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Author: Matthew Arnold
Publisher:
ISBN: 9781406510362
Category : Poetry
Languages : en
Pages : 300
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Book Description
Work from the well known English poet and literary critic.
Author: Matthew Arnold
Publisher:
ISBN: 9781406510362
Category : Poetry
Languages : en
Pages : 300
Get Book
Book Description
Work from the well known English poet and literary critic.
Author:
Publisher: Penguin UK
ISBN: 0141958677
Category : Poetry
Languages : en
Pages : 928
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Book Description
Daniel Karlin has selected poetry written and published during the reign of Queen Victoria, (1837-1901). Giving pride of place to Tennyson, Robert Browning, and Christina Rossetti, the volume offers generous selections from other major poets such asArnold, Emily Bronte, Hardy and Hopkins, and makes room for several poem-sequences in their entirety. It is wonderful, too, in its discovery and inclusion of eccentric, dissenting, un-Victorian voices, poets who squarely refuse to 'represent' their period. It also includes the work of Elizabeth Barrett Browning, George Meredith, James Thomson and Augusta Webster.
Author: Charles Dudley Warner
Publisher:
ISBN: 9781603033367
Category : Literary Collections
Languages : en
Pages : 612
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Book Description
Charles Dudley Warner (1829-1900) was an American essayist and novelist. He worked with a surveying party in Missouri; studied law at the University of Pennsylvania; practiced in Chicago; was assistant editor (1860) and editor (1861-1867) of The Hartford Press, and after The Press was merged into The Hartford Courant, was co-editor with Joseph R Hawley; in 1884 he joined the editorial staff of Harper's Magazine, for which he conducted The Editors Drawer until 1892, when he took charge of The Editor's Study. He travelled widely, lectured frequently, and was actively interested in prison reform, city park supervision, and other movements for the public good. He was the first president of the National Institute of Arts and Letters. He first attracted attention by the reflective sketches entitled My Summer in a Garden (1870). Amongst his other works are Saunterings (1872), Backlog Studies (1873), Being a Boy (1878), In the Wilderness (1878), Captain John Smith (1881), Washington Irving (1881), A Little Journey in the World (1889), As We Were Saying (1891) and That Fortune (1899).
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 776
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Book Description
Author:
Publisher:
ISBN:
Category : Books
Languages : en
Pages : 796
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Book Description
Author: Clifford Smyth
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 946
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Book Description
Author: Hugh Chisholm
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 1016
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Book Description
Author: Harvard University. Library
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 624
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Book Description
Author: Stephen C. Downes
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754666554
Category : Music
Languages : en
Pages : 164
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Book Description
CD-ROM contains a performance of Tristan.
Author: Stephen Downes
Publisher: Routledge
ISBN: 1351564196
Category : Music
Languages : en
Pages : 157
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Book Description
Hans Werner Henze is a prolific and internationally famous composer of the post-Second World War period. He is amongst the most frequently performed and recorded composers of his generation, and has been the subject of numerous festivals in several continents. But he is also a composer of controversy. His music has stimulated a critical polemic of notable vigour. Tristan (1973), Henze's large-scale work for piano, full orchestra and electronic tape explores Henze's creative stance with regard to Wagner. The work represents a powerful contribution to the 'tradition' of Tristan-alluding twentieth-century works, those by Berg and Messiaen being amongst the best known. Tristan has been heard as a piano concerto and as a symphonic poem, and is a fine example of how a single piece can interrogate the styles, expressions, genres and aesthetics of major, often conflictual, trends in European culture. In this book, Stephen Downes begins by placing Henze's Tristan in its wider context and in the context of Henze's compositional output and writings. He considers Henze's description of the genesis of the work by examining row tables and sketches, draft and annotated parts, and a full score with corrections and conductor's annotations. This analysis of form raises issues of genre, harmony and melody, temporality, unity and intertextuality, and places the work in the formal aesthetics characteristic of romanticism, modernism and 'postmodernism'. Key concepts in the critical legacy of Tristan are discussed and the book concludes by considering Henze's later works, placing the techniques and aesthetics of Tristan in the context of the composer's subsequent developments. The book is accompanied by a CD containing the 1975 DG recording of Tristan conducted by Henze.
