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Author: Heidi Christine Nickisher
Publisher:
ISBN:
Category :
Languages : en
Pages : 192
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Author: Heidi Christine Nickisher
Publisher:
ISBN:
Category :
Languages : en
Pages : 192
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Author: Claude Lyle Hulet
Publisher:
ISBN:
Category : Brazilian literature
Languages : en
Pages : 298
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Author: Neide Rezende
Publisher:
ISBN:
Category : Arts, Brazilian
Languages : pt-BR
Pages : 92
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Author: Museu de Arte de São Paulo Assis Chateaubriand
Publisher:
ISBN:
Category : Art, Brazilian
Languages : en
Pages : 154
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Exhibition held at the Museu de Arte de São Paulo Assis Chateaubriand in May, 1972, in commemoration of the 50th anniversary of the Week of Modern Art, which took place in February, 1922.
Author: Vera Chalmers
Publisher:
ISBN:
Category : Art, Brazilian
Languages : pt-BR
Pages : 426
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Author: Günter Berghaus
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3111318397
Category : Art
Languages : en
Pages : 612
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This thirteenth volume of the International Yearbook of Futurism Studies explores some of the many facets of Neo-Futurism from the second half of the twentieth century to the present day. It looks both at the revival and the continuation of Futurist aesthetics, whether in explicit or palimpsest form, in a variety of media: literature, visual art, design, music, architecture, theatre and photography. The essays delve into the broad spectrum of artistic research and offer a good dozen case studies that document, with a transnational and interdisciplinary orientation, the manifold forms of Neo-Futurism in various parts of the world. They investigate how historical Futurism's intellectual and artistic perspective was appropriated and developed further in a more or less conscious, faithful and original way, all the while confronting its progenitor's cultural, social and political misconceptions. Interdisciplinary contributions to neo-futurism as a global phenomenon
Author: Daryle Williams
Publisher: Duke University Press
ISBN: 9780822327196
Category : Biography & Autobiography
Languages : en
Pages : 376
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DIVExamines the role of the Brazilian government as it attempted to create a national culture during a fifteen-year period of authoritarian cultural management./div
Author: Günter Berghaus
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110334100
Category : Literary Criticism
Languages : en
Pages : 632
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The International Yearbook of Futurism Studies was founded in 2009, the centenary year of Italian Futurism, in order to foster intellectual cooperation between Futurism scholars across countries and academic disciplines. The Yearbook does not focus exclusively on Italian Futurism, but on the relations between Italian Futurism and other Futurisms worldwide, on artistic movements inspired by Futurism, and on artists operating in the international sphere with close contacts to Italian or Russian Futurism. Volume 4 (2014) is an open issue that addresses reactions to Italian Futurism in 16 countries (Argentina, Armenia, Brazil, Egypt, France, Germany, Great Britain, Greece, Holland, Hungary, Japan, Portugal, Russia, Slovenia, Spain, USA), and in the artistic media of photography, theatre and visual poetry.
Author: Mariana Aguirre
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110527030
Category : Literary Criticism
Languages : en
Pages : 583
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Futurism Studies in its canonical form has followed in the steps of Marinetti's concept of Futurisme mondial, according to which Futurism had its centre in Italy and a large number of satellites around Europe and the rest of the globe. Consequently, authors of textbook histories of Futurism focus their attention on Italy, add a chapter or two on Russia and dedicate next to no attention to developments in other parts of the world. Futurism Studies tends to sees in Marinetti's movement the font and mother of all subsequent avant-gardes and deprecates the non-European variants as mere 'derivatives'. Vol. 7 of the International Yearbook of Futurism Studies will focus on one of these regions outside Europe and demonstrate that the heuristic model of centre – periphery is faulty and misleading, as it ignores the originality and inventiveness of art and literature in Latin America. Futurist tendencies in both Spanish and Portuguese-speaking countries may have been, in part, 'influenced' by Italian Futurism, but they certainly did no 'derive' from it. The shift towards modernity took place in Latin America more or less in parallel to the economic progress made in the underdeveloped countries of Europe. Italy and Russia have often been described as having originated Futurism because of their backwardness compared to the industrial powerhouses England, Germany and France. According to this narrative, Spain and Portugal occupied a position of semi-periphery. They had channelled dominant cultural discourses from the centre nations into the colonies. However, with the rise of modernity and the emergence of independence movements, cultural discourses in the colonies undertook a major shift. The revolt of the European avant-garde against academic art found much sympathy amongst Latin American artists, as they were engaged in a similar battle against the canonical discourses of colonial rule. One can therefore detect many parallels between the European and Latin American avant-garde movements. This includes the varieties of Futurism, to which Yearbook 2017 will be dedicated. In Europe, the avant-garde had a complex relationship to tradition, especially its 'primitivist' varieties. In Latin America, the avant-garde also sought to uncover and incorporate alternative, i.e. indigenous traditions. The result was a hybrid form of art and literature that showed many parallels to the European avant-garde, but also had other sources of inspiration. Given the large variety of indigenous cultures on the American continent, it was only natural that many heterogeneous mixtures of Futurism emerged there. Yearbook 2017 explores this plurality of Futurisms and the cultural traditions that influenced them. Contributions focus on the intertextual character of Latin American Futurisms, interpret works of literature and fine arts within their local setting, consider modes of production and consumption within each culture as well as the forms of interaction with other Latin American and European centres. 14 essays locate Futurism within the complex network of cultural exchange, unravel the Futurist contribution to the complex interrelations between local and the global cultures in Latin America and reveal the dynamic dialogue as well as the multiple forms of cross-fertilization that existed amongst them.
Author: Cassia Navas
Publisher: Editora Mireveja
ISBN: 6586638437
Category : Performing Arts
Languages : en
Pages : 1222
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Book Description
Dança moderna 1992-2022 reúne textos do livro Dança moderna (1992) com escritos atualíssimos, incluindo imagens inéditas: as fotos da bailarina da Semana de Arte Moderna, evento que em 2022 teve seus cem anos festejados. Sob a curadoria editorial de Cássia Navas, os quatro artigos de 1922 permaneceram intactos: "As mães da modernidade" e "Klauss Vianna em São Paulo", de Cássia Navas, "As companhias estáveis" e "A experiência do Teatro de Dança no Galpão", de Linneu Dias. A eles juntam-se os capítulos: "Dança na Semana de Arte Moderna: importante desimportância", de Cássia Navas; "Dança em São Paulo hoje: continuidade e instabilidade, de 1992 a 2022", de Henrique Rochelle, e "Modernidade, dança no Recife", de Arnaldo Siqueira. Com isso, consolidam-se as escrituras da modernidade em dança (aqui incluídos o pós-moderno, o contemporâneo e até mesmo um "des-moderno" decolonial), desta vez para além de São Paulo, lançando-se uma mirada sobre a dança do Recife. A obra Dança Moderna 1992-2022 é uma realização do Programa de Ação Cultural-PROAC Mecenato Direto, por meio da Secretaria de Cultura, Economia e Indústria Criativa do Governo do Estado de São Paulo, em edital que contemplou a CÁSSIA NAVAS PRODUÇÕES CULTURAIS
