Author: Jonathan Conlin
Publisher: University of Pennsylvania Press
ISBN: 0812207327
Category : Architecture
Languages : en
Pages : 325
Book Description
Summers at the Vauxhall pleasure garden in London brought diverse entertainments to a diverse public. Picturesque walks and arbors offered a pastoral retreat from the city, while at the same time the garden's attractions indulged distinctly urban tastes for fashion, novelty, and sociability. High- and low-born alike were free to walk the paths; the proximity to strangers and the danger of dark walks were as thrilling to visitors as the fountains and fireworks. Vauxhall was the venue that made the careers of composers, inspired novelists, and showcased the work of artists. Scoundrels, sudden downpours, and extortionate ham prices notwithstanding, Vauxhall became a must-see destination for both Londoners and tourists. Before long, there were Vauxhalls across Britain and America, from York to New York, Norwich to New Orleans. This edited volume provides the first book-length study of the attractions and interactions of the pleasure garden, from the opening of Vauxhall in the seventeenth century to the amusement parks of the early twentieth. Nine essays explore the mutual influences of human behavior and design: landscape, painting, sculpture, and even transient elements such as lighting and music tacitly informed visitors how to move within the space, what to wear, how to behave, and where they might transgress. The Pleasure Garden, from Vauxhall to Coney Island draws together the work of musicologists, art historians, and scholars of urban studies and landscape design to unfold a cultural history of pleasure gardens, from the entertainments they offered to the anxieties of social difference they provoked.
The Pleasure Garden, from Vauxhall to Coney Island
Author: Jonathan Conlin
Publisher: University of Pennsylvania Press
ISBN: 0812207327
Category : Architecture
Languages : en
Pages : 325
Book Description
Summers at the Vauxhall pleasure garden in London brought diverse entertainments to a diverse public. Picturesque walks and arbors offered a pastoral retreat from the city, while at the same time the garden's attractions indulged distinctly urban tastes for fashion, novelty, and sociability. High- and low-born alike were free to walk the paths; the proximity to strangers and the danger of dark walks were as thrilling to visitors as the fountains and fireworks. Vauxhall was the venue that made the careers of composers, inspired novelists, and showcased the work of artists. Scoundrels, sudden downpours, and extortionate ham prices notwithstanding, Vauxhall became a must-see destination for both Londoners and tourists. Before long, there were Vauxhalls across Britain and America, from York to New York, Norwich to New Orleans. This edited volume provides the first book-length study of the attractions and interactions of the pleasure garden, from the opening of Vauxhall in the seventeenth century to the amusement parks of the early twentieth. Nine essays explore the mutual influences of human behavior and design: landscape, painting, sculpture, and even transient elements such as lighting and music tacitly informed visitors how to move within the space, what to wear, how to behave, and where they might transgress. The Pleasure Garden, from Vauxhall to Coney Island draws together the work of musicologists, art historians, and scholars of urban studies and landscape design to unfold a cultural history of pleasure gardens, from the entertainments they offered to the anxieties of social difference they provoked.
Publisher: University of Pennsylvania Press
ISBN: 0812207327
Category : Architecture
Languages : en
Pages : 325
Book Description
Summers at the Vauxhall pleasure garden in London brought diverse entertainments to a diverse public. Picturesque walks and arbors offered a pastoral retreat from the city, while at the same time the garden's attractions indulged distinctly urban tastes for fashion, novelty, and sociability. High- and low-born alike were free to walk the paths; the proximity to strangers and the danger of dark walks were as thrilling to visitors as the fountains and fireworks. Vauxhall was the venue that made the careers of composers, inspired novelists, and showcased the work of artists. Scoundrels, sudden downpours, and extortionate ham prices notwithstanding, Vauxhall became a must-see destination for both Londoners and tourists. Before long, there were Vauxhalls across Britain and America, from York to New York, Norwich to New Orleans. This edited volume provides the first book-length study of the attractions and interactions of the pleasure garden, from the opening of Vauxhall in the seventeenth century to the amusement parks of the early twentieth. Nine essays explore the mutual influences of human behavior and design: landscape, painting, sculpture, and even transient elements such as lighting and music tacitly informed visitors how to move within the space, what to wear, how to behave, and where they might transgress. The Pleasure Garden, from Vauxhall to Coney Island draws together the work of musicologists, art historians, and scholars of urban studies and landscape design to unfold a cultural history of pleasure gardens, from the entertainments they offered to the anxieties of social difference they provoked.
Cultivating National Identity through Performance
Author: N. Stubbs
Publisher: Springer
ISBN: 1137326875
Category : History
Languages : en
Pages : 281
Book Description
As outdoor entertainment venues in American cities, pleasure gardens were public spaces where people could explore what it meant to be American. Stubbs examines how these venues helped form American identity and argues the gardens allowed for the exploration of what it meant to be American through performance, both on and off the stage.
Publisher: Springer
ISBN: 1137326875
Category : History
Languages : en
Pages : 281
Book Description
As outdoor entertainment venues in American cities, pleasure gardens were public spaces where people could explore what it meant to be American. Stubbs examines how these venues helped form American identity and argues the gardens allowed for the exploration of what it meant to be American through performance, both on and off the stage.
English Pleasure Gardens
Author: Rose Standish Nichols
Publisher: David R. Godine Publisher
ISBN: 9781567922325
Category : Architecture
Languages : en
Pages : 332
Book Description
This survey presents the history of British gardens, covering England's monastic gardens, the formal Tudor gardens, Elizabethan flower gardens, as well as the influence of French, Dutch, and Italian traditions.
Publisher: David R. Godine Publisher
ISBN: 9781567922325
Category : Architecture
Languages : en
Pages : 332
Book Description
This survey presents the history of British gardens, covering England's monastic gardens, the formal Tudor gardens, Elizabethan flower gardens, as well as the influence of French, Dutch, and Italian traditions.
Science in the Pleasure Ground
Author: Ida Hay
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 376
Book Description
The pioneering role of the Arnold Arboretum in blending botanical research with public recreation and aesthetic display is revealed in this first comprehensive history of one of Boston's most treasured outdoor spaces.
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 376
Book Description
The pioneering role of the Arnold Arboretum in blending botanical research with public recreation and aesthetic display is revealed in this first comprehensive history of one of Boston's most treasured outdoor spaces.
Public Spaces, Private Gardens
Author: Lake Douglas
Publisher: LSU Press
ISBN: 0807139726
Category : Science
Languages : en
Pages : 600
Book Description
Landscape architect Lake Douglas employs written accounts, archival data, historic photographs, lithographs, maps, and city planning documents -- many of which have never before been published -- to explore public and private outdoor spaces in New Orleans and those who shaped them. The result offers the first in-depth examination of the city's landscape history. Douglas presents this "beautiful and imposing" city as a work of art crafted by numerous influences. His survey from the colonial period to the twentieth century finds that geography, climate, and, above all, the multicultural character of its residents have made New Orleans unique in American landscape design history. French and Spanish settlers, Africans and Native Americans, as well as immigrants from Germany, Ireland, Italy, and other parts of the world all participated in creating this community's unique public and private landscapes. Places such as Congo Square, Audubon Park, the river levees, and "neutral grounds" -- local residents' own term for medians -- together with ordinary residential gardens are all testaments to the city's international imprint. Douglas identifies five types of public and private designed landscapes in New Orleans: squares, linear open spaces, urban parks, commercial pleasure gardens, and domestic gardens. Discussing their design, function, and content, he shows how specific examples of each contribute to the city's unique character and also fit within the larger context of American landscape design history. Each type has its own complexion and reflects the influence of those who occupied it. Though New Orleanians lived in strata according to language, cultural identity, economics, and race, they found common ground, literally, in their community's landscapes. Douglas's sweeping study, illustrated with over 90 color and black-and-white images, includes an exploration of archival horticultural books, almanacs, and periodicals; information about laborers who actually built landscapes; details of horticultural commerce, services, and marketing materials; and an exhaustive inventory of plants grown in New Orleans for agricultural, medicinal, and ornamental uses. Public Spaces, Private Gardens provides an informative look at two hundred years of the designed landscapes and horticulture of New Orleans and a fresh perspective on one of America's most interesting and historic cities.
Publisher: LSU Press
ISBN: 0807139726
Category : Science
Languages : en
Pages : 600
Book Description
Landscape architect Lake Douglas employs written accounts, archival data, historic photographs, lithographs, maps, and city planning documents -- many of which have never before been published -- to explore public and private outdoor spaces in New Orleans and those who shaped them. The result offers the first in-depth examination of the city's landscape history. Douglas presents this "beautiful and imposing" city as a work of art crafted by numerous influences. His survey from the colonial period to the twentieth century finds that geography, climate, and, above all, the multicultural character of its residents have made New Orleans unique in American landscape design history. French and Spanish settlers, Africans and Native Americans, as well as immigrants from Germany, Ireland, Italy, and other parts of the world all participated in creating this community's unique public and private landscapes. Places such as Congo Square, Audubon Park, the river levees, and "neutral grounds" -- local residents' own term for medians -- together with ordinary residential gardens are all testaments to the city's international imprint. Douglas identifies five types of public and private designed landscapes in New Orleans: squares, linear open spaces, urban parks, commercial pleasure gardens, and domestic gardens. Discussing their design, function, and content, he shows how specific examples of each contribute to the city's unique character and also fit within the larger context of American landscape design history. Each type has its own complexion and reflects the influence of those who occupied it. Though New Orleanians lived in strata according to language, cultural identity, economics, and race, they found common ground, literally, in their community's landscapes. Douglas's sweeping study, illustrated with over 90 color and black-and-white images, includes an exploration of archival horticultural books, almanacs, and periodicals; information about laborers who actually built landscapes; details of horticultural commerce, services, and marketing materials; and an exhaustive inventory of plants grown in New Orleans for agricultural, medicinal, and ornamental uses. Public Spaces, Private Gardens provides an informative look at two hundred years of the designed landscapes and horticulture of New Orleans and a fresh perspective on one of America's most interesting and historic cities.
Furniture, Its Selection and Use. 18th Report of the National Committee on Wood Utilization
Author: United States. Department of Commerce
Publisher:
ISBN:
Category :
Languages : en
Pages : 124
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 124
Book Description
Catalogue of the Library
Author: Massachusetts Horticultural Society
Publisher:
ISBN:
Category :
Languages : en
Pages : 380
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 380
Book Description
Catalogue
Author: Calcutta (India). Imperial library
Publisher:
ISBN:
Category : India
Languages : en
Pages : 476
Book Description
Publisher:
ISBN:
Category : India
Languages : en
Pages : 476
Book Description
Garden and Forest
Author: Charles Sprague Sargent
Publisher:
ISBN:
Category : Botany
Languages : en
Pages : 654
Book Description
A journal of horticulture, landscape art, and forestry.
Publisher:
ISBN:
Category : Botany
Languages : en
Pages : 654
Book Description
A journal of horticulture, landscape art, and forestry.
Library Journal
Author:
Publisher:
ISBN:
Category : Libraries
Languages : en
Pages : 1364
Book Description
Publisher:
ISBN:
Category : Libraries
Languages : en
Pages : 1364
Book Description