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Author: Mary Elizabeth O'Connor
Publisher: McGill-Queen's Press - MQUP
ISBN: 077353119X
Category : Biography & Autobiography
Languages : en
Pages : 351
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Book Description
A richly illustrated and vivid account of the life and work of an important Canadian modernist photographer.
Author: Mary Elizabeth O'Connor
Publisher: McGill-Queen's Press - MQUP
ISBN: 077353119X
Category : Biography & Autobiography
Languages : en
Pages : 351
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Book Description
A richly illustrated and vivid account of the life and work of an important Canadian modernist photographer.
Author: Peter C. Emberley
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773573658
Category : Political Science
Languages : en
Pages : 229
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Book Description
This first retrospective following Grant's death examines the significance of his major work, Lament For a Nation. The essays by philosophers, artists, theologians, political scientists and Canadian nationalists assess the impact of this important Canadian's work, and the intellectual legacy he has left behind.
Author: Tony Blackshaw
Publisher: Psychology Press
ISBN: 9780415355049
Category : Biography & Autobiography
Languages : en
Pages : 196
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Book Description
This timely book provides the definitive concise introduction to Zygmunt Bauman. A well-written text, it assumes no prior knowledge of his work and will appeal to those wishing to explore the ideas of one of the world's most wide-ranging thinkers.
Author: Kristina Huneault
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773539662
Category : Art
Languages : en
Pages : 473
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Book Description
The first collection of scholarly essays on women and art in Canadian history.
Author: Anthony Molino
Publisher: Wesleyan University Press
ISBN: 9780819564818
Category : Psychology
Languages : en
Pages : 270
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Book Description
A unique authoritative analysis of the individual an social concerns informing the politics of contemporary psychoanalysis.
Author: Wayne Morrison
Publisher: Routledge
ISBN: 113542702X
Category : Law
Languages : en
Pages : 540
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Book Description
This book incorporates many of the exciting debates in the social sciences and philosophy of knowledge concerning the issues of modernity and post-modernism. It sets out a new project for criminology, a criminology of modernity, and offers a sustained critique of theorizing without a concern for social totalities. This book is designed to place criminological theory at the cutting edge of contemporary debates. Wayne Morrison reviews the history and present state of criminology and identifies a range of social problems and large scale social processes which must be addressed if the subject is to attain intellectual commitment. This book marks a new development in criminological texts and will serve a valuable function not only for students and academics but for all those interested in the project of understanding crime in contemporary conditions.
Author: Sarah C. Humphreys
Publisher: Springer Science & Business Media
ISBN: 3642330711
Category : Social Science
Languages : en
Pages : 351
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Book Description
This book presents critical studies of modern reconfigurations of conceptions of the past, of the 'classical', and of national heritage. Its scope is global (China, India, Egypt, Iran, Judaism, the Greco-Roman world) and inter-disciplinary (textual philology, history of art and architecture, philosophy, gardening). Its emphasis is on the complexity of the modernization process and of reactions to it: ideas and technologies travelled from India to Iran and from Japan to China, while reactions show tensions between museumization and the recreation of 'presence'. It challenges readers to rethink the assumptions of the disciplines in which they were trained
Author: Mary O'Connor
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773575669
Category : Photography
Languages : en
Pages : 350
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Book Description
Mary O'Connor and Katherine Tweedie tell the story of a dedicated artist in difficult circumstances whose working life spanned a Victorian upbringing in Hamilton, Ontario, and the witnessing of the first Soviet Five-Year Plan. The authors use feminist and historical questions as well as close readings of the photographs to relate Watkins' work to questions of gender, modernity, and visual culture. Watkins' modernism, which involved experimentation and a radical focus on form, transgressed boundaries of conventional, high-art subject matter. Her focus was daily life and her photographs, whether an exploration of the objects in her New York kitchen or the public and industrial spaces of Glasgow, Paris, Cologne, Moscow, and Leningrad in the 1930s, strike a balance between abstraction and an evocation of the everyday, offering a unique gendered perspective on modernism and modernity.
Author: Richard Wolin
Publisher: Princeton University Press
ISBN: 0691192103
Category : Political Science
Languages : en
Pages : 422
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Book Description
Ever since the shocking revelations of the fascist ties of Martin Heidegger and Paul de Man, postmodernism has been haunted by the specter of a compromised past. In this intellectual genealogy of the postmodern spirit, Richard Wolin shows that postmodernism’s infatuation with fascism has been extensive and widespread. He questions postmodernism’s claim to have inherited the mantle of the Left, suggesting instead that it has long been enamored with the opposite end of the political spectrum. Wolin reveals how, during in the 1930s, C. G. Jung, Hans-Georg Gadamer, Georges Bataille, and Maurice Blanchot were seduced by fascism's promise of political regeneration and how this misapprehension affected the intellectual core of their work. The result is a compelling and unsettling reinterpretation of the history of modern thought. In a new preface, Wolin revisits this illiberal intellectual lineage in light of the contemporary resurgence of political authoritarianism.
Author: Jennifer Scappettone
Publisher: Columbia University Press
ISBN: 0231537743
Category : Literary Criticism
Languages : en
Pages : 481
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Book Description
As a city that seems to float between Europe and Asia, removed by a lagoon from the tempos of terra firma, Venice has long seduced the Western imagination. Since the 1797 fall of the Venetian Republic, fantasies about the sinking city have engendered an elaborate series of romantic clichés, provoking conflicting responses: some modern artists and intellectuals embrace the resistance to modernity manifest in Venice's labyrinthine premodern form and temporality, whereas others aspire to modernize by "killing the moonlight" of Venice, in the Futurists' notorious phrase. Spanning the history of literature, art, and architecture—from John Ruskin, Henry James, and Ezra Pound to Manfredo Tafuri, Italo Calvino, Jeanette Winterson, and Robert Coover—Killing the Moonlight tracks the pressures that modernity has placed on the legacy of romantic Venice, and the distinctive strains of aesthetic invention that resulted from the clash. In Venetian incarnations of modernism, the anachronistic urban fabric and vestigial sentiment that both the nation-state of Italy and the historical avant-garde would cast off become incompletely assimilated parts of the new. Killing the Moonlight brings Venice into the geography of modernity as a living city rather than a metaphor for death, and presents the archipelago as a crucible for those seeking to define and transgress the conceptual limits of modernism. In strategic detours from the capitals of modernity, the book redrafts the confines of modernist culture in both geographical and historical terms.
