Author: Guillaume Apollinaire
Publisher:
ISBN:
Category :
Languages : en
Pages : 273

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Author: Guillaume Apollinaire
Publisher: New Directions Publishing
ISBN: 9780811200035
Category : Education
Languages : en
Pages : 292

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Book Description
A bilingual, illustrated edition of The Selected Writings of Apollinaire, the only representative collection in English translation, with a comprehensive critical Introduction by the translator, Roger Shattuck.

Author: Guillaume Apollinaire
Publisher:
ISBN:
Category :
Languages : en
Pages : 264

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Author: Guillaume Apollinaire
Publisher:
ISBN:
Category :
Languages : en
Pages : 0

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Author: Guillaume Apollinaire
Publisher:
ISBN:
Category :
Languages : en
Pages : 298

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Author:
Publisher:
ISBN: 9781258913274
Category :
Languages : en
Pages : 284

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Book Description
This is a new release of the original 1948 edition.

Author: Guillaume Apollinaire
Publisher:
ISBN:
Category : French language materials
Languages : en
Pages : 338

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Author: Guillaume Apollinaire
Publisher: Wesleyan University Press
ISBN: 081956995X
Category : Poetry
Languages : en
Pages : 152

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Book Description
Guillaume Apollinaire's final years exactly coincided with the clamorous advent of European Modernism and with the cataclysms of WWI. In The Self-Dismembered Man, poet Donald Revell offers new English translations of the most powerful poems Apollinaire wrote during those years: poems of nascent surrealism, of combat and of war-weariness. Here, too, is Apollinaire's last testament, "The Pretty Redhead," a farewell to the epoch that he—as poet, convict, art-critic, artilleryman and boulevardier—did so much to conjure and sustain until his death on Armistice Day in 1918. Readers of Apollinaire's more familiar early work, Alcools (Wesleyan, 1995), will find here a darker and yet more tender poet, a poet of the broken world who shares entirely the world's catastrophe even as he praises to the end its glamour and its strange innocence. This English translation, facing the original French, illuminates Apollinaire's crucial and continuing influence on the European and American avant-garde. The volume includes a short translator's preface.

Author: Kenneth Koch
Publisher: Vintage
ISBN: 0394743644
Category : Poetry
Languages : en
Pages : 337

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Book Description
This book is specifically for high school students, though it is useful to college students and anyone interested in the art and craft of poetry. Koch and Farrell, experienced teachers as well as poets, write about poetry in such a way that students will find it accessible and interesting. The book includes selections of poetry by twenty-three poets, among them Dickinson, Hopkins, Pound, Williams and Eliot, as well as Ginsberg, O'Hara, Baraka and Ashbery. There is also the translated work of such modern European poets such as Lorca, Rilke, Rimbaud, Apollinaire and Mayakowsky.

Author: Alexandra Ksenofontova
Publisher: Springer Nature
ISBN: 3030505898
Category : Art
Languages : en
Pages : 249

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Book Description
The Modernist Screenplay explores the film screenplay as a genre of modernist literature. It connects the history of screenwriting for silent film to the history of literary modernism in France, Germany, and Russia. At the same time, the book considers how the screenplay responded to the modernist crisis of reason, confronted mimetic representation, and sought to overcome the modernist mistrust of language with the help of rhythm. From the silent film projects of Bertolt Brecht, to the screenwriting of Sergei Eisenstein and the poetic scripts of the surrealists, The Modernist Screenplay offers a new angle on the relationship between film and literature. Based on the example of modernist screenwriting, the book proposes a pluralistic approach to screenplays, an approach that sees film scripts both as texts embedded in film production and as literary works in their own right. As a result, the sheer variety of different and experimental ways to tell stories in screenplays comes to light. The Modernist Screenplay explores how the earliest kind of experimental screenplays—the modernist screenplays—challenged normative ideas about the nature of filmmaking, the nature of literary writing, and the borders between the two.