Secular medieval Latin song PDF Download
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Author: Bryan Gillingham
Publisher:
ISBN:
Category : Music
Languages : la
Pages : 508
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Book Description
Author: Bryan Gillingham
Publisher:
ISBN:
Category : Music
Languages : la
Pages : 508
Get Book Here
Book Description
Author: Bryan Gillingham
Publisher: Institute of Mediaeval Music
ISBN:
Category : Music
Languages : en
Pages : 234
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Book Description
Author: Bryan Gillingham
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 336
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Book Description
Author: Mary Channen Caldwell
Publisher: Cambridge University Press
ISBN: 1009049984
Category : Music
Languages : en
Pages : 313
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Book Description
Throughout medieval Europe, male and female religious communities attached to churches, abbeys, and schools participated in devotional music making outside of the chanted liturgy. Newly collating over 400 songs from primary sources, this book reveals the role of Latin refrains and refrain songs in the musical lives of religious communities by employing novel interdisciplinary and analytical approaches to the study of medieval song. Through interpretive frameworks focused on time and temporality, performance, memory, inscription, and language, each chapter offers an original perspective on how refrains were created, transmitted, and performed. Arguing for the Latin refrain's significance as a marker of form and meaning, this book identifies it as a tool that communities used to negotiate their lived experiences of liturgical and calendrical time; to confirm their communal identity and belonging to song communities; and to navigate relationships between Latin and vernacular song and dance that emerge within their multilingual contexts.
Author: Bryan Gillingham
Publisher:
ISBN:
Category : Church music
Languages : en
Pages : 346
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Book Description
Author: David J. Rothenberg
Publisher: Oxford University Press
ISBN: 019987557X
Category : Music
Languages : en
Pages : 283
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Book Description
There is a striking similarity between Marian devotional songs and secular love songs of the late Middle Ages and Renaissance. Two disparate genres--one sacred, the other secular; one Latin, the other vernacular--both praise an idealized, impossibly virtuous woman. Each does so through highly stylized derivations of traditional medieval song forms--Marian prayer derived from earlier Gregorian chant, and love songs and lyrics from medieval courtly song. Yet despite their obvious similarities, the two musical and poetic traditions have rarely been studied together. Author David J. Rothenberg takes on this task with remarkable success, producing a useful and broad introduction to Marian music and liturgy, and then coupling that with an incisive comparative analysis of these devotional forms and the words and music of secular love songs of the period. The Flower of Paradise examines the interplay of Marian devotional and secular poetics within polyphonic music from ca. 1200 to ca. 1500. Through case studies of works that demonstrate a specific symbolic resonance between Marian devotion and secular song, the book illustrates the distinctive ethos of this period in European culture. Rothenberg makes use of an impressive command of liturgical and religious studies, literature and poetry, and art history to craft a study with wide application across disciplinary boundaries. With its broad scope and unique, incisive analysis, this book will open up new ways of thinking about the history and development of secular and sacred music and the Marian tradition for scholars, students, and anyone with an interest in medieval and Renaissance religious culture.
Author: Mary Channen Caldwell
Publisher: Cambridge University Press
ISBN: 1316517195
Category : History
Languages : en
Pages : 313
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Book Description
This book reveals the importance of sung refrains in the musical lives of religious communities in medieval Europe.
Author: Mark Everist
Publisher: Cambridge University Press
ISBN: 1108606016
Category : Music
Languages : en
Pages : 412
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Book Description
The Conductus repertory is the body of monophonic and polyphonic non-liturgical Latin song that dominated European culture from the middle of the twelfth century to the beginning of the fourteenth. In this book, Mark Everist demonstrates how the poetry and music interact, explores how musical structures are created, and discusses the geographical and temporal reach of the genre, including its significance for performance today. The volume studies what medieval society thought of the Conductus, its function in medieval society - whether paraliturgical or in other contexts - and how it fitted into patristic and secular Latin cultures. The Conductus emerges as a genre of great poetic and musical sophistication that brought the skills of poets and musicians into alignment. This book provides an all-encompassing view of an important but unexplored repertory of medieval music, engaging with both poetry and music even-handedly to present new and up-to-date perspectives on the genre.
Author: Ross W. Duffin
Publisher: Indiana University Press
ISBN: 9780253215338
Category : Music
Languages : en
Pages : 618
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Book Description
A Performer's Guide to Medieval Music is an essential compilation of essays on all aspects of medieval music performance, with 40 essays by experts on everything from repertoire, voices, and instruments to basic theory. This concise, readable guide has proven indispensable to performers and scholars of medieval music.
Author: C T Hadavas
Publisher: Independently Published
ISBN: 9781070653563
Category :
Languages : en
Pages : 152
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Book Description
This book provides vocabulary and commentary to 20 Medieval Latin poems/ songs from the collection known as the Carmina Burana, the most important surviving compilation of Medieval Latin secular verse from the European Middle Ages. Although the selection of these 20 works from the more than 250 pieces still extant is a personal one, examples from the three most important of the Carmina's four main thematic groups are included: moral/satirical, love, and tavern life.The notes give the Classical Latin equivalents of all Medieval Latin forms found in these texts, indicate the occasional differences from Classical Latin grammatical usage, explicate certain syntactical and grammatical aspects that may be challenging for intermediate students, point out some (not all!) of the various literary/rhetorical figures and tropes that are employed, and supply information on historical, social, cultural, and literary issues raised by these works. In order to encourage reading of the texts out loud (an essential component of these lyrics' poetic and musical essence, and one that often works hand-in-glove with the literary/rhetorical figures and tropes used), a section of the introduction is devoted to the various types of meter encountered, with special emphasis on those of an accentual-rhythmical nature, since these are not encountered in Classical Latin verse.
