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Author: Gwendolyn DuBois Shaw
Publisher: Duke University Press
ISBN: 0822386208
Category : Art
Languages : en
Pages : 209
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Book Description
One of the youngest recipients of a MacArthur “genius” grant, Kara Walker, an African American artist, is best known for her iconic, often life-size, black-and-white silhouetted figures, arranged in unsettling scenes on gallery walls. These visually arresting narratives draw viewers into a dialogue about the dynamics of race, sexuality, and violence in both the antebellum South and contemporary culture. Walker’s work has been featured in exhibits around the world and in American museums including the Museum of Modern Art, the Guggenheim, and the Whitney. At the same time, her ideologically provocative images have drawn vociferous criticism from several senior African American artists, and a number of her pieces have been pulled from exhibits amid protests against their disturbing representations. Seeing the Unspeakable provides a sustained consideration of the controversial art of Kara Walker. Examining Walker’s striking silhouettes, evocative gouache drawings, and dynamic prints, Gwendolyn DuBois Shaw analyzes the inspiration for and reception of four of Walker’s pieces: The End of Uncle Tom and the Grand Allegorical Tableau of Eva in Heaven, John Brown, A Means to an End, and Cut. She offers an overview of Walker’s life and career, and contextualizes her art within the history of African American visual culture and in relation to the work of contemporary artists including Faith Ringgold, Carrie Mae Weems, and Michael Ray Charles. Shaw describes how Walker deliberately challenges viewers’ sensibilities with radically de-sentimentalized images of slavery and racial stereotypes. This book reveals a powerful artist who is questioning, rather than accepting, the ideas and strategies of social responsibility that her parents’ generation fought to establish during the civil rights era. By exploiting the racist icons of the past, Walker forces viewers to see the unspeakable aspects of America’s racist past and conflicted present.
Author: Gwendolyn DuBois Shaw
Publisher: Duke University Press
ISBN: 0822386208
Category : Art
Languages : en
Pages : 209
Get Book Here
Book Description
One of the youngest recipients of a MacArthur “genius” grant, Kara Walker, an African American artist, is best known for her iconic, often life-size, black-and-white silhouetted figures, arranged in unsettling scenes on gallery walls. These visually arresting narratives draw viewers into a dialogue about the dynamics of race, sexuality, and violence in both the antebellum South and contemporary culture. Walker’s work has been featured in exhibits around the world and in American museums including the Museum of Modern Art, the Guggenheim, and the Whitney. At the same time, her ideologically provocative images have drawn vociferous criticism from several senior African American artists, and a number of her pieces have been pulled from exhibits amid protests against their disturbing representations. Seeing the Unspeakable provides a sustained consideration of the controversial art of Kara Walker. Examining Walker’s striking silhouettes, evocative gouache drawings, and dynamic prints, Gwendolyn DuBois Shaw analyzes the inspiration for and reception of four of Walker’s pieces: The End of Uncle Tom and the Grand Allegorical Tableau of Eva in Heaven, John Brown, A Means to an End, and Cut. She offers an overview of Walker’s life and career, and contextualizes her art within the history of African American visual culture and in relation to the work of contemporary artists including Faith Ringgold, Carrie Mae Weems, and Michael Ray Charles. Shaw describes how Walker deliberately challenges viewers’ sensibilities with radically de-sentimentalized images of slavery and racial stereotypes. This book reveals a powerful artist who is questioning, rather than accepting, the ideas and strategies of social responsibility that her parents’ generation fought to establish during the civil rights era. By exploiting the racist icons of the past, Walker forces viewers to see the unspeakable aspects of America’s racist past and conflicted present.
Author: Gwendolyn DuBois Shaw
Publisher: Duke University Press
ISBN: 9780822333968
Category : Art
Languages : en
Pages : 220
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Book Description
DIVThe first book analyzing the artistic production and critical reception of Kara Walker, a young African-American artist whose controversial work deals with unsettling themes of racism./div
Author: Steven Johnson Leyba
Publisher: Last Gasp
ISBN: 9780867195057
Category : Art
Languages : en
Pages : 162
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Book Description
This volume documents the Unspeakable Art and Performances of Reverend Steven Johnson Loyba a natived American artist whose ritualistic, sexual adn political mixed media paintings and performances reflect our times with a reicentiess and fiorcely unapologetic vision Redemer of the swastika and dosecrator of the American flag 'to mock; blind nationalism and patriotism Leqba is a master of art as social satire giving birth to conroversies and theretical debatos alike.
Author: Susan Burch
Publisher: Univ of North Carolina Press
ISBN: 0807884340
Category : Social Science
Languages : en
Pages : 315
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Book Description
Junius Wilson (1908-2001) spent seventy-six years at a state mental hospital in Goldsboro, North Carolina, including six in the criminal ward. He had never been declared insane by a medical professional or found guilty of any criminal charge. But he was deaf and black in the Jim Crow South. Unspeakable is the story of his life. Using legal records, institutional files, and extensive oral history interviews--some conducted in sign language--Susan Burch and Hannah Joyner piece together the story of a deaf man accused in 1925 of attempted rape, found insane at a lunacy hearing, committed to the criminal ward of the State Hospital for the Colored Insane, castrated, forced to labor for the institution, and held at the hospital for more than seven decades. Junius Wilson's life was shaped by some of the major developments of twentieth-century America: Jim Crow segregation, the civil rights movement, deinstitutionalization, the rise of professional social work, and the emergence of the deaf and disability rights movements. In addition to offering a bottom-up history of life in a segregated mental institution, Burch and Joyner's work also enriches the traditional interpretation of Jim Crow by highlighting the complicated intersections of race and disability as well as of community and language. This moving study expands the boundaries of what biography can and should be. There is much to learn and remember about Junius Wilson--and the countless others who have lived unspeakable histories.
Author: Meghan Daum
Publisher: Farrar, Straus and Giroux
ISBN: 0374710066
Category : Literary Collections
Languages : en
Pages : 257
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Book Description
A master of the personal essay candidly explores love, death, and the counterfeit rituals of American life in this "brave, funny compendium" (Slate) Nearly fifteen years after her debut collection, My Misspent Youth, captured the ambitions and anxieties of a generation, Meghan Daum returns to the personal essay with The Unspeakable, a powerful collection of ten new works. Where her previous collection explores what it is to be a struggling twenty-something urban dweller with an overdrawn bank account and oversized ambition, The Unspeakable contends with parental death, the decision not to have children, and more-a new set of challenges tackled by a writer at her best, investigated in the same uncompromising voice that made Daum one of the most engaging thinkers writing today. In The Unspeakable, Daum pushes back against the false sentimentality and shrink-wrapped platitudes that surround so much of the contemporary American experience. But Daum also operates in a comic register. With perfect precision, she reveals the absurdities of the New Age search for the "Best Possible Experience," champions the merits of cream-of-mushroom-soup casserole, and gleefully recounts a quintessential "only-in-L.A." story of playing charades at a famous person's home. Combining the piercing insight of Joan Didion with humor reminiscent of Nora Ephron's, Daum dissects our culture's most dangerous illusions while retaining her own joy and compassion. Through it all, she dramatizes the search for an authentic self in a world where achieving an identity is never simple and never complete.
Author: Chris Hedges
Publisher: Skyhorse
ISBN: 1510712747
Category : Political Science
Languages : en
Pages : 159
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Book Description
Chris Hedges on the most taboo topics in America, with David Talbot. The War on Terror is a profitable crusade against convenient enemies. “Muslim rage” is an understandable response to US state terror. Rising oligarchy in America has made democracy a sham and turned the electoral process into an increasingly absurd circus. Police violence against minorities is part of a systematic effort to crush social discontent. Proliferating violence against women’s health clinics is part of the war on women’s bodies. Freedom of speech is an illusion, with government agencies and corporate media dictating acceptable boundaries of public discourse. America’s only hope is a revolution to create genuine structures of popular power. This kind of insight into America’s deeply troubled current state cannot be found on television, in the pages of leading newspapers, or on Google News. Many of our most important thinkers are relegated to the shadows because their ideas are deemed too radical—or true—for public consumption. Among these intellectual bomb throwers is Chris Hedges, who, after decades on the front lines, continues to confront power in America in the most incisive, challenging ways. Hedges’s unfettered conversation with Hot Books editorial director David Talbot— founder of Salon and author of New York Times bestseller, The Devil’s Chessboard: Allen Dulles, the CIA and the Rise of America’s Secret Government—will be the first in a series for Hot Books called “Unspeakable,” featuring some of the most important – and censored – voices in the world today.
Author: Sandra Brown
Publisher: Grand Central Publishing
ISBN: 1455546453
Category : Fiction
Languages : en
Pages : 384
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Book Description
A drifter working as a ranch hand in East Texas must protect a widow and her young son from the ruthless criminal who is determined to destroy them. Carl Herbold is a cold-blooded psychopath who has just escaped the penitentiary where he was serving a life sentence. Bent on revenge, he's going back to where he began: Blewer County, Texas. Born deaf and recently widowed, Anna Corbett fights to keep the ranch that is her son's birthright, unaware that she is at the center of Herbold's horrific scheme -- and that her world of self-imposed isolation is about to explode . . . When drifter Jack Sawyer arrives at Anna's ranch asking for work, he makes it his mission to protect the innocent woman and her son from Herbold's rage. But Sawyer can't outrun the secrets that stalk him -- or the day of reckoning awaiting them all.
Author: Nancy Princenthal
Publisher: National Geographic Books
ISBN: 0500023050
Category : Art
Languages : en
Pages : 0
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Book Description
A groundbreaking exploration of how women artists of the 1970s combined art and protest to make sexual violence visible, creating a new kind of art in the process. The 1970s was a time of deep division and newfound freedoms. Galvanized by The Second Sex and The Feminine Mystique, the civil rights movement and the March on Washington, a new generation put their bodies on the line to protest injustice. Still, even in the heart of certain resistance movements, sexual violence against women had reached epidemic levels. Initially, it went largely unacknowledged. But some bold women artists and activists, including Yoko Ono, Ana Mendieta, Marina Abramovic´, Adrian Piper, Suzanne Lacy, Nancy Spero, and Jenny Holzer, fired up by women’s experiences and the climate of revolution, started a conversation about sexual violence that continues today. Some worked unannounced and unheralded, using the street as their theater. Others managed to draw support from the highest levels of municipal power. Along the way, they changed the course of art, pioneering a form that came to be called simply, performance. Award-winning author Nancy Princenthal takes on these enduring issues and weaves together a new history of performance, challenging us to reexamine the relationship between art and activism, and how we can apply the lessons of that turbulent era to today.
Author: Os Guinness
Publisher: Harper Collins
ISBN: 0060833009
Category : Religion
Languages : en
Pages : 258
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Book Description
We are still surprised by evil. From Auschwitz to the events of September 11, we have been shocked into recognizing the startling capacity for evil within the human heart. We now know 9/11 revealed that our country was unprepared in terms of national security, but it also showed we were intellectually and morally unprepared to deal with such a barbaric act. Our language to describe evil and our ethical will to resist it have grown uncertain and confused. Many who speak unabashedly of evil are dismissed as simplistic, old–fashioned, and out of tune with the realities of modern life. Yet we must have some kind of language to help us understand the pain and suffering at the heart of human experience. Author and speaker Os Guinness confronts our inability to understand evil – let alone respond to it effectively – by providing both a lexicon and a strategy for finding a way forward. Since 9/11, much public discussion has centered on the destructiveness of extremist religion. Guinness provocatively argues that this is far from an accurate picture and too easy an explanation. In this expansive exploration of both the causes of modern evil and solutions for the future, he faces our tragic recent past and our disturbing present with courageous honesty. In order to live an "examined life," Guinness writes, we must come to terms with our beliefs regarding evil and ultimately join the fight against it. Addressing individuals as well as a traumatized culture, Unspeakable is an invitation to explore the challenge of contemporary evil, a call to confront our culture of fear, and a journey to find words to come to terms with the unspeakable so that it will no longer leave us mute.
Author: Carole Boston Weatherford
Publisher: Carolrhoda Books ®
ISBN: 172842464X
Category : Juvenile Nonfiction
Languages : en
Pages : 40
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Book Description
Winner of the Coretta Scott King Book Awards for Author and Illustrator A Caldecott Honor Book A Sibert Honor Book Longlisted for the National Book Award A Kirkus Prize Finalist A Boston Globe-Horn Book Honor Book "A must-have"—Booklist (starred review) In the early 1900s, Tulsa, Oklahoma, was home to a thriving African American community. The Greenwood District had its own school system, libraries, churches, restaurants, post office, movie theaters, and more. But all that would change in the course of two terrible, unspeakable days. On May 31 and June 1, 1921, a mob of armed white Tulsans attacked Greenwood. They looted homes and businesses and burned them to the ground as Black families fled. The police did nothing to protect Greenwood, and as many as three hundred African Americans were killed. More than eight thousand were left homeless. News of the Tulsa Race Massacre—one of the worst incidents of racial violence in US history—was largely suppressed, and no official investigation occurred for seventy-five years. Celebrated author Carole Boston Weatherford and acclaimed illustrator Floyd Cooper provide a sensitive and powerful introduction to the Tulsa Race Massacre, helping young readers understand the events of the past so we can move toward a better future for all. Download the free educator guide here: https://lernerbooks.com/download/unspeakableteachingguide
