential part in the construction of a peaceful new order on a global scale. Historian William Mulligan takes an entirely fresh look at the aspirations of statesmen, soldiers, intellectuals, and civilians who participated in the war and at the new ideas about peace that were forged. While the hope for ultimate peace may have legitimized and even intensified the violence of the war, it also broadened conventional ideas about international politics and led to the emergence of such institutions as the League of Nations and the International Labour Organization. The experience of the First World War reinforced humanitarian concerns in political life and focused attention on building a better and more peaceful world order, Mulligan shows. Such issues resonate still in the political and diplomatic debates of today.
Sergey Prokofiev Diaries, 1907-1914
Author: Sergey Prokofiev
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 880
Book Description
He reveals his own developing aesthetic principles through his assessments of the works of others, even as he composes such early masterpieces as the First and Second Piano Concertos, The Ugly Duckling, the First Violin Concerto, and the Classical Symphony."--BOOK JACKET.
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 880
Book Description
He reveals his own developing aesthetic principles through his assessments of the works of others, even as he composes such early masterpieces as the First and Second Piano Concertos, The Ugly Duckling, the First Violin Concerto, and the Classical Symphony."--BOOK JACKET.
Constellation of Genius
Author: Kevin Jackson
Publisher: Macmillan + ORM
ISBN: 0374710333
Category : History
Languages : en
Pages : 419
Book Description
Ezra Pound referred to 1922 as Year One of a new era. It was the year that began with the publication of James Joyce's Ulysses and ended with the publication of T. S. Eliot's The Waste Land, two works that were arguably "the sun and moon" of modernist literature, some would say of modernity itself. In Constellation of Genius, Kevin Jackson puts the titanic achievements of Joyce and Eliot in the context of the world in which their works first appeared. As Jackson writes in his introduction, "On all sides, and in every field, there was a frenzy of innovation." It is in 1922 that Hitchcock directs his first feature; Kandinsky and Klee join the Bauhaus; the first AM radio station is launched; Walt Disney releases his first animated shorts; and Louis Armstrong takes a train from New Orleans to Chicago, heralding the age of modern jazz. On other fronts, Einstein wins the Nobel Prize in Physics, insulin is introduced to treat diabetes, and the tomb of Tutankhamun is discovered. As Jackson writes, the sky was "blazing with a ‘constellation of genius' of a kind that had never been known before, and has never since been rivaled." Constellation of Genius traces an unforgettable journey through the diaries of the actors, anthropologists, artists, dancers, designers, filmmakers, philosophers, playwrights, politicians, and scientists whose lives and works—over the course of twelve months—brought a seismic shift in the way we think, splitting the cultural world in two. Was this a matter of inevitability or of coincidence? That is for the reader of this romp, this hugely entertaining chronicle, to decide.
Publisher: Macmillan + ORM
ISBN: 0374710333
Category : History
Languages : en
Pages : 419
Book Description
Ezra Pound referred to 1922 as Year One of a new era. It was the year that began with the publication of James Joyce's Ulysses and ended with the publication of T. S. Eliot's The Waste Land, two works that were arguably "the sun and moon" of modernist literature, some would say of modernity itself. In Constellation of Genius, Kevin Jackson puts the titanic achievements of Joyce and Eliot in the context of the world in which their works first appeared. As Jackson writes in his introduction, "On all sides, and in every field, there was a frenzy of innovation." It is in 1922 that Hitchcock directs his first feature; Kandinsky and Klee join the Bauhaus; the first AM radio station is launched; Walt Disney releases his first animated shorts; and Louis Armstrong takes a train from New Orleans to Chicago, heralding the age of modern jazz. On other fronts, Einstein wins the Nobel Prize in Physics, insulin is introduced to treat diabetes, and the tomb of Tutankhamun is discovered. As Jackson writes, the sky was "blazing with a ‘constellation of genius' of a kind that had never been known before, and has never since been rivaled." Constellation of Genius traces an unforgettable journey through the diaries of the actors, anthropologists, artists, dancers, designers, filmmakers, philosophers, playwrights, politicians, and scientists whose lives and works—over the course of twelve months—brought a seismic shift in the way we think, splitting the cultural world in two. Was this a matter of inevitability or of coincidence? That is for the reader of this romp, this hugely entertaining chronicle, to decide.
Classicism of the Twenties
Author: Theodore Ziolkowski
Publisher: University of Chicago Press
ISBN: 022618398X
Category : Art
Languages : en
Pages : 254
Book Description
This title defines the theory and practice of 'classicism' as practised in the 1920s by a number of composers, writers, and artists, setting it off against other movements of the period that are customarily grouped together under the general heading of 'modernism'. It argues that classicism is a more precise term than neo-classicism during this period, since every classicism from antiquity to the present shares certain common qualities as well as characteristics of its own time.
Publisher: University of Chicago Press
ISBN: 022618398X
Category : Art
Languages : en
Pages : 254
Book Description
This title defines the theory and practice of 'classicism' as practised in the 1920s by a number of composers, writers, and artists, setting it off against other movements of the period that are customarily grouped together under the general heading of 'modernism'. It argues that classicism is a more precise term than neo-classicism during this period, since every classicism from antiquity to the present shares certain common qualities as well as characteristics of its own time.