Author: Robert Williams Buchanan
Publisher:
ISBN:
Category :
Languages : en
Pages : 352
Book Description
Selected Poems of Robert Buchanan
Author: Robert Williams Buchanan
Publisher:
ISBN:
Category :
Languages : en
Pages : 352
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 352
Book Description
The Book of a Thousand Poems
Author: Donald A MacKenzie
Publisher: Peter Bedrick Books
ISBN: 9780872260849
Category : Poetry
Languages : en
Pages : 636
Book Description
A collection of poems by writers ranging from William Blake and Henry W. Longfellow to Emily Dickinson and Robert L. Stevenson, arranged by topics such as The Seasons, Nursery Rhymes, and Lullabies and Cradle Songs.
Publisher: Peter Bedrick Books
ISBN: 9780872260849
Category : Poetry
Languages : en
Pages : 636
Book Description
A collection of poems by writers ranging from William Blake and Henry W. Longfellow to Emily Dickinson and Robert L. Stevenson, arranged by topics such as The Seasons, Nursery Rhymes, and Lullabies and Cradle Songs.
The City of Dream
Author: Robert Williams Buchanan
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 394
Book Description
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 394
Book Description
Selected Poems of Frederick Goddard Tuckerman
Author: Frederick Goddard Tuckerman
Publisher: Harvard University Press
ISBN: 9780674050488
Category : Literary Collections
Languages : en
Pages : 246
Book Description
Unlike Whitman, Dickinson, or Wordsworth, Frederick Goddard Tuckerman (1821–1873) never wanted to start a revolution in poetry. Nor did he—like Longfellow or his friend Tennyson—capture or ever try to represent the spirit of his age. Yet he remains one of America’s most passionate, moving, and technically accomplished poets of the nineteenth century: a New Englander through and through, a poet of the outdoors, wandering fields and wooded hillsides by himself, driven to poetry and the solitude of nature by the loss of his beloved wife. This is the persona we encounter again and again in Tuckerman’s sonnets and stanzaic lyric poetry. Correcting numerous errors in previous editions, this is the first reliable reading edition of Tuckerman’s poetry. Ben Mazer has painstakingly re-edited the poems in this selection from manuscripts at the Houghton Library. Included in this generous selection are several important poems omitted in The Complete Poems of Frederick Goddard Tuckerman. In her introduction to the volume, Stephanie Burt celebrates an extraordinary poet of mourning and nature—an anti-Transcendental—who in many ways seems closer to writers of our own century than to, say, Emerson or even Thoreau. Readers who enjoy the verse of Richard Wilbur, Anthony Hecht, or Mary Oliver will find much to admire in Tuckerman’s poetry.
Publisher: Harvard University Press
ISBN: 9780674050488
Category : Literary Collections
Languages : en
Pages : 246
Book Description
Unlike Whitman, Dickinson, or Wordsworth, Frederick Goddard Tuckerman (1821–1873) never wanted to start a revolution in poetry. Nor did he—like Longfellow or his friend Tennyson—capture or ever try to represent the spirit of his age. Yet he remains one of America’s most passionate, moving, and technically accomplished poets of the nineteenth century: a New Englander through and through, a poet of the outdoors, wandering fields and wooded hillsides by himself, driven to poetry and the solitude of nature by the loss of his beloved wife. This is the persona we encounter again and again in Tuckerman’s sonnets and stanzaic lyric poetry. Correcting numerous errors in previous editions, this is the first reliable reading edition of Tuckerman’s poetry. Ben Mazer has painstakingly re-edited the poems in this selection from manuscripts at the Houghton Library. Included in this generous selection are several important poems omitted in The Complete Poems of Frederick Goddard Tuckerman. In her introduction to the volume, Stephanie Burt celebrates an extraordinary poet of mourning and nature—an anti-Transcendental—who in many ways seems closer to writers of our own century than to, say, Emerson or even Thoreau. Readers who enjoy the verse of Richard Wilbur, Anthony Hecht, or Mary Oliver will find much to admire in Tuckerman’s poetry.
Dickinson
Author: Emily Dickinson
Publisher: Harvard University Press
ISBN: 0674048679
Category : Literary Criticism
Languages : en
Pages : 552
Book Description
Seamus Heaney, Denis Donoghue, William Pritchard, Marilyn Butler, Harold Bloom, and many others have praised Helen Vendler as one of the most attentive readers of poetry. Here, Vendler turns her illuminating skills as a critic to 150 selected poems of Emily Dickinson. As she did in The Art of Shakespeare’s Sonnets, she serves as an incomparable guide, considering both stylistic and imaginative features of the poems. In selecting these poems for commentary Vendler chooses to exhibit many aspects of Dickinson’s work as a poet, “from her first-person poems to the poems of grand abstraction, from her ecstatic verses to her unparalleled depictions of emotional numbness, from her comic anecdotes to her painful poems of aftermath.” Included here are many expected favorites as well as more complex and less often anthologized poems. Taken together, Vendler’s selection reveals Emily Dickinson’s development as a poet, her astonishing range, and her revelation of what Wordsworth called “the history and science of feeling.” In accompanying commentaries Vendler offers a deeper acquaintance with Dickinson the writer, “the inventive conceiver and linguistic shaper of her perennial themes.” All of Dickinson’s preoccupations—death, religion, love, the natural world, the nature of thought—are explored here in detail, but Vendler always takes care to emphasize the poet’s startling imagination and the ingenuity of her linguistic invention. Whether exploring less familiar poems or favorites we thought we knew, Vendler reveals Dickinson as “a master” of a revolutionary verse-language of immediacy and power. Dickinson: Selected Poems and Commentaries will be an indispensable reference work for students of Dickinson and readers of lyric poetry.
Publisher: Harvard University Press
ISBN: 0674048679
Category : Literary Criticism
Languages : en
Pages : 552
Book Description
Seamus Heaney, Denis Donoghue, William Pritchard, Marilyn Butler, Harold Bloom, and many others have praised Helen Vendler as one of the most attentive readers of poetry. Here, Vendler turns her illuminating skills as a critic to 150 selected poems of Emily Dickinson. As she did in The Art of Shakespeare’s Sonnets, she serves as an incomparable guide, considering both stylistic and imaginative features of the poems. In selecting these poems for commentary Vendler chooses to exhibit many aspects of Dickinson’s work as a poet, “from her first-person poems to the poems of grand abstraction, from her ecstatic verses to her unparalleled depictions of emotional numbness, from her comic anecdotes to her painful poems of aftermath.” Included here are many expected favorites as well as more complex and less often anthologized poems. Taken together, Vendler’s selection reveals Emily Dickinson’s development as a poet, her astonishing range, and her revelation of what Wordsworth called “the history and science of feeling.” In accompanying commentaries Vendler offers a deeper acquaintance with Dickinson the writer, “the inventive conceiver and linguistic shaper of her perennial themes.” All of Dickinson’s preoccupations—death, religion, love, the natural world, the nature of thought—are explored here in detail, but Vendler always takes care to emphasize the poet’s startling imagination and the ingenuity of her linguistic invention. Whether exploring less familiar poems or favorites we thought we knew, Vendler reveals Dickinson as “a master” of a revolutionary verse-language of immediacy and power. Dickinson: Selected Poems and Commentaries will be an indispensable reference work for students of Dickinson and readers of lyric poetry.
The Collected Prose of Robert Frost
Author: Robert Frost
Publisher: Harvard University Press
ISBN: 9780674024632
Category : Biography & Autobiography
Languages : en
Pages : 422
Book Description
Presents a collection of both published and unpublished prose pieces, including correspondence, articles, talks, readings, and stories.
Publisher: Harvard University Press
ISBN: 9780674024632
Category : Biography & Autobiography
Languages : en
Pages : 422
Book Description
Presents a collection of both published and unpublished prose pieces, including correspondence, articles, talks, readings, and stories.
Ballads of Life, Love and Humour
Author: Robert Williams Buchanan
Publisher: Palala Press
ISBN: 9781358820663
Category :
Languages : en
Pages :
Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Publisher: Palala Press
ISBN: 9781358820663
Category :
Languages : en
Pages :
Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Master of the Mine
Author: Robert Williams Buchanan
Publisher:
ISBN:
Category :
Languages : en
Pages : 332
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 332
Book Description
Rutherford B., Who Was He?
Author: Marilyn Singer
Publisher: Disney-Hyperion
ISBN: 9781423171003
Category : Juvenile Fiction
Languages : en
Pages : 0
Book Description
Forty-three men with forty-three passions, but with one thing in common: a presidential place in America's history. With her gift for unforgettable rhythm and innovative rhyme, Marilyn Singer brings the presidents of the United States to life-from Washington to Obama-and contextualizes them in their time. Illustrations by John Hendrix are full of hilarious wit and refined exuberance, and backmatter enriches the experience with short biographies, quotes by each president, and more.
Publisher: Disney-Hyperion
ISBN: 9781423171003
Category : Juvenile Fiction
Languages : en
Pages : 0
Book Description
Forty-three men with forty-three passions, but with one thing in common: a presidential place in America's history. With her gift for unforgettable rhythm and innovative rhyme, Marilyn Singer brings the presidents of the United States to life-from Washington to Obama-and contextualizes them in their time. Illustrations by John Hendrix are full of hilarious wit and refined exuberance, and backmatter enriches the experience with short biographies, quotes by each president, and more.
Democracy and Poetry
Author: Robert Penn Warren
Publisher: Harvard University Press
ISBN: 9780674196261
Category : Literary Criticism
Languages : en
Pages : 124
Book Description
In these two essays, one of America's most honored writers fastens on the interrelation of American democracy and poetry and the concept of selfhood vital to each. "I really don't want to make a noise like a pundit," Mr. Warren declares, "What I do want to do is to return us--and myself most of all--to a scrutiny of our own experience of our own world." Indeed, Democracy and Poetry offers one of the most pertinent and strongly personal meditations on our condition to have appeared in recent letters. Our native "poetry," that is, literature and art, in general, is a social document, is "diagnostic," and has often been a corrosive criticism of our democracy, Mr. Warren argues. Persuasively, and movingly, he shows that all of "art" and all that goes into the making of democracy require a free and responsible self. Yet the American experience has been one of the decay of the notion of self. Our astounding success jeopardized what we promised to create--the free man. For a century and a half the conception of the self has been dwindling, separating itself from traditional values, moral identity, and a secure relation with community. Lonely heroes in a bankrupt civilization, then protest, despair, aimlessness, and violence, have marked our literature. The anguish of Robert Penn Warren's own poetic vision of art and democracy is soothed only by his belief that poetry--the making of art can nourish and at least do something toward the rescue of democracy; he shows how art can be- come a healer, can be "therapeutic." In the face of disintegrative forces set loose in a business and technetronic society, it is poetry that affirms the notion of the self. It is a model of the organized self, an emblem of the struggle for the achieving self, and of the self in a community. More and more as our modern technetronic society races toward the abolition of the self, and diverges from a culture created to enhance the notion of selfhood, poetry becomes indispensable. Compelling, resonant, memorable, Democracy and Poetry is a major testament not only to the vitality of poetry, but also to a faith in democracy.
Publisher: Harvard University Press
ISBN: 9780674196261
Category : Literary Criticism
Languages : en
Pages : 124
Book Description
In these two essays, one of America's most honored writers fastens on the interrelation of American democracy and poetry and the concept of selfhood vital to each. "I really don't want to make a noise like a pundit," Mr. Warren declares, "What I do want to do is to return us--and myself most of all--to a scrutiny of our own experience of our own world." Indeed, Democracy and Poetry offers one of the most pertinent and strongly personal meditations on our condition to have appeared in recent letters. Our native "poetry," that is, literature and art, in general, is a social document, is "diagnostic," and has often been a corrosive criticism of our democracy, Mr. Warren argues. Persuasively, and movingly, he shows that all of "art" and all that goes into the making of democracy require a free and responsible self. Yet the American experience has been one of the decay of the notion of self. Our astounding success jeopardized what we promised to create--the free man. For a century and a half the conception of the self has been dwindling, separating itself from traditional values, moral identity, and a secure relation with community. Lonely heroes in a bankrupt civilization, then protest, despair, aimlessness, and violence, have marked our literature. The anguish of Robert Penn Warren's own poetic vision of art and democracy is soothed only by his belief that poetry--the making of art can nourish and at least do something toward the rescue of democracy; he shows how art can be- come a healer, can be "therapeutic." In the face of disintegrative forces set loose in a business and technetronic society, it is poetry that affirms the notion of the self. It is a model of the organized self, an emblem of the struggle for the achieving self, and of the self in a community. More and more as our modern technetronic society races toward the abolition of the self, and diverges from a culture created to enhance the notion of selfhood, poetry becomes indispensable. Compelling, resonant, memorable, Democracy and Poetry is a major testament not only to the vitality of poetry, but also to a faith in democracy.