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Author: James O. Young
Publisher: Oxford University Press
ISBN: 0191023981
Category : Philosophy
Languages : en
Pages : 240
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Book Description
The question of whether aesthetic judgements are simply statements about subjective preferences or whether they have some non-subjective basis is one of the most important questions of aesthetics, and, indeed, of philosophy. In recent years, philosophers of language have discussed aesthetic judgements, but have assumed that aesthetic judgements are similar to judgements that employ predicates of personal taste such as 'tasty' and 'delicious.' A speaker's judgement that an item of food is tasty is a report about the speaker's subjective response to that item of food. If aesthetic judgements are like judgements that employ predicates of personal taste, to judge that the St. Matthew Passion is glorious is also a report about what some listener likes. If two people disagree about whether the St. Matthew Passion is glorious, neither has made a mistake. Philosophers of art have tended to disagree with this view. They have distinguished aesthetic predicates such as 'serene,' 'balanced,' and 'glorious' from predicates such as 'tasty.' On this view, the judgement that some artwork is serene or even that it is beautiful is a report about the work, not a report about how a person responds to the work. Aesthetic judgements are not just statements about personal preferences. This volume brings together some of the leading contemporary philosophers of art and philosophers of language to debate the status of aesthetic judgements. Are they simply expressions of personal preference? Is there more basis for saying that a painting is beautiful or serene than there is for saying that a cake is tasty? Is disagreement about aesthetic judgements faultless or can someone be mistaken about the aesthetic value of an artwork?
Author: James O. Young
Publisher: Oxford University Press
ISBN: 0191023981
Category : Philosophy
Languages : en
Pages : 240
Get Book Here
Book Description
The question of whether aesthetic judgements are simply statements about subjective preferences or whether they have some non-subjective basis is one of the most important questions of aesthetics, and, indeed, of philosophy. In recent years, philosophers of language have discussed aesthetic judgements, but have assumed that aesthetic judgements are similar to judgements that employ predicates of personal taste such as 'tasty' and 'delicious.' A speaker's judgement that an item of food is tasty is a report about the speaker's subjective response to that item of food. If aesthetic judgements are like judgements that employ predicates of personal taste, to judge that the St. Matthew Passion is glorious is also a report about what some listener likes. If two people disagree about whether the St. Matthew Passion is glorious, neither has made a mistake. Philosophers of art have tended to disagree with this view. They have distinguished aesthetic predicates such as 'serene,' 'balanced,' and 'glorious' from predicates such as 'tasty.' On this view, the judgement that some artwork is serene or even that it is beautiful is a report about the work, not a report about how a person responds to the work. Aesthetic judgements are not just statements about personal preferences. This volume brings together some of the leading contemporary philosophers of art and philosophers of language to debate the status of aesthetic judgements. Are they simply expressions of personal preference? Is there more basis for saying that a painting is beautiful or serene than there is for saying that a cake is tasty? Is disagreement about aesthetic judgements faultless or can someone be mistaken about the aesthetic value of an artwork?
Author: James O. Young
Publisher: Oxford University Press
ISBN: 0198714599
Category : Art
Languages : en
Pages : 227
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Book Description
Philosophers and art critics have often found themselves pulled in two directions when they reflect on judgements about aesthetic properties and aesthetic value. On the one hand, every aesthetic judgement seems as good as any other. If, say, you like Justin Bieber, who is to say that your judgement that Bieber's music is great is wrong? On the other hand, the judgement that Bieber's oeuvre is greater than that of J.S. Bach seems to be clearly mistaken. This volumebrings together some of the leading contemporary philosophers of art and philosophers of language to debate the status of aesthetic judgements. Are they simply expressions of personal preference? Isthere more basis for saying that a painting is beautiful or serene than there is for saying that a cake is tasty? Is disagreement about aesthetic judgements faultless or can someone be mistaken about the aesthetic value of an artwork?
Author: Roger Scruton
Publisher: Oxford University Press, USA
ISBN: 0199229759
Category : Art
Languages : en
Pages : 209
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Book Description
In a book that is itself beautifully written, renowned philosopher Roger Scruton explores this timeless concept, asking what makes an object--either in art, in nature, or the human form--beautiful.--From publisher description.
Author: G. Gabrielle Starr
Publisher: MIT Press
ISBN: 0262019310
Category : Art
Languages : en
Pages : 297
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Book Description
A theory of the neural bases of aesthetic experience across the arts, which draws on the tools of both cognitive neuroscience and traditional humanist inquiry. In Feeling Beauty, G. Gabrielle Starr argues that understanding the neural underpinnings of aesthetic experience can reshape our conceptions of aesthetics and the arts. Drawing on the tools of both cognitive neuroscience and traditional humanist inquiry, Starr shows that neuroaesthetics offers a new model for understanding the dynamic and changing features of aesthetic life, the relationships among the arts, and how individual differences in aesthetic judgment shape the varieties of aesthetic experience. Starr, a scholar of the humanities and a researcher in the neuroscience of aesthetics, proposes that aesthetic experience relies on a distributed neural architecture—a set of brain areas involved in emotion, perception, imagery, memory, and language. More important, it emerges from networked interactions, intricately connected and coordinated brain systems that together form a flexible architecture enabling us to develop new arts and to see the world around us differently. Focusing on the "sister arts" of poetry, painting, and music, Starr builds and tests a neural model of aesthetic experience valid across all the arts. Asking why works that address different senses using different means seem to produce the same set of feelings, she examines particular works of art in a range of media, including a poem by Keats, a painting by van Gogh, a sculpture by Bernini, and Beethoven's Diabelli Variations. Starr's innovative, interdisciplinary analysis is true to the complexities of both the physical instantiation of aesthetics and the realities of artistic representation.
Author: Benjamin Morgan
Publisher: University of Chicago Press
ISBN: 022646220X
Category : Art
Languages : en
Pages : 380
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Book Description
Though underexplored in contemporary scholarship, the Victorian attempts to turn aesthetics into a science remain one of the most fascinating aspects of that era. In The Outward Mind, Benjamin Morgan approaches this period of innovation as an important origin point for current attempts to understand art or beauty using the tools of the sciences. Moving chronologically from natural theology in the early nineteenth century to laboratory psychology in the early twentieth, Morgan draws on little-known archives of Victorian intellectuals such as William Morris, Walter Pater, John Ruskin, and others to argue that scientific studies of mind and emotion transformed the way writers and artists understood the experience of beauty and effectively redescribed aesthetic judgment as a biological adaptation. Looking beyond the Victorian period to humanistic critical theory today, he also shows how the historical relationship between science and aesthetics could be a vital resource for rethinking key concepts in contemporary literary and cultural criticism, such as materialism, empathy, practice, and form. At a moment when the tumultuous relationship between the sciences and the humanities is the subject of ongoing debate, Morgan argues for the importance of understanding the arts and sciences as incontrovertibly intertwined.
Author: Ole Martin Skilleås
Publisher: Rowman & Littlefield
ISBN: 1498590500
Category : Philosophy
Languages : en
Pages : 141
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Book Description
In this first ever book-length study of aesthetic expertise, Ole Martin Skilleås outlines the nature and purpose of aesthetic expertise, with particular emphasis on the direction of attention, and examines how aesthetic expertise manifests across diverse roles within aesthetic practices. He discusses the foundations of aesthetic trust via the concept of calibration, thereby developing an outline of social aesthetics using the concept of embedded expertise. Skilleås distinguishes between practitioners—those who create and perform aesthetically engaging works—and advisors, who educate, enlighten, and make recommendations. Considering the latter roles, Aesthetic Expertise: An Exploration and Defense argues that aesthetics ought to move away from a paradigm centered on critics and reviewers and the idea of a standard of taste, and over to an approach anchored in instruction and the triangulation between instructor, artwork, and learner. This educational interaction is pivotal since not only does it foster a shared language but it tightly links critical reasoning with aesthetic appreciation, guided by perceptual guidance and training. In doing so, it clarifies how meaningful consensus and dissent in aesthetic discourse are possible, underpinning our discussions and critiques of artistic works and their interpretations.
Author: Stephen Davies
Publisher: John Wiley & Sons
ISBN: 9781444310429
Category : Philosophy
Languages : en
Pages : 640
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Book Description
In this extensively revised and updated edition, 168 alphabetically arranged articles provide comprehensive treatment of the main topics and writers in this area of aesthetics. Written by prominent scholars covering a wide-range of key topics in aesthetics and the philosophy of art Features revised and expanded entries from the first edition, as well as new chapters on recent developments in aesthetics and a larger number of essays on non-Western thought about art Unique to this edition are six overview essays on the history of aesthetics in the West from antiquity to modern times
Author: Arnold Berleant
Publisher: Cybereditions Corporation
ISBN: 9781877275258
Category : Philosophy
Languages : en
Pages : 194
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Book Description
Arguing that traditional answers to the question "What is art?" are partial at best, Arnold Berleant contends that we need to understand art as a complex aesthetic field encompassing all the factors that form the context and experience of art.
Author: Tadeusz Ciecierski
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110702282
Category : Philosophy
Languages : en
Pages : 258
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Book Description
The phenomenon of context dependence is so multifaceted that it is tempting to classify it as hetergenous. It is especially evident in the case of the difference between context dependence as understood in the philosophy of language and context dependence as understood in the philosophy of mind. One of the aims of the present volume is to show that as varied as the phenomenon of context dependence is, the similarities between its different manifestations are profound and undeniable. More importantly, as evidenced in a number of papers presented on the subsequent pages of this volume, a broad perspective on the phenomenon of context dependence helps us to re-apply theories devised for one of the subfields of philosophy to the other subfields. Since the connections and analogies between many uses of contextualism may not be initially obvious, keeping an open perspective and the willingness to learn from the work of others may sometimes be crucial for finding new, satisfactory solutions.
Author: Rachel Giora
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110543931
Category : Language Arts & Disciplines
Languages : en
Pages : 395
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Book Description
Intercultural Pragmatics is a large and diverse field encompassing a wide range of approaches, methods, and theories. This volume draws scholars together from a broad range of cognitive, philosophical, and sociopragmatic perspectives on language use in order to lay the path for a mutually informing and enriching dialogue across subfields and perceived barriers to doing pragmatics interculturally.
